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Vol. 65 No. 21 January 29, 2019
UNIVERSITY OF PENNSYLVANIA Tuesday January 29, 2019 Volume 65 Number 21 www.upenn.edu/almanac Penn Medicine: 25 Years of Charles Bernstein: Bollingen Prize for Poetry Integration, Innovation and Ideals University of Pennsylvania Professor Charles is the Donald T. Re- After 25 years, the combined mission of pa- Bernstein has been named the winner of the gan Professor of Eng- tient care, medical education and research that 2019 Bollingen Prize for American Poetry; it lish and Compara- defines Penn Medicine is a proven principle. As is is among the most prestigious prizes given to tive Literature in the Penn Medicine’s model has evolved over this American writers. School of Arts and Sci- quarter century, it has continually demonstrat- The Bollingen Prize is awarded biennially to ences (Almanac Febru- ed itself to be visionary, collaborative, resilient an American poet for the best book published ary 8, 2005). He is also and pioneering, all while maintaining Frank- during the previous two years, or for lifetime known for his transla- lin’s core, altruistic values of serving the greater achievement in poetry, by the Yale University tions and collabora- good and advancing knowledge. Library through the Beinecke Rare Book and tions with artists and Penn Medicine’s reach and impact would im- Manuscript Library. The Prize was originally libretti. With Al Filreis, press the lifelong teacher and inventor as well. conferred by the Library of Congress with funds Penn’s Kelly Family One of the first integrated academic health sys- established in 1948 by the philanthropist Paul Professor of English, tems in the nation, the University of Pennsylva- Mellon. -
'LOVE in the FORECAST' Cast Bios CINDY BUSBY (Leah) – Cindy
‘LOVE IN THE FORECAST’ Cast Bios CINDY BUSBY (Leah) – Cindy Busby has been making waves in Hollywood both on the big and small screens. Growing up in Montreal, Canada, Busby always dreamed of becoming an actress. From the time she was a child, she loved performing for an audience, and throughout her elementary school and high school years, she devoted herself to every theater school production. Upon graduating from high school, Busby was accepted into the Professional Theater Program at Dawson College in Montreal and was admitted from amongst hundreds of applicants. The rigorous, three-year training allowed Busby to demonstrate her professionalism, hard work and devotion and was presented with an award of academic excellence. Busby notes her first passion in the business was theater as she honed her acting skills on the stage while in school and right after graduation. In 2005, Busby crossed into television and film and was given her first lead in the story of the Canadian medical hero Norman Bethune in the television series “Bethune.” She filmed in rural China for two and-a-half months and the series attracted several million viewers. In 2006, Busby played a supporting lead in the Lifetime original film “A Life Interrupted” opposite Lea Thompson and landed a regular role on the series “Heartland.” Cast as Ashley Stanton, a rich, self-righteous, competitive horseback rider, the series took off and has been nominated for several Gemini Awards as well as winning a Director’s Guild of Canada prize, all while becoming one of the most popular shows on Canadian television as well as syndicated in over 81 countries around the world. -
Remembrances and Thank Yous by Alan Cotler, W'72
Remembrances and Thank Yous By Alan Cotler, W’72, WG’74 When I told Mrs. Spitzer, my English teacher at Flushing High in Queens, I was going to Penn her eyes welled up and she said nothing. She just smiled. There were 1,100 kids in my graduating class. I was the only one going to an Ivy. And if I had not been recruited to play basketball I may have gone to Queens College. I was a student with academic friends and an athlete with jock friends. My idols were Bill Bradley and Mickey Mantle. My teams were the Yanks, the New York football Giants, the Rangers and the Knicks, and, 47 years later, they are still my teams. My older cousin Jill was the first in my immediate and extended family to go to college (Queens). I had received virtually no guidance about college and how life was about to change for me in Philadelphia. I was on my own. I wanted to get to campus a week before everyone. I wanted the best bed in 318 Magee in the Lower Quad. Steve Bilsky, one of Penn’s starting guards at the time who later was Penn’s AD for 25 years and who helped recruit me, had that room the year before, and said it was THE best room in the Quad --- a large room on the 3rd floor, looked out on the entire quad, you could see who was coming and going from every direction, and it had lots of light. It was the control tower of the Lower Quad. -
Download February at Penn Calendar
Year of Proof: Making & Unmaking 21 One Book, One Philadelphia: Speakeasy: Poetry, Prose and Race; Penn Museum. Through August 18. Picture Bride. Anything Goes!; 7:30 p.m. Ongoing 22 Exhumed Films presents 18 A Salute to the Pioneering John Cage: How to Get Started; ZOMBIES!: Video Dead, Dead Heat; 8 Journalists of the 1960s: A Talk with interactive installation of a rarely heard p.m.; $15, $12/students. Mark Bowden; noon. February performance; Slought Foundation. 23 Chris Marker: Réalisateur—A 19 Release Party for “I Let a Song Go Human Evolution: The First 200 Grin without a Cat (Le Fond de l’air est Out of My Heart” by Sam Allingham; 7 p.m. Million Years; Hover Gallery, 2nd floor, rouge); 2 p.m. 21 7 Up on Camp; 6 p.m. Penn Museum. Chris Marker: Réalisateur—Level Five. The History of Nursing as Seen 25 Live at the Writers House; 7 p.m. A T P E N N Through the Lens of Art; Carol Ware 26 Reelback Presents Wolf. 27 3808 Reading; 5:30 p.m. Lobby, Fagin Hall. MEETINGS Penn Bookstore Wherever these symbols appear, more images or audio/video clips are Amarna, Ancient Egypt’s Place in Info.: www.upenn.edu/bookstore available on our website, www.upenn.edu/almanac. the Sun; Worlds Intertwined: Etruscans, 12 PPSA Board Meeting; 1 p.m.; Greeks and Romans Canaan and Ancient 6 The Political Worlds of Slavery and ; Board Room, Dunning Coaches; RSVP: Freedom; Steven Hahn,; 5:30 p.m. Israel; Living in Balance: The Universe of [email protected] Burrison Gallery, University Club the Hopi, Zuni, Navajo and Apache; In the 12 Fans, Not Consumers: Creating ACADEMIC CALENDAR at Penn: free; Mon.-Fri., 7:30 a.m.-5 19 WPPSA Meeting; 12:30-1:30 p.m.; Super Growth in a No-Growth Industry; Artifact Lab: Conserving Egyptian Mum- first floor, Stiteler Hall. -
March 17, 2015, Vol. 61 No. 26
UNIVERSITY OF PENNSYLVANIA Tuesday March 24, 2015 Volume 61 Number 27 www.upenn.edu/almanac Three Endowed Assistant Professors Appointed in Penn Arts & Sciences Dean Steven J. Fluharty is pleased to an- Vanessa Ogle has Mallesh Pai, assis- nounce the appointment of three faculty mem- been appointed the Ju- tant professor of eco- bers to named chairs in the School of Arts & lie and Martin Frank- nomics, has been ap- Sciences. lin Assistant Professor pointed the Janice and Rahul Mukherjee of History. Specializ- Julian Bers Assistant has been appointed the ing in modern Euro- Professor in the So- Dick Wolf Assistant pean and global histo- cial Sciences. Dr. Pai Professor of Television ry, Dr. Ogle researches is an economic theorist and New Media Stud- themes of globaliza- specializing in mech- ies in the department of tion, capitalism and the anism design, which English. He is also af- circulation of knowl- addresses problems of filiated with the cine- edge. Her first book, how mechanisms such ma studies program. Dr. Contesting Time: The as auctions, school lot- Mukherjee joins Penn Global Struggle for teries and political in- from the University of Uniformity and its Un- Vanessa Ogle stitutions can better California, Santa Bar- intended Consequenc- achieve desired out- Mallesh Pai bara, where he recent- es, 1870s-1950s, investigates the paradoxical comes. His work has called into question long- ly completed his PhD. Rahul Mukherjee effects of standardizing time reckonings across held assumptions about fairness and predictabili- In his research, Dr. cultures and will be published by Harvard Uni- ty of outcomes in auctions. -
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UNIVERSITY OF PENNSYLVANIA Tuesday July 16, 2019 Volume 66 Number 1 www.upenn.edu/almanac The Mark Foundation for Cancer Research: $12 Million Funding for Major Expansion of Gene Therapy New Center at Penn to Study Radiation Therapy and Immune Signaling Collaboration Between Amicus Therapeutics and Penn The Mark Foundation for Cancer Research radiation oncology in Penn’s Perelman School announced that it has awarded a grant of $12 of Medicine. The primary efforts of the center Amicus Therapeutics and the Perelman million to establish The Mark Foundation Cen- will comprise five key projects that converge School of Medicine at the University of Penn- ter for Immunotherapy, Immune Signaling and on understanding the signaling pathways elic- sylvania announced a major expansion to their Radiation at the University of Pennsylvania. ited by radiation therapy and how those path- collaboration with rights to pursue collaborative The Center will bring together cross-depart- ways can be exploited therapeutically to enable research and development of novel gene thera- mental teams of basic scientists and clinical re- the immune system to recognize and eradicate pies for lysosomal disorders (LDs) and 12 addi- searchers who will focus on better understand- cancer. tional rare diseases. The collaboration has been ing the interconnected relationships between “These projects have the chance to change expanded from three to six programs for rare advances in radiation therapy, important signal- the paradigm when it comes to cancer treat- genetic diseases and now includes: Pompe dis- ing pathways in cancer and immune cells, and ment,” said Dr. Minn. “Understanding impor- ease, Fabry disease, CDKL5 deficiency disorder the immune system’s ability to effectively con- tant and potentially targetable mechanisms of (CDD), Niemann-Pick Type C (NPC), next gen- trol cancer. -
Chris Mustazza Presentation Slides
Dialectical Materialities: PennSound, Early Poetry Recordings, and Disc-to-Disk Translations Chris Mustazza Digital Dialogue Maryland Institute for Technology in the Humanities April 3, 2018 http://writing.upenn.edu/pennsound World’s largest archive of recordings of poets reading their work, founded by Professors Charles Bernstein and Al Filreis in 2003. Recordings range from 1913 through the current month. Apollinaire Nathaniel Mackey PennSound by the numbers 2,500,000 downloads per year 1,000,000 unique visitors per year 55,000 mp3 files 1,000 video files Always downloadable. Never just s- ~6,000 hours of audio T R E A M I N G Global distribution of PennSound users 27 April 2016 - 15 April 2017 Accessible Poetry Interface (API): PennSound & the Archaeo-Platform I. Archive Meta-Archive: Phonotextual Bibliography Reconstructing earlier attempts to record poetry & poetry audio archives Who were the archivists of the earlier archives, and what were their politics & poetics? What were the politics and poetics, both of the archival containers, as well as the physical media? How can we (re)present these archives within PennSound with respect for their prior materilaities ? 1913: “Modernism meets the phonograph” Ezra Pound traveled to the speech lab of Jean Pierre Rousselot to be “recorded” using Rousselot’s phonoscope. Richard Sieburth: “The ardent vers libristes were presumably eager to find out whether Rousselot’s modern recording devices (which produced what look like intricate seismographs of vowels, consonants, pitch, and tempo) could provide scientific proof that free verse was, in its own way, just as ‘regular’ or ‘formal’ (in terms of the patternings of accents or quantities) as, say, the traditional alexandrine.” Images from Richard Sieburth’s “The Sound of Pound: A Listener’s Guide” 1913: “La parole au timbre juste” The linguist Ferdinand Brunot partners with Disque Pathé, the largest record label in France, to release recordings of Apollinaire and other poets. -
Wreading & Aesthetic Judgment
From Attack of the Difficult Poems: Essays and Inventions (University of Chicago Press, 2011) http://epc.buffalo.edu/authors/bernstein/books/attack/ Creative Wreading & Aesthetic Judgment I am professor of poetry. I take that term quite literally. I profess poetry in a society, and often a classroom, where poetry is at best a half-forgotten thing, something confined to the peripheries of cultural imagination, a once grand enterprise perhaps, but today eclipsed by more compelling media. Many readers – current students and long ago graduates alike, those who have never been to school and those who teach school – have no experience at all with poetry and certainly little contact with poetry as an active contemporary art form. Indeed, college is a crucial site for the introduction, the continuing re-introduction, to poetry in both its historical and contemporary particulars. A poem is a work of art using words (or related verbal materials). New poems often challenge prior definitions or understandings of poetry. Another way of saying this is that a poem is any verbal construction that is designated as a poem. The designation of a verbal text as poetry cues a way of reading but does not address the work’s quality. Disagreement over the nature of what poetry is, or what constitutes a poem, is as much a part of the history of poetry as disputes about what makes a good poem. The most contentious of these disputes are fundamental to poetry’s continuing social and aesthetic significance. Confronted with a poem, many seem to go silent or what they say tends to treat the poem as if it were not a poem at all but a statement of opinion, experience, or sentiment; or a cultural artifact of a time more benighted than our own that can perhaps give us a glimmer of the dim consciousness that guided those in days gone by. -
University of Pennsylvania A0141
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180141 Gramts.gov Tracking#: GRANT12660040 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180141 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (T6 2018 GEPA Statement) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (T6 2018 Abstract) e16 9. Project Narrative Form e17 Attachment - 1 (T6 2018 Table of Contents revised) e18 Attachment - 2 (T6 2018 Narrative FINAL) e19 10. Other Narrative Form e69 Attachment - 1 (T6 2018 Abbreviations) e70 Attachment - 2 (T6 2018 Diverse Perspectives) e72 Attachment - 3 (T6 2018 Areas of National Need) e73 Attachment - 4 (T6 2018 Applicant Profile) e74 Attachment - 5 (T6 2018 Appendix A Course List) e75 Attachment - 6 (T6 2018 Appendix B Staff Bios) e86 Attachment - 7 (T6 2018 Appendix C New Position) e129 Attachment - 8 (T6 2018 Appendix D PMFs) e130 Attachment - 9 (T6 2018 Appendix E Letters of Support) e136 11. Budget Narrative Form e144 Attachment - 1 (T6 2018 Budget) e145 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
Gabriel Mann
GABRIEL MANN FEATURE FILMS HUMOR ME Danielle Renfrew Behrens, Ruth Pomerance, Emily Blavatnik, Fugitive Films Courtney Potts. Jamie Gordon, prods. Sam Hoffman, dir. TELEVISION SERIES ROSEWOOD Marty Bowen, Wyck Godfrey, Todd Harthan, exec. prods. FBC / 20 th Century Fox TV Todd Harthan, showrunner Score & Theme Richard Shepard, dir. RECTIFY Melissa Bernstein, Ray McKinnon, Mark Johnson, exec. prods. Sundance Channel / Gran Via Productions Ray McKinnon, showrunner Score Keith Gordon, dir. MODERN FAMILY Steven Levitan, Christopher Lloyd, exec. prods. ABC/ 20 th Century Fox Television Jason Winer/Reggie Hudlin, dir. Score ANGEL FROM HELL Tad Quill, exec. prod. CBS / CBS TV Studios Tad Quill, showrunner Score Don Scardino, dir. DR. KEN Jared Stern, John Davis, John Fox, ABC / Sony Pictures TV Mike Sikowitz, exec. prods. Score Mike Sikowitz, showrunner Scott Ellis, dir. SCHOOL OF ROCK Richard Linklater, Scott Rudin, Jim Armogida, Steve Nickelodeon / Paramount TV Armogida, exec. prods. Score THE CROODS Netflix / Dreamworks Animation Score THE KICKS Elizabeth Allen Rosenbaum, prod /dir. Amazon Studios / Picrow Prods Andrew Orenstein, showrunner Score THE MCCARTHYS Will Gluck, Brian Gallivan, Mike Sikowitz, exec. prods. CBS / Sony Pictures TV Mike Sikowitz, showrunner Score Andy Ackerman, dir. MARRY ME David Caspe, Seth Gordon, Jamie Tarses, exec. prod. NBC / Sony Pictures TV David Caspe, showrunners Score Seth Gordon, dir. FRIENDS WITH BETTER LIVES Aaron Kaplan, exec. prod. CBS / 20 th Century Fox Television Dana Klein, David Hemingson, showrunners Score & Theme The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GABRIEL MANN TROPHY WIFE Lee Eisenberg, Emily Halpern, Sarah Haskins, exec. prods. ABC Lee Eisenberg, Gene Stupnitsky, showrunners Score STAR-CROSSED Josh Appelbaum, Andre Nemec, Scott Rosenberg, Richard CW / CBS Television Studios Shepard, Sean Furst, Bryan Furst, Meredith Averill, Daniel Score Gutman, exec. -
0927 Daily Pennsylvanian
Parkway M. Soccer falls Movin’ on up in double-OT Past 40th Street — the Penntrification of West Philly. party See Sports | Back Page See 34th Street Magazine See page 4 The Independent Student Newspaper of the University of Pennsylvania ◆ Founded 1885 THURSDAY, SEPTEMBER 27, 2007 dailypennsylvaniapennsylvan ian.com PHILADELPHIA | VOL. CXXIII, NO. 84 U. City: Newest dining destination? Penn InTouch changes far on the horizon While student groups call for Penn InTouch improvements, changes likely to take months By REBECCA KAPLAN many believe needs a major Staff Writer overhaul. [email protected] Regina Koch , the IT Techni- Any senior hoping for a sim- cal Director for Student Regis- ple, streamlined class-registra- tration and Financial Services, tion system should stop holding said improving Penn InTouch their breath: Penn InTouch will now is an official project. not be updated this year. “We have to replace some But there is still hope for of the technology because the freshmen, sophomores and ju- systems are 15 years old,” she niors, who will likely see a big said. improvement to the system by Wharton senior Alex Flamm , the time they graduate. the Undergraduate Assembly Last Tuesday, members of representative spearheading the Undergraduate Assembly, the campaign for Penn InTouch Student Financial Services and change, said SFS and ISC are Information Systems and Com- planning a large change sooner puting met to find new ways to than anticipated. improve Penn InTouch, the on- line organization system that See INTOUCH, page 3 Sundance Kid set Staci Hou & Kien Lam/DP File Photos for film screening Top: Morimoto, a Japanese restaurant in Center City owned by Steven Starr. -
Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn.