J2P and P2J Ver 1

Total Page:16

File Type:pdf, Size:1020Kb

J2P and P2J Ver 1 RADIO-TV ntramP,orolop*Iogim Country TV'ers on Coast -to -Coast Hayride Continued from page 1 would have worked between 180 -200 days of personal ap- or more markets before the end pearances. Besides their TV SYNDICATED COUNTRY MUSIC TV SHOWS of the year. "Tubb is a very show, the Wil -Helm Agency, SHOWS IN hot property." Stinson said he and their personal appearances, SHOW STAR(S) PRODUCED BY MARKETS CAN had eight shows taped so far, the Wilburns are also involved "American Swingaround" (Chris Lane, emcee) Jerry Gregoris 10 but had contracted for 156, in the three publishing firms Features guest artists ABC Films with an option for 156 more. of Sure -Fire, Tenn -Tex, and Chicago. III. The show went into syndica- Bronze. (312) AN 34800 tion Oct. 2. Stinson said he The Arthur Smith Show" Anhur (Guitar Boogie) Smith Arthur Smith 30 plus Ith year Hubert Long, head of the Crossroads Quartet Jefferson Productions tapes four shows at a time, but Hubert Long Talent Agency and Carlene (Sam) Howell Charlotte, N. C. there will be no repeats or re- other music operations in Nash- Tommy Falle Wayne Hau runs. "stations that play ville, said he felt country TV this show will get fresh music shows were a "career- building "The Bill Anderson Show" Bill Anderson Bob Poole 35 42 Jean Sheppard Poole Productions, Inc. that's on the charts at the time thing for an artist. The ex- Grandpa Jones Greenville, S. C. they feature the show." posure must help." (803) 239 -3316 See Huge Demand Shows 'Doing Great' 'The Baty Grammer Show" Billy Grammer Lavidge, Davis á Newman 17 20 Hal Smith Enterprises Jane Dowden, chief of Show Homesteaders Knoxville, Tenn. launched the show, according to Biz Inc. which owns and pro- Barbara Allen (615) 525.6173 Stinson, because "the next three "The Bobby Lord Show" Bobby Lord Elmer Alley, Prod. Mgr. 22 17 duces four of the major syn- WSM -TV years will be the biggest country dicated country music shows- Nashville, Tenn. music has ever had. The demand "The Wilburn Brothers Show," "The Cad Smith Country Carl Smith Moeller Talent, Inc. Network in 2nd year for all kinds of country music "The Porter Wagoner Show," Music Hall". Nashville, Tenn. Canada product is going to be great." "The Flatt & Scruggs Show," (615) 255.6611 Exposure the Key and "The Grand Ole Opry "The Ernest Tubb Show" Ernest Tubb Hal Smith TV Programs, Inc. 15 8 All of the shows would like Willie Nelson Goodlettsvine. Tenn. Show" -said all of the shows Wade Ray (614) 859 -1345 to make money -and some of were doing "great." In several Lois Johnson them do fairly well. The key major markets such as Chatta- Lynda Flanagan element in most of the shows, nooga, Raleigh, St. Louis, "The Flatt á Scruggs Show" Lester Hatt, Earl Scruggs Show Biz, Inc. 25 12th year however, is exposure. Teddy Birmingham, Nashville, Tenn. Memphis, Fort (615) 244 -1210 Wilburn of the Wilburn Broth- Worth, and Flint, Mich., the "The Grand Ole Opry" Guest stars Show Biz, Inc. 13 selected new ers admits that the direct salary shows occupy what is referred Nashville, Tenn. markets derived from "The Wilburn to as a solid block - two or (615) 244 -1210 Brothers Show" is "very small; three shows running back -to- "The LeRoy Van Dyke Show" LeRoy Van Dyke Bandshen Productions 13 indirectly, however, very large." back. They're pulling audiences Nashville, Tenn. He attributes the TV show, seen ranging from 75,000 to 125,000, (615) 255.6277 in 40 or more markets, as help- she said, and undis- "Music Vinage" Wanda Jackson Wendell Goodman 4 12 ranking Mike Lane P. O. Box 1702 ing to make a star out of Lo- puted No. 1 in many markets. Wayne Kemp Oklahoma City, Okla. retta Lynn. The Wil -Helm When Show Biz developed Black Mt. Boys (405) MU 1-6716 Agency, part of the Wilburn the solid block project for a "The Porter Wagoner Show" Porter Wagoner Show Biz. Inc. 75 plus 5th year enterprises, is Loretta Lynn's late afternoon or evening, "we Norma lean Nashville. Tenn. booking agent. had nothing to go on but the Charles (Buck) Trent (615) 2441210 "Star Route.** Rod Cameron Medallion Productions 65 26 He said the shows also def- seat of our pants." The shows Hollywood. Calif. initely help record sales. "I can have done so well, however, The WGN Barn Dance Red Blanchard WGN -TV 43 48 tell it each time we get a that "There's reason to believe (also in color) Bob Atcher. Arkie the Chicago. III. royalty statement from the rec- the firm will get into another Arkansas Woodchopper, (312) 528.2311 The Johnson Sisters ord company." country music show soon. Brothers show The Wilburn Brothers Show" The Wilburn Brothers Show Biz, Inc. 40 3rd year Loretta Lynn Nashville, Tenn. was originally bought by the Grammer Taping Harold Morrison (615) 244 -1210 Garrett and Dental Snuff Co. Last week, Billy Grammer Planning syndication. for 19 cities. It went on the air spent two or three days in **Still in circulation, though new shows are not presently being taped. in May 1963, and "the month of Knoxville taping four episodes July saw the first increase in of "The Billy Grammer Show," their sales since during World produced by the Lavidge, War II," Wilburn said. Now, Davis & Newman firm. The however, the show is taped raison d'etre behind this show, open -end, which allows a TV according to producer James station to sell the show to a McGhee, is the firm started a local advertiser and insert their show last January for a patent advertisement in the open spots. medicine company. That show The rehearsal, rundown, and did well in some markets and everything is all done within pooped out in other areas. three hours for each half -hour "We decided to upgrade the show. There is no script and show and the talent, so we the pacing is up to Wilburn. negotiated with Billy Grammer. He tries to get about nine or The show started in the mar- 10 songs into each show, two kets in September and has done of which are instrumentals. "We so well the firm of Lavidge, keep the show moving. Davis & Newman is thinking "THE ARTHUR SMITH SHOW" has featured some "THE WILBURN BROTHERS SHOW" stars Teddy and and if we do say something, we of a second syndicated TV rather elite show within guests, including Billy Graham and Doyle Wilburn (note guitars) and features Loretta try to keep it humorous, if two or three Richard Nixon. Star of the show is Arthur (Guitar Lynn Harold Morrison, the to and in checkered jacket. Teddy possible. months, though artist Boogie) Smith, sitting on the stool, and the half -hour Wilburn believes the TV show helps sell their records "Mainly, I feel it's important head this project has not been program is seen throughout the South. It originates as well as draw larger crowds to personal appearance to present our guest artists as determined yet," McGhee said. in Charlotte, N. C. shows. well as our regulars as best as Lord Show Packaged possible. The exposure is the Although WSM -TV studios show uses both U. S. and Ca- for TV, according to Dolph in 1964. The format of the main thing for the artist, be- are the birthplace of many of nadian artists as guests each Hewitt. The "National Barn show, said Hewitt, one of the cause the money paid is not the syndicated TV shows, the show. Dance" started on radio in 1924. artists on the show, is aimed at do feel, though. only one actually packaged at that great. We The "WGN Barn Dance" is The TV version, however, was a northern audience. "If you artist's record sales and present by the station is the that the merely the old National Barn launched in 1963 in Chicago take away the guitars, we feel a live on Lord his price for show the "Bobby Show." Elmer Dance radio show spruced up and only went into syndication (Continued on pane 56) road is greater as a result of ex- Alley, production manager, said posure on our show." Songs on he was "really surprised with the show are usually the cur- the acceptance" of the show. rent hit records of the artists. The only handicap "is that a Some of the guests on the lot of TV stations want it in show have included Ernest color. So we hope to do the Laurie Digs Deep to Get Airplay Tubb, Roy Acuff, Red Foley, show in color within the corn- Johnny Tillotson, and Bobby ing or the following season." NEW YORK -Laurie Rec- Youngstown and Toledo, Ohio, launched this venture about Bare. Among the guests who've ap- ords is venturing more afield to and Milwaukee. two years ago, and Mathews said Taping Unscheduled peared on the show are LeRoy break records, vice -president and "There are similar areas all it has proved highly accurate. The Wilburn Brothers tape Van Dyke, the Carter Family, sales manager Eddie Mathews over the nation that could be "Right now, we've four records their TV shows on random and Roy Acuff. reported Thursday (4). With used for testing records, but we in smaller markets getting sales. weekends in town when WSM - "The Carl Smith Country radio stations tending toward use the ones we can monitor If the sales don't warrant further TV studios are available; some- Music Hall" originates in To- shorter and shorter playlists, personally," Mathews said.
Recommended publications
  • Good 'N Country 7-10-2021 Playlist
    Good 'N Country 7-10-2021 playlist Artist Title Album Label Year Ashton Shepherd Beer On A Boat Where Country Grows MCA 2011 Moe Bandy Mind Your Own Business Here I Am Drunk Again (LP) Columbia 1976 Jim Reeves Blue Side Of Lonesome The Country Side Of Jim Reeves (LP) Camden 1962 George Hamilton IV Blue Train (Of The Heartbreak Line) RCA Victor 1972 Tracy Lawrence Used To The Pain (recorded 2004) Then And Now: The Hits Collection Dreamworks 2018 Lonzo & Oscar It Must'A Been Somethin; I Et Decca 1951 The Maddox Brothers & Rose Detour #2 (recorded 1950) 4 Star 1952 Charlie Gore The Moon Won't Tell King 1953 Sonny James A Free Roamin' Mind It's Just A Matter Of Time (LP) Capitol 1970 Carl Belew Hello Out There RCA Victor 1962 Ray Price City Lights Columbia 1958 Chickie Williams Beyond The Sunset Wheeling 1947 The Wilburn Brothers Someone Before Me Decca 1966 Bobby Barnett Burn Atlanta Down All American 1978 Jerry Wallace My Wife's House MCA 1974 Vern Gosdin 'Til The End (w/ Janie Fricke) Elektra 1977 Rhonda Vincent Drivin' Nails (In My Coffin) Only Me Upper Management 2014 Billy Yates Tell Me I'm Wrong Bill's Barber Shop M.O.D. 2009 McGuffey Lane Bartender 10 Lick 2010 Bob Wills Dusty Skies Okeh 1942 Kitty Wells Heartbreak U.S.A. Decca 1961 Dave & Sugar The Door Is Always Open RCA Victor 1976 Janie Fricke Don't Worry 'Bout Me Baby Columbia 1982 Alan Jackson Don't Rock The Jukebox Arista 1991 John Anderson Money In The Bank BNA 1993 Linda Martell There Never Was A Time Color Me Country (LP) Plantation 1970 Michael Peterson Laughing All The
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] Town Hall Party Die 'Town Hall Party' gehörte Anfang 1952 zu den ersten Country Music Shows, die im amerikanischen Fernsehen ausgestrahlt wurden und lief dort bis zum Beginn des Jahres 1961. Sie kam jeden Samstag aus einem Theater in Compton, einem Vorort von Los Angeles. Die Bühne war hergerichtet wie eine alte Scheune – dies sollte dieselbe Stimmung vermitteln, die schon drei Jahr- zehnte zuvor bei den Live-Shows vorherrschte, die über den Hörfunk gesendet worden waren. Obwohl sich Nashville sehr schnell als das kommerzielle Zentrum der Country Music etabliert hatte, gab es auch an der ameri- kanischen Westküste ein gewaltiges Fan-Potential für eine Show wie diese. In dieser Region lebten seit den 30er Jahren viele Men- schen, die es aus der Dust Bowl dorthin verschlagen hatte – während des Zweiten Weltkriegs kamen zusätzlich viele Arbeiter hinzu, die Jobs in den Munitions- und Waffenfabriken suchten. Sie alle liebten Country Music, und folglich entwickelte sich eine völlig neue Szene mit einem eigenen Sound, neuen Künstlern, Clubs, Plattenlabels, Radio-Shows und natürlich auch passenden Fernsehprogrammen. Die 'Town Hall Party' wurde rund um einen hauseigenen Interpretenstamm entwickelt, der einem 'Who's Who' der Westküsten- Szene glich – mit Künstlern wie Joe Maphis, Merle Travis, Skeets McDonald, Johnny Bond und Tommy Duncan. Gastgeber waren Jay Stewart (er präsentierte später auch die TV-Quiz-Show 'Let's Make A Deal') und Tex Ritter. In die wöchentlich ausgestrahlte Show wurden stets auch hochkarätige Gäste eingeladen – und die kamen gern, denn die Show war ungemein populär und das permanent wichtiger werdende Fernsehen erwies sich als perfektes Medium, um sich als Künstler völlig neuen Zuschauerschichten vorstellen zu können.
    [Show full text]
  • Greenup County, You Have a of June in Pike County
    J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians.
    [Show full text]
  • Various First Generation of Country Music Mp3, Flac, Wma
    Various First Generation of Country Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: First Generation of Country Music Country: Germany Released: 1982 MP3 version RAR size: 1464 mb FLAC version RAR size: 1112 mb WMA version RAR size: 1933 mb Rating: 4.9 Votes: 243 Other Formats: MOD MP3 AC3 WMA APE MP1 AA Tracklist A1 –Billy Walker Charlie's Shoes A2 –Justin Tubb Lonesome 7-7203 A3 –The Wilburn Brothers Making Plans A4 –Jean Shepard Slippin' Away A5 –Charlie Louvin See The Big Man Cry A6 –Ernest Tubb, Willie Nelson Waltz Across Texas B1 –Stonewall Jackson Waterloo B2 –Jan Howard Bad Seed B3 –The Wilburn Brothers Roll Muddy River B4 –The Vic Willis Trio Shenandoah B5 –Justin Tubb Take a Letter Miss Gray B6 –Ray Pillow Thank God and Greyhound –Ernest Tubb, Merle Haggard, Charlie C1 Walkin' the Floor Over You Daniels C2 –Jan Howard Evil on Your Mind C3 –Ray Pillow Wasted Again C4 –Billy Walker Honky Tonkitis C5 –Jean Shepard Dear John C6 –The Wilburn Brothers Knoxville Girl D1 –Justin Tubb What's Wrong With the Way We're Doing It Now D2 –Stonewall Jackson Don't Be Angry D3 –Billy Walker Cross the Brazos at Waco D4 –Charlie Louvin Will You Visit Me on Sundays I'm Just an Old Chunk of Coal (But I'm Gonna be a D5 –Stonewall Jackson Diamond Someday) D6 –The Vic Willis Trio American Trilogy Credits Producer – Pete Drake Barcode and Other Identifiers Label Code: LC 1109 Related Music albums to First Generation of Country Music by Various Ernest Tubb - White Christmas / Blue Christmas Ernest Tubb - Don't Back A Man Up In A Corner / Shenandoah Waltz Red Foley And Ernest Tubb - Red And Ernie Ernest Tubb And His Texas Troubadours - Blue Christmas Tree Ernest Tubb - The Texas Troubadour In Concert Ernest Tubb And His Texas Troubadours - By Request Ernest Tubb and His Texas Troubadours - On Tour Ernest Tubb And Loretta Lynn - Sweet Thang Ernest Tubb - Ernest Tubb's Greatest Hits Vol.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER George McCormick and Earl Aycock TITEL Better Stop, Look And Listen Gonna Shake This Shack Tonight LABEL Bear Family Records KATALOG # BCD 17121 PREIS-CODE AH EAN-CODE ÆxAKABMRy171214z ISBN-CODE 978-3-89916-541-8 FORMAT 1 CD Digipack mit 40-seitigem Booklet GENRE Country / Rockabilly ANZAHL TITEL 29 SPIELDAUER 66:06 G Endlich die erste CD-Wiederveröffentlichung von George und Earl, einem der klassischen Hillbilly-Duos! G 29 Top-Titel aus den 50ern, eingespielt in Nashville mit Musikern u.a. aus der Band von Hank Williams und des A-Teams! G Mit allen sechs 78er-Platten von George McCormick und Earl Aycock sowie sechs Singles von George McCormick. G Sweet Little Miss Blue Eyes und If You Got Anything Good werden häufig als zwei der besten Country-Duette aller Zeiten bezeichnet. G Drei der Songs sollte eigentlich Hank Williams aufnehmen, der dann aber starb. G George McCormick war musikalischer Kopf von Porter Wagoners Wagonmasters und Dolly Partons erster Duettpartner in Wagoners TV-Show. G Earl Aycock arbeitete später als DJ in Texas und Louisiana. G Zur CD gehört ein 40-seitiges Booklet von Martin Hawkins; es enthält unveröffentlichte Interviews mit George McCormick. INFORMATIONEN Diese CD präsentiert zwei sehr unterschiedliche Sänger und Musiker, die in nur zwei Jahren einige der besten und interessante- sten Aufnahmen der 1950er-Jahre eingespielt haben. Der damals noch vorherrschende Hank-Williams-Sound machte nur lang- sam Platz für neue Strömungen innerhalb der populären Country Music und des aufkommenden Rockabilly.
    [Show full text]
  • Loretta Lynn: Writin' Life Article 1
    Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse.
    [Show full text]
  • INDUCTEES and Nominees
    INDUCTEES a n d n o m in ees ft SAM COOKE January 22nd, 1935 Chicago, Illinois Died December 11th, 1964 Los Angeles, California In 1956, Sam Cooke released his first pop song, tin’ the Night Away,” “Bring It on Home to Me” and “Lovable,” under the name Dale Cooke so as not to “Another Saturday Night.” Cooke established his own alienate the gospel following he’d amassed in his five record label (Sar/Derby) and publishing company years as lead vocalist for the Soul Stirrers. One of (Kags Music) — significant moves for a Mack artist of eight sons of a Baptist minister, Cooke saw the divi­ that time — and returned to the world of gospel to sion between the secular and the sanctified; so did Art help other performers enter the world of pop. Among Rupe of the Specialty label, who dropped Cooke them: Bobby Womack, Johnnie Taylor, Billy Preston when his pop aspirations became dear. Cooke’s fa­ and Lou Rawls. ther, mi the other hand, gave Sam has Messing. A year Although Cooke announced in February 1964 that later, Cooke recorded “You Send Me,” a song he’d he would cut back on performing in order to devote written himself, for the Keen label. It sold 1.7 million more time to songwriting and administrating his label, copies and readied Number One on both the pop and he was never far from the public eye. In June of that R&B charts. year, a 70-foot billboard in New York City advertised Cooke never really crossed over, though he com- Cooke’s two-week engagement at the Copacabana; in b in ed —Mending sensuality and spirituality, sophistica­ September, he appeared on the première episode of tion and soul, matinee-idol looks and gospel-singer S h in d ig ! with the Everly Brothers, the Righteous poise.
    [Show full text]
  • Honoring Leroy Van Dyke
    Missouri House of Representatives FOR IMMEDIATE RELEASE: CONTACT: Rep. Nathan Beard January 13, 2016 573-751-9774 Rep. Steve Cookson 573-751-1066 Missouri General Assembly Set to Honor Country Music Legend Leroy Van Dyke JEFFERSON CITY, Mo. – The members of the Missouri legislature will take time next Tuesday afternoon to honor country music legend and Missouri native Leroy Van Dyke. The Missouri House of Representatives will hold a brief ceremony on the House floor as state Reps. Nathan Beard and Steve Cookson present Van Dyke with an official House Resolution honoring him for his 60 years in the music business. Van Dyke is also scheduled to be honored on the floor of the Missouri Senate that same day. Both Beard and Cookson said it was a privilege to be able to recognize a man who has had such a profound impact on the country music business, and such incredible longevity in the industry. “The impact Leroy Van Dyke has had on country music is unparalleled and something we all should take immense pride in as his fellow Missourians. I am blessed to have him as a constituent and so extremely proud of the amazing career he achieved with talent, hard work and perseverance. I am thrilled that my colleagues will join us in shining a much deserved spotlight on the Missourian who is respected throughout the country music industry as a consummate professional,” said Beard, R-Sedalia. “Our state has seen some truly outstanding men and women accomplish amazing things, but few can rival the phenomenal accomplishments of Leroy Van Dyke, who is Missouri’s ambassador for country music.
    [Show full text]
  • A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled
    Popular Music and Society ISSN: 0300-7766 (Print) 1740-1712 (Online) Journal homepage: http://www.tandfonline.com/loi/rpms20 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley To cite this article: Michael Stewart Foley (2014) A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled, Popular Music and Society, 37:3, 338-359, DOI: 10.1080/03007766.2013.798928 To link to this article: http://dx.doi.org/10.1080/03007766.2013.798928 Published online: 26 Jun 2013. Submit your article to this journal Article views: 253 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rpms20 Download by: [University of Groningen] Date: 23 March 2016, At: 04:33 Popular Music and Society, 2014 Vol. 37, No. 3, 338–359, http://dx.doi.org/10.1080/03007766.2013.798928 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley In the years since Johnny Cash’s death in 2003, popular and scholarly writing has persisted in framing Cash’s politics as contradictory—thus seeming to support Kris Kristofferson’s line, often assumed to be about Cash: a “walking contradiction, partly truth and partly fiction.” This essay argues that, although Cash may have seemed conflicted in the late 1960s and early 1970s, his political views on Native Americans, prison reform, and the Vietnam War, especially, were remarkably consistent in that they were based not on ideological views as much as on emotion, instinct, and an ability to relate to familial suffering.
    [Show full text]
  • Guide to the Clyde Caswell Collection College Archives & Special Collections
    Columbia College Chicago Digital Commons @ Columbia College Chicago Finding Aids College Archives & Special Collections 2017 Guide to the Clyde Caswell Collection College Archives & Special Collections Follow this and additional works at: http://digitalcommons.colum.edu/casc_fa Part of the History Commons, and the Radio Commons Recommended Citation "Clyde Caswell Collection," 2017. Finding aid at the College Archives & Special Collections of Columbia College Chicago, Chicago, IL. http://digitalcommons.colum.edu/casc_fa/12 This Article is brought to you for free and open access by the College Archives & Special Collections at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Finding Aids by an authorized administrator of Digital Commons @ Columbia College Chicago. Clyde Caswell Collection This finding aid was produced using ArchivesSpace on August 28, 2017. eng Describing Archives: A Content Standard College Archives & Special Collections at Columbia College Chicago Chicago, IL [email protected] URL: http://www.colum.edu/archives Clyde Caswell Collection Table of Contents Summary Information .................................................................................................................................... 3 Biography - Clyde M. Caswell ...................................................................................................................... 3 About the Collection .....................................................................................................................................
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • Good 'N Country with Ken Hippler Playlist for June 6, 2020
    Good 'N Country playlist for Saturday, June 6, 2020 Artist Title Album Label Year Wilma Lee & Stoney Cooper Row Number Two, Seat Number Three Hickory 1956 Charley Pride Atlantic Coastal Line RCA Victor 1966 Asleep At The Wheel The Kind Of Love I Can't Forget Asleep At The Wheel (LP) Epic 1974 Del Reeves Honky Tonk Man Down At Good Time Charlie's (LP) United Artists 1969 Skeets McDonald Where You Go (I'll Follow) (with Ray Price) Columbia 1960 Holly Dunn That's What Your Love Does To Me MTM 1988 Ronnie Prophet Phantom Of The Opry Cachet 1979 Webb Pierce Sweet Lips Decca 1961 Lonzo & Oscar Dormant Volcano Nugget 1966 Peggy Sue Apron Strings Decca 1970 Phil Parr Three's A Crowd Skill 1966 Shirlee Hunter Billy Christian (with the Statler Brothers) Salem 1965 Merle Haggard I'm Free Pride In What I Am (LP) Capitol 1969 Porter Wagoner Me And Fred And Joe And Bill RCA Victor 1959 Connie Smith Then And Only Then RCA Victor 1965 Faron Young Goin' Steady Capitol 1952 Dottie West Angel On Paper Starday 1960 Bill Phillips Empty Hours Columbia 1960 Elton Britt The Jimmie Rodgers Blues RCA Victor 1968 Buck Owens Together Again Capitol 1964 Conway Twitty Hello Darlin' Decca 1970 Dan Seals I Will Be There EMI 1986 George Strait I Just Want To Dance With You MCA 1998 Don Gibson Lonesome Old House RCA Victor 1959 Ernest Ashworth King Of The Blues Hickory 1962 June Carter Grandma Told Me So RCA Victor 1949 The Pedigo Brothers It's Hard To Smile Atwell 1960 Sunday Sharpe I'm Having Your Baby United Artists 1974 Carl Smith Red Door Columbia 1971 Jay Lee Webb She's Looking Better By The Minute Decca 1969 Billy Grammer Gonna Lay Down My Old Guitar Decca 1964 Jeannie Seely Mr.
    [Show full text]