Librarytrendsv50i2 Opt.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Librarytrendsv50i2 Opt.Pdf ILLINOIS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Fall 2001 50(2) 165-307 Technological Advances in Reference: A Paradigm Ship? Evelyn L. Curry /\\/If I iIll0~ UNIVERSITYOF ILLINOIS GRADUATESCHOOLOF LIBRARYAND INFORMATIONSCIENCE This Page Intentionally Left Blank Technological Advances in Reference: A Paradigm Shift? CONTENTS Tntroduction Evelyn L. Curry 165 Values for Human-to-Human Reference Michael Gorman 168 What Is the Best Model of Reference Service? David A. ljckoson 183 Faculty Relevance Criteria: Internalized User Needs Lynn Westhrook 197 Evaluating Reference Services in the Electronic Age Jo Bell Whitlatch 207 An Ideological Analysis of Digital Reference Service Models Juris Dilevko 218 Reference in Library and Information Science Education YvonneJ Chandler 245 Long Live Old Reference Services and New Technologies Bill Katz 263 The Emerging Reference Paradigm: A Vision of Reference Services in a Complex Information Environment John W Fntch nnd Scott B. Mnndprnark 286 About the Contributors 306 Introduction EVELYNL. CURRY THESOCIAL CONTEXT OF REFERENCE WORK in libraries has changed dra- matically in the past two decades-some would argue more than ever be- fore in its history of 126 years (Green 1876).Forces bringing about such change have included political, economic, cultural, and technological de- velopments that have affected libraries and information centers in a num- ber of ways. Yet the raison d’etre for reference practice-and indeed for library work in general-has remained the same: to bring together library users and the knowledge they seek. In other words, the user and his needs remain at the heart of the information profession. Computer-based reference has significantly improved library service to contemporary users-from the introduction of online and cataloging da- tabases to local and wide-area networks to electronic reference sources. The appearance of the Internet in the 1990s heralded a new era for libraries in terms of networking opportunities. More specifically “virtual reference” (or Web-based reference) has had a major impact on the referral function. This issue examines the extent to which (and how) technological advances have changed basic reference practice. A paradigm is a universally recognized scientific achievement that for a time models problems and solutions to a community of practitioners (Kuhn, 1961).It is a conceptual understanding, an agreed-upon construct for conducting the business of a profession. The structure takes some time to formulate and shifts only when the professional community agrees that significant changes in the knowledge base beg to be acknowledged and incorporated into new practical forms. Reference work in today’s libraries has been influenced by a host of Evelyn L. Curry, School of Library and Information Studies, Texas Woman’s University, Den- ton, TX 76204 LIBRARYTRENDS, Vol. 50, No. 2, Fall 2001, pp. 165-167 02001 The Board of Trustees, University of Illinois 166 LIBRARY TRENDS/E’ALL 2001 related social and economic factors, chief aniong them being the increas- ing use of technolog?. This issue has three specific objectives: to examine the reference tradition within the context of recent technological advanc- es, to determine the extent to which the paradigm is shifting, and to ex- plore the implications for library practice. Gornian’s paper on “human-to-hiiman reference” sets the tone for the entire discussion. Librarianship, he argues, is based on a core set of highly regarded principles that niiist not be forgotten in the present milieu. His recent book, 01irf?nduringUiLues (2000),is an important reminder- of the service ethic to which librarians subscribe. Tyckoson continues the discourse by reviewing the histoiy of reference and the various models of reference senice delivery (e.g.,traditional, tiered, teaching, \irtd).Each model, he maintains, has its distinct advantages and disadvantages; however, the “best” template for any given library can only be measured against its community of users. M’estbrook’s user-needs analysis of a selected patron group pulls togetli- er elements of the infomiation-seeking process that determine user satis- faction with library search results. Conceptual questions she raised in her study include: To what extent does the user’s definition of relevance mesh with the librarian’s definition? What implications do these differences have for library practice? Her “internal”definition of relevance expands the clas- sic interpretation of pertinence (Lancaster and Warner, 1993). Whitlatch contributes an assessment of strategies for the evaluation of electronic reference. Useful measures, she maintains, can only he reached after study goals and objectives have been determined; those could fall into several categories: economics, the reference process, resources, products/ outcomes (user satisfaction with results). She further identifies various re- search methods (surveys, interviews, case studies and focus groups), not- ing that shifting patterns in user demands provide libraries with opportu- nities to emphasize different strategies for bringing together users and needed resources. Dilevko’s paper serves as a wake-up call for reference workers in the virtual environment whose jobs have been, and are being, phased out. His chief concern is that “call centers” are “de-skilling”the library profession. Reference librarians, he cautions, should consider how best to develop a unique knowledge niche that would allow them to differentiate themselves from potential library users, thus positioning themselves as market leaders instead of followers. Chandler outlines the library and inforniation science curriculum need- ed to prepare information professionals for the twenty-first century. She argues that, contrary to a widely held view, the library profession is not on the decline; the next few years will find librarians in high demand. Gradu- ates with technological library expertise and interpersoiial communication skills will have the strengths needed to understand the diverse user popu- CURRY/INTRODUCTION 167 lation of the new millennium. The case study she includes is her own cur- riculum at the University of North Texas School of Library and Informa- tion Sciences, where the reference course is one of several offered in the distance education (online) format. Katz paints a picture of the old reference standard versus the new tech- nologies. Providing access to the right information, he contends, is a goal in danger of tripping over the new technology. He also touches on the grow- ing digital divide between the haves and have nots. Fritch and Mandernack round out the issue with a two-part presenta- tion. The first part reviews the history of reference; the second is a template for the “paradigm shift.” The social context for reference work, they hold, is still very important. The “shift” requires an amalgamation of the tradi- tional philosophies of reference-a more deliberate blending of the con- servative and liberal views. Does the “new face” of reference constitute a paradigm shift? Accord- ing to the authors in this issue, yes and no. Yes, in the sense that reference librarians have new responsibilities in the digital era (e.g., how to achieve high tech, high touch). No, in the sense that new delivery mechanisms have not changed the basic tenets of the profession. In fact, the technological options have strengthened the base. The working title for this issue was “The Emerging Reference Para- digm.” However, after reading the authors’ contributions and reflecting on them, one might safely conclude that reference practice has an already established paradigm (though time is only one criterion in paradigm for- mulation). Reference librarianship is not in a “pre-paradigmatic state,” in classic Kuhnian terms. Rather, the model appears to be shifting as knowl- edge evolves. The traditional values of librarianship are as true as they ever were-only more so. Libraries are still sanctuaries (not repositories) for the masses, not boutiques for a privileged few. Emerging technologies offer more alternatives to the contemporary library user, and these alternatives are opportunities in disguise. Elizabeth Cady Stanton once observed: “Noth- ing strengthens the judgment and quickens the conscience like individual responsibility.”Therein lies the challenge for the profession. Librarians and information professionals are up to that challenge. REFERENCES Gorman, M. (2000). Our enduring values: I,ibmmanship in the 21st centuq. Chicago: American Library Association. Green, S. (1876). Personal relations between librarians and readers. American LibruqJournaZ, l(2-3), 74-81. Kuhn, T. S. (1961). Structure of scientiJr revolutions. 2nd ed. NeivYork: University of Chicago Press. Lancaster, F. W., & Warner, A. J. (1993).Information rptrievnl today Arlington: Information Resources Press. Values for Human-to-Human Reference MICHAELGORMAN ABSTRACT ” AND LISTS THK EIGHT VALL~ESderived by the author in an earlier work. Gives a brief history of the evolution of human-to-human reference service and discusses its future. Relates each of the author’s eight values to the practice of human-to-human reference. Concludes with some thoughts on librail. instruction. In a hubristic act in my book Our End71ri179 IhZzieJ (Gorman, 2000), I formulated eight fundamental values that 1believe should inform librari- anship. Those values, based on experience and reading in library
Recommended publications
  • Stephen-King-Book-List
    BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short
    [Show full text]
  • AR Tests by Level2
    Accelerated Reading List (by book level) Book Title Author Points Level Clifford Makes a Friend Bridwell, Norman 0.4 0.5 Here Comes the Snow Medearis, Angela Shelf 0.7 0.5 Recess Mess Maccarone, Grace 0.7 0.5 Biscuit Finds a Friend Capucilli, Alyssa Satin 0.8 0.5 Sleepy Dog Ziefert, Harriet 0.8 0.5 David Goes to School Shannon, David 0.9 0.5 Loose Tooth Schaefer, Lola M. 0.9 0.5 Watch Where You Go Noll, Sally 0.9 0.5 Are You My Mother? Eastman, P.D. 1 0.5 Arthur's Reading Race Brown, Marc 1 0.5 Click, Clack, Splish, Splash: A Counting Adventure Cronin, Doreen 1 0.5 Goodnight Moon Brown, Margaret Wise 1 0.5 Oh, Cats! Buck, Nola 1 0.5 Road Hog Hazen, Barbara Shook 1 0.5 Top Cat Ehlert, Lois 1 0.5 All by Myself Mayer, Mercer 1.1 0.5 Not Now! Said the Cow Oppenheim, Joanne 1.1 0.5 Sheep in a Jeep Shaw, Nancy 1.1 0.5 Toad Eats Out Schade/Buller 1.1 0.5 Ant Plays Bear Byars, Betsy 1.2 0.5 Ball Book, The Hillert, Margaret 1.2 0.5 Clifford's Word Book Bridwell, Norman 1.2 0.5 Froggy Plays Soccer London, Jonathan 1.2 0.5 Let's Go, Dear Dragon Hillert, Margaret 1.2 0.5 My Best Friend Is Out of This World Albee, Sarah 1.2 0.5 My Brother, Ant Byars, Betsy 1.2 0.5 Penrod's Pants Christian, Mary Blount 1.2 0.5 Wake Up, Sun Harrison, David 1.2 0.5 Bark, George Feiffer, Jules 1.3 0.5 Best Nest, The Eastman, P.D.
    [Show full text]
  • Campaign 18 Director of Public Relations Generosity of Alumni and Friends Make Adrienne W
    RES IPSA LOQUITUR The Georgetown University Law Center Magazine SPRING / SUMMER 1990 Volume 39, Number 3 Dean Law Center News 2 Quadrangle groundbreaking; Judith Areen Daniloff on eastern Europe; Blondel delivers Hart Lecture. Assistant Dean for Development and External Affairs Law Center Graduates 8 Graduates reach success in Congress with Kevin T . Conry on Capitol Hill Georgetown law degree. Assistant Dean fo r Career Services Home C ourt 1990 16 Professors and students team up against and Publications Congress in annual charity game. Abbie Willard Thorncr Law Library Campaign 18 Director of Public Relations Generosity of alumni and friends make Adrienne W. Kuchneman Draws to a Close Williams Library a reality. Flaws in Campaign Finance 23 Problems are numerous in efforts to reform Assistant Director of Public Relations Edwin C. Darden by Roy A. Schotland campaign finance laws. Profile: Robert Kimmitt 26 Undersecretary of state is a key policymaker in Bush Administration. Alumni News 28 Reunion weekend in Washington, D.C. Res Ipsa Loquitur is published three times each year for On the Cover: Georgetown Law Center’s McDonough the Georgetown University Law Center community, Hall and Williams Library arc situated just a short with distribution to alumni, faculty, staff, students, the distance away from the U.S. Capitol. All three structures media and friends. Published by the Office of Public are captured at twilight by photographer Sarah Hood. Relations, Georgetown University Law Center, 600 New Jersey Avenue, NW, Washington, DC 20001. ©Copyright 1990, Georgetown University Law Center. All rights reserved LAW CENTER NEWS Georgetown Law Center Breaks Ground for New Campus Quadrangle jjjLl) |»Jj Artist's rendering o f the new Quadrangle, as seen from Second Street.
    [Show full text]
  • A Glance at Stephen King's Life
    Appendix: I A Glance at Stephen King’s Life Illustration 20: Stephen King 182 Stephen Edwin King was born on September 21, 1947 in Portland, Maine, USA, to Donald Edwin King and Nellie Ruth Pillsbury. When he was two years old, his father (born David Spansky) deserted his family and Ruth raised Stephen and his brother David by herself, sometimes under great financial strain. The family moved to Ruth’s home town of Durham, Maine but also spent brief periods in Fort Wayne, Indiana and Stratford, Connecticut. King attended Durham Elementary Grammar School and then nearby Lisbon High School. He has been writing since an early age. When in school, he wrote stories plagiarised from what he’d been reading at the time, and sold them to his friends. This was not popular among his teachers, and he was forced to return his profits when this was discovered. From 1966 to 1970, King studied English at the University of Maine at Orono. There, King wrote a column in the school magazine called “King’s Garbage Truck”. At the university, he also met Tabitha Spruce who he married in 1971. King took on odd jobs to pay for his studies. One of them was at an industrial laundry, from which he drew material for the short story “The Mangler”. This period in his life is readily evident in the second part of Hearts in Atlantis After finishing his university studies with a Bachelor of Science in English and obtaining a certificate to teach high school, King took a job as an English teacher at Hampden Academy in Hampden, Maine.
    [Show full text]
  • Stephen King Kathleen A
    Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2003 Stephen King Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, North America Commons Recommended Citation Heininge, Kathleen A., "Stephen King" (2003). Faculty Publications - Department of English. 71. https://digitalcommons.georgefox.edu/eng_fac/71 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. Stephen King Stephen King, popularly known as “The King of Horror,” is one of the more prolific and successful writers of the twentieth century. Despite a reputation for writing only horror and gore, however, King has written works that do not qualify as either horror or supernatural but rather are thoughtful, intricate slices of human experience that often cause us to reflect on our own childhoods, not always with fond nostalgia. He encourages his readers to get in touch with their own memories of what being a child really means, and innocence has little to do with King's version of childhood. Believing that most adults have lost touch with their imaginations and a sense of the mythic, King constantly challenges his readers to expand their concepts of memory and experience. Life A writer who is remarkably open about his own history, King is frequently asked what seems to be an inevitable question: Where do you get your ideas? He has observed numerous times that this question seems to be asked more frequently of writers within the horror genre than of others, as though his story lines reflect an unstable mind.
    [Show full text]
  • Chapter 1 Introduction and Overview
    Chapter 4 Crafting a Strategy Chapter 4 crafting a strategy: the quest for competitive advantage Discussion questions 1. what are the advantages and disadvantages of being a first mover in an industry? Give some examples of first-mover and later-mover firms. Were they successful? 2. how does horizontal growth differ from vertical growth as a corporate strategy? From concentric diversification? 3. when should a corporation or business unit outsource a function or an activity? 4. is it possible for a company to have a sustainable competitive advantage when its industry becomes hyper-competitive? Strategic practice exercises 1. log on to www.business-ethics.com and review which companies are on the latest list of the 100best corporate citizens. Also review the criteria for earning a spot on this list. Are the criteria sound? Is there ample reason to believe that the 100companies on this list pursue strategies that are ethical? Why or why not? 2. go to www.google.com and do a search for low cost producer. See if you can identify five companies that are purchasing a low cost strategy in their respective industries. Using the advanced search engine function at www.google.com, enter best cost producer in the exact phrase box and see if you can locate three companies that indicate they are employing a best-cost producer strategy. Case study On March 14. 2000, Stephen king, the horror writer, published his new book, riding the bullet, on the internet before it appeared in print. Within 24 hours, around 400,000 people had downloaded the book-even though they had to download software to read the book.
    [Show full text]
  • Trial Exhibit PX-0726 : E-Mail from Carolyn Reidy to Leslie Moonves
    3ODLQtiffs' ( [ KLbit 86 Y$SSOH 12-cv-02826 PX-0726 F rom: Reidy, Carolyn <[email protected]> Sent: Tuesday, January 26, 2010 3:19PM To: Moonves, Leslie <[email protected]> Subject: Board Meeting Jan 2010 (AR) (2).docx Attach: Board Meeting Jan 2010 (AR) (2).docx Leslie: Here are my prepared " remarks" in case you wantto read them over. I'm practicing for George Thursday morning. If you have other suggestions, just let me know. Carolyn Confidential SS-MDL-000017776 2010 - THE REVOLUTION HAS FINALLY ARRIVED For at least ten years people in publishing have been making predictions about when electronic books would replace the physical editions that we have, for decades, been selling through retail outlets. A number of obstacles have held the market back-a lack of consumer-friendly eReaders, difficulty in purchasing the books consumers want to read, and suspicion on the part of authors about the new format. But I think that 2010 represents a real tipping point in the digital revolution in publishing, and that the revolution has finally arrived. I'd like to quickly review how we got to this point. Electronic publishing actually began around 1998, when the Rocket eBook and the Softbook were introduced into the market. They were clunky, heavy, and never caught on with readers. Like later eReaders, you pushed buttons to turn the pages, the screen was about the size of a printed book's page, and you could change the type size. But neither device got wide distribution and because Amazon and Barnes & Noble.com didn't sell eBooks, it was difficult for consumers to find books to buy for the devices.
    [Show full text]
  • Television and Serial Adaptation 1St Edition Kindle
    TELEVISION AND SERIAL ADAPTATION 1ST EDITION PDF, EPUB, EBOOK Shannon Wells-Lassagne | 9781315524528 | | | | | Television and Serial Adaptation 1st edition PDF Book Takes place after the events of All Dogs Go to Heaven 2. As American television continues to garner considerable esteem, rivalling the seventh art in its "cinematic" aesthetics and the complexity of its narratives, one aspect of its development has been relatively unexamined. The Dark Tower. Los Angeles Times. You may also like. In the Tall Grass. Prequel to 's Rose Red , written by King for television. Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. Based on the novella in Four Past Midnight. Based on the short story " Trucks ". Riding the Bullet. Retrieved October 7, Universal Studios. Retrieved August 31, Retrieved April 1, Kay, who has left the medical profession behind and is now a comedian, wrote a hilarious, engaging and ultimately moving memoir which gave an insight into the work junior doctors do. Based on the novella of the same name , co-authored with his son, Joe Hill. Warner Bros. Enter your email address Let's go! Set in 19th century Canada, Alias Grace is about a woman who commits murder, and the psychiatrist who needs to decide whether she should be pardoned due to insanity. Based on the short stories " Quitters, Inc. Retrieved September 22, Sometimes They Come Back. Based on the shory story " The Cat from Hell ", the rest is original work for the film. Based on the novels Mr. The Pink Panther. Watch Good Omens on Amazon Prime here.
    [Show full text]
  • Stephen-King-Book-List
    BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Billy Summers Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands www.booknerdalert.com Last updated: 7/15/2020 Wizard and Glass Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End
    [Show full text]
  • Trans-Worldbuilding and the Stephen King Multiverse
    North America: Trans-Worldbuilding and the Stephen King Multiverse William Proctor ‘I don’t really map anything out. I just let it happen’ (King, in Breznican, 2017: 17) ‘There are other worlds than these’ (Stephen King, The Gunslinger) Since the publication of Carrie in 1974 – or, more accurately, since Brian De Palma adapted the novel for film two years later -- Stephen King has grown into a transmedia powerhouse, an author not only responsible for writing over fifty novels and ten collections of short fiction, but also a dizzying array of transmedia expressions developed and deployed across various platforms over the past four decades or so. King has written comics (for example, American Vampire, Road Rage); screenplays based on his own work (Pet Sematary, Silver Bullet); original screenplays for film and television (Kingdom Hospital, Rose Red); work-for-hire (Tales of the Darkside, The X-Files); a serialized novel released in instalments, inspired by the spirit of Charles Dickens (The Green Mile); non-fiction books (Danse Macabre, On Writing); collaborations (Peter Straub, Richard Chizmar); music (Ghostbrothers of Darkland County with John Mellencamp; Michael Jackson’s Ghosts); as well as essays, reviews and a steady stream of praise for popular authors, usually proudly displayed on the front cover of novels (commonly known as ‘blurb’). For someone who claims that he writes 2,000 words everyday, including birthdays and holidays, it is hardly surprising that King is one of the most prolific authors in recent memory. But even this is only the tip of the iceberg Tower. At various points in his career, Stephen King has experimented with new media technologies, often in innovative ways, often ahead-of-the-curve.
    [Show full text]
  • Stephen.King Tutto È Fatidico
    www.scritturacreativa.org STEPHEN KING TUTTO È FATIDICO (Everything's Eventual, 2002) I racconti contenuti in questo libro sono già stati pubblicati, alcuni in forma diversa: «Autopsy Room Four» inPsychos a cura di Robert Bloch; «The Man in the Black Suit» suThe New Yorker e su Year's Best Fantasy & Horror 1995; «All That You Love Will Be Carried Away» e «The Death of Jack Hamilton» suThe New Yorker, «In the Deathroom» inBlood and Smoke (audio book); «The Little Sisters of Eluria» inLegends; «Everything's Eventual» suFantasy & Science Fiction e inFI3 (CD-ROM); «L.T.'s Theory of Pets» suThe Best of the Best 1998; «The Road Virus Heads North» in 999; «Lunch at the Gotham Café» inDark Love, inYears's Best Fantasy and Horror 1996 e in Blood and Smoke (audio book); «That Feeling, You Can Only Say What It Is in French» suThe New Yorker, «1408» inBlood and Smoke (audio book); «Riding the Bullet» usci-to come e-book per la Scribner e «Luckey Quarter» suUSA Weekend. Questo libro èdedicato a Shane Leonard Indice «Ho preso da un mazzo tutte le carte di picche e un Jolly. Le picche, dall'asso al Re, equivalevano ai numeri dall'uno al tredici. Il Jolly al quattordici. Le ho mischiate e le ho disposte sul tavolo. L'ordine in cui sono uscite è diventato quello dei racconti, numera-ti in base all'elenco che mi aveva mandato la casa editrìce. Ne è ri-sultato un equilibrio davvero efficace tra i racconti più ricercati e quelli a effetto. Ho anche aggiunto un breve commento prima o dopo ogni racconto, a seconda della posizione che mi sembrava più adatta.
    [Show full text]
  • Nick Earls Platform Games
    Nick Earls TEXT Vol 21 No 1 University of Queensland Nick Earls Platform games: The writer, the publishing industry and debates over non-print book formats in the twenty-first century Abstract The twenty-first century has seen significant evolution of publishing platforms. Since the publication of the first commercial ebook in 2000, much of the public discussion around the ebook’s place in English-language publishing has cast it as a rival to printed books and a threat to the industry, rather than an alternative vessel for content delivery. At various times during that seventeen years, both ebooks and paper books have been declared a spent force, with the other seen as on the brink of triumph. During this time, audiobooks have evolved significantly, and other narrative platforms have arisen. This paper examines the ongoing debates about platforms, the selective use of, and extrapolation from details that has occurred as part of it, and the framing of the predictions that have characterised it, many of which have proven to be inaccurate. It argues for a writer-centred view that understands this debate, but sees all formats as a way to reach readers, and worthy of consideration in a writer’s publishing plans. Keywords: ebooks, audiobooks, enhanced ebooks ‘At last. Peak digital is at hand’ (Jenkins 2016). So announced Simon Jenkins in the Guardian in May 2016, citing a fall in the sale of specialised ereading devices, along with Publishers’ Association UK sales figures showing a 1.6% fall in ebook sales from 2014 to 2015. The article’s sub- head boldly claimed, ‘The hysterical cheerleaders of the ebook failed to account for human experience, and publishers blindly followed suit.
    [Show full text]