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Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tom Petty & The Heartbreakers – Long After Dark (1982/2015) [HDTracks FLAC 24bit/96kHz] Tom Petty & The Heartbreakers – Long After Dark (1982/2015) FLAC (tracks) 24 bit/96kHz | Time – 37:45 minutes | 824 MB | Genre: Rock Official Digital Download – Source: HDTracks | © Geffen Records Recorded: 1981-82 at Record Plant, Wally Heider’s and Crystal, Hollywood, CA; Rumbo Studios, Canoga Park, CA. Exclusively on HDtracks, images of the master tapes are included with every download, along with a note from the remaster producer, Ryan Ulyate. The Heartbreakers’ fifth album was also the first to feature Howie Epstein on bass. This album was produced by Tom Petty and Jimmy Iovine and was recorded at four different studios: Record Plant in Hollywood, CA, Wally Heider’s in Hollywood, CA, Crystal in Hollywood, CA and Rumbo Studios in Canoga Park, CA. “You Got Lucky” and “Change of Heart” were released as singles. Long After Dark is the fifth album by Tom Petty and the Heartbreakers, released in November 1982 on Backstreet Records. Notable for the major MTV hit “You Got Lucky”, the album was also the first to feature the late Howie Epstein on bass and harmony vocals. Epstein’s vocals are evident throughout the album, most notably on “Change of Heart”. From this point on Epstein’s vocals became an integral part of the Heartbreakers’ sound. In addition, it was the first Heartbreakers album to feature a real synthesizer on record. There was a song recorded for this album called “Keeping Me Alive”, which Petty himself is very fond of but the producer, Jimmy Iovine, disliked. Petty has expressed that he feels the album would have turned out better if the song had been included on the album. “Keeping Me Alive” was eventually released on Petty’s 1995 box set compilation Playback. Riding high on the back-to-back Top Five, platinum hits Damn the Torpedoes and Hard Promises, Tom Petty quickly returned to the studio to record the Heartbreakers’ fifth album, Long After Dark. Truth be told, there was about as long a gap between Dark and Promises as there was between Promises and Torpedoes, but there was a difference this time around — Petty & the Heartbreakers sounded tired. Even if there are a few new wave flourishes here and there, the band hasn’t really changed its style at all — it’s still Stonesy, Byrdsian heartland rock. As their first four albums illustrated, that isn’t a problem in itself, since they’ve found numerous variations within their signature sound, providing they have the right songs. Unfortunately, Petty had a dry spell on Long After Dark. With its swirling, minor key guitars, “You Got Lucky” is a classic and “Change of Heart” comes close to matching those peaks, but the remaining songs rarely rise above agreeable filler. Since the Heartbreakers are a very good band, it means the record sounds pretty good as it’s playing, but apart from those few highlights, nothing much is memorable once the album has finished. And coming on the heels of two excellent records, that’s quite a disappointment. -Stephen Thomas Erlewine. Tracklist: 1 A One Story Town 03:06 2 You Got Lucky 03:36 3 Deliver Me 03:28 4 Change Of Heart 03:18 5 Finding Out 03:36 6 We Stand A Chance 03:38 7 Straight Into Darkness 03:48 8 The Same Old You 03:30 9 Between Two Worlds 05:11 10 A Wasted Life 04:34. Personnel: Tom Petty – lead vocals, 6 and 12 string acoustic and electric guitars, lead guitar on “We Stand a Chance”, Prophet 5 synthesizer Mike Campbell – lead guitar, 12-string guitar, organ on “We Stand a Chance” Benmont Tench – acoustic and electric pianos, Hammond and Vox organs, synthesizer, backing vocals Stan Lynch – drums, backing vocals Howie Epstein – bass guitar, backing vocals Phil Jones – percussion Ron Blair – bass guitar on “Between Two Worlds” Producer’s Note: Tom Petty Hi-Res Remastering :: The Hi-Res (24bit 96K) remastering of the Tom Petty catalog reveals a level of detail that was only previously heard by a select group of musicians, producers and engineers in the studio. It’s as close to the sound of original stereo master as you can get. We’re very happy with the way it came out, and believe it’s an important way to preserve the legacy of this great body of work. If hearing the highest possible sound quality is important to you, then this is where you’ll get it. The remastering was done in the fall of 2014 by Chris Bellman at Bernie Grundman Mastering. I supervised it and Tom approved it. Great care was taken to find the original first-generation masters and transfer them with minimal eq and little or no dynamic range compression. In cases where the first-generation masters were unusable, we used the best sounding second-generation masters.* To allow for full dynamic range, and to let the music “breathe” the Hi-Res versions have about 6-8db less digital level than a typical “loud” peak-limited CD or mp3. To enjoy these albums to their fullest extent, play them back though a good system and turn up the volume. With this increased level of detail and sonic impact, we hope you’ll enjoy rediscovering these great albums as much as we did! —Ryan Ulyate, April 2014. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tom Petty & The Heartbreakers – Tom Petty & The Heartbreakers (1976/2015) [Qobuz FLAC 24bit/96kHz] Tom Petty & The Heartbreakers – Tom Petty & The Heartbreakers (1976/2015) FLAC (tracks) 24 bit/96 kHz | Time – 00:30:31 minutes | 627 MB | Genre: Rock Official Digital Download – Source: Qobuz | © Warner Bros. Records Recorded: 1974-76 at Shelter Studio, Hollywood, CA. Tom Petty and the Heartbreakers is the eponymous debut album by the band of the same name, released on November 9, 1976 by Shelter Records. Initially following its release, the album received little attention in the United States. Following a British tour, it climbed to #24 on the UK album chart and the single “Anything That’s Rock ‘n’ Roll” became a hit in the UK. After nearly a year and many positive reviews, the album reached the U.S. charts, where it climbed to #55 in 1978 and eventually went Gold. The single “Breakdown” cracked the Top 40 in the U.S. and “American Girl” became an FM radio staple that can still be heard today. At the time Tom Petty & the Heartbreakers’ debut was released in 1976, they were fresh enough to almost be considered punk. They weren’t as reckless or visionary as the Ramones, but they shared a similar love for pure ’60s rock and, for the Heartbreakers, that meant embracing the Byrds as much as the Stones. And that’s pretty much what this album is — tuneful jangle balanced by a tough garage swagger. At times, the attitude and the sound override the songwriting, but that’s alright, since the slight songs (“Anything That’s Rock ‘N’ Roll,” to pick a random example) are still infused with spirit and an appealing surface. Petty & the Heartbreakers feel underground on this album, at least to the extent that power pop was underground in 1976; with Dwight Twilley providing backing vocals for “Strangered in the Night,” the similarities between the two bands (adherence to pop hooks and melodies, love of guitars) become apparent. Petty wound up eclipsing Twilley because he rocked harder, something that’s evident throughout this record. Take the closer “American Girl” — it’s a Byrds song by any other name, but he pushed the Heartbreakers to treat it as a rock & roll song, not as something delicate. There are times where the album starts to drift, especially on the second side, but the highlights — “Rockin’ Around (With You),” “Hometown Blues,” “The Wild One, Forever,” the AOR staples “Breakdown” and “American Girl” — still illustrate how refreshing Petty & the Heartbreakers sounded in 1976. -Stephen Thomas Erlewine. Tracklist: 1 Rockin’ Around (With You) 2:29 2 Breakdown 2:44 3 Hometown Blues 2:14 4 The Wild One, Forever 3:02 5 Anything That’s Rock ‘N’ Roll 2:24 6 Strangered In The Night 3:33 7 Fooled Again (I Don’t Like It) 3:49 8 Mystery Man 3:03 9 Luna 3:58 10 American Girl 3:32. Personnel: Tom Petty – vocals, electric guitar, acoustic guitar, keyboards Mike Campbell – electric guitar, acoustic guitar Benmont Tench – piano, hammond organ, keyboards Ron Blair – bass guitar on tracks 1-2, 4-5, 7-10, cello Stan Lynch – drums on tracks 1-2, 4-10, keyboards Additional: Jeff Jourard – electric guitar on tracks 2, 7 Donald “Duck” Dunn – bass guitar on track 3 Emory Gordy – bass guitar on track 6 Randall Marsh – drums on track 3 Jim Gordon – drums on track 6 Noah Shark – maracas, tambourine, sleigh bells Charlie Souza – saxophone on track 3 Phil Seymour – backing vocals Dwight Twilley – backing vocals. Producer’s Note: Tom Petty Hi-Res Remastering :: The Hi-Res (24bit 96K) remastering of the Tom Petty catalog reveals a level of detail that was only previously heard by a select group of musicians, producers and engineers in the studio. It’s as close to the sound of original stereo master as you can get. We’re very happy with the way it came out, and believe it’s an important way to preserve the legacy of this great body of work. If hearing the highest possible sound quality is important to you, then this is where you’ll get it. The remastering was done in the fall of 2014 by Chris Bellman at Bernie Grundman Mastering. I supervised it and Tom approved it. Great care was taken to find the original first-generation masters and transfer them with minimal eq and little or no dynamic range compression. In cases where the first-generation masters were unusable, we used the best sounding second-generation masters.* To allow for full dynamic range, and to let the music “breathe” the Hi-Res versions have about 6-8db less digital level than a typical “loud” peak-limited CD or mp3. To enjoy these albums to their fullest extent, play them back though a good system and turn up the volume. With this increased level of detail and sonic impact, we hope you’ll enjoy rediscovering these great albums as much as we did! —Ryan Ulyate, April 2014. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tom Petty – The Best Of Everything – The Definitive Career Spanning Hits Collection 1976-2016 (2019) [FLAC 24bit/96kHz] Tom Petty – The Best Of Everything – The Definitive Career Spanning Hits Collection 1976-2016 (2019) FLAC (tracks) 24 bit/96 kHz | Time – 02:26:06 minutes | 3,02 GB | Genre: Rock Studio Masters, Official Digital Download | Front Cover | © Tom Petty – Greatest Hits. The Best Of Everything, the first career-spanning collection of all of Tom Petty’s hits with The Heartbreakers, his solo work and Mudcrutch, is released via Geffen Records / UMC. The 38-track set also features two previously unreleased tracks, including the collection’s lead single—an alternate version of the title track, which restores a never-heard second verse to the song that was originally recorded for the Tom Petty and The Heartbreakers’ 1985 album, Southern Accents. All 38 recordings on The Best of Everything have been newly mastered for this collection from the original stereo master tapes or digital files by Chris Bellman at Bernie Grundman Mastering, with supervision by Ryan Ulyate. “Consider The Best of Everything a companion piece to An American Treasure, the first posthumous Tom Petty compilation. Weighing in at four CDs, An American Treasure was designed as a gift to the devoted who were still in mourning. In contrast, The Best of Everything is aimed at the fan who didn’t dig quite so deep, or perhaps to listeners who always liked Petty but never bothered to purchase an album. The Best of Everything relies on the hits that were largely absent on the box set but it takes a similar non-chronological approach to sequencing, a move that emphasizes Petty’s consistency as both a songwriter and recording artist. This distinguishes The Best of Everything from 2000’s Anthology: Through the Years, which also spanned two discs and contained four fewer songs than this 2019 set. Apart from that notable aesthetic choice, there is a considerable amount of overlap between the two double-disc collections – namely, all the hits Petty had with and without the Heartbreakers between 1976 and 1993, when he switched from his longtime home of MCA to Warner. The Best of Everything trumps Anthology in that it also includes hits Petty had for Warner – “You Don’t Know How It Feels,” “You Wreck Me,” and “Walls” – and extends to his strong last decade as a recording artist, adding two unreleased cuts for good measure (an alternate take of the title track which was heard in a shorter version on An American Treasure, the unheard “For Real,” which is laid-back and nifty). All this adds up to the best overall overview of – and perhaps introduction to – Tom Petty assembled to date.” (Stephen Thomas Erlewine, AMG) Tracklist: 1. Free Fallin’ 04:14 2. Mary Jane’s Last Dance 04:33 3. You Wreck Me 03:22 4. I Won’t Back Down 02:56 5. Saving Grace 03:45 6. You Don’t Know How It Feels 04:46 7. Don’t Do Me Like That 02:40 8. Listen To Her Heart 03:02 9. Breakdown 02:41 10. Walls (Circus) 04:23 11. The Waiting 03:54 12. Don’t Come Around Here No More 05:06 13. Southern Accents 04:42 14. Angel Dream (No.2) 02:25 15. Dreamville 03:47 16. I Should Have Known It 03:38 17. Refugee 03:21 18. American Girl 03:30 19. The Best Of Everything (Alternate Version / Extra Verse) 05:25 20. Wildflowers 03:10 21. Learning To Fly 04:01 22. Here Comes My Girl 04:33 23. The Last DJ 03:30 24. I Need To Know 02:21 25. Scare Easy 04:36 26. You Got Lucky 03:35 27. Runnin’ Down A Dream 04:23 28. American Dream Plan B 03:00 29. Stop Draggin’ My Heart Around 04:03 30. Trailer 03:18 31. Into The Great Wide Open 03:42 32. Room At The Top 05:01 33. Square One 03:25 34. Jammin’ Me 04:09 35. Even The Losers 03:38 36. Hungry No More 05:56 37. I Forgive It All 04:13 38. For Real 03:51. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tom Petty & The Heartbreakers – Southern Accents (1985/2015) [HDTracks FLAC 24bit/96kHz] Tom Petty & The Heartbreakers – Southern Accents (1985/2015) FLAC (tracks) 24 bit/96kHz | Time – 39:36 minutes | 865 MB | Genre: Rock Official Digital Download – Source: HDTracks | © Geffen Records Recorded: 1983-85 at Gone Gator One; Sound City; Village Recorder; Sunset Sound, LA and Church Studio, London. Exclusively on HDtracks, images of the master tapes are included with every download, along with a note from the remaster producer, Ryan Ulyate. This album is the Heartbreakers’€™ sixth and featured multiple producers on various tracks including Tom Petty, Mike Campbell, Jimmy Iovine, Dave Stewart, and Robbie Robertson. It was recorded at Gone Gator One Studios, Sound City, Village Recorder, Sunset Sound, and Church Studio, London. Southern Accents made it to number 7 on the US Billboard 200 after its release in 1985. Singles from this album include “Make It Better (Forget About Me)”, “Rebels” and “Don’€™t Come Around Here No More”, which peaked at number 13 on Billboard‘s Hot 100. Produced by Dave Stewart, Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South. Occasionally, the songs work; “Rebels” and “Spike” are fine rockers, and “Don’t Come Around Here No More” and “Make It Better (Forget About Me)” expand The Heartbreakers’ sound nicely. But too often, the record is weighed down by its own ambitions. -Stephen Thomas Erlewine. Tracklist: 1 Rebels 05:19 2 It Ain’t Nothin’ To Me 05:10 3 Don’t Come Around Here No More 05:04 4 Southern Accents 04:44 5 Make It Better (Forget About Me) 04:22 6 Spike 03:32 7 Dogs On The Run 03:39 8 Mary’s New Car 03:44 9 The Best Of Everything 04:02. Personnel: Tom Petty – vocals, guitars, piano, keyboards, percussion, producer, bass guitar Mike Campbell – guitar, bass guitar, Dobro, keyboards, vocals, producer, slide guitar Benmont Tench – piano, keyboards, piano (electric), vocals, vibraphone Stan Lynch – drums, percussion, keyboards, vocals Howie Epstein – bass guitar, vocals, harmony vocals. Producer’s Note: Tom Petty Hi-Res Remastering :: The Hi-Res (24bit 96K) remastering of the Tom Petty catalog reveals a level of detail that was only previously heard by a select group of musicians, producers and engineers in the studio. It’s as close to the sound of original stereo master as you can get. We’re very happy with the way it came out, and believe it’s an important way to preserve the legacy of this great body of work. If hearing the highest possible sound quality is important to you, then this is where you’ll get it. The remastering was done in the fall of 2014 by Chris Bellman at Bernie Grundman Mastering. I supervised it and Tom approved it. Great care was taken to find the original first-generation masters and transfer them with minimal eq and little or no dynamic range compression. In cases where the first-generation masters were unusable, we used the best sounding second-generation masters.* To allow for full dynamic range, and to let the music “breathe” the Hi-Res versions have about 6-8db less digital level than a typical “loud” peak-limited CD or mp3. To enjoy these albums to their fullest extent, play them back though a good system and turn up the volume. With this increased level of detail and sonic impact, we hope you’ll enjoy rediscovering these great albums as much as we did! —Ryan Ulyate, April 2014. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tom Petty – Highway Companion (2006/2015) [HDTracks FLAC 24bit/96kHz] Tom Petty – Highway Companion (2006/2015) FLAC (tracks) 24 bit/96kHz | Time – 43:42 minutes | 895 MB | Genre: Rock Official Digital Download – Source: HDTracks | © Warner Bros. Records Recorded: 2005-2006 at Bungalow Palace and Shoreline Recorders in Los Angeles, CA. Exclusively on HDtracks, images of the master tapes are included with every download, along with a note from the remaster producer, Ryan Ulyate. Highway Companion, Tom Petty’s third solo album, was recorded at Bungalow Palace and Shoreline Recorders in Los Angeles, CA. Jeff Lynne produced the album with Tom Petty and Mike Campbell. Both “Saving Grace” and “Big Weekend” were released to radio as singles. The record peaked at number 4 on the Billboard 200 chart and hit number one on the US Rock Albums chart in 2006. Tom Petty’s concept for his third solo album is laid bare in its very title: it’s called Highway Companion, which is a tip-off that this record was made with the road in mind. As it kicks off with the chugging Jimmy Reed-via-ZZ Top riff on “Saving Grace,” the album does indeed seem to be ideal music for road trips, but Petty changes gears pretty quickly, down-shifting to the bittersweet acoustic “Square One.” Although the album ramps back up with the ’60s-styled pop of “Flirting with Time” and the swampy, Dylan-esque “Down South,” the quick move to the ruminative is a good indication that for as good as Highway Companion can sound on the road, Petty looks inward on this album just as frequently as he looks outward. Perhaps this is the best indication that this is indeed a solo affair, not a rock & roll record with the Heartbreakers. Petty of course doesn’t go it completely alone here: his longtime guitarist Mike Campbell is here as is producer/co-writer Jeff Lynne, who helmed Petty’s 1989 solo debut, Full Moon Fever, and the Heartbreakers’ 1991 Into the Great Wide Open and now returns to the fold 15 years later. Lynne’s previous Petty productions were so bright, big, and shiny, they would have been suitable for an ELO album, and given that track record, it would be easy to assume that he would follow the same template for Highway Companion, but that’s not the case at all. Highway Companion has as much in common with the rustic, handmade overtones of 1994’s Wildflowers as it does with the pop sheen of Full Moon Fever — it is precise and polished, yet it’s on a small scale, lacking the layers of overdubs that distinguish Lynne’s production, and the end result is quite appealing, since it’s at once modest but not insular. But Highway Companion also feels a little off, as if Petty is striving to make a fun rock & pop record — a soundtrack for the summer, or at least a good drive — but his heart is in making a melancholy introspective album, where he’s grappling with getting older. This gives the album a sad undercurrent even at its lightest moments, which makes it ideal for driving alone late at night. Since it arrives after the bombastic The Last DJ, it’s refreshing to hear Petty underplay his themes here, and it also helps that Lynne helps toughen up his songcraft. All this makes Highway Companion at the very least another typically reliable collection from Petty, but at its core, it’s moodier than most of his records. It has a lot in common with Petty’s divorce album, Echo, but it’s coming from a different place — one that’s content, yet still unsettled. That may mean that this album isn’t quite as fun as it initially seems on the surface, but that bittersweet undercurrent does indeed make Highway Companion a good partner for long nights on the road. —Stephen Thomas Erlewine. Tracklist: 1 Saving Grace 03:47 2 Square One 03:26 3 Flirting With Time 03:13 4 Down South 03:26 5 Jack 02:27 6 Turn This Car Around 03:58 7 Big Weekend 03:15 8 Night Driver 04:27 9 Damaged By Love 03:22 10 This Old Town 04:15 11 Ankle Deep 03:22 12 The Golden Rose 04:44. Personnel: Tom Petty – vocals, backing vocals, rhythm guitar, 12-string guitar, lead guitar, bass guitar, keyboards, electric piano, drums, harmonica Mike Campbell – lead guitar, 12-string guitar, vibraphone Jeff Lynne – rhythm guitar, bass guitar, keyboards, autoharp, backing vocals. Producer’s Note: Tom Petty Hi-Res Remastering :: The Hi-Res (24bit 96K) remastering of the Tom Petty catalog reveals a level of detail that was only previously heard by a select group of musicians, producers and engineers in the studio. It’s as close to the sound of original stereo master as you can get. We’re very happy with the way it came out, and believe it’s an important way to preserve the legacy of this great body of work. If hearing the highest possible sound quality is important to you, then this is where you’ll get it. The remastering was done in the fall of 2014 by Chris Bellman at Bernie Grundman Mastering. I supervised it and Tom approved it. Great care was taken to find the original first-generation masters and transfer them with minimal eq and little or no dynamic range compression. In cases where the first-generation masters were unusable, we used the best sounding second-generation masters.* To allow for full dynamic range, and to let the music “breathe” the Hi-Res versions have about 6-8db less digital level than a typical “loud” peak-limited CD or mp3. To enjoy these albums to their fullest extent, play them back though a good system and turn up the volume. With this increased level of detail and sonic impact, we hope you’ll enjoy rediscovering these great albums as much as we did! —Ryan Ulyate, April 2014.