Curriculum Vitae

CURRICULUM VITAE

JOSÉ (Josepha) LANTERS September 2018

Department of English University of Wisconsin-Milwaukee P.O. Box 413 Milwaukee, WI 53201 [email protected]

EDUCATION:

Ph.D., English, University of Leiden, the Netherlands,1988. M.A. (Doctoraaldiploma), English Language and Literature (cum laude), University of Utrecht, the Netherlands, 1981. B.A. (Kandidaatsdiploma), English Language and Literature (cum laude), University of Utrecht, the Netherlands, 1979.

PROFESSIONAL EMPLOYMENT:

Professor of English, University of Wisconsin-Milwaukee, 2002-present. Faculty Co-Director, Center for Celtic Studies, University of Wisconsin-Milwaukee, 2009- present. Associate Professor of English, University of Wisconsin-Milwaukee, 2000-2002. Associate Professor of Classics and Letters, University of Oklahoma, 1997-2000. Assistant Professor of Classics and Letters, University of Oklahoma, 1991-1997. Visiting Assistant Professor of English, University of Oklahoma, 1989-1991. Lecturer (Docent), English Department, University of Leiden, the Netherlands, 1981-1988 (tenured in 1986). Teaching Assistant, English Department, University of Utrecht, the Netherlands, 1977-1981.

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PUBLICATIONS:

Books: The Theatre of Thomas Kilroy: No Absolutes. Cork: Cork University Press, 2018.

The “Tinkers” in Irish Literature: Unsettled Subjects and the Construction of Difference. Dublin: Irish Academic Press, 2008.

Unauthorized Versions: Irish Menippean Satire, 1919-1952. Washington, DC: Catholic University of America Press, 2000.

Missed Understandings: A Study of Stage Adaptations of the Works of James Joyce. Amsterdam: Rodopi, 1988. Costerus New Series Vol. 69.

Edited Volumes: Joan FitzPatrick Dean and José Lanters, eds. Beyond Realism: Experimental and Unconventional Irish Drama since the Revival. DQR Studies in Literature Vol. 56. Amsterdam: Brill/Rodopi, 2015.

Theo D’haen and José Lanters, eds. Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose. Vol. 4 of The Literature of Politics, The Politics of Literature. Proceedings of the Leiden IASAIL Conference. Costerus New Series Vol. 101. Amsterdam: Rodopi, 1995.

Refereed and Invited Articles: “Marina Carr’s Woman and Scarecrow and the Ars Moriendi.” In Irish Women Playwrights. Ed. David Clare, Fiona McDonagh, and Justine Nakase. London: Palgrave Macmillan. Forthcoming.

“Groping towards Morality: Feminism, AIDS, and the Spectre of Article 41 in Thomas Kilroy’s Ghosts.” Estudios Irlandeses, 13, 2 (2018). Forthcoming.

“Desperationists and Ineffectuals: Mary Manning’s Gate Plays of the 1930s.” The Gate Theatre: Inspiration and Craft. Ed. David Clare, Des Lally, and Patrick Lonergan (Dublin: Carysfort Press, 2018). Forthcoming.

“‘There’s ropes and there’s ropes’: The Textual and Moral Fibre of Martin McDonagh’s Hangmen.” Irish University Review, 48, 2 (Autumn/Winter 2018), pp. 315-30. Forthcoming.

“Thomas Kilroy and the Idea of a Theatre.” In The Oxford Handbook of Modern Irish Theatre. Ed. Nicholas Grene and Christopher Morash. Oxford: Oxford University Press, 2016, pp. 337- 53.

“A.E.I.O.U.: George Russell, National Being.” In Yeats 150. Ed. Declan J. Foley. Dublin: Lilliput Press, 2016, pp. 138-45.

“Queer Creatures, Queer Place: Otherness and Normativity in Irish Drama from Synge to Friel.” 2

In Irish Theatre in Transition: from the Late Nineteenth to the Early Twenty-First Century. Ed. Donald Morse. London: Palgrave Macmillan, 2015, pp. 54-67.

“Panel Discussion 1: Reading Kilroy.” In Across the Boundaries: Talking About Thomas Kilroy. Ed. Guy Woodward. Dublin: Carysfort Press, 2014, pp. 59-74.

“‘Like Tottenham’: Martin McDonagh’s Postmodern Morality Tales.” In Patrick Lonergan, The Theatre and Films of Martin McDonagh. London: Methuen Drama, 2012. 165-78.

“Kilroy’s Wedekind: From Spring Awakening to Christ, Deliver Us!” In Ireland in Drama, Film, and Popular Culture. Ed. Sandra Mayer, Julia Novak, and Margarete Rubik. Trier: WVT Wissenschaftlicher Verlag Trier, 2012, pp. 21-27.

“‘We’ll Be the Judges of That’: The Critical Reception of DruidSynge in the USA.” In Irish Drama: Local and Global Perspectives. Ed. Nicholas Grene and Patrick Lonergan. Dublin: Carysfort Press, 2012, pp. 35-47.

“Complete Failure? The Art of Imperfection in Thomas Kilroy’s The Shape of Metal.” In The Binding Strength of Irish Studies: Festschrift in Honour of Csilla Bertha and Donald E. Morse, ed. Marianna Gula, Mária Kurdi, and Istvan D. Rácz. Debrecen, Hungary: Debrecen University Press, 2011, pp. 49-57.

“Impossible Promise: The Child and the Androgyne in Thomas Kilroy’s The Secret Fall of Constance Wilde and My Scandalous Life.” Ilha do Desterro: A Journal of English Language, Literatures in English, and Cultural Studies, 58 (Jan.-June 2010), special issue on “Contemporary Irish Theatre”, pp. 267-88.

“New Mind over Old Matter: The Evolution of Too Late for Logic.” In Alive in Time: The Enduring Drama of Tom Murphy. Ed. Christopher Murray. Dublin: Carysfort Press, 2010, pp. 165-87.

“‘Nothing Is Ever Arrived At’: Otherness and Representation in Colum McCann’s Zoli.” In No Country for Old Men: Fresh Perspectives on Irish Literature. Ed. Paddy Lyons and Alison O’Malley-Younger. Oxford, etc.: Peter Lang, 2008, pp. 31-45.

“The Identity Politics of Martin McDonagh.” In Martin McDonagh: A Casebook. Ed. Richard R. Russell. London: Routledge, 2007, pp. 9-24.

“Irish Satire.” In A Companion to Satire: Ancient and Modern. Ed. Ruben Quintero. Oxford: Blackwell, 2007, pp. 476-91.

“‘Cobwebs on Your Walls’: The State of the Debate about Globalisation and Irish Drama.” In Global Ireland: Irish Literatures for the New Millennium. Ed. Ondrej Pilny and Clare Wallace. Prague: Litteraria Pragensia, 2005, pp. 33-44.

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“The ‘Tinker’ Figure in the Children’s Fiction of Patricia Lynch.” ABEI Journal: The Brazilian Journal of Irish Studies, 7 (June 2005), pp. 151-62.

“‘We Are a Different People’: Life Writing, Representation, and the Travellers.” New Hibernia Review, 9, 2 (Summer 2005), pp. 25-41.

“Reading the Irish Future in the Celtic past: T.W. Rolleston and the Politics of Myth.” In Reading Irish Histories: Texts, Contexts, and Memory in Modern Ireland. Ed. Lawrence W. McBride. Dublin: Four Courts Press, 2003, pp. 178-95.

“Demythicizing/Remythicizing the Rising: Roddy Doyle’s A Star Called Henry.” Hungarian Journal of English and American Studies, 8, 1 (Spring 2002), pp. 245-58.

“Carnivalizing Irish Catholicism: Austin Clarke’s The Sun Dances at Easter.” In Carnivalizing Difference: Bakhtin and the Other. Ed. Peter I. Barta, Paul Allen Miller, Charles Platter, and David Shephers. London and New York: Routledge Harwood, 2001, pp. 191-207.

“Old Worlds, New Worlds, Alternative Worlds: Ulysses, Metamorphoses 13, and the Death of the Beloved Son.” James Joyce Quarterly, 36, 3 (1999), pp. 525-40.

“Playwrights of the Western World: Synge,Murphy, McDonagh.” In A Century of Irish Drama: Widening the Stage. Ed. Stephen Watt, Eileen Morgan, and Shakir Mustafa. Bloomington, IN: Indiana University Press, 2000, pp. 204-22.

“The Revolutionary Drama of Tom Murphy.” Working Papers in Irish Studies, 4 (1999), pp. 1- 10.

“Brian Friel’s Uncertainty Principle.” Irish University Review, 29, 1 (Spring/Summer 1999), pp. 162-75. (Brian Friel Special Issue).

“Bakhtin and Modern Irish Satire.” ABEI Journal: The Brazilian Journal of Irish Studies, 1, 1 (June 1999), pp. 61-64).

“‘To Keep Body and Soul Together’: Austin Clarke’s The Singing-Men at Cashel, 1936.” New Hibernia Review, 1, 2 (Summer 1997), pp. 134-51.

“‘Unless I Am an Old Dutchman by Profession and Nationality’: The Problems of Translating Flann O’Brien into Dutch.” In Conjuring Complexities: Essays on Flann O’Brien. Ed. Anne Clune and Tess Hurson. Belfast: The Institute of Irish Studies, 1997, pp. 143-50.

“Thomas Murphy”, in Irish Playwrights, 1880-1995: A Research and Production Sourcebook. Ed. Bernice Schrank and William V. Demastes. Westport, CT and London: Greenwood Press, 1997, pp. 231-42.

“Schopenhauer with Hindsight: Tom Murphy’s Too Late for Logic.” Hungarian Journal of 4

English and American Studies, 2, 2 (1996), pp. 87-95.

“Violence and Sacrifice in Brian Friel’s The Gentle Island and Wonderful Tennessee.” Irish University Review, 26, 1 (Spring/Summer 1996), pp. 163-76.

“Eimar O’Duffy’s Cuanduine Satires.” In Troubled Histories, Troubled Fictions: Twentieth- Century Anglo-Irish Prose. Ed. Theo D’haen and José Lanters. Amsterdam: Rodopi, 1995, pp. 129-40.

“Darrell Figgis, The Return of the Hero, and the Making of the Irish Nation.” Colby Quarterly, 31, 1 (September 1995), pp. 204-13.

“‘It Fills Many a Vacuum’: Food and Hunger in the Early Novels of John McGahern.” Canadian Journal of Irish Studies, 20, 1 (July 1994), pp. 30-40.

“The Theatre of Thomas Murphy and Federico García Lorca.” Modern Drama, 36, 4 (December 1993), pp. 481-89.

“The Mythicizing of Napper Tandy Street: The Novels of Olivia Robertson.” Journal of Irish Literature, 22, 3 (September 1993), pp. 17-24.

“Gender and Identity in Brian Friel’s Faith Healer and Thomas Murphy’s The Gigli Concert.” Irish University Review, 22, 2 (Autumn/Winter 1992), pp. 278-90.

“Unattainable Alternatives: The Writing of Mervyn Wall.” Éire-Ireland, 27, 2 (Summer 1992), pp. 18-34.

“Simon Vestdijk and the Irish Literary Tradition.” Études Irlandaises, 14, 1 (June 1989), pp. 105-15.

“Jennifer Johnston’s Divided Ireland.” Dutch Quarterly Review, 18, 3 (1988), pp. 228-41.

“‘Still Life’ versus Real Life: The English Writings of Brian O’Nolan.” In Explorations in the Field of Nonsense. Ed. Wim Tigges. Amsterdam: Rodopi, 1987, pp. 161-81.

“Fiction within Fiction: The Role of the Author in Flann O’Brien’s At Swim-Two-Birds and The Third Policeman. Dutch Quarterly Review, 13, 4 (1983), pp. 267-81.

Textbook Chapters: “Ierland en de Keltische renaissance.” Chapter 2 in Britse en Amerikaanse literatuur van deze eeuw. Utrecht: Stichting Teleac, 1991, pp. 26-43.

“De Bloomsbury Group.” Chapter 6 in Britse en Amerikaanse literatuur van deze eeuw. Utrecht: Stichting Teleac, 1991, pp. 96-112.

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Other Publications: Entries on Molly Allgood, Sara Allgood, William Allingham, Sebastian Barry, Pierce Brosnan, Marina Carr, Daniel Day- Lewis, Hilton Edwards, Frank Fay, William Fay, Brian Friel (partial), Gaiety Theatre, Gate Theatre, Oliver St John Gogarty, Walter Macken, F.J. McCormick, John McGahern, Jack MacGowran, Bryan MacMahon, Anew McMaster, Tom Murphy, Jimmy O’Dea, Milo O’Shea, Bernard Shaw, Oscar Wilde (partial), and Irish Theater. In Everything Irish: The History, Literature, Art, Music, People and Places of Ireland from A-Z. Ed. Lelia Ruckenstein and James A. O’Malley. New York: Ballantine Books, 2003; Cork: Mercier Press, 2004.

“Een Verlaten Schuur in het Graafschap Wexford.” Trans. Into Dutch of “A Disused Shed in Co. Wexford” by Derek Mahon. In Knowing the Words: Liber Amicorum for Robert Druce. Leiden: Academic Press Leiden, 1994, pp. 120-23.

“John Hewitt.” In Post-War Literatures in English. Groningen: Wolters-Noordhoff, 1989. Rev. ed. 1991. 8 pp.

“From Page to Stage: Narrative Voice in Hugh Leonard’s Adaptations of James Joyce.” In A Plain Sense of Things: Essays in Honour of Sarah Betsky-Zweig. Ed. C.C. Barfoot and E.M. Knottenbelt. Leiden: English Department, University of Leiden, 1986, pp. 217-29.

Entries on Brendan Behan, Patrick Kavanagh, G.B. Shaw, J.M. Synge, Oscar Wilde, W.B. Yeats. In Moderne Encyclopedie van de Wereldliteratuur. Weesp: Unieboek, 1982.

Reprints and Translations: “‘We’ll Be the Judges of That’: The Critical Reception of DruidSynge in the USA.” In Irish Drama: Local and Global Perspectives. Ed. Nicholas Grene and Patrick Lonergan. Dublin: Carysfort Press, 2012, pp. 35-47. Reprinted in Contemporary Irish Theatre and Performance Studies Reader. Ed. Finola Cronin and Eamonn Jordan. Dublin: Carysfort Press, 2016 (e-book).

“‘Like Tottenham’: Martin McDonagh’s Postmodern Morality Tales.” In Patrick Lonergan, The Theatre and Films of Martin McDonagh. London: Methuen Drama, 2012. 165-78. Trans. into Russian as “‘Как Тоттенхэм’: лостмодернистские моралите Мартина МакДонаха”. In Театр и Фильмы Мартина МакДонаха. Perm: Teatr Y Mosta, 2014, pp. 188-203.

“Old Worlds, New Worlds, Alternative Worlds: Ulysses, Metamorphoses 13, and the Death of the Beloved Son.” James Joyce Quarterly, 36, 3 (1999), pp. 525-40. Reprinted in Bloom’s Modern Critical Interpretations: James Joyce’s Ulysses. Ed. Harold Bloom. Broomall, PA: Chelsea House, 2004, pp. 153-68.

“Introduction,” Unauthorized Versions: Irish Menippean Satire, 1919-1952. Washington, DC: Catholic University of America Press, 2000. Reprinted in Critical Anthology for the Study of Modern Irish Literature. Ed. Mária Kurdi. Budapest: Tankönyvkiadó (Textbook Publishers), 2003, pp. 175-79.

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“Gender and Identity in Brian Friel’s Faith Healer and Thomas Murphy’s The Gigli Concert.” Irish University Review, 22, 2 (Autumn/Winter 1992), pp. 278-90. Reprinted in Critical Anthology for the Study of Modern Irish Literature. Ed. Mária Kurdi. Budapest: Tankönyvkiadó (Textbook Publishers), 2003, pp. 308-15.

“Simon Vestdijk and the Irish Literary Tradition.” Études Irlandaises, 14, 1 (June 1989), pp. 105-15. Trans. Into Dutch as “Simon Vestdijk en de Ierse Literaire Traditie.” Vestdijkkroniek, 93 (2000), pp. 23-31.

“Jennifer Johnston’s Divided Ireland.” Dutch Quarterly Review, 18, 3 (1988), pp. 228-41. Reprinted in The Clash of Ireland: Literary Contrasts and Connections. Ed. C.C. Barfoot and Theo D’haen. Amsterdam: Rodopi, 1989, pp. 209-22.

“Fiction within Fiction: The Role of the Author in Flann O’Brien’s At Swim-Two-Birds and The Third Policeman. Dutch Quarterly Review, 13, 4 (1983), pp. 267-81. Partially reprinted in Contemporary Literary Criticism, 47 (1988), pp. 320-23.

Reviews: Richard Rankin Russell, Modernity, Community, and Place in Brian Friel’s Drama. Syracuse, NY: Syracuse University Press, 2014. In Irish Literary Supplement, Fall 2016, pp. 20-21. Joan FitzPatrick Dean, All Dressed Up: Modern Irish Historical Pageantry. Syracuse, NY: Syracuse University Press, 2014. In Breac: A Digital Journal of Irish Studies. 18 June 2015. http://breac.nd.edu/articles/58613-a-passion-for-pageantry/ Liam Harte, The Literature of the Irish in Britain: Autobiography and Memoir, 1725-2001. London: Palgrave Macmillan, 2009. In Biography, 33, 4 (Fall 2010), pp. 829-31. Mary Burke, “Tinkers”: Synge and the Cultural History of the Irish Traveller. Oxford: Oxford University Press, 2009. In Irish Studies Review, 18, 2 (May 2010), pp. 255-57. Timothy G. MacMahon, Grand Opportunity: The Gaelic Revival and Irish Society, 1893-1910. Syracuse: Syracuse University Press, 2008. In English Literature in Transition, 1880- 1920, 52, 3 (2009), pp. 361-64. John Strachan and Alison O’Malley-Younger, eds. Essays on Modern Irish Literature. Sunderland: University of Sunderland Press, 2007. In Irish Literary Supplement: A Review of Irish Books, 28, 2 (Spring 2009), p. 13. Morse, Donald E., Csilla Bertha, and Mária Kurdi, eds. Brian Friel’s Dramatic Artistry: “The Work Has Value”. Dublin: Carysfort Press, 2006. In An Sionnach: A Journal of Literature, Arts, and Culture, 4, 1 (2008), pp. 102-105. Patricia Boyle Haberstroh and Christine St Peter, eds. Opening the Field: Irish Women, Texts and Contexts. Cork: Cork University Press, 2007. In Estudios Irlandeses, 3 (2008). http://www.estudiosirlandeses.org/indexnavy.htm. Nooteboom, Cees. Paradijs verloren. Amsterdam/Antwerpen: Atlas, 2004. In World Literature Today, 80 (March-April 2006), pp. 55-56. Uphoff, Manon. De bastaard. Amsterdam: Podium, 2004. In World Literature Today, 80 (Jan.- Feb. 2006), pp. 55-56. Hutton, Claire, ed. The Irish Book in the Twentieth Century. Dublin: Irish Academic Press, 2004. In Irish Literary Supplement: A Review of Irish Books, 25, 2 (Spring 2006), p. 27. 7

Parkinson, Siobhán. The Thirteenth Room. Belfast: Blackstaff, 2003. In World Literature Today, 79, 3-4 (Sept.-Dec. 2005), p. 108. Gillespie, Elgy, ed. Changing the Times: Irish Women Journalists, 1969-1981. Dublin: Lilliput Press, 2003. In Irish Literary Supplement: A Review of Irish Books, 24, 2 (Spring 2005), p. 6. Bardwell, Leland. Mother to a Stranger. Belfast: Blackstaff, 2002. In World Literature Today, 78, 3-4 (Autumn-Winter 2004), p. 92. Cullingford, Elizabeth Butler. Ireland’s Others: Gender and Ethnicity in Irish Literature and Popular Culture. Notre Dame, IN: University of Notre Dame Press/Field Day, 2001. In South Central Review, 21, 2 (Summer 2004), pp. 81-82. Harris, Susan Cannon. Gender and Modern Irish Drama. Bloomington and Indianapolis: Indiana University Press, 2002. In Theatre Research International, 28, 3 (2003), pp. 341-42. Doan, James, and Frank Sewell, eds. “On the Side of Light”: Critical Essays on the Poetry of Cathal Ó Searcaigh. Galway and Dublin: Arlen House, 2002. In Irish Literary Supplement: A Review of Irish Books, 23, 2 (Fall 2003), p. 26. De Moor, Margriet. Kreuzersonate. Amsterdam/Antwerpen: Contact, 2001. In World Literature Today, 77, 1 (Spring 2003), p. 142. Mulisch, Harry. Siegfried: een zwarte idylle. Amsterdam: De Bezige Bij, 2001. In World Literature Today, 76, 2 (Spring 2002), p. 206. Krol, Gerrit. De vitalist. Amsterdam: Querido, 2000. In World Literature Today, 76, 2 (Spring 2002), p. 205. De Moor, Margriet. First Gray, Then White, Then Blue. Trans. Paul Vincent. Woodstock and New York: Overlook Press, 2001. In World Literature Today, 76, 2 (Spring 2002), pp. 204-205. Siebelink, Jan. Engelen van het duister. Amsterdam: Meulenhoff, 2001. In World Literature Today, 76, 1 (Winter 2002), pp. 193-94. Haasse, Hella S. Fenrir: een lang weekend in de Ardennen. Amsterdam: Querido, 2000. In World Literature Today, 75, 2 (Spring 2001), p. 375. Ó Giolláin, Diarmuid. Locating Irish Folklore: Tradition, Modernity, Identity. Cork: Cork University Press, 2000. In Irish Studies Review, 9, 1 (2001), pp. 87-88. O’Brien, Edna. Wild Decembers. Boston and New York: Houghton Mifflin, 1999. In World Literature Today, 75, 1 (Winter 2001), pp. 115-16. Deane, John F. In the Name of the Wolf. Belfast: Blackstaff Press, 1999. In World Literature Today, 74, 3 (Summer 2000), p. 593. De Vries, Teun. De wilde vrouwen van Pella. Amsterdam: Querido, 1999. In World Literature Today, 74, 2 (Spring 2000), p. 422. De Moor, Margriet. Zee-Binnen. Amsterdam: Querido, 1999. In World Literature Today, 74, 2 (Spring 2000), p. 414. Hickey, Éanna. Irish Law and Lawyers in Modern Folk Tradition. Dublin: Four Courts Press, 1999. In Irish Studies Review, 8, 1 (2000), pp. 116-17. Binchy, Maeve. Tara Road. New York: Delacorte Press, 1998. In World Literature Today, 74, 1 (Winter 2000), pp. 172-73. Trevor, William. Death in Summer. New York: Viking, 1998. In World Literature Today, 73, 4 (Autumn 1999), pp. 738-39. Nagy, Joseph Falaky. Conversing with Angels and Ancients: Literary Myths of Medieval Ireland. 8

Dublin: Four Courts Press/New York: Cornell University Press, 1997. In Irish Studies Review, 7, 3 (1999), pp. 400-401. Mulisch, Harry. De procedure. Amsterdam: De Bezige Bij, 1998. In World Literature Today, 73, 3 (Summer 1999), pp. 545-46. Wilson, Robert McLiam. Ripley Bogle. New York: Arcade, 1998. In World Literature Today, 73, 1 (Winter 1999), pp. 150-51. Marbe, Nausicaa. Mândraga. Amsterdam: Meulenhoff, 1998. In World Literature Today, 72, 3 (Summer 1998), pp. 633-34. O’Brien, Edna. Down by the River. New York: Farrar, Straus and Giroux, 1997. In World Literature Today, 72, 1 (Winter 1998), p. 135. Murray, Christopher. Twentieth-Century Irish Drama: Mirror up to Nation. Manchester: Manchester University Press, 1997. In Irish Studies Review, 6, 1 (1998), pp. 91-92. Bernlef, J. Verloren zoon. Amsterdam: Querido, 1997. In World Literature Today, 71, 4 (Autumn 1997), p. 803. De Moor, Margriet. Hertog van Egypte. Amsterdam: Querido, 1996. In World Literature Today, 71, 3 (Summer 1997), p. 601. Welch, Robert, ed. The Oxford Companion to Irish Literature. Oxford: Clarendon Press, 1996. In World Literature Today, 70, 4 (Autumn 1996), pp. 1006-07. Koevoets, Pamela. Schaduwboksen. Amsterdam: De Bezige Bij, 1995. In World Literature Today, 70, 4 (Autumn 1996), p.973. Jordan, Neil. Nightlines. New York: Random House, 1994. In World Literature Today, 70, 3 (Summer 1996), p. 692. Morrissy, Mary. Mother of Pearl. New York: Scribner, 1995. In World Literature Today, 70, 2 (Spring 1996), p. 406. Egan, Desmond. Poems/Gedichte. Tr. Stephan Kohl et al. n.p.: Verlag Karl Stutz, n.d. [1995]; Paper Cranes (English-Japanese). Tr. Tetsuhiko Kamimura et al. Ed. Yoko Wasa and Akira Yasukawa. Suita, Osaka: Kansai University Press, 1995. In World Literature Today, 70, 2 (Spring 1996), pp. 414-15. MacMahon, Bryan. The Tallystick and Other Stories. Dublin: Poolbeg Press, 1994. In World Literature Today, 69, 3 (Summer 1995), pp. 582-83. Brakman, Willem. Late vereffening. Amsterdam: Querido, 1994. In World Literature Today, 69, 1 (Winter 1995), 154. Noordervliet, Nelleke. De naam van de vader. Amsterdam: Meulenhoff, 1994. In World Literature Today, 68, 4 (Autumn1994), pp. 828-29. Haasse, Hella S. Heren van de thee. Amsterdam: Querido, 1993. In World Literature Today, 68, 4 (Autumn 1994), p. 828. Trevor, William. Excursions in the Real World: Memoirs. New York: Alfred A. Knopf, 1994. In World Literature Today, 68, 3 (Summer 1994), p. 577. Durlacher, G.L. Quarantaine. Amsterdam: Meulenhoff, 1993. In World Literature Today, 68, 3 (Summer 1994), pp. 582-83. Nolthenius, Helene. Het vliegend haft. Amsterdam: Querido, 1993. In World Literature Today, 68, 3 (Summer 1994), p. 584. McCabe, Bernard, and Alain le Garsmeur. James Joyce: Reflections of Ireland. New York: Macmillan, 1993. In World Literature Today, 68, 3 (Summer 1994), p. 580. FitzPatrick, Nina. Fables of the Irish Intelligentsia. New York: Penguin, 1993. In World 9

Literature Today, 68, 1 (Winter 1994), p. 127. Palmen, Connie. The Laws. Tr. Richard Huijing. New York: Braziller, 1993. In World Literature Today, 68, 1 (Winter 1994), p. 146. Trevor, William. The Collected Stories. New York: Viking Penguin, 1992. In World Literature Today, 67, 3 (Summer 1993), pp. 610-11. Noordervliet, Nelleke. Het oog van de engel. Amsterdam: Meulenhoff, 1991. In World Literature Today, 67, 2 (Spring 1993), p. 396. Vogelaar, Jacq. De dood als meisje van acht. Amsterdam: De Bezige Bij, 1992. In World Literature Today, 67, 2 (Spring 1993), p. 398. Stoute, René. Het grimmig genieten. Amsterdam: De Arbeiderspers, 1991. In World Literature Today, 66, 4 (Autumn 1992), p. 729. Binchy, Maeve. The Lilac Bus: Stories. New York: Delacorte Press, 1991. In World Literature Today, 66, 4 (Autumn 1992), pp. 721-22. Trevor, William. Two Lives: Reading Turgenev and My House in Umbria. New York: Viking Penguin, 1991. In World Literature Today, 66, 2 (Spring 1992), pp. 345-55. Haberer, Adolphe, ed. De Joyce à Stoppard: Ecritures de la Modernité. Lyon: Presses Universitaires de Lyon, 1991. In James Joyce Quarterly, 29, 3 (Spring 1992), pp. 706- 711. O’Brien, Edna. Lantern Slides. New York: Farrar Straus Giroux, 1990. In World Literature Today, 65, 2 (Spring 1991), pp. 303-04. Trevor, William. Family Sins and Other Stories. New York: Viking, 1990. In World Literature Today, 65, 1 (Winter 1991), p. 116. Hildebidle, John. Five Irish Writers: The Errand of Keeping Alive. Cambridge, Mass.: Harvard University Press, 1989. In Genre, 22, 3 (Fall 1989), pp. 333-34.

PAPERS, PANELS, AND LECTURES:

Keynotes and Plenary Lectures: “Creating Constance: The Textual and Theatrical Incarnations of Thomas Kilroy’s ‘Wilde Play’”. Keynote lecture, Irish Theatrical Diaspora Conference, Minneapolis, MN (Guthrie Theatre and Univ. of St Thomas), September 2013. “Hide and Seek: Performing the Emergency.” Keynote lecture, VIA Conference 2012: Irish Drama, University of Notre Dame, September 2012. “Irish Dramatist, European Dramatist: Thomas Kilroy.” Plenary lecture. The Irish Seminar (University of Notre Dame), Dublin, June 2012. “‘Terrible Queer Creatures’: Revivalism, Modernism, and Irish Theatre.” Keynote lecture. Midwest ACIS conference, Fargo, ND, October 2011. “Modernism and Irish Theatre.” Plenary lecture. The Irish Seminar (University of Notre Dame), Dublin, July 2011. “The Irish Travellers.” Invited lecture. University of Missouri, St. Louis, 28 August 2008. “Mythology, “Irishness”, and the “Tinkers”: Literary Representations of Ireland’s Travelling People.” Invited lecture. English department, University of Western Australia, Perth, 28 July 2006. “Moving Lives: Irish Travellers and (Self-)Representation.” Lecture. LOGOS Lecture Series. 10

University of Wisconsin-Madison, 15 November 2004. “Tinker, Rolling Stone, and Gypsy Rover: Representations of the Irish Travelling People in Literature and Popular Culture.” Lecture. Mellon Interdisciplinary Workshop in the Humanities, “New Direction in Celtic Studies”, University of Wisconsin-Madison, 28 April 2003. “The Wild West and the Western World: Images of America in Irish Drama.” Plenary lecture. Kerry International Summer School of Living Irish Authors (K.I.S.S.), Tralee, Ireland, July 1999. “The Morning after Optimism: Sex in Modern Irish Drama.” Plenary lecture. Kerry International Summer School of Living Irish Authors (K.I.S.S.), Tralee, Ireland, August 1998. “Anywhere That’s Not Here: Desire and Death in Two Plays by Marina Carr.” Plenary lecture. Kerry International Summer School of Living Irish Authors (K.I.S.S.), Tralee, Ireland, July-August 1997. “Leaps of Faith: Religious Vision and Revision in Contemporary Irish Drama.” Plenary lecture. Kerry International Summer School of Living Irish Authors (K.I.S.S.), Tralee, Ireland, July-August 1996.

Invited Presentations: “Desperationists and Ineffectuals: Mary Manning’s 1930s Gate Comedies.” Invited conference paper. “Irish Women Playwrights and Theatremakers”, Limerick, Ireland, June 2017. Panelist/respondent (with Francesca Orsini, Univ. of London). Lecture series, “Arab and American: Literature, Media, Gender, and Cultural Politics,” talk and reading by visiting writer Rabih Alameddine, UWM, April 4, 2014. Invited Panelist. Symposium, “Across the Boundaries: Talking about Thomas Kilroy.” Trinity College, Dublin, April 2011. “DruidSynge’s American Tour.” Invited paper. Irish Theatrical Diaspora Conference, NUI Galway, April 2009. “Representations of the Travelling People in Irish Literature and Popular Culture.” Presentation, Institute for Research in the Humanities, University of Wisconsin-Madison, 16 November 2004. “Playwrights of the Western World: Synge, Murphy, McDonagh.” Invited paper. NEH- sponsored conference, “Nationalism and a National Theatre: One Hundred Years of the Irish Literary Theatre.” Bloomington, IN (Indiana University), May 26-29, 1999.

Professional Meetings: “Marina Carr’s Woman and Scarecrow and the Ars Moriendi.” Annual IASIL Conference, Nijmegen, Netherlands (Radboud U), July 2018. “The Textual and Moral Fibre of Martin McDonagh’s Hangmen.” National ACIS Conference, Kansas City, MO (UMKC), March-April 2017. “‘There’s ropes and there’s ropes’: Knowing the Ropes in Martin McDonagh’s Hangmen.” Annual IASIL Conference, Cork, Ireland (UCC), July 2016. “ ‘...if you know what I’m saying’: Dialogic Dislocations in Celia de Fréine’s A lesson in Can’t.” National ACIS Conference, Notre Dame, IN (UND), March-April 2016. “ ‘...if you know what I’m saying’: Dialogic Dislocations in Celia de Fréine’s Plight and A lesson in Can’t.” Midwest Regional ACIS Conference, La Crosse, WI (UW), October 11

2015. “Adaptation as Violent Reconciliation: Kilroy’s Version of Ibsen’s Ghosts.” Annual IASIL Conference, York, UK (York University), July 2015. “‘One of those Celtic things’: Thomas Kilroy’s Version of The Seagull.” National ACIS Conference, Fort Lauderdale, FL, March 2015. “‘To be what we are not’: Thomas Kilroy’s Henry (after Enrico IV).” Midwest Regional ACIS Conference, Rochester, MI (Oakland University), November 2014. “Body and Mind: Thomas Kilroy and the Idea of a Theatre.” Annual IASIL Conference, Lille, France (Université de Lille), July 2014. “The O’Neill (1969): Thomas Kilroy’s First Play in Context.” Joint ACIS/CAIS Conference, Dublin, Ireland (UCD), June 2014. “Irish Theatre, Archives, and the Foreign Factor.” Panel presentation, “Irish Theatre in an International Context”, with John P. Harrington, Patrick Lonergan, Nicholas Grene, and Helen Lojek. Joint ACIS/CAIS Conference, Dublin, Ireland (UCD), June 2014. “From Bedlam to Jerusalem: Thomas Kilroy’s Blake.” Annual IASIL Conference, Belfast, Northern Ireland (Queen’s University), July 2013. “‘Then Was a Time of Joy and Love’: Madness and Vision in Thomas Kilroy’s Blake.” National ACIS Conference, Chicago, IL, April 2013. “‘That Frail Salvation of the Final Curtain’: The Field Day Production of Thomas Kilroy’s The Madame MacAdam Travelling Theatre.” Midwest Regional ACIS Conference, Milwaukee, WI (Marquette University), October 2012. “Bachelors Gay: The Genesis and Reception of Thomas Kilroy’s The Death and Resurrection of Mr Roche.” Annual IASIL Conference, Montreal, Canada (Concordia University), July- August 2012. “Agony, Ecstasy, and Comedy in Thomas Kilroy’s Talbot’s Box.” National ACIS Conference, New Orleans, LA, March 2012. “Like Tottenham: Moral Limbo in the Works of Martin McDonagh.” Annual IASIL Conference, Louvain, Belgium (Universiteit Leuven), July 2011. “Mirroring and Double-Crossing the Patriarch: Thomas Kilroy’s In the Garden of the Asylum.” National ACIS Conference, Madison, WI (UW), March-April 2011. “The Art of Imperfection: Thomas Kilroy’s The Shape of Metal.” Midwest Regional ACIS Conference, Grand Rapids, MI, October 2010. “Kilroy’s Wedekind: From Spring Awakening to Christ, Deliver Us!” Fourteenth Triennial IASIL Conference, Maynooth, Ireland (NUI), July 2010. “Complete Failure? Artistic Quest in the Plays of Thomas Kilroy.” National ACIS Conference, Penn Stater Conference Center, State College, PA, May 2010. “Music and Myth in Tom Murphy’s Too Late for Logic.” Midwest Regional ACIS Conference, Carbondale, IL (SIU), October 2009. Roundtable Panelist, “How I Became Irish-American (Or Didn’t).” Midwest Regional ACIS Conference, Carbondale, IL (SIU), October 2009. “‘I Will Rewrite for Anyone’: Process, Revision, Doubt, and Tom Murphy’s Too Late for Logic.” National ACIS Conference, Galway, Ireland (NIUG), June 2009. “A ‘terrible, strange vision’: The Child and the Androgyne in Thomas Kilroy’s Wildean Plays.” Midwest Regional ACIS Conference, St Paul, MN (University of St Thomas), October 2008. 12

“The Impossible Promise of Innocence Untouched: The Child in Thomas Kilroy’s The Secret Fall of Constance Wilde and My Scandalous Life.” Annual IASIL Conference, Porto, Portugal (University of Porto), July 2008. “Writing the Other: Colum McCann’s Zoli.” National ACIS Conference, Davenport, IA (St. Ambrose University), April 2008. “The Irish ‘Tinkers’ in Word and Image.” Midwest Regional ACIS Conference, Kansas City, MO (UMKC), October 2007. “Modernity, the ‘Tinkers’, and the Return of the Repressed.” Thirteenth Triennial IASIL Conference, Dublin, Ireland (UCD), July 2007. “I Do; I Don’t; Do I? The Tinker’s Wedding in the Irish Literary Revival.” National ACIS Conference, New York, NY (CUNY/Lehman), April 2007. “The Postmodern Satire of Martin McDonagh’s The Pillowman.” Midwest Regional ACIS Conference, De Kalb, IL (NIU), October 2006. “Intertextuality in Eilis Ni Dhuibhne’s ‘Summer Pudding’.” Annual IASIL Conference, Sydney, Australia (UNSW), July 2006. “The Politics of Martin McDonagh.” National ACIS Conference, St Louis, MO (UMSL), April 2006. “Tinkers in Pre-Famine Irish Literature.” Midwest Regional ACIS Conference, Dubuque, IA (Loras College), October 2005. “‘Cobwebs on Your Walls’: Resistance to the Global in Irish Drama.” Annual IASIL Conference, Prague, Czech Republic (Charles University), July 2005. “In Other Worlds: The Travellers and Myth.” National ACIS Conference, Notre Dame, IN (UND), April 2005. “Moving Stories: Life Writing by Irish Traveller Women.” Twelfth Triennial IASIL Conference, Galway, Ireland (NUIG), July 2004. “Satirical Plays from the Irish Theatre.” Joint ACIS/BAIS/CAIS Conference, Liverpool, UK (University of Liverpool), July 2004. “Tinkers ad Travellers in American Children’s Fiction.” Midwest Regional ACIS Conference, Bloomington, IL (IL State University), October 2003. “Representations of Tinkers and Travellers in Children’s Fiction.” Annual IASIL Conference, Debrecen, Hungary (Lajos Kossuth University), July 2003. “Irish and Scottish Traveller (Auto)biographies.” National ACIS Conference, St Paul, MN (University of St Thomas), June 2003. “The Irish Travelling Community in Two Irish Crime Novels.” Midwest Regional ACIS Conference, St Louis, MO (UMSL), October 2002. “The International Reception of Tom Murphy.” Annual IASIL Conference, Sao Paulo, Brazil, July-August 2002. “Reading the Irish Future in the Celtic Past: T.W. Rolleston and the Politics of Myth.” National ACIS Conference, Milwaukee, WI (Marquette University), June 2002. “Reading the Irish Future in the Celtic Past: T.W. Rolleston and the Politics of Myth.” Midwest Regional ACIS Conference, Omaha, NE (Creighton University), October 2001. “‘Our National Outsiders’: Representations of travelers and Tinkers in Irish Literature.” Eleventh Triennial IASIL Conference, Dublin, Ireland (DCU/St Patrick’s College), July- August 2001. “Remythicizing the Rising: Roddy Doyle’s A Star Called Henry.” National ACIS Conference, 13

New York, NY (Fordham), June 2001. “Teaching Shaw” (panelist and chair). Conference, “Shaw’s Brave new World”, Milwaukee, WI (Marquette University), April 2001. “Demythicizing/Remythicizing the Rising: Roddy Doyle’s A Star Called Henry.” Midwest Regional ACIS Conference, Rochester, MI (Oakland University), October 2000. “‘Anywhere That’s Not Here’: Three Plays by Marina Carr.” Annual IASIL Conference, Bath, UK (Bath Spa University), July 2000. “The Unthinkable Universe of Flann O’Brien’s The Third Policeman.” Annual IASIL Conference, Barcelona, Spain (University of Barcelona), July 1999. “Between the Playboy and Pulp Fiction: The Plays of Martin McDonagh.” Tenth Triennial IASIL Conference, Limerick, Ireland (University of Limerick), July 1998. “The Revolutionary Theatre of Tom Murphy.” National ACIS Conference, Fort Lauderdale, FL (Nova Southeastern University), April 1998. “Flann O’Brien and Censorship.” Annual IASIL Conference, Göteborg, Sweden (Göteborg University), August 1997. “Brian Friel and the Law of the Father.” National ACIS Conference, Albany, NY, April 1997. “Transcending Tribal Loyalties: Two Plays by Sebastian Barry.” Annual SCMLA Convention, San Antonio, TX, October-November 1996. “Old Worlds, New Worlds, Alternative Worlds: Joyce’s Ulysses and Ovid’s Metamorphoses XIII.” Annual IASAIL Conference, Hempstead, NY (Hofstra University), July 1996. “Carnival in Austin Clarke’s The Sun Dances at Easter.” National ACIS Conference, Carbondale, IL (SIU), April 1996. “Tom Murphy and the Crisis of the Voice.” Joint ACIS/CAIS Conference, Belfast, N. Ireland (Queen’s University), June 1995. “Tom Murphy and Schopenhauer.” Ninth Triennial IASAIL Conference, Cork, Ireland (UCC), July 1995. “‘I Want to Be Happy’: Brian Friel’s Violent Islands.” Annual IASAIL Conference, Sardinia, Italy (University of Sassari), September 1994. “Darrell Figgis, The Return of the Hero, and the Making of the Irish Nation.” National ACIS Conference, Omaha, NE (Creighton University), April 1994. “Carnivalizing Irish Catholicism: Austin Clarke’s The Sun Dances at Easter.” 27th Annual Comparative Literature Symposium, “Carnivalizing Difference: Bakhtin and the Other,” Lubbock, TX (Texas Tech university), January 1994. “‘It Fills Many a Vacuum’: Food and Hunger in the Early Novels of John McGahern.” National ACIS Conference, Villanova, PA (Villanova University), April 1993. “Bakhtin and Modern Irish Satire.” Southern Regional ACIS Conference, Tulsa, OK (University of Tulsa), February 1993. “Thomas Murphy and Federico García Lorca.” Joint ACIS/CAIS Conference, Galway, Ireland (NIUG), July 1992. “The Mythologizing of Napper Tandy Street: The Novels of Olivia Robertson.” Eighth Triennial IASAIL Conference, Dublin, Ireland (TCD), July 1992. “Eimar O’Duffy’s Cuanduine Satires.” Annual IASAIL Conference, Leiden, Netherlands (Leiden University), July 1991. “Gender and Identity in Brian Friel’s Faith Healer and Thomas Murphy’s The Gigli Concert.” National ACIS Conference, Madison, WI (UW), April 1991. 14

“Ireland against the Rest of the World: The Writings of Mervyn Wall.” National ACIS Conference, St Louis, MO (UMSL), April 1990. “Was Joyce Mad? Was Hamlet Mad? Was Trellis Mad? Joyce and Flann O’Brien in Postmodern Perspective.” James Joyce Conference, Philadelphia, PA, June 1989. “Simon Vestdijk and the Irish Literary Tradition.” Seventh Triennial IASAIL Conference, Coleraine, N. Ireland (University of Ulster), July 1988. “Jennifer Johnston’s Divided Ireland.” Irish Literary Studies Colloquium, Leiden, Netherlands (Leiden university), September 1987. “Two Adaptations of the ‘Circe’ Episode of Ulysses.” Annual IASAIL Conference, Caen, France (Université de Caen), July 1997. “The Problems of Translating Flann O’Brien into Dutch.” Flann O’Brien International Symposium, Dublin, Ireland (UCD), April 1986. “From Page to Stage: Narrative Voice in Hugh Leonard’s Adaptations of James Joyce.” Sixth Triennial IASAIL Conference, Belfast, N. Ireland (Queen’s University), July 1985.

Community Presentations and Engagements: Creator and performer (with members of the UWM Center for Celtic Studies), “Mná na hÉireann/Women of Ireland”: a celebration of women in Irish myth, history, literature, and song (hour-long performance). Milwaukee Irish Fest, 18 and 19 August 2018. “Bloomsday” presentation on “Joyce and Ulysses”, and readings from Ulysses with members of the UWM English department and the Center for Celtic Studies, CelticMKE Center, Wauwatosa, WI, 16 June 2018. Creator and performer (with members of the UWM Center for Celtic Studies and Milwaukee Irish Arts), “Mise Eire/I Am Ireland”: the 1916 Easter Rising through songs, poems, letters, and eyewitness accounts (45-minute performance). County Clare Irish Inn, Milwaukee, 22 April 2016, and at Milwaukee Irish Fest, 20 and 21 August 2016. Reader, Irish poetry event, Milwaukee Irish Fest Hedge School, annually (2001-18). “Tinkers No More: The Irish Travellers, Past and Present.” Lecture, Irish Genealogical Society of Wisconsin, 6 May 2013. “The Irish Travellers: Then and Now.” Lecture, Celtic Women First Friday Lecture Series, 4 January 2013. Pre-performance lecture on Marina Carr’s By the Bog of Cats, UWM Mainstage Theatre, 28 October 2010. “The ‘Tinkers’ in Irish Literature.” Lecture, Celtic Women International, Lake Geneva, WI, 23 April 2010. “The ‘Tinkers’ in Irish Literature.” Lecture, Chicago Irish American Heritage Center, 17 may 2009. “The ‘Tinkers’ in Irish Literature.” Presentation, Milwaukee Irish Fest, August 2008. “Representations of the Irish ‘Tinkers’ in Word and Image.” Lecture, UWM (with Scottish Traveller Sheila Stewart), 10 October 2007. Post-screening comments and audience Q&A on The McDonagh Pictures and Oileán Thoraí, Chicago Irish Film Festival, Beverly Arts Center, Chicago, IL, 1 March 2008. Post-screening presentation and audience Q&A on No Resting Place and Pavee Lackeen, Chicago Irish Film Festival, Beverly Arts Center, Chicago, IL, 3 March 2007. Panelist (with Joan F. Dean and Eamonn Wall), Chicago Irish Film Festival, Beverly Arts 15

Center, Chicago, IL, 4 March 2006. Post-performance presentation on Marina Carr’s Portia Coughlan (Inisfree Irish Arts & Turnaround Theater production), Irish American Heritage Center, Chicago, IL, 28 October 2005. “Irish Mythology and St Patrick.” Presentation, PEP Adult Center, Wauwatosa, WI, 5 March 2004. “Tinkers and Travellers in Irish Literature.” Presentation, Milwaukee Irish Fest, August 2003. “‘A.E.I.O.U.’: George Russell, National Being.” Lecture; performance of selected readings from James Joyce’s Ulysses. “Bloomsday” celebration, The Pub, Oconomowoc, WI, 15-16 June 2002. Jury member, Donn Goodwin and Joseph Gahagan Poetry Competitions, Milwaukee Irish Fest, 2001, 2005, 2009, 2010. Children’s presentation on St Patrick and St Patrick’s Day, Milwaukee Christian Center, 13 March 2001. Interview with the Yukon Celtic Nations Foundation Newsletter, Yukon, OK, October 1999, pp. 8-9. “Green Beer and Parades, What Are We Celebrating?” Interview with The Norman Transcript, 17 March 1999. “Holiday’s Traditions Born of Irish Heritage.” Interview with The Daily Oklahoman, 17 March 1999. “St Patrick’s Day Has Rich History.” Interview with The Norman Oklahoman, 17 March 1999. Interview about the Celtic origins of Hallowe’en, KNOR Radio, Norman, OK, 31 October 1994. “A Touch o’ the Green.” Discussion of the history and traditions of St Patrick’s Day, OU Radio Newsline Service, Norman, OK, 11-17 March 1994, repeated March 1995. “Postscripts.” Presentation on Brian Friel’s Dancing at Lughnasa, Rupel J. Jones Theatre, Norman, OK, February 1994. “St Patrick, Myth and Reality.” Presentation, St Thomas More Student Parish, Norman, OK, 17 March 1993.

SELECTED GRANTS, AWARDS, AND FELLOWSHIPS:

Awards: UWM Office of Research/Research Foundation Senior Faculty Award for Excellence in Research, 2017.

Fellowships and Sabbaticals: Sabbatical leave of absence, Fall semester 2013.

Moore Institute Visiting Fellowship, National University of Ireland- Galway, May-June 2012.

UW System Fellowship, Institute for Research in the Humanities, UW-Madison, Fall 2004.

Research and Travel Grants: 16

UWM Research Committee Award ($9,048), 2011-12.

UWM Arts and Humanities Travel Awards, annually, 2012-2017.

Conference Grant: Wisconsin Humanities Council Mini-Grant (Thomas Kilroy Lecture), $2000, 2004.

TEACHING:

Redeveloped Courses, English, UWM: 215 Introduction to English Studies: The Otherworld/The Other’s World 275 Irish Myth and Folklore 305 Survey of English Literature, 1900-Present 306 Survey of Irish Literature 344 Modern Drama: Contemporary British and Irish Plays 620 Seminar in the Art of Literature: James Joyce 621 Seminar in the Literature of England: The Modernists 622 Seminar in Irish Literature: Writing after Yeats and Joyce 622 Seminar in Irish Literature: Theatre from Yeats to McDonagh 622 Seminar in Irish Literature: Irish Women Writers 775 Modern English Literature: Fabulism and Magical Ralism 814 Seminar in Irish Literature: Irish Classics 814 Seminar in Irish Literature: Inventing Ireland 825 Seminar in Major Figures: James Joyce

International Programs: Director, UWM London Study Abroad Program, Spring 2009.

Seminar on Contemporary Drama (five 90-minute classes), Kerry International Summer School (K.I.S.S.), Tralee, Ireland, July-August 1996.

Selected Graduate Supervision:

Master’s committees Shanae Martinez, chair, 2012 (completed). Stacy Stingle, member, 2014 (completed). Sarah Beth Killiman, chair, 2018 (in progress). Gwen Sekhon, chair, 2018 (completed). Kacee McKinney, member, 2018 (completed).

Dissertation committees Mary Ann Ryan, chair, 2011 (completed). Colleen Booker Halverson, chair, 2012 (completed). Drew Blanchard, chair, 2012 (completed). 17

Daniel Brown, member, 2013 (completed). Eric Adams, member, 2014 (completed). Paul Gagliardi, member, 2015 (completed). Shawna Lipton, member, 2016 (completed). Heejoung Shin, chair, 2016 (completed). Roswitha Both, member, 2016 (completed). Laura Farrell-Wortman (UW-Madison), member, 2017 (completed). Kizzy Fay, member, 2018 (completed). Michael Beebe, member (in progress). Sarah O’Connell, chair (in progress).

International Graduate Teaching Two-hour seminar on the theatre of Martin McDonagh. The Irish Seminar (International Graduate Program of the University of Notre Dame), Dublin, Ireland, June 2012.

External PhD Examiner External examiner, PhD thesis, National University of Ireland-Galway, November 2011.

SERVICE:

English Department, UWM:

Administrative Positions: Associate Chair for Undergraduate Studies, 2002-04. Acting Chair, Summer 2002. Literary Studies Coordinator, 2001-02.

Departmental Committees: Academic Staff Committee, member, 2012-13. Faculty Personnel Committee, member, 2001-03, chair, 2002-03, member, 2009-11. Composition Advisory Committee, member, 2006-07, 2014. Grievance Committee, member, 2000-01, 2005, 2010-11, 2014-15, 2018-19. Teaching Awards Committee, member, 2005, 2008, chair, 2012. Merit Committee, member, 2001, 2018, chair, 2007, 2012-13. Academic Staff Committee, member, 2012-13. Committee on Committees, member, 2003-05, 2012-14, Composition Advisory Committee, member, 2014. Grievance Committee, member, 2014-15, 2018-19. Graduate Policy Committee, member, 2001-02, 2007-10, 2015-18. Plan A (Literary Studies) Advisory Committee, member, 2011-12, 2015-19 (includes graduate admissions). Travel Committee, chair/member, 2015-18. Awards and Recognition Committee, member, 2015-16. Drama and Performance Studies Search Committee, member, 2003. Modern Literature Search Committee, member, 2000-01. 18

College of Letters and Science, UWM: Divisional Executive Committee, Humanities, member, 2003-04. L&S Degree Requirements Review Subcommittee, member, 2003-05. Center for Celtic Studies Advisory/Curriculum Committee member, 2001-09. Center for Celtic Studies Planning Committee, member, 2000-01.

Professional Organizations: Past President and International Representative (Executive Committee member), American Conference for Irish Studies (ACIS), 2009-11. President, American Conference for Irish Studies (a national, interdisciplinary academic association), 2007-09. Vice Chair for North America (Executive Committee member), International Association for the Study of Irish Literatures (IASIL), 2006-present. Chair, Robert Rhodes Prize for Books on Literature Committee, ACIS, 2003-05. Literature Representative (Executive Committee member), ACIS, 2003-05. North American Representative (Executive Committee member), IASIL, 1997-2000, 2003-06. North American Secretary-Treasurer, IASIL, 2000-06. Associate Director, Kerry International Summer School of Living Irish Authors (K.I.S.S.), Tralee, Ireland, July-August 1997. ACIS Book Prize Committee (Literary Criticism), member, 1995. Chair and Section Organizer, Anglo-Irish Literature Section, South Central Modern Language Association (SCMLA), 1992-93. Dutch Representative, Bibliography Subcommittee, IASAIL, 1985-88.

Conference Organizing: Primary organizer, Midwest Regional ACIS Conference, Zelazo Center, UWM, October 2004.

Board Memberships, Consulting and Reviewing: Editorial Board member, e-Keltoi: An Interdisciplinary Journal of Celtic Studies, 2003-present. Academic reviewer for Gale Publishing (Cengage Learning), 2012. Adjudicator, Irish American Cultural Institute Fellowships, 2009. Member, University of Wisconsin Press Committee (Editorial Board), 2008-11. Juror, Elizabeth A. Steinberg Prize (for outstanding UW Press books), 2008. Patron, North East Irish Culture Network (Universities of Durham and Sunderland, UK), 2006- Present. Editorial Consultant for Literature, Everything Irish: The History, Literature, Art, Music, People and Places of Ireland from A-Z. Ed. Lelia Ruckenstein and James A. O’Malley. New York: Ballantine Books, 2003. Consultant for Oxford University Press, 2002. Consultant for Ginebra Magnolia (Lima, Peru), 2005. Consultant for Wiley Blackwell Publishers, 2007.

Manuscript reviewer:

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Presses/books: University Press of Florida; Susquehanna University Press; Syracuse University Press; Catholic University of America Press; University of Wisconsin Press; University of Notre Dame Press; Routledge.

Journals/articles: Lit: Literature Interpretation Theory; Intertexts; World Literature Today; Mosaic; Belgian Journal of English Language and Literatures; Modern Drama; e-Keltoi; Medien & Zeit; PMLA; Etudes Irlandaises; Breac; Food, Culture and Society; Canadian Journal of Irish Studies; ES Review: Spanish Journal of English Studies.

MEMBERSHIPS: American Conference for Irish Studies (ACIS). International Association for the Study of Irish Literatures (IASIL). International James Joyce Foundation. Irish American Cultural Institute.

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