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Translation Review Number Sixty-Six • 2003
Translation Review Number Sixty-Six • 2003 The University of Texas at Dallas TRANSLATION REVIEW No. 66, 2003 TABLE OF CONTENTS Interview with Breon Mitchell and Uwe Timm: Collaboration Between Translator and Author . .1 Rainer Schulte Not Getting it Right . .8 David Ferry From Dean to Deantrepreneur: The Academic Administrator as Translator . .14 Abby Kratz and Dennis Kratz Translating Diversity: The Distinct and Variegated Voice of Clifford Geertz . .20 Gregory Conti Sad Tropics, or Tristes Tropiques? . .27 Liane Gutman Renditions: 30 Years of Bringing Chinese Literature to English Readers . .30 Audrey Heijns Whispered Urgency: Translating Sound and Momentum in . .34 Raffaello Baldini’s “E’ Malan” Adria Bernardi On the Cathay Tour with Eliot Weinberger’s New Directions Anthology of Classical Chinese Poetry . .39 Steve Bradbury Method or Maestri: Two Approaches to (Teaching) Translation . .53 Gregory Conti Translating India: Enabling Tamil and Sanskrit Poems to be Heard in English . .58 R. Parthasarathy The Mexican Poet Homero Aridjis . .69 Rainer Schulte BOOK REVIEW The Return of the River by Roberto Sosa, tr Jo Anne Engelbert . .72 Steven F. White, Reviewer Translation Review 1 INTERVIEW WITH BREON MITCHELL AND UWE TIMM: COLLABORATION BETWEEN TRANSLATOR AND AUTHOR [An interview conducted with the German novelist Uwe Timm and his translator Breon Mitchell at Indiana University, May 2003] By Rainer Schulte RS: Breon, how did you develop your relationship with also took a fictional approach to the material. It was pre- Uwe Timm while you were working on the translation of cisely the combination of fact and fiction that interested his novel Morenga? me. The novel is about a rebellion in the former German colony of South West Africa between 1904 and 1907, BM: The first thing I think of when I translate is what when Germany was a colonial power, when the Hereros sort of questions I can ask that would be meaningful and and the Hottentots rose up against the Germans. -
AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition. -
The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
Un Affare Di Famiglia Di Kore-Eda Hirokazu
Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”. -
To Release on Christmas
WEDNESDAY 04 - 8 - 2021 5 Nivin Pauly to star in SpiceJet director Ram’s next launches Chennai, Aug 4: also stars Anjali and Malayalam star Nivin Soori. Pauly on Tuesday Pauly made the 16 new announced he is set to announcement on Twitter, feature in director Ram’’s also sharing the teaser upcoming untitled Tamil poster of the movie. film. “Excited and humbled flights The project, tentatively to be working with award “Moothon” actor wrote. acclaimed projects like titled ‘’Production #7’’, winning #DirectorRam on Pauly has previously Delhi, Aug 4: 2013’’s multiple National SpiceJet recently will be produced by his next project alongside featured in two Tamil Award winning “Thanga Suresh Kamatchi of V the talented @soorioffical films -- 2013 comedy- announced that it will House Productions. and @yoursanjali music thriller “Neram” and the Meengal” and the 2019 launch 16 new flights, With music by Yuvan composed by the 2017 actioner “Richie”. Mammootty-starrer including direct services Shankar Raja, the film rockstar @thisisysr,” the Ram has helmed “Peranbu”. connecting Bhavnagar with the national capital, Belagavi with Delhi and Mumbai and Surat will Jaipur, and Kishangarh- Mumbai and Surat. Vishakhapatnam with start from August 20. Mumbai. The budget carrier will Bengaluru, besides adding SpiceJet will be the first Bookings are now open also start 10 more flights an additional frequency on airline to operate non-stop on www.spicejet.com that will connect Gwalior the Delhi-Jammu sector. flights between following SpiceJet’s mobile app ‘Pushpa: The Direct flights connecting routes: Bhavnagar-Delhi, and through online travel with Jaipur, Kishangarh (Ajmer) with Mumbai, Bhavnagar with Delhi, Bhavnagar-Surat, Gwalior- portals and travel agents. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Analysis on Director Ram's Films
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 6, Issue 12, Dec 2018, 155-166 © Impact Journals ANALYSIS ON DIRECTOR RAM’S FILMS Arivuselvan. S & Aasita Bali Research Scholar, Department of Media and Communication Studies, Christ (Deemed to be University), Bengaluru, Karnataka, India Received: 15 Nov 2018 Accepted: 12 Dec 2018 Published: 18 Dec 2018 ABSTRACT This case study aims to explore the expertise of a budding, yet prolific director–Director Ram. The paper goes through the work of Director Ram in the Tamil film Industry (Kattradhu Tamizh, ThangaMeengal, Taramani) and aims to focus on the content of the films directed by him. The researcher, in his paper analyzes the types and kind of movies that the director has been a part of and the different types of techniques that he adopted and executed in his films. The researcher also analyses in detail, the type of character and highlighted the multifaceted role of women as portrayed in his films. KEYWORDS: Direction, Cinematography, Protagonist, Women, Characters, Film Industry, Globalization INTRODUCTION Indian cinema has been a standout amongst the most continually developing film ventures everywhere throughout the world. The wide variety and the number of dialects that are used in the nation, make the Indian film industry standout as the leading film producing unit. Indian film is a plethora of numerous dialects, classifications, and social orders. In any case, in a multilingual nation like our own, the significant focal point of the movies is on Bollywood. It is not valid if critiques and reviewers point out that the industry is notwithstanding the pressure or competition from Hollywood. -
紀念特刊souvenir Book
紀念特刊 SOUVENIR BOOK 香港藝術發展局於 1995 年成立，是政府指定全方位發展香港藝 術的法定機構，專責策劃、推廣及支持包括文學、表演、視覺藝 術、電影及媒體藝術之發展，促進和改善藝術的參與和教育、鼓 勵藝術評論、提升藝術行政之水平及加強政策研究工作，務求藉 藝術發展提高社會的生活質素。 作為專責推動本港藝術發展的機構，藝發局積極推廣香港藝術家 的工作和成就。「2010 香港藝術發展獎」是要表揚在香港文化 藝術界有傑出成就及貢獻的藝術工作者和藝團，以及積極支持藝 術活動的機構及團體，藉此鼓勵更多人士和機構參與推廣藝術的 發展。 The Hong Kong Arts Development Council (ADC) is a statutory body set up by the government in 1995 to plan, promote and support the broad development of the arts including literary arts, performing arts, visual arts as well as film and media arts in Hong Kong. Aiming to foster a thriving arts environment and enhancing the quality of life of the public, the ADC is also committed to facilitating community-wide participation in the arts and arts education, encouraging arts criticism, raising the standard of arts administration and strengthening research on policies. The ADC is committed to promoting the works and achievements of artists in Hong Kong to the general public. The Hong Kong Arts Development Awards 2010 aims to give formal recognition to accomplished arts practitioners and groups, and organisations that have made significant contribution to the arts development in Hong Kong. By conferring awards on distinguished artists, the ADC hopes to enhance the social status of arts practitioners and encourage different sectors of the society to take part in the arts promotion. 目錄 Contents 行政長官獻辭 Chief Executive’s Message 6 主席獻辭 Chairman’s Message 8 2010 香港藝術發展獎得獎名單 10 List of Awardees of Hong Kong Arts Development Awards 2010 終身成就獎 Life Achievement Award 12 顧嘉煇 Koo Ka-fai, -
1 Crèdits | Créditos | Credits
Hiro (2003), Pierre Gonnord Hiro (2003), Pierre Gonnord www.asianfilmfestival.barcelona 1 CRÈDITS | CRÉDITOS | CREDITS DIRECCIÓ | DIRECCIÓN | DIRECTION Menene Gras Balaguer PROGRAMACIÓ I PRODUCCIÓ | PROGRAMACIÓN I PRODUCCIÓN | PROGRAMING AND PRODUCTION Menene Gras Balaguer | Rodrigo Escamilla Sandoval COORDINACIÓ GENERAL | COORDINACIÓN GENERAL | GENERAL COORDINATION Rodrigo Escamilla Sandoval COORDINACIÓ TÈCNICA | COORDINACIÓN TÉCNICA | TECHNICAL COORDINATION Sandra Mur Puyuelo ASSISTENT DE COORDINACIÓ | ASISTENTE DE COORDINACIÓN | COORDINATOR ASSISTANT Cristina Grau Gómez | Jorge Ramón Gómez Cordero | Juan Manuel Rodríguez Pérez | Cristina De la Rosa Díaz | Eva Silvestre Riera | Sara Sevilla Segura | Pamela Taveras Pérez DIRECCIÓ CINEMES GIRONA | DIRECCIÓN CINEMES GIRONA | CINEMES GIRONA DIRECTION Toni Espinosa ASSISTÈNCIA TÈCNICA | ASISTENCIA TÉCNICA | TECHNICAL ASSISTANCE Giulliana Burneo TRADUCCIÓ I SUBTÍTOLS | TRADUCCIÓN Y SUBTÍTULOS | TRANSLATION AND SUBTITLES 36 Caracteres Esteban Andueza | Sandra Mur Puyuelo | Teresa Vidaurre | Mercè Blasco | Esther Arias Valor | James Burke | Victoria Morales | Gesara Sert DISSENY I MAQUETACIÓ DEL CATÀLEG | DISEÑO Y MAQUETACIÓN DEL CATÁLOGO | CATALOGUE DESIGN AND LAYOUT Pamela Taveras Pérez COMUNICACIÓ | COMUNICACIÓN | COMMUNICATION Departament de Comunicació de Casa Àsia | Departamento de Comunicación de Casa Asia | Casa Asia Communication Department PÀGINA WEB DEL FESTIVAL | PÁGINA WEB DEL FESTIVAL | FESTIVAL WEBSITE www.asianfilmfestival.barcelona SÖMI Graphic Studio (www.somistudio.com) GESTIÓ -
Dossier De Presse
1 HOMMAGE ....................................................................................................................... 3 JURY LONGS MÉTRAGES .................................................................................................... 5 LA COMPÉTITION .............................................................................................................14 LES PRIX ...........................................................................................................................17 20 ANS DE PALMARÈS ......................................................................................................18 LE PRIX DE LA CRITIQUE ...................................................................................................22 HORS COMPÉTITION ........................................................................................................23 LA NUIT FANTASTIQUE .....................................................................................................45 LES TRAILERS DE LA PEUR .................................................................................................46 LES RENCONTRES DU FANTASTIQUE .................................................................................47 LE GRIMOIRE ...................................................................................................................49 EXPOSITION BANDE DESSINÉE ..........................................................................................51 EXPOSITION ARTS PLASTIQUES ........................................................................................52