Top 40 Singles Top 40 Albums
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Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 4-2-2009 The aC rroll News- Vol. 85, No. 19 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 85, No. 19" (2009). The Carroll News. 788. http://collected.jcu.edu/carrollnews/788 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Russert Fellowship Tribe preview NBC creates fellowship in How will Sizemore and honor of JCU grad, p. 3 the team stack up? p. 15 THE ARROLL EWS Thursday,C April 2, 2009 Serving John Carroll University SinceN 1925 Vol. 85, No. 19 ‘Help Me Succeed’ library causes campus controversy Max Flessner Campus Editor Members of the African The African American Alliance had to move quickly to abridge an original All-Stu e-mail en- American Alliance Student Union try they had sent out requesting people to donate, among other things, copies of old finals and mid- Senate votes for terms, to a library that the AAA is establishing as a resource for African American students on The ‘Help Me administration policy campus. The library, formally named the “Help Me Suc- Succeed’ library ceed” library, will be a collection of class materials to close main doors and notes. The original e-mail that was sent in the March to cafeteria 24 All-Stu, asked -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
God Shuffled His Feet
God shuffled his feet click here to download God Shuffled His Feet is the second album by the Crash Test Dummies, released in It features their most popular single, "Mmm Mmm Mmm Mmm". Crash Test Dummies - God Shuffled His Feet - www.doorway.ru Music. God Shuffled His Feet Lyrics: After seven days / He was quite tired so God said: / "Let there be a day / Just for picnics, with wine and bread" / He gathered up. Sep 18, The tour comes in celebration of the 25th anniversary of the band's sophomore album, God Shuffled His Feet, and each date will feature a full. May 24, God Shuffled His Feet made the Dummies famous worldwide with a handful of folk-rock songs that shattered the perception of what rock radio. Find a Crash Test Dummies - God Shuffled His Feet first pressing or reissue. Complete your Crash Test Dummies collection. Shop Vinyl and CDs. Sep 18, CRASH TEST DUMMIES TO REUNITE FOR NORTH AMERICAN TOUR TO. Find album reviews, stream songs, credits and award information for God Shuffled His Feet - Crash Test Dummies on AllMusic - - Thanks to Jerry. Would it be waiting up in heaven with your wife? God shuffled his feet and glanced around at them. The people cleared their throats and stared right back at him. God Shuffled His Feet. By Crash Test Dummies. • 12 songs. Play on Spotify. 1. God Shuffled His Feet. 2. Afternoons & Coffeespoons. 3. With their clever lyrics and folk-tinged melodies, the Crash Test Dummies were a perfect rock band for affluent '90s college students and yuppies. -
Top 40 Singles Top 40 Albums
17 July 1994 CHART #918 Top 40 Singles Top 40 Albums I Swear So Much In Love Traction The Very Best Of Marvin Gaye 1 All 4 One 21 All 4 One 1 Supergroove 21 Marvin Gaye Last week 1 / 3 weeks Gold / WARNER Last week 17 / 14 weeks Gold / WARNER Last week - / 1 weeks Platinum / BMG Last week - / 1 weeks POLYGRAM Love Is All Around Always In My Heart God Shuffled His Feet The Very Best Of Bread 2 Wet Wet Wet 22 Tevin Campbell 2 Crash Test Dummies 22 Bread Last week 2 / 4 weeks POLYGRAM Last week - / 1 weeks WARNER Last week 1 / 6 weeks Gold / BMG Last week 16 / 8 weeks Gold / WARNER Absolutely Fabulous Prayer For The Dying The Very Best Of Pat Benatar August and Everything After 3 Pet Shop Boys 23 Seal 3 Pat Benatar 23 Counting Crows Last week 3 / 3 weeks Gold / EMI Last week 22 / 5 weeks WARNER Last week 2 / 8 weeks Platinum / EMI Last week 22 / 17 weeks BMG Mmm Mmm Mmm Mmm The Sign World Mix Elegant Slumming 4 Crash Test Dummies 24 Ace of Base 4 Deep Forest 24 M People Last week 4 / 11 weeks Gold / BMG Last week 23 / 18 weeks Platinum / BMG Last week 4 / 5 weeks Platinum / SONY Last week 18 / 21 weeks Platinum / BMG What's The Time Mr Wolf I'll Take You There Happy Nation Mcmxc A.D. 5 Southside of Bombay 25 General Public 5 Ace of Base 25 Enigma Last week 8 / 4 weeks EMI Last week 14 / 7 weeks SONY Last week 3 / 19 weeks Platinum / BMG Last week 30 / 46 weeks Platinum / VIRGIN Sweets For My Sweet No Gunshot The Cross Of Changes Everybody Else Is Doing It So Why C.. -
SNICK - Round 3
SNICK - Round 3 1. A bassline heard at the start of this song is essentially a slowed-down sample of the opening lick of Herbie Hancock's "Bring Down the Birds." The lyric "Some looks in this torso" begins the rap bridge in this song, which is performed by a very young (*) Q-Tip. This song's music video introduces a woman clad in an explicitly fake fur coat speaking quasi-French gibberish before transitioning to scenes of that same woman dancing in a harlequin bodysuit. Guest vocalist Bootsy Collins shouts "Dig!" at the beginning of this song, which features several down-and-up glissandos on a slide whistle. Lady Miss Kier repeats the claim that "I couldn't ask for another" in, for 10 points, what 1990 dance-funk song by Deee-Lite? ANSWER: Groove Is in the Heart <Vopava, Music> 2. The purchase of this object is celebrated at a dinner where a man eats an "excellent" steak while recounting how he "hopped a steamship to Sweden" when he was 17. The creator of this object, Nina, writes a love note that turns out to be plagiarized word-for-word from the film Chapter Two, and also gives away her father's dugout-seat tickets to a (*) Yankees game. Upon seeing this object, Mr. Armstrong admits "I can't look away" despite feeling that he is looking at "a parasite" and "a loathsome, offensive brute." The subject of this work sports a gray sportcoat, five o'clock shadow, and a unique, quizzical expression. For 10 points, name this portrait of one of Jerry Seinfeld's friends. -
DJ Song List by Song
A Case of You Joni Mitchell A Country Boy Can Survive Hank Williams, Jr. A Dios le Pido Juanes A Little Bit Me, a Little Bit You The Monkees A Little Party Never Killed Nobody (All We Got) Fergie, Q-Tip & GoonRock A Love Bizarre Sheila E. A Picture of Me (Without You) George Jones A Taste of Honey Herb Alpert & The Tijuana Brass A Ti Lo Que Te Duele La Senorita Dayana A Walk In the Forest Brian Crain A*s Like That Eminem A.M. Radio Everclear Aaron's Party (Come Get It) Aaron Carter ABC Jackson 5 Abilene George Hamilton IV About A Girl Nirvana About Last Night Vitamin C About Us Brook Hogan Abracadabra Steve Miller Band Abracadabra Sugar Ray Abraham, Martin and John Dillon Abriendo Caminos Diego Torres Absolutely (Story Of A Girl) Nine Days Absolutely Not Deborah Cox Absynthe The Gits Accept My Sacrifice Suicidal Tendencies Accidentally In Love Counting Crows Ace In The Hole George Strait Ace Of Hearts Alan Jackson Achilles Last Stand Led Zeppelin Achy Breaky Heart Billy Ray Cyrus Across The Lines Tracy Chapman Across the Universe The Beatles Across the Universe Fiona Apple Action [12" Version] Orange Krush Adams Family Theme The Hit Crew Adam's Song Blink-182 Add It Up Violent Femmes Addicted Ace Young Addicted Kelly Clarkson Addicted Saving Abel Addicted Simple Plan Addicted Sisqó Addicted (Sultan & Ned Shepard Remix) [feat. Hadley] Serge Devant Addicted To Love Robert Palmer Addicted To You Avicii Adhesive Stone Temple Pilots Adia Sarah McLachlan Adíos Muchachos New 101 Strings Orchestra Adore Prince Adore You Miley Cyrus Adorn Miguel -
Parody As a Borrowing Practice in American Music, 1965–2015
Parody as a Borrowing Practice in American Music, 1965–2015 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by John P. Thomerson BM, State University of New York at Fredonia, 2008 MM, University of Louisville, 2010 Committee Chair: bruce d. mcclung, PhD ABSTRACT Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type of humor, as an expression of ethnic identity, and as a response to intellectual trends during the final portion of the twentieth century. This interdisciplinary study blends musicology with humor studies, ethnic studies, and intellectual history, touching on issues ranging from reception history to musical meaning and cultural memory. As a structural borrowing technique, parody often creates incongruity—whether lyrical, stylistic, thematic, evocative, aesthetic, or functional—within a recognized musical style. Parodists combine these musical incongruities with other comic techniques and social conventions to create humor. Parodists also rely on pre-existing music to create, reinforce, and police ethnic boundaries, which function within a racialized discourse through which parodists often negotiate ethnic identities along a white-black binary. Despite parody’s ubiquity in vernacular music and notwithstanding the genre’s resonance with several key themes from the age of fracture, cultivated musicians have generally parody. The genre’s structural borrowing technique limited the identities musicians could perform through parodic borrowings. This study suggests several areas of musicological inquiry that could be enriched through engagement with parody, a genre that offers a vast and largely unexplored repertoire indicating how musical, racial, and cultural ideas can circulate in popular discourse. -
A+ Entertainment Song List by Title
A+ Entertainment Song List by Title Complete Songs listed by TITLE TITLE ARTIST 4 AM Fiona, Melanie 3 Spears, Britney 7 Catfish And The Bottlemen 22 Swift, Taylor 24 Jem 45 Gaslight Anthem 360 Hoge, Josh 679 Fetty Wap & Remy Boyz 1901 Phoenix 1973 Blunt, James 1979 Smashing Pumpkins 1985 Bowling For Soup 1999 Prince 7/11 Beyonce #1 Nelly #1 Crush Garbage #Selfie Chainsmokers #Thatpower Will.I.Am & Bieber, Justin (How Could You) Bring Him Home Eamon (I Hate) Everything About You Three Days Grace (I Wanna See You) Push It Baby Paul, Sean & Pretty Ricky (I Wanna See You) Push It Baby Pretty Ricky & Paul, Sean (Kissed You) Good Night Gloriana (Reach Up For The) Sunrise Duran Duran (Take My) Life Away Default (You Want To) Make A Memory Bon Jovi 0 To 100/The Catch Up Drake 1 Thing Amerie 1, 2 Step (Remix) Ciara & Elliott, Missy 1, 2 Step (Remix) Elliott, Missy & Ciara 1,2 Step Ciara & Elliott, Missy 1,2 Step Elliott, Missy & Ciara 1,2,3,4 Feist 1,2,3,4 Plain White T's 10 Out Of 10 Lou, Louchie & Michie One 10 Out Of 10 Lou, Louchie & Michie One 10 Out Of 10 Michie One & Lou, Louchie 10 Out Of 10 Michie One & Lou, Louchie 100 Girls Stroke 9 100 Years Five For Fighting 100% Pure Love Crystal Waters 11 Blocks Wrabel 16 @ War Pasian, Karina 18 Days Saving Abel 19 Somethin' Wills, Mark 19-2000 Gorillaz 19-2000 (Remix) Gorillaz 1st Of Tha Month Bone 2 Become 1 Jewel 2 Become 1 Spice Girls 2 Heads Hell, Coleman 2 In The Morning New Kids On The Block 2 Legit To Quit MC Hammer 2 On Tinashe & Schoolboy Q 2 Phones Gates, Kevin 2 Reasons Songz, Trey & T.I. -
3TB English Song Booklet
3TB English Song Booklet SMART SELECTION SONG TITLE SINGER SMART SELECTION SONG TITLE SINGER NO (CALL ME) NUMBER ONE THE TREMELOES A 3'S AND 7'S QUEENS OF THE STONE AGE TR (DON'T FEAR) THE REAPER BLUE OYSTER CULT TMN (AND SHE SAID) TAKE ME NOW JUSTIN TIMBERLAKE INYL (EVERYBODY'S GOT TO LEARN SOMETIME) I NEED YOUR LOVING BABY D. GYU (CAN'T STOP) GIVING YOU UP KYLIE MINOGUE IGMY (GIRL) I'M GONNA MISS YOU MILLI VANILLI IDIFY (EVERYTHING I DO) I DO IT FOR YOU BRYAN ADAMS WTSE (HERE'S) WHERE THE STORY ENDS TIN TIN OUT ALMT (GOD MUST HAVE SPENT) A LITTLE MORE TIME 'N SYNC S (I CAN'T GET NO) SATISFACTION BRITNEY SPEARS TDITW (HOW MUCH IS)THAT DOGGIE IN THE WINDOW LITA ROZA C (I JUST WANT TO) CELEBRATE RARE EARTH TBO (I JUST WANT IT) TO BE OVER KEYSHIA COLE DIYA (I JUST) DIED IN YOUR ARMS CUTTING CREW FFY (I'LL BE A) FREAK FOR YOU ROYALLE DELITE ILY (I KNOW) I'M LOSING YOU THE TEMPTATIONS SO (JUST LIKE) STARTING OVER JOHN LENNON I (i love you)for sentimental reasons P (LET'S HAVE A) PARTY ELVIS PRESLEY RG (I NEVER PROMISED YOU A) ROSE GARDEN MARTINA MCBRIDE HW (LOVE IS LIKE A) HEAT WAVE (HEATWAVE) MARTHA REEVES AND THE VANDELLAS HAN (IF PARADISE IS) HALF AS NICE AMEN CORNER TF (MEET) THE FLINTSTONES BC-52'S (B-52'S) SM (I'M A SONG) SING ME NEIL SEDAKA S (MUCHO MAMBO) SWAY SHAFT PD (I'M ALWAYS TOUCHED BY YOUR) PRESENCE DEAR BLONDIE TDOTB (SITTIN' ON) THE DOCK OF THE BAY OTIS REDDING SS (I'M NOT YOUR) STEPPING STONE THE MONKEES SS (SOMETHING INSIDE) SO STRONG LABI SIFFRE INFILA (IT LOOKS LIKE) I'LL NEVER FALL IN LOVE AGAIN TOM JONES NGL (THERE -
In Defense of Popular Music
DOCUMENT RESUME ED 382 965 CS 214 847 AUTHOR Luebke, Steven R. TITLE In Defense of Popular Music. PUB DATE Apr 95 NOTE 13p.; Paper presented at the Annual Joint Meetings of the Popular Culture/American Culture Association (Philadelphia, PA, April 12-15, 1995). PUB TYPE Viewpoints (Opinion/Posii-ion Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS Higher Education; Instructional Innovation; Literary Criticism; *Literature Appreciation; *Popular Culture; *Rock Music; *Student Needs; *Undergraduate Students IDENTIFIERS Bloom (Allan); Lyrics; *Popular Music ABSTRACT In his book "The Closing of the American Mind," Allan Bloom criticizes popular music for the "emptiness of its values." It has only one appeal, s',../s Bloom, "a barbaric appeal, to sexual desire--not love, not eros, but sexual ,.esire, undeveloped and untutored." However, to say "rock music is this or that" is a proposition that quickly crumbles under the evidence of the songs themselves. There are more artists, "more songs in heaven and earth than are dreamed of in your philosophy, Allan." In fact, popular music can be used in the classroom to fulfill some of the objectives of a liberal education that Bloom himself identifies. First, popular music can be a valuable resource for introducing students to poetry: lyricists use many of the same conventions that poets have used for centuries. Second, popular music is a useful kind of mnemonic device to teach about theme or character. Some students find it easier to understand the concept of a dynamic world versus the static world of Keat's poetry after they have heard Van Halen's "Best of Both Worlds." Similarly, "Mmm Mmm Mmm Mmm" by Crash Test Dummies, a song about how people are socialized to be a homogenous bunch, might help students understand something about "The Adventures of Huckleberry Finn." Third, students can write about song lyrics as a form of art.