Property Management in a Classified World
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Bill Drafting Template
1 State of Arkansas 2 91st General Assembly 3 Regular Session, 2017 SR 13 4 5 By: Senator Irvin 6 7 SENATE RESOLUTION 8 HONORING JIMMY DRIFTWOOD FOR HIS CONTRIBUTIONS TO 9 FOLK MUSIC AND TO THE STATE OF ARKANSAS. 10 11 12 Subtitle 13 HONORING JIMMY DRIFTWOOD FOR HIS 14 CONTRIBUTIONS TO FOLK MUSIC AND TO THE 15 STATE OF ARKANSAS. 16 17 WHEREAS, Mr. Jimmy Driftwood was born James Corbitt Morris in Timbo, 18 Arkansas, on June 20, 1907, and died on July 12, 1998, in Fayetteville, 19 Arkansas; and was a prolific folk singer and songwriter, along with his 20 father, Neil Morris; and 21 22 WHEREAS, Jimmy Driftwood wrote over 6,000 folk songs, and is most 23 famous for “The Battle of New Orleans” and “Tennessee Stud“; and learned to 24 play guitar on his grandfather’s homemade instrument, which he used 25 throughout his career, noting that the neck was made from fence rail, the 26 sides from an old ox yoke, and the head and bottom from the headboard of his 27 grandmother’s bed; and 28 29 WHEREAS, Jimmy Driftwood received a degree in education from Arkansas 30 State Teacher’s College, now the University of Central Arkansas, married 31 Cleda Johnson in 1936, and began writing poetry and music; enjoyed his 32 teaching career in Arkansas and began a family; wrote songs during his 33 teaching career to help teach his students history in an entertaining manner; 34 and wrote his famous “The Battle of New Orleans” in 1936 to help his class 35 become interested in the event; and 36 *KLC253* 03-06-2017 14:08:28 KLC253 SR13 1 WHEREAS, it was not until the -
Georgia Book Store
MARCH 1, 1973 ; GEORGI L PAGE II Are you paying $6-8 for qual- ity neckwear that you get Movie Review tired of after a month? TRY -Concert Calendar- CY'S TY'S Poseidon Adventure Date .•. Highest Quality Attraction Place ... Designer Styling ..• Exceptionally Priced March I America Fox Theater Has Only Tension March 5 Lawrence Welk Omni Sample order 3/$12.00 March 6-11 John Hartford - Silverman Music Hall • D•• so ER barrassmcot. Stella Stevens, one Split a six pack with March 11 Santana Omni Audiences have always enjoyed of Hollywood's most inventive abuddy 6/$19.50 March 20-25 Doc Watson Music Hall movies about the glamor of comediennes, has the impossible If twelve suffice, lower March 23 Alice Cooper Omni disaster-the king with dozens of task of trying to wring laughs out theprice 12/$30.00 March 24 Pink Floyd Municipal Auditorium characters going through of calling her husband an s.o.b, Mail order makes this pos- Englebert Humperdinck Show Civic Center emotional stress. It's the old As far as ironic twists, the S.S. sible. State color & style. Will March 27 Loggins and Messina Municipal Auditorium Grand Hotel-The High and the Poseidon is named after the try to satisfy. March 31 Dave Brubeck Civic Center (?) Mighty-Airport routine. Greek god Poseidon, ruler of April 2 Steven Stills Municipal Auditorium The latest addition too this natural disasters. A tidal wave ALSO NEED ONE OR TWO April 13-14 Glen Campbell Show Civic Center genre, The Poseidon Adventure, caused by an earthquake hits the CAMPUS REPS TO TAKE April 28 Kris Kristofferson - Civic Center is the story of the last voyage of ship and capsizes it. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
The Lowhills Song List October 2018
Country/Bluegrass Nobodies Business- Mississippi John Hurt Deep River Blues- Doc Watson Crawdad Hole- Doc Watson Swinging Doors- Merle Haggard Tonight the bottle let me down – Merle Haggard Sit here and drink- Merle Haggard There Stands the Glass- Web Pierce Gotta Get Drunk- Willie Nelson Good Hearted Woman- Willie Nelson/Waylon Jennings Cold Cold Heart- Hank Williams/ Norah Jones Honkytonk Blues- Hank Williams Lovesick Blues- Hank Williams Your Cheatin Heart- Hank Williams Why Don’t You Love Me- Hank Williams Caleb Meyer- Gillian Welch Deep Elem Blues- Levon Helm/ The Grateful Dead Walkin’ after midnight- Patsy Cline Crazy- Patsy Cline Cheatin Heart- Patsy Cline I’ll Be There (if you ever want me) Ray Price/ JJ Cale Call me the breeze- JJ Cale/ Lynrd Skynrd Hung it up- Junior Brown Loves gonna live here- Buck Owens Women I’ve never had- Hank Williams Jr Freeborn Man- Jimmy Martin Slew foot- Johnny Horton How Mountain Girls Can Love- The Stanley Brothers True life blues- Bill Monroe Blue Moon of Kentucky- Bill Monroe You can have her- Waylon Jennings Wurlitzer Prize- Waylon Jennings That’s alright Mama- Elivs Presley Hound Dog- Elvis Presley Tennessee Whiskey- George Jones Someone I used to know- George Jones and Tammy Winette Slowhand- Conway Twitty Take me back to Tulsa- Bob Wills Old Joe Clark -Trad Salt Creek (instrumental)-Trad All I can do is Dream- The Everly Brothers Clyde –JJ Kale Sleep with One Eye Open- Lester Flatt/ Dolly Parton You Aint Woman Enough –Loretta Lynn Jackson- Johnny Cash Folsom Prison- Johnny Cash Big River-Johnny -
Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, Et.Al
“Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, et.al. (1960-1962) Added to the National Registry: 2012 Essay by Steve Kaufman (guest post)* Album cover In 1960, Smithsonian historian Ralph Rinzler convinced the virtually unknown Clarence “Tom” Ashley, Doc Watson, Gather Carlton, Jack Johnson, Fred Price and Clint Howard to walk into the studio and record their mountain heritage music. Ralph Rinzler met Clarence at an Old Time Fiddler’s Convention. Ashley hadn’t played banjo for many years, but Ralph convinced him to pick it back up again and record it. Doc Watson didn’t own an acoustic guitar at the time. He had been playing in a rockabilly band playing square dances and the like. Doc honed his instrumental skills playing fiddle tunes on the guitar. Doc told me that the square dance bands he played in did not have a fiddle player so he played the tune as the fiddle would. This combination of Clarence on banjo and Doc on guitar and banjo, along with Fred Price and Gaither Carlton on fiddle, make an old-time band that is authentic and powerful. Seventeen songs make up this collection, of which T. Clarence Ashley wrote nine. It seems odd that he would credit the song as being by T.C. Ashley. He would credit his singing as Tom Ashley. Doc would credit him as Clarence throughout Doc’s long career. I’ve heard Doc mention Clarence on many occasions. These are the original tracks to this classic “Old Time” recording. It was recorded in Shouns, Tennessee; Saltville, Virginia; and Deep Gap, North Carolina. -
Upcoming Events Plank Road's Regular Events
Dedicated to the preservation of folk, traditional and acoustic music. QuarterNotes www.plankroad.org Summer Issue, June 2012 President’s Message Plank Road’s It has been a strange year for weather, but it looks like summer Regular Events is finally here and I am enjoying it. I hope you are too. Plank Sing-Around Road, of course, has many activities planned during the next few Two Way Street Coffee House months, including our Saturday sing-arounds, bluegrass jams, 1st and 3rd Saturdays - 2:00-4:00 PM Second Tuesday and Last Thursday sessions. Also, we are Bluegrass Jam involved with the upcoming Downers Grove Rotary GroveFest, Two Way Street Coffee House two Music by the Yard events, our annual campout and the 4th Saturday - 2:00-4:00PM Fox Valley Folk Music and Storytelling Festival on Labor Day 2ND Tuesday Song circle – BYOS! weekend. So join us for a lot of summer fun. Two Way Street Coffee House In early May, we sponsored a rhythm workshop led by noted guitarist Eric Lambert 2nd Tuesday - 7:00-9:00PM A monthly opportunity for musicians to perform and we were very gratified with the amount of interest and enthusiasm our members tunes for each other, within a song circle. showed for this event. It seems there is a demand for these kinds of activities and we Plank Road All Volunteer will be looking for other similar programs to offer our members in the future. String Band practice Also, to follow up on my message in the last issue about song lyrics, I asked you to First Church of Lombard send me your favorites and I heard from about a dozen people, who sent a total of 630-889-9121 over fifty examples of excellent lyrics. -
A Biography of Doc Watson by Dan Miller Edited by Steve Carr
A Biography of Doc Watson by Dan Miller Edited by Steve Carr Introduction Over the past fifty years the guitar has had a very powerful influence on American music. Predominantly a rhythm instrument at the turn of the century, the guitar began to step out of the rhythm section in the 1930’s and 40’s and has maintained a dominant presence in every form of music from rock, to folk, to country, bluegrass, blues, and old- time. While Elvis, the Beatles, Bob Dylan, and other pop icons of the 50’s and 60’s certainly played a large role in bolstering the guitar’s popularity, the man who has had the deepest, most enduring, and most profound influence on the way the acoustic flat top guitar is played as a lead instrument in folk, old-time, and bluegrass music today is Arthel "Doc" Watson. To those of us who have spent hundreds of hours slowing down Doc Watson records in order to learn the tastefully selected notes that he plays and emulate the clear, crisp tone he pulls out of his instrument, Doc is a legend. However, Doc’s influence extends far beyond the small niche of guitar players who try to faithfully reproduce his guitar breaks because Doc Watson is not just a guitar player and singer - he is an American hero. To be recognized as a "national treasure" by President Jimmy Carter, honored with the National Medal of the Arts by President Bill Clinton, and given an honorary doctorate degree from the University of North Carolina calls for being more than a fine musician and entertainer. -
Thesis Hum 2012 Macabela M V.Pdf
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Country and City: A study of autobiographical tropes in Ncumisa Vapi’s novel Litshona liphume by Monwabisi Victor MacabelaTown Thesis submitted in fulfilmentCape of the requirements of the degree of Doctor of Philosophy in African Languagesof and Literatures at the University of Cape Town University Supervisor: Adjunct Professor T. Dowling Date: 5 June 2012 TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION: THE TITLE OF THE THESIS ...................................................................... 4 CHAPTER ONE: AIMS AND SIGNIFICANCE OF RESEARCH, LITERATURE REVIEW AND METHODOLOGY ................................................................................................................ 6 1.1 Introduction .............................................................................................. 6 1.2 Statement of the problem ........................................................................ 7 1.3 Aims of the research ................................................................................. 7 1.4 Significance of the study ...........................................................................Town 9 1.5 Literature review .................................................................................... -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Doc Watson Sings Here Saturday at 8 P.M
Nanook News, Vol. 10, No. 27 (March 25, 1969) Item Type Journal Publisher Dept. of News Service, University of Alaska Download date 06/10/2021 14:38:27 Link to Item http://hdl.handle.net/11122/3748 mKsassmm A NEW LOOK IN THE NANOOK NEWS (See story Page-2) VOL. X/NO. 27 MARCH 25, 1969 Doc Watson Sings Here Saturday at 8 p.m. The fact that Doc Watson taught flat-picking techniques on guitar himself to play the guitar and sing which have become popular among is overshadowed, critics say, by younger folk singers today. Uni his ability to express the atmos versity faculty will have a chance phere of his North Carolina home. to see for themselves when Doc Watson and his son Merle hold a He dazzles audiences with his concert at 8 p.m. Saturday in Patty Gymnasium during the Festival of Arts. FACULTY-COURSE EVALUATION PLAN Doc, although blind, was a hit APPROVED BY UNIVERSITYthe ASSEMBLY first time he played to urban audiences in 1961. His style on the stage has been likened to that The University Assembly has ap of Will Rogers. He can spin yarns proved a proposed student-facuity about his Blue Ridge Mountain home committee which will prepare a and recount fascinating tales plan for holding mandatory faculty- about the country people he has course evaluations of all classes known and heard about. •at the university. His critics are lavish in their comments. Robert Shelton of the By unanimous vote at its meeting New York Times said of Watson, "Few last Friday, the assembly accepted singers out of the Southern Appala the proposal made by an ad hoc com chians are so able to evoke another mittee of faculty and students.