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Download Magazine 1 CRÈDITS | CRÉDITOS | CREDITS AGRAÏMENTS | AGRADECIMIENTOS | KNOWLEDGMENTS A tot l'equip de Casa Àsia | A todo el equipo de Casa Asia | To all Casa Asia’s staff members DIRECCIÓ | DIRECCIÓN | DIRECTION Cinemes Girona | Toni Espinosa | Maria Angels Amorós | Giulliana Burneo | Fabio Maestri Menene Gras Balaguer CaixaForum | Valentí Farràs | Josep Miquel del Campo Andión Filmoteca de Catalunya | Esteve Riambau | Octavi Martí Coll PROGRAMACIÓ I PRODUCCIÓ | PROGRAMACIÓN I PRODUCCIÓN | PROGRAMING AND PRODUCTION Generalitat de Catalunya | Departament de Catalunya | ICEC Menene Gras Balaguer | Rodrigo Escamilla Sandoval Ajuntament de Barcelona | ICUB Catalunya Film Festivals | Marta Lladó COORDINACIÓ GENERAL | COORDINACIÓN GENERAL | GENERAL COORDINATION Hong Kong Economic and Trade Office (Brussels) Rodrigo Escamilla Sandoval Asian Film Academy & Asian Film Awards Macao Tourism Brard in Spain | Anabela Couto COORDINACIÓ TÈCNICA | COORDINACIÓN TÉCNICA | TECHNICAL COORDINATION Consejería Cultural de la Embajada de la R.I. de Irán en España | Mohammad Hassan Fadaidard | Alireza Sandra Mur Puyuelo Esmaeili | Alireza Joleini Farabi Foundation | Amir Esfandiari | Mahsa Fariba ASSISTENT DE COORDINACIÓ | ASISTENTE DE COORDINACIÓN | COORDINATOR ASSISTANT Centro Cultural Coreano | Yi Chongyul | Eunyoung Cho Cristina Grau Gómez | Jorge Ramón Gómez Cordero | Juan Manuel Rodríguez Pérez | Cristina De la Rosa Japan Foundation | Shoji Yoshida | Alejandro Rodríguez Medina Díaz | Eva Silvestre Riera | Sara Sevilla Segura | Pamela Taveras Pérez ASEAN FILM | Briccio Santos Fundació Institut Confuci de Barcelona | Shiru Chang DIRECCIÓ CINEMES GIRONA | DIRECCIÓN CINEMES GIRONA | CINEMES GIRONA DIRECTION NETPAC | Network for the Promotion of Asian Cinema Toni Espinosa Kazakhfilm Studios | Aizhana Kassymbekova Cathay Pacific ASSISTÈNCIA TÈCNICA | ASISTENCIA TÉCNICA | TECHNICAL ASSISTANCE We are Water Foundation Giulliana Burneo Hotel Actual Thai Barcelona Royal Cuisine TRADUCCIÓ I SUBTÍTOLS | TRADUCCIÓN Y SUBTÍTULOS | TRANSLATION AND SUBTITLES Imagineindia Film Festival | Qazi Abdur Rahim 36 Caracteres SÖMI | Víctor Xirau Montagut | Cristina Reventós Bosch | Mª Gràcia Falgueras i Bosch Esteban Andueza | Sandra Mur Puyuelo | Teresa Vidaurre | Mercè Blasco | Esther Arias Valor | James Burke | Victoria Morales | Gesara Sert Betevé El Periódico Ràdio 4 rne DISSENY I MAQUETACIÓ DEL CATÀLEG | DISEÑO Y MAQUETACIÓN DEL CATÁLOGO | CATALOGUE DESIGN AND LAYOUT Fundació TMB Pamela Taveras Pérez CRAI, Biblioteca Filosofia Geografia i història | Universitat de Barcelona Jurats | Jurados | Juries COMUNICACIÓ | COMUNICACIÓN | COMMUNICATION Departament de Comunicació de Casa Àsia | Departamento de Comunicación de Casa Asia | Casa Asia A tots els membres del Jurat Jove | A todos los miembros del Jurado Joven | All Youth Jury members Communication Department Distribuïdores | Distribuidoras | Distributors Asian Shadows | Aitysh Film | Antipode | Aquatinter films | Barton & Barton | Blueskin Films | Bravos PÀGINA WEB DEL FESTIVAL | PÁGINA WEB DEL FESTIVAL | FESTIVAL WEBSITE Pictures Limited | Bhutan Film Trust | Culture Distributor | Dreamz productions | Embankment Films | www.asianfilmfestival.barcelona SÖMI Graphic Studio (www.somistudio.com) Emperor Group | FARABI FOUNDATION | Golem | Good Move Media | Gorai Films | Hairun Media | Hairun GESTIÓ DE RECURSOS | GESTIÓN DE RECUROS | RESOURCE MANAGEMENT Pictures | Kazakhfilm | Lola Amaria Production | Luxbox Films | M-Line Distribution | Madhu Adelaida Rodríguez | Jordi González Entertainment & Media | Mosquito Films Distribution | Nologo Films | One Cool Film | PVR Pictures | Random Films | Reel Suspects | TBA Studios | The film collaborative | Shoreline Entertainment | Way | RESPONSABLE DE PATROCINIS | RESPONSABLE DE PATROCINIOS | SPONSORSHIP MANAGER Distribution Executive Pedro Ralda ASIA ÍNDEX | ÍNDICE | INDEX ASIAN FILM FESTIVAL BARCELONA 2018 Introducció | Introducción | Introduction David Navarro García ÍNDEX | ÍNDICE | INDEX Director General de Casa Asia | Director General de Casa Asia | General Director of Casa Asia INTRODUCCIÓ | INTRODUCCIÓN | INTRODUCTION ASIAN FILM FESTIVAL. BARCELONA 2018 Aquesta tardor, i per sisè any consecutiu, torna al calendari d'activitats culturals de Casa Àsia una de les seves principals cites: l'Asian Film Festival Barcelona/AFFBCN. De nou, ens bolquem en oferir a la ciutat de Barcelona una de les mostres David Navarro més completes de la cinematografia asiàtica contemporània que es fan a Europa. INTRODUCCIÓ Director | INTRODUCCIÓN General de Casa | INTRODUCTION Asia ASIAN FILM FESTIVAL. BARCELONA 2018 Una de les missions de Casa Àsia és la d’apropar a la ciutadania el coneixement de la regió Àsia-Pacífic en els seus diferents vessants -cultural, social, polític, econòmic, geogràfic, lingüístic, artístic- i el cinema constitueix per a nosaltres un David Navarro ÀSIA GLOBAL | ASIA GLOBAL | GLOBAL ASIA mitjà ideal per aconseguir que, no només els aficionats a la gran pantalla, sinó tots aquells que tinguin un interès per Director General de Casa Asia aquesta zona del món, puguin veure en les pel·lícules seleccionades una mostra contemporània de la diversa i extensa Menene Gras Balaguer xarxa de països, llengües, creences i marcs polítics, socials i culturals de l’Àsia i el Pacífic. Directora de Cultura y Exposiciones ÀSIA GLOBAL | ASIACasa GLOBAL Asia | GLOBAL ASIA La nostra programació cultural ordinària inclou, al llarg de l'any, tant cicles de cinema de països asiàtics com tot una sèrie de temes escollits pel seu especial contingut i interès. L'Asian Film Festival Barcelona "és, sens dubte, el punt àlgid de la Menene Gras Balaguer nostra programació cultural, amb una proposta que permet al públic assistent fer una autèntica immersió asiàtica durant Directora de Cultura y Exposiciones una desena de dies. OBERTURA I CLOENDA | APERTURA Y CasaCLAUSURA Asia | OPENING AND CLOSING SECTION El continent asiàtic compta amb prestigiosos focus cinematogràfics. Qualsevol aficionat al cinema que resideixi en una ciutat europea té la possibilitat d'accedir a cintes procedents de la Xina, Corea, Índia, Iran, Japó, Singapur ... per citar només les indústries cinematogràfiques amb més difusió internacional. En molts casos, es tracta de pel·lícules | APERTURA Y CLAUSURA | OPENING AND CLOSING SECTION OBERTURA I CLOENDASECCIÓ OFICIAL | SECCIÓN OFICIAL | OFICIAL SECTION guardonades en festivals europeus i americans de primer nivell i que, per tant, estan presents a les cartelleres de tot el món. El nostre AFFBCN compte aquest any, per primer cop, amb la projecció d'una selecció de set títols de la programació dels darrers “Asian Film Awards”, que concedeix l’Asian Film Academy de Hong Kong. L’objectiu de voler oferir una visió àmplia de la cinematografia asiàtica també ens fa dirigir la mirada a cinematografies SECCIÓ OFICIALP.17 PANORAMASECCIÓ OFICIAL | SECCIÓN | SECCIÓN OFICIAL OFICIAL PANORAMA | OFICIAL | OFICIAL SECTION PANORAMA SECTION menys conegudes i, en concret,a la majoria de produccions asiàtiques que tenen una menor presència en els circuits de distribució comercial. D’aquesta manera, el nostre festival permet que el públic pugui accedir a un gran nombre de pel·lícules que mai arriben a ser distribuïdes a Europa, tot i ser títols de gran impacte en els seus respectius països i d'una | SECCIÓN OFICIAL PANORAMA | OFICIAL PANORAMA SECTION qualitat artística notable. P.50 SECCIÓ OFICIALSECCIÓ PANORAMADISCOVERIES | SECCIÓN DISCOVERIES | DISCOVERIES SECTION Aquest és precisament el nostre principal repte: Casa Àsia selecciona i incorpora al Festival el cinema actual de més qualitat de bona part dels països asiàtics, sense deixar d’exhibir les pel·lícules més conegudes i aclamades. Es tracta de produccions que resulten claus per conèixer les societats asiàtiques en profunditat, amb els seus conflictes, els seus P.81 SECCIÓ DISCOVERIESSECCIÓ NETPAC | SECCIÓN | SECCIÓN DISCOVERIES NETPAC | SECTION | DISCOVERIES NETPAC SECTION anhels, i la seva manera d’entendre i fer front a la vida. En darrer terme, el Festival pot ser, simplement, una bona ocasió per deixar de banda, per uns dies, el nostre marc cultural de referència i gaudir del setè art, d’espais geogràfics i culturalment distants: Àsia Oriental, Sud d’Àsia, Sud-est | SECCIÓN NETPAC | SECTION NETPAC asiàtic, Àsia Central i Oceania. P.110SECCIÓSECCIÓ ESPECIAL NETPAC | SECCIÓN ESPECIAL | SPECIAL SECTION ------------------- Por sexto año consecutivo, este otoño vuelve al calendario de actividades culturales de Casa Asia una de sus principales P.144 SECCIÓ ESPECIAL | SECCIÓN ESPECIAL | SPECIAL SECTION citas: el . De nuevo nos volcamos en ofrecer en Barcelona la que sin duda es Koreeda Hirokazu: RETROSPECTIVA | RETROSPECTIVA | RESTROPECTIVE ‘Asian Film Festival. Barcelona’ (AFFBCN) una de las muestras más completas en Europa de la cinematografía asiática contemporánea. Siendo una de las misiones de Casa Asia aproximar a la ciudadanía el conocimiento del entorno Asia – Pacífico en todas P.176 Koreeda Hirokazu: RETROSPECTIVA | RETROSPECTIVA | RESTROPECTIVE sus vertientes – cultural, social, política, económica, geográfica, lingüística, artística,…- el cine constituye para nosotros PROGRAMACIÓ | PROGRAMACIÓN | SCHEDULE un medio ideal para lograr que, no sólo los aficionados a la gran pantalla, sino todos aquellos que tengan interés por esa zona del mundo, puedan ver en las películas seleccionadas una muestra contemporánea de la compleja y tupida red de países, lenguas, creencias y marcos políticos, sociales y culturales de Asia y el Pacífico. P.186 PROGRAMACIÓ
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