Nikon's Brochure for Z-Nikkor Lenses
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LYNDON B. JOHNSON SPACE CENTER Houston, Textja
.. HANDBOOK OF PILOT OPERATIONAL EQUIPMENT FOR MANNED SPACE FLIGHT Report No. CD42-A/SL-997 Prepared By POE Development Section Crew Equipment and Design Branch Flight Crew Integration Division NatiDnal AeronautiC� aml Space Administration LYNDON B. JOHNSON SPACE CENTER Houston, TextJA JUNE 1973 • MSC-U72l0 PROJECT DOCUMENT COVER SHEET HANDBOOK OF PILOT OPE RATIONAL EQUIPMENT FOR MANNED SPACE FLIGHT REPORT �UMBER jo ATE CD42-A/SL-997 1 June 16 , 1972 PREPARED BY: POE Development Section APPROVED: APPROVED: APPROVED: REVISIONS DATE PREPARED BY APPROVALS CHG. LETTER ,..-IJIV\SION P�-111 BFFIG-�, 9/5/72 H. D. Yeates A 0 t:J + 3/15/73 H. D. Yeates B [\) � -......._ UJ. [-< ;o I C'l \0 ""() \0 �-; -..:) z c !!:: rn C'l ;o MSC FORM !5!A (JUL 66) TABLE OF CONTENTS Foreword Li st of Illustr ations 1.0 Introduction 2.0 16 mm . Sequence Camera System 2.1 Data Acquisition Camera (DAC ) (SEB33100100) 2.2 DAC Film Magazine (140) (SEB33l00l25) 2.3 DAC Transport Mechanism (SEB33l00278) 2.� DAC Film Cas sette (400) (SEB33100279) 2.5 5 mm . Lens (SEB33100056) 2.6 10 mm . Lens (SEB33100010) 2.7 18 mm. Lens (SEB33100018) 2.8 25 mm . Lens (SEB33l00054) 2.9 75 mm . Lens (SEB33l000l9) 2.10 100 mm . Lens (SEB33100025) 2.11 180 mm . Lens (SEB33100017) 2.12 Right Angle Mirror (SEB3310005l) 2.13 DAC Power Cable (CM) (SEB33l00038) 2.14 DAC Power Cable (sws) (SEC33l00567) 2.15 DAC Spare Fuse (SEB33100266) 2.16 Remote Control Cable (SEB33100020) 2.17 DAC Power Pack (SEB33l00304) 2.18 Universal Mount (SEC39lo6239) 2.19 DAC EVA Bracket (SEC33lOOOo6) 2.20 DAC Handle (SEB33100303) 2.21 DAC RCU Bracket (SEB33100396) 2.22 DAC Right Angle Adapter Bracket (SEB33100277) 2.23 DAC Wedge Bracket (SEB33100564) 3.0 35 mm. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION Thank you for purchasing the Vello LAE-CM-CEF Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera. This adapter allows you to mount any Canon EF or EF-S lens to a Canon EOS-M camera. With an EF or EF-S lens mounted to a Canon EOS-M camera using this adapter, all automatic functions, such as auto focus and auto exposure, are available and fully operational. A removable tripod mount collar with a ¼" socket is included. 2 CONTENTS INCLUDE • Vello LAE-CM-CEF Auto Lens Adapter - Canon EF/EF-S Lens to Canon EOS-M Camera • Front and rear caps • Removable tripod mount collar • User manual 3 INTRODUCTION The Vello Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera can expand the arsenal of lenses for your Canon EOS-M camera using lenses you already own. With this adapter, you can mount any Canon EF or EF-S lens to a Canon EOS-M camera. Just attach the adapter to your EF or EF-S lens, then mount the lens and adapter to your Canon EOS-M camera. 4 When using an EF lens, there will be a crop factor of 1.6x, so that the apparent focal length of the lens will be 1.6x of the actual focal length. With EF-S lenses, there is no apparent change in the focal length. All camera functions will operate normally, including auto focus, auto exposure, and touch-screen modes. -
The Nikon F System
The Nikon F system: FILTERS-Optical quality is as indispensable in filters as in lenses. Only the finest optical glass is employed. Precision ground, polished to plano-parallel flatness and strain-free mounted, these filters are free from striation, stress, or other flaws which might deteriorate image quality. Both surfaces are hard coated to reduce reflection. A complete variety of Nikon filters is available for b&w as well as color (see price list for types and sizes). LENS HOODS - Snap-on hoods are specially designed to combine "slip-on" ease with "screw-in" holding power. Can be reversed on lens for compactness in carrying. Screw-in hoods are also available. All lens hoods are calculated for each focal length to give maximum protection without danger of vignetting. REAR LENS CAPS & BODY CAPS - Use of these is recommended to protect lenses and camera body and keep them dust-free when handled and stored separately. PANORAMA HEAD (Prod. No. 2020)-Mounts between camera and tripod, and accurately spaces series of exposures that will join as a single panorama picture covering up to 360. Click-stop positions for 35, 50 and 105mm lenses, and color coded stop indicators to 28, 85 and 135mm lenses. Bubble level accessory available to check whether camera and Panorama Head are horizontal. FILM CASSETTES - All metal, easy to load with standard bulk film. Cost is quickly defrayed by economy of bulk film. Can be loaded for fewer than 20 exposures. Cassettes are recommended for use with motor drive. Available in 36 and 250-expo sure capacity, latter for 250-exposure motor drive only. -
Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
Nikon Nikkormat
tikkormat INSTRUCTIONMANUAL NOMENCLATURE Meter Coupling Pin Neck Strap Eyelet Couples the exposure meter to the lens' auto diaphragm. a,fd ikkprrtt&t 'r- Mirror Lock Shr.rtter-Speed Index Slidedownward to lock the Align with the desired mirror up out of the optical shutter speed. parh. Self-Timer Lens ReleaseButton Trips the shutter in 8 Unlocks the lens for secondsdelay. removing or changing lenses. ASA Lock CameraBack Latch Pressto openthe camera Shutteb'-Speed Lever back. ASA Film-Speed Index Adjusts the meter for the Film-Speed ASA Scale speed of the film used. Range: t2-1.600 ASA. Battery Chamber Houses the silver-oxide battery that powers the meter. Tripod Socket Carnera Back Rewind Button Hinged to swing open from Press to rewind the film. the side. www.orphancameras.com Aperture/Distance Scale I ndex Distance Scale lnfrared Mark Depthof-Field Scale Lines up with the prefocused Color-coded markings give distanceto compensate depth-of-field at different for shift in focus. apertures. Aperture Ring FocusingRing Sets the lens diaphragm to Easy-to-grip,knurled surface the desired f/number. for quick, accuratefocusing. Aperture Scale il/leter Coupling Prong for the meter is set Connectsto the meter maximum aperture of the coupling pin. lens being used. Shutter-SpeedScale Depth-of-Field Preview Button Speedsfrom 1/1000 to 1 Pressto previewhow much secondplus B. or foreground background Shutter ReleaseButton of focus. is in or out (With screw thread for cablerelease). FlashTerminal Acceots:cepts a flash Frame Gounter nch cord. Indicates the number of frames exposed. Rewind Crank Fold out to rewind the film. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
T-Mount - Wikipedia
4/1/2020 T-mount - Wikipedia T-mount The T-mount is a standard lens mount for cameras and other optical assemblies. The usual T-mount is a screw mount using a T-mount male 42×0.75 (42 mm diameter, 0.75 mm thread pitch) metric Type screw thread on the lens with a flange focal distance of 55 mm and a External diameter 42 mm mating female 42mm thread on a camera adapter or other optical component. This thread form is referred to as T-thread. (This Flange 55 mm should not be confused with the M42 lens mount which is also Connectors None 42 mm diameter, but has a 1 mm thread pitch. The T-thread is sometimes described as "M42x0.75," which is the usual manner in which to describe the thread.) The "T" is said to stand for Tamron or Taisei, a Japanese manufacturer that released in 1957 the first of a line of aftermarket camera lenses that fit 35 mm SLR cameras built by various manufacturers using their universal T-mount. On the first model, the mini T-mount used a M37×0.75 thread; Tamron's canonical M42×0.75 T-thread didn't appear on the market until about 1962. The company referred to it variously as a T-mount, T-thread, T-adapter, or a T-400, but not as a T-2, which is simply the name that Soligor used for its version of the T-adapter. The proprietary lens mount of each camera manufacturer was adapted to the T-mount thread with a simple adapter. -
A Theoretical and Practical Introduction to Optics a Theoretical and Practical Introduction to Optics
White Paper A Theoretical and Practical Introduction to Optics A Theoretical and Practical Introduction to Optics Be honest: do you really know how to calculate the focal length of a lens? If so, you are an exception to the rule and can stop reading here !! For the rest of you, here is a second chance. Back to square one "Piece of broken glass starts forest fire"– a common headline during the summer. But how could this have happened? Due to the enormous distance between the Earth and the Sun, the Sun only appears as a tiny point emitting parallel rays of light (figure 1a) Should these parallel rays pass through a lens (or a piece of glass, which has similar characteristics) the rays would meet behind the lens at what is called the focal point. But what happens if our point of light is so near to the lens that we can not assume to have parallel rays of light? They cross each other behind the focal point (figure 1b). If we take a look at the image of our point of light at the focal points position we will see a unclear blurred spot. And so the question arises- "what is focusing?". Focusing is to increase the distance between the focal plane and the lens until the focal plane and the junction of the rays overlap each other (figure 1c). Thus, for single points of light the situation is quite simple. But what happens to the image of screws, PCBs or plates of steel? From points of light to images A point of light does not necessarily originate directly from the sun, candles or lamps, it can also result from a reflection. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
World's First* 11-20Mm F2.8
Focal Length: 11mm Exposure: F2.8 1 / 2500sec ISO: 100 World’s first* 11-20mm F2.8 Light and compact – versatile lens to capture the breadth of your vision. Fast aperture and superb optical performance for dynamic images. Nothing escapes this high-performance ultra wide-angle zoom 11-20mm F/2.8 Di III-A RXD (Model B060) For Sony E-mount Di III-A: For APS-C format mirrorless interchangeable-lens cameras *Among interchangeable F2.8 ultra wide-angle zoom lenses for Sony E-mount APS-C mirrorless cameras (As of March, 2021: TAMRON) The thrilling new experience of an ultra wide-angle zoom The world's first1 fast-aperture F2.8 ultra wide-angle zoom lens for mirrorless captures the world from an all-new perspective The 11-20mm F/2.8 Di III-A2 RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras. The lens features the world’s first F2.8 maximum aperture for Sony E-mount APS-C mirrorless in this category, and an amazing compact and lightweight design. The lens is so light weight and compact that it’s hard to believe it’s a fast-aperture ultra wide-angle zoom lens. When used with a compatible Sony E-mount APS-C mirrorless camera body, you’ll also find it easy to shoot video using a compact tripod or gimbal. Special lens elements are optimally arranged to suppress optical aberrations and to produce clear images for high-resolution performance. Also, the MOD (Minimum Object Distance) of 0.15m (5.9 in) at the widest end and 0.24m (9.4 in) at the 20mm end allows you to get closer to a subject than you ever imagined.