DOCSLIB.ORG

1.00 Promo Music 001. Perry Farrell - Song Yet to Be Sung (4:53) 002

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1.00 Promo Music 001. Perry Farrell - Song Yet to Be Sung (4:53) 002 Tracklist SEASON 1: 1.00 Promo Music 001. Perry Farrell - Song Yet To Be Sung (4:53) 002. Ludwig Van Beethoven - Moonlight Sonata (5:22) 1.01 Pilot 004. Bruce Hornsby - The Way It Is (4:58) 005. Eagle Eye Cherry - Long Way Around (3:28) 006. Stereoblis - Eight Half Letters (1:55) 007. The Calling - Unstoppable (3:57) 008. Embrace - Wonder (4:26) 009. Fear The Clown - Inside The Memories (6:26) 010. Capitol Eye - Let's Go (3:18) 011. Stereophonics - Maybe (4:34) 012. Jude - Everything I Own (3:59) 014. Lifehouse - Everything (6:08) 1.02 Metamorphosis 015. Papa Roach - Last Resort (3:19) 016. Remy Zero - Save Me (4:44) 017. Weezer - Island In The Sun (3:21) 018. Better Than Ezra - I Do (3:44) 019. Turin Brakes - Underdog (Save Me) (3:34) 020. Aeon Spoke - Damaged (2:27) 021. Cake - Love You Madly (3:57) 022. The Calling - Wherever You Will Go (3:28) 1.03 Hothead 023. Zed - Renegade Fighter (3:21) 024. Gorillaz - Clint Eastwood (5:39) 025. Sum 41 - Motivation (2:50) 026. Fuel - Bad Day (3:15) 028. Third Eye Blind - Never Let You Go (3:57) 032. Binocular - You (4:49) 1.04 X-Ray 033. Alien Ant Farm - Movies (3:15) 034. The Wiseguys - Ooh La La (5:53) 035. Stabbing Westward - Breathe You In (4:00) 036. Unwritten Law - Up All Night (3:01) 037. The Cranberries - Analyse (4:10) 038. Todd Thibaud - Unbroken (3:54) 039. Shelby Lynne - Wall In Your Heart (3:35) 1.05 Cool 040. Eve 6 - Rescue (3:56) 042. Matthew Jay - Let Your Shoulder Fall (5:06) 044. The Juliana Theory - We're At The Top Of The World (3:19) 045. Bosshouse - Every Word (1:03) 046. Pete Yorn - On Your Side (5:02) 047. Bosshouse - Just Gotta Know (1:01) 048. Bosshouse - She Oughta Know (0:51) 049. Matt Beckler - So We'll Drive (5:13) 050. Jewel - Standing Still (4:30) 1.06 Hourglass 051. Frederic Chopin - Piano Sonata No. 3 In B Minor (Presto, Non Tanto) (5:34) 052. Gorillaz - Five Four (2:40) 053. Frederic Chopin - Piano Sonata No. 1 In C Minor (Finale) (7:08) 054. Dispatch - Time Served (3:07) 055. Kevin Clay - Crush (3:17) 1.07 Craving 056. Third Eye Blind - Invisible (3:52) 057. Dido - Slide (4:52) 058. Big Paul Strange - What's Your Name 059. Fuel - Innocent (3:40) 060. Call And Response - The Fool (2:53) 061. Elusive - If I Could (3:34) 062. The Crown Jewels - He's So Zen (3:25) 063. Aeon Spoke - There Are No Answers (3:16) 064. Enrique Iglesias - Hero (4:24) 1.08 Jitters 065. Smashmouth - Pacific Coast Party (2:58) 066. Bush - The People That We Love (4:02) 067. The Cult - My Bridges Burn (3:51) 068. Handsome Devil - Tie Me Up (3:06) 069. Bad Ronald - Bad Idea (3:39) 1.09 Rogue 070. Stereo MC's - Step It Up (5:01) 071. Zero 7 - I Have Seen (5:06) 072. Grant Park - Numb (4:18) 073. Massive Attack - Angel (6:22) 074. Club 8 - Love In December (3:37) 075. Lifehouse - Breathing (4:25) 076. Club 8 - She Lives By The Water (5:15) 078. Driver - Not Looking Back (3:10) 1.10 Shimmer 079. Simple Plan - When I'm With You (2:37) 080. Tricky - Evolution Revolution Love (4:12) 081. Vigilantes Of Love - Galaxy (4:08) 082. Thrift Store Halo - If I Go (3:07) 083. Something Else - Blend 084. Vigilantes Of Love - S.O.S. (3:40) 085. Starsailor - Poor Misguided Fool (3:51) 086. Course Of Nature - Caught In The Sun (4:04) 1.11 Hug 089. Jennifer Knapp - Into You (3:05) 091. Citizen Cope - Mistaken I.D. (4:12) 092. Wayne - Slow Down (4:30) 093. Stereophonics - Have A Nice Day (3:25) 094. Rubyhorse - Into The Lavender (4:30) 1.12 Leech 095. Staind - Fade (4:03) 096. U2 - Elevation (3:47) 098. Sum 41 - Fat Lip (2:58) 100. Shocore - Bonecracker (3:10) 101. Bush - Inflatable (4:18) 1.13 Kinetic 102. P.O.D. - Set It Off (4:16) 103. Onesidezero - New World Order (2:43) 104. Beautiful Creatures - 1 A.M. (3:26) 106. Remy Zero - Perfect Memory (4:43) 1.14 Zero 107. Pigeonhed - Battle Flag (Lo Fidelity All-Stars Remix) (3:58) 108. Faithless - God Is A DJ (8:03) 111. Eleventeen - Let's Go For A Ride (3:02) 112. Kid Rock - Lonely Road Of Faith (5:28) 1.15 Nicodemus 113. Hal Lovejoy - Saturday Night's Alright (4:31) 114. Waylon Jennings - Good Ol' Boys (2:09) 115. Relient K - Sadie Hawkins Dance (3:07) 116. Nelly Furtado - I Will Make U Cry (3:59) 117. Zero 7 - Destiny (5:37) 118. By Divine Right - Supernatural (3:19) 119. Josh Clayton Felt - Love Sweet Love (4:21) 120. Puracane - Big Day (4:39) 121. U2 - Beautiful Day (4:08) 1.16 Stray 122. Regency Buck - Free To Change Your Mind (3:54) 123. Phantom Planet - Lonely Day (3:45) 124. Todd Thibaud - Dragging Me Down (2:44) 125. Micah Green - Hollywood (3:55) 126. Todd Thibaud - Is It Love (4:12) 127. Five For Fighting - Superman (3:41) 1.17 Reaper 128. Trik Turner - Friends & Family (3:20) 129. Fire Engine Red - Falcor (4:49) 130. Kings Of Convenience - The Weight Of My Words (Four Tet Remix) (4:56) 131. Rubyhorse - Sparkle (4:30) 1.18 Drone 132. Hot Action Cop - Fever For The Flava (4:04) 133. Alan Charing - Wake Up Elvis (3:23) 134. Cornershop - Wogs Will Walk (4:53) 135. Citizen Cope - If There's Love (4:21) 136. Jimmy Eat World - The Middle (2:45) 137. Dishwalla - Opaline (4:12) 138. Quarashi - Stick 'Em Up (3:26) 139. Sia - Drink To Get Drunk (4:41) 140. Evan Olson - Not What I Wanted (3:24) 141. The Goo Goo Dolls - Here Is Gone (3:58) 1.19 Crush 143. Bottlefly - Nothing To Do (4:06) 144. Louise Goffin - Light In Your Eyes (4:07) 145. Micah Green - You And I (2:35) 146. Eva Cassidy - Time After Time (3:58) 147. Leave The World - 40 To 5 (3:05) 148. Thievery Corporation - 2001 Spliff Odyssey (7:45) 1.20 Obscura 149. Sparklehorse - Piano Fire (2:43) 150. The Electric Soft Parade - Silent To The Dark (4:07) 151. Pete Yorn - Just Another (3:13) 152. Neil Halstead - Two Stones In My Pocket (4:26) 153. John Mayer - No Such Thing (3:51) 1.21 Tempest 154. Stabbing Westward - What Do I Have To Do (4:09) 155. Paul Trudeau - What We've Been Through (4:22) 156. Sherri Youngward - Where This Love Goes (3:15) 157. Greenwheel - Breathe (3:18) 158. Gigolo Aunts - Let Go (5:11) 159. Mark Snow - End Credits I (0:30) SEASON 2: 2.01 Vortex 001. Stretch Princess - Time And Time Again (4:45) 002. Coldplay - In My Place (3:48) 2.02 Heat 003. New Found Glory - My Friends Over You (3:40) 004. Nelly - Hot In Here (3:51) 005. JXL Vs Elvis - A Little Less Conversation (3:34) 006. N.E.R.D. - Truth Or Dare (4:22) 007. Avril Lavigne - Tomorrow (3:48) 2.03 Duplicity 008. Travis Tritt - Southbound Train (3:58) 009. Greg Jones - Ordinary (3:21) 010. Stephanie Simon - Goodbye (4:24) 011. Alice Peacock - Leading With My Heart (3:22) 2.04 Red 012. Sprung Monkey - Unexpected (3:52) 014. Sprung Monkey - American Made (3:11) 015. Bosshouse - In California (0:59) 016. Fisher - Breakable (3:46) 017. Andrew W.K. - It's Time To Party (1:30) 018. Jackpot - Tattoos (5:11) 019. Frou Frou - Breathe In (4:28) 020. Oasis - Stop Crying Your Heart Out (5:03) 2.05 Nocturne 021. OK Go - Don't Ask Me (2:46) 022. No Doubt - Underneath It All (5:02) 023. Frederic Chopin - Nocturne In C Minor (5:55) 024. Cactus Groove - Crazy Richie (4:04) 025. Sheila Nicholls - Love Song (4:23) 2.06 Redux 026. The Outhere Brothers - Boom, Boom, Boom (4:42) 027. Jockjam Cheerleaders - Be Aggressive (0:32) 029. Foo Fighters - All My Life (4:23) 030. B Witched - Mickey (3:23) 031. Sophie Agapios - U Girl (5:21) 032. Jockjam Cheerleaders - You Ugly (0:22) 033. Buva - Can I See You (2:18) 034. The Riddlin Kids - I Feel Fine (2:24) 035. Imperial Teen - Ivanka (3:15) 036. Our Lady Peace - Somewhere Out There (4:11) 2.07 Lineage 037. Bosshouse - Blame It On Me (1:10) 038. Morcheeba - Otherwise (3:41) 039. Wonderful Johnson - 17 Years Down (3:33) 040. Pulse Ultra - Put It Off (3:40) 041. Chris Heifner - Yesterday (Demo Version) (3:43) 042. Sander Selover & Jeremy Kay - Start Again (4:59) 043. Giacomo Puccini - Madame Butterfly (Un Bel Di Vedremo) (4:51) 2.08 Ryan 044. VonRay - Inside Out (3:38) 046. Dishwalla - Angels Or Devils (3:58) 2.09 Dichotic 047. The Mooney Suzuki - In A Young Man's Mind (3:13) 048. Premonition - Uneven Odds (3:21) 049. Bosshouse - I Ain't Waiting Here For You (0:40) 050. Son Of Adam - I Want This Perfect (4:51) 051. A Ha - I Wish I Cared (4:21) 052. Dem Hills - Settle Down (3:43) 2.10 Skinwalker 053. The Vines - Outtathaway (3:02) 054. Norah Jones - Don't Know Why (3:06) 055. Santana & Michelle Branch - The Game Of Love (4:14) 056. Jackpot - Psycho Ballerina (3:40) 2.11 Visage 057.
Load more

Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Hemingway's Mixed Drinks: an Examination of the Varied Representation of Alcohol Across the Author's Canon
    OLIPHANT, ASHLEY YARBROUGH, Ph.D. Hemingway’s Mixed Drinks: An Examination of the Varied Representation of Alcohol Across the Author’s Canon. (2007) Directed by Dr. Scott Romine. 214 pp. The purpose of this research was to determine how alcohol functions in four main texts: The Sun Also Rises, A Farewell to Arms, The Old Man and the Sea and In Our Time. Because of Ernest Hemingway’s self-perpetuated image as a literary celebrity, scholars have historically used his public persona (and their diagnoses of his perceived alcoholism and other medical conditions) to speculate about its impact on his work. This study establishes the importance of first addressing the textual evidence relating to Hemingway’s crafting of symbols, characters and plots before the biography of the author enters the critical conversation. The project defines and examines important terms relevant to Hemingway’s representation of alcohol, including “saturated” and “dry” fiction, “situational dryness,” “communal consumption” and “restorative drinking.” When applicable, Hemingway’s characters are viewed within the context of their Lost Generation existence to challenge the critical notion that the post-war experience for the author’s characters (particularly those who consume alcohol) is static from text to text. Hemingway’s drinkers are explored instead as individuals with varied impetuses for imbibing (whether in moderation or in excess), and his non- drinkers and occasional consumers are examined at length to provide a complete picture of the role of consumption across the four works. The data taken from these considerations leads to the conclusion that contrary to the critical consensus, Hemingway’s depiction of alcohol sometimes reverses the dichotomous relationships it has long been believed to support.
    [Show full text]
  • Alzheimer's Association
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1077314 Filing date: 08/24/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91245121 Party Plaintiff Alzheimer's Disease and Related Disorders Association Correspondence SHIMA ROY Address BAKER & MCKENZIE LLP 300 E RANDOLPH STREET SUITE 5000 CHICAGO, IL 60601 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 312-861-8005 Submission Testimony For Plaintiff Filer's Name Shima Roy Filer's email [email protected], [email protected] Signature /Shima Roy/ Date 08/24/2020 Attachments Wendy Vizek NOTICE OF FILING EXHIBITS T-AA.pdf(361075 bytes ) EXHIBIT T - Part 1- annual-report-2019.pdf(4034396 bytes ) EXHIBIT T - Part 2- annual-report-2019.pdf(3320276 bytes ) EXHIBIT T - Part 3- annual-report-2019.pdf(3558381 bytes ) EXHIBIT T - Part 4- annual-report-2019.pdf(4500187 bytes ) EXHIBIT U - Corporate Philanthropy Report.pdf(96077 bytes ) EXHIBIT V - P2P2016.pdf(487285 bytes ) EXHIBIT W - P2P30-2017-RELEASE-2.25.18.pdf(94516 bytes ) EXHIBIT X - P2P_Top_30_2018_Quick_Reference_Guide.pdf(875439 bytes ) EXHIBIT Y - P2P2019.pdf(2540882 bytes ) EXHIBIT AA - AA000270-000271.pdf(117213 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD : Alzheimer’s Disease and Related : Disorders Association, Inc. : : Opposer, : : Opposition No. 91245121 v. : : Alzheimer’s New Jersey, Inc. : : Applicant. : : OPPOSER'S NOTICE OF FILING OF EXHIBITS T-AA IN SUPPORT OF TRIAL TESTIMONY OF WENDY F. VIZEK PLEASE TAKE NOTICE that pursuant to 37 C.F.R.
    [Show full text]
  • Clark 1 Half Moon She Held the Bay in Her Eyes, Green As the Sea, Looking
    Clark 1 Half Moon She held the bay in her eyes, green as the sea, looking at the waves of sparkling glass that moved across the Atlantic. At age thirty-nine, Amelia’s hair unfurled, like black seaweed in the autumn wind. Her skin turned brown in the sunset, her figure, a dark contrasting silhouette, letting in all of the remaining light, eclipsing her body. This scene was all for her, the ocean, the sand, the birds, everything. But soon, she would have to leave it behind. Amelia was on break from serving at the Ocean Palace, a restaurant and bar built on the docks overlooking the Kachemak Bay. From the outside, the business looked like a two-story shack with its crooked boards and peeling layers of white paint. Inside, the upstairs was filled with wooden tables covered in white dining cloth. The tables sat on a black carpet with white etches of dolphins, whales and various other sea life. An old chandelier hung from the ceiling, like a conglomeration of fishhooks reflecting light. The room was dim and had windows on three sides with the ocean and masts staring back in. Downstairs, the bar had a small stage where local musicians sometimes performed with a bucket for tourists to drop money in. The bar was like any other with its neon signs of various beers and hard alcohol. It had only two windows in the wall facing the ocean. Many of the sailors and fishermen passing through filled the air with smoke to mix in with the scent of fish guts and booze.
    [Show full text]
  • Femininity, Binge Drinking and Music Videos
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. “If she’s drunk, she’s easy”: Femininity, binge drinking and music videos A thesis presented in partial fulfilment of the requirements for the degree of Master of Science In Psychology At Massey University, Wellington, NZ Shobna Naomi 2014 i Abstract Young New Zealand women continue to drink more than previous generations. Research demonstrates that legislation, access, changing gender roles, identity, marketing and culture contribute to the current desire that many young people, including women, have for the excessive consumption of alcohol. The current study sought to explore popular youth culture, namely music videos, to understand the ways in which young women engage with and understand such media and the role it plays in drinking cultures. Three music videos were used to stimulate discussions surrounding gender, identity and alcohol consumption among four friendship groups, each containing three female participants. Participants were aged between 18-25 years and came from mixed ethnic backgrounds in Auckland, New Zealand. Three music videos were selected for their inclusion of portrayals of femininity and binge drinking (by Katy Perry, The Paradiso Girls and Cobra Starship). The music videos were shown to the groups, and questions prompted discussion following each. The discussions were transcribed verbatim, and subjected to a discursive analysis which identified four key discourses that participants drew on during their discussions.
    [Show full text]
  • GOOD, ADRIAN BRINTON, M.A. Investigating Relationships with Alcohol: the Construction of Meaning Through Narrative in Interview Situations
    GOOD, ADRIAN BRINTON, M.A. Investigating Relationships with Alcohol: The Construction of Meaning through Narrative in Interview Situations. (2013) Directed by Dr. Steve Kroll-Smith. 211 pp. Relationships between humans are comprised of many interwoven facets. So are relationships between humans and alcohol. This pilot research project attempts to conceptualize a few of the components that exist in the latter relationship and demonstrate an approach that may be used for additional investigation in the future. Ten male college students discussed their history with alcohol in an interview setting and, in doing so, described ways in which they developed relationships with the substance. Discussion of familial socialization focused on lessons centered on culture and/or moderation. Informants embedded discussion of the continued development of these relationships in discussion with components they considered to be important to their life stories. Much of the language used to put words around these relationships was divided into vernaculars of intent and vernaculars of strategy. These groupings allow for a rich understanding of different motivations that rest behind alcohol-related decisions and ways people categorize and understand different types of drinking behavior. Structuring the data in this manner creates an understanding of different alcohol-related desires and a variety of drinking styles that people use to achieve these ends. As alcohol can impact a situation in unpredictable ways, attempts to match strategy with intent may fail. Some of these strategies, such as alcoholic drinking, are not portrayed in a favorable manner. With this in mind, a struggle for control is embedded in the vernaculars of strategy.
    [Show full text]
  • October 2016 Luxe Living
    VIETNAM 10—2016 TRANCE FORMATION An Age-old Spirit Possession Ritual PAGE 26 WAITING TO INHALE Masking the Air Pollution Problem PAGE 34 ARCTIC BLAST Photographer's Guide to Iceland PAGE 80 CHASING CHARMANDERS Be Careful Catching 'Em All PAGE 94 ẤN PHẨM CHUYÊN ĐỀ QUẢNG CÁO - MIỄN PHÍ Mia MN - Oi Ad Sept 160927 FA.pdf 1 9/27/16 12:38 cape to the beach ...because everything is better with aea view 30% off on allooms until 22 nd December 2016 THE PERFECT BEACHFRONT GETAWAY TO WAKE UP TO THE SOUND OF WAVES, SURRENDER TO SUNSHINE, SWIM AND SIP THE DAY AWAY. FOR RESERVATIONS: +84 623 847 440 | [email protected] | www.miamuine.com VIETNAM 10—2016 EVERYWHERE YOU GO Director XUAN TRAN Managing Director JIMMY VAN DER KLOET [email protected] Managing Editor CHRISTINE VAN [email protected] Online Editor JAMES PHAM [email protected] This Month’s Cover Location Mia Mui Ne Chief Photographer NGOC TRAN [email protected] Mia Mui Ne is a small and exclusive boutique Graphic Designer HIEN NGUYEN resort located in the center of Mui Ne. The [email protected] resort is a haven of tranquility and relaxation for couples and families alike. It is situated right on the beachfront, looking out onto the beautiful East Sea and its white beaches. 24 Nguyen Dinh Chieu Street, Ham Tien, Mui Ne, Vietnam +84 (0) 623 847 440 - 442 www.miamuine.com For advertising please contact: ƠI VIỆT NAM Sales Manager NGAN NGUYEN [email protected] NHÀ XUẤT BẢN THANH NIÊN 090 279 7951 64 Bà Triệu - Hoàn Kiếm - Hà Nội ĐT (84.04) 39424044-62631719 Account Manager CAROLINE DORAN-TRAN Fax: 04.39436024.
    [Show full text]
  • Raising the Bar: Consumption, Gender, and the Birth of a New Public Drinking Culture Adam Blahut
    University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 7-12-2014 Raising the Bar: Consumption, Gender, and the Birth of a New Public Drinking Culture Adam Blahut Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Blahut, Adam. "Raising the Bar: Consumption, Gender, and the Birth of a New Public Drinking Culture." (2014). https://digitalrepository.unm.edu/hist_etds/9 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Adam Blahut Candidate History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Andrew K. Sandoval-Strausz, Chairperson Dr. Larry Ball Dr. Paul Andrew Hutton Dr. Sharon Wood i RAISING THE BAR: CONSUMPTION, GENDER, AND THE BIRTH OF A NEW PUBLIC DRINKING CULTURE by ADAM BLAHUT B.A., HISTORY, MERCYHURST UNIVERSITY, 2002 M.A., SOCIAL SCIENCE, EDINBORO UNIVERSITY OF PENNSYLVANIA, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY HISTORY The University of New Mexico Albuquerque, New Mexico May, 2014 ii ACKNOWLEDGEMENTS I would like to thank Durwood Ball, Paul Andrew Hutton, and Sharon Wood for their advice and help while working with me on this dissertation. I would especially like to thank Andrew K. Sandoval-Strausz, my adviser and dissertation committee chair, who guided me through this project and made me a better historian in the process.
    [Show full text]
  • Kaikava Me Kare Inuinu Kaikava Me Kare Inuinu
    Kaikava me kare Inuinu Kaikava me kare Inuinu The place of alcohol in the lives of Cook Islands people living in Aotearoa New Zealand A report prepared by Sector Analysis, Ministry of Health for the Alcohol Advisory Council of New Zealand ALAC Research Monograph Series: No 7 Wellington 1997 ISSN 1174-1856 ISBN 0-477-06322-5 Explanation of Title Kaikava me kare inuinu: Kaikava is to drink alcohol; inuinu is the process of drinking (sipping). The title implies that people drink for different purposes and their drinking reflects the level of social interaction. Acknowledgements We would like to thank all those people who took part in the interviews and shared their stories with us. This report has only been possible because of their willingness to take part. Our thanks to Jean Mitaera and Repeta Puna-Turia who read the report and made helpful comments. Kia orana Anne Allan-Moetaua, Lanuola Asiasiga, Ian Hodges, Helen Kapi and Terongo Tekii Cook Islands Border Design Vaitoa Baker As a freelance illustrator of mixed ethnic groups, having the opportunity to work on this project that incorporates many designs of the Pacific, I hope I have done justice to each. I also want to give thanks to my partner, Yvette, whose love keeps me going. Disclaimer This report was prepared by staff of Sector Analysis, Ministry of Health for the Alcohol Advisory Council of New Zealand. Its purpose is to inform discussion and assist future health promotion strategies. Therefore, the opinions expressed in the report do not necessarily reflect the official views of the Alcohol Advisory Council of New Zealand, Ministry of Health nor the members of the field team.
    [Show full text]
  • Mustang Daily, October 17, 1979
    Booze is not only cause of alcoholism San Luis Obispo counselors fault social attitudes, acceptance BY JOHN KELLER Dally Co-Editor going to create an alcoholic. That Most people know that, good or formula comes from the fact that bad, alcohol is sometimes used to problem drinking destroys solve hassles temorarily. On oc­ emotional growth,” said Arblaster. casion, partiers believe solving a “ It puls your emotions to sleep and quarrel or giving a Speech 200 talk it's hard to wake up. to a full classroom is all right to “ Three percent of those ex­ work out beforehand with some perimenting with alcohol become beers. What most people do not alcoholics," said Arblaster, a Cal know is that alcohol has played a Poly graduate student who has not role for one-third of all suicide drunk alcohol in two years. “ The > v* * victims looking for a solution. tragedy is that 19 out of 20 don’t Psychologists and health make it.” ■) m educators can trace almost all the A common belief among reasons why 10 percent of all adults drinkers and non drinkers is that a in the United States are alcoholics. majority of all alcoholics are bums But why is one out of four 12-year- lying in a gutter on skid row, said olds a heavy drinker as reported in Arblaster. a 1978 Los Angeles Times article? "Bums under the bridge are very Teen magazine in 1978, few (five percent of the total who published an article stating that 2$ drink),” said Hansen. “ Most percent of all 13-year-olds are (alcoholics) are in family moderate drinkers.
    [Show full text]
  • 1. Learning to Drink: the Social History of an Idea
    1 Learning to drink: The social history of an idea The idea that you could teach people to drink sensibly has been around for decades. In the United States, this notion was of particular interest after the end of Prohibition in 1933,1 prompted by the challenge of encouraging moderation after years of binge drinking, criminal gangs selling illicit grog, adulterated drinks and speakeasies.2 One who rose to the challenge was American etiquette aficionado Alma Whitaker (1933: 2), who endeavoured to communicate to post-Prohibition drinkers what older, more experienced countries knew about the ‘precious creed’ of moderation. In her aptly titled book Bacchus behave! The lost art of polite drinking, she stressed the need to appreciate the sacred rituals of etiquette to experience the benefits of wines and spirits as social lubricants. In this way, we could learn to drink and, ‘properly fortified with instructive information, we may yet learn to carry our liquor like gentlemen. It’s deucedly messy when we don’t’ (2). Whitaker declared that the ‘right quantity imbibed under the right conditions affords a pleasant stimulation’, while people who became drunk revealed all their nastier 1 Prohibition (1920–33) was a political failure, but was positive in other ways. There is good evidence that there was less drinking and abuse than before World War I; the cirrhosis mortality rate dropped sharply then plateaued, as did the alcoholism mortality rate. There was a differential affect across social classes and across regions: while the law was flouted in the north and east (and in New Orleans), the working-class people of the south and west were largely dry (Cook 2007: 26).
    [Show full text]
  • Barnett (Doherty).Pdf
    Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Barnett, L. (2017) Pleasure, agency, space and place: an ethnography of youth drinking cultures in a South West London community. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] PLEASURE, AGENCY, SPACE AND PLACE: AN ETHNOGRAPHY OF YOUTH DRINKING CULTURES IN A SOUTH WEST LONDON COMMUNITY By Laura Kelly Barnett Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2017 ABSTRACT Media, government and public discourse in the UK associate young drinkers as mindless, hedonistic consumers of alcohol, resulting in young people epitomising ‘Binge Britain’. This preoccupation with ‘binge’ drinking amplifies moral panics surrounding youth alcohol consumption whereby consideration of the social and cultural nuances of pleasure that give meaning to young people’s excessive drinking practices and values has been given little priority. This sociological study explores how young drinkers regulate their drinking practices through levels of agency which is informed by values linked to the pursuit of pleasurable intoxication alongside friendship groups in a variety of drinking settings.
    [Show full text]