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Christmas Angel
Christmas Angel Leslea Wahl CHRISTMAS ANGEL Copyright © 2020 Leslea Wahl ALL RIGHTS RESERVED No portion of this book may be reproduced in any form without permission from the author and/or publisher, except for short quotes used in reviews, and as permitted by U.S. copyright law. Christmas Angel THE SANCTUARY SPARKLES BRILLIANTLY. Twinkling purple lights peek from boughs of greenery. The tastefully festive adornment inspires a joyous atmosphere within the church. A single tall Advent candle flickers, casting a warm glow on the wooden creche next to it. The first Sunday of Advent means we have arrived at my favorite time of year. The Christmas season is upon us. At last. I’m giddy with expectation as I try to focus on the celebration of the Mass. For weeks now, I’ve looked forward to hearing festive carols fill the airways and watching sappy, romantic holiday movies. The youth group will hold its secret Santa party, and my family will take its annual outing to see The Nutcracker performed. Mom and I will soon spend hours baking and decorating dozens of scrumptious cookies. My mouth waters just thinking about the frosted treats. Ah, truly the most wonderful time of year. “I want to leave you with one final thought.” Father Brady’s baritone voice shatters my Sugar Plum Fairy reverie. I straighten in my pew. Had I missed everything he’d said? Come on, Meg, focus. His slow scan of the congregation fills the priest’s dramatic pause. His roaming gaze seems to stop when he focuses on mine. -
Brian Burke Television
Brian Burke Television: NEW YEARS EVE GALA EXECUTIVE CREATIVE Hunan TV 2016 PRODUCER LA BANDA SEASON 1 CO-EXECUTIVE PRODUCER UNIVISION (INTERNATIONAL EMMY NOMINATION) Marc Anthony & Gente De Creative Director Zona "Traidora" Ricky Martin "Perdoname" Creative Director Wisin "Medley" Creative Director Pitbull "Medley" Creative Director Reik "Medley" Creative Director Luis Coronel "Nada Mas Por Creative Director Eso" Laura Pausini "Lado Derecho Creative Director del Corazon" Alejandro Sanz "Capitan Creative Director Tapon" Calibre 50 "Contigo" Creative Director Jesse Y Joy "Ecos de Amor" Creative Director LITTLE BIG SHOTS SEASON CREATIVE PRODUCER NBC 2 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 12 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 11 Stevie Nicks "Landslide" Creative Director II Volo "Nessun Dorma" Creative Director Pitbull & LunchMoney Lewis Creative Director "Greenlight" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 10 Omi "Cheerleader" Creative Director Rachel Platten "Fight Song" Creative Director Flo Rida & The Rockettes "I Creative Director Don't Like It I Love It" Yolanda Adams & The Harlem Creative Director Gospel Choir "I Want To Know What Love Is" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 9 Lenny Kravits Creative Director "Chamber/American Woman" Ed Sheeran "Don't" Creative Director Pitbull & The Rockettes Creative Director "Fireball" Cyndi Lauper "True Colors" Creative Director Jackie Evancho "Think Of Me" Creative Director Train "Drops Of Jupiter/Angel Creative Director In Blue Jeans" AMERICA'S -
Balaam and the End-Time Church (Part 2) by Richard T
Balaam and the End-Time Church (Part 2) by Richard T. Ritenbaugh (http://www.cgg.org) Balaam And The End-Time Church (Part 2) Parallels With The Laodicean Richard T. Ritenbaugh Given 25-Jan-03; Sermon #594 In the last sermon, Balaam and The End-Time Church, Part 1, we began discussing the story of Balaam. It is a part of scripture that most people, I think, treat as a story—just another thing that happened to the children of Israel on their way to the Promised Land. Maybe if people look at it in terms of having a moral, they may think that Balaam was greedy and that we shouldn't be greedy. But, I hope last week I was able to convey (in some small way) that Balaam's story has important parallels with our own time, and our own experience. It should give us insight, knowing a bit more about the details of this story and the common worldly mindset, because I mentioned that the way Balaam approached God is the way most people seem to approach God. Balaam's story should also make us aware of some of the dangers that even we may face as chosen sons of God with His Holy Spirit. We still have some of these same tendencies. We have brought some of these things in from the world. And because the world is so always pressing at us, there could be a very good chance that we will pick them back up, even if we have thrown them off in the past! So it is a good reminder, and maybe we can get some good lessons out of it. -
The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government. Stephen Wayne Braden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Braden, Stephen Wayne, "The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government." (2000). LSU Historical Dissertations and Theses. 7340. https://digitalcommons.lsu.edu/gradschool_disstheses/7340 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Proquest Dissertations
A COMPENDIUM OF COMPOSITIONS M.J. ARCHER A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2008 Library and Archives Biblioth&que et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Voire reference ISBN: 978-0-494-62248-3 Our file Notre r6f6rence ISBN: 978-0-494-62248-3 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserves transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Good Books for Examining Racial History
Anti‐Racism Biased: Uncovering the Hidden Prejudice that Shapes What We See Jennifer Eberhardt Anti‐Racism The Conversation Robert Livingston Anti‐Racism How to be An Antiracist Ibraim X. Kendi Anti‐Racism Reading, Writing, and Racism Bree Picower Anti‐Racism So you want to Talk About Race Ijeoma Oluo Anti‐Racism Speaking of Race: How to Have Anti‐Racist Conversations that Bring Us Together Patricia Roberts‐Miller Anti‐Racism Tears We Cannot Stop Michael Eric Dyson Anti‐Racism Tell Me Who You Are: A Roadmap for Cultivating Racial Literacy Winona Guo Anti‐Racism Uncomfortable Conversations with a Black Man Emmanuel Acho Anti‐Racism Why Are All the Black Kids Sitting Together in the Cafeteria Beverly Daniel Tatum Anti‐Racism Mindful of Race Ruth King Anti‐Racism Biography and Memoir Beautiful Struggle Ta‐Nehisi Coates Memoir Between the World and Me Ta‐Nehisi Coates Memoir Born A Crime Trevor Noah Memoir Dead are Arising: Life of Malcolm X Les Payne Biography Doctors Blackwell: How Two Pioneering Sisters Janice Nimura Biography Frederick Douglass: Prophet of Freedom David Blight Biography Heavy: An American Memoir Kiese Laymon Memoir I am Not Your Negro James Baldwin Biography I'm Still Here: Black Dignity in a World made for Whiteness Austin Channing Brown Memoir What Doesn't Kill You Makes You Blacker Damon Young Memoir Black Lives Matter Long Time Coming Michael Eric Dyson Black Lives Matter Purpose of Power Alicia Garza Black Lives Matter When They Call You a Terrorist Patrisse Kahn‐Cullors Black Lives Matter Church and Reconciliation America's Oringinal Sin: Racism, White Privilege & Bridge to a New America Jim Wallis Church Color of Compromise Jemar Tisby Church White Lies Daniel Hill Church White Too Long Robert P. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
President Barack Obama's Proverbial Inaugural Address
“We Must Pick Ourselves Up, Dust Ourselves Off” President Barack Obama’s Proverbial Inaugural Address Wolfgang MIEDER University of Vermont, Burlington, Vermont, USA [email protected] Recibido: 04-02-2009 Aceptado: 26-02-2009 Abstract: The pressures and expectations for Barack Obama to give a memorable inaugural address were enormous, and there was much conjecture about what he would include and how he would verbalize his thoughts. Many expected him to quote Lincoln, Roosevelt, or Kennedy, as he had done in numerous speeches before. But Obama, impressive rhetorician and orator that he is, refrained from using well- known quotations and instead created a number of his own formulaic statements in the form of pseudo- proverbs that might over time become proverbial, to wit “Greatness is never a given, it must be earned” or “People will judge you on what you can build, not what you can destroy.” In addition, he employed a considerable amount of folk speech in the form of proverbial phrases, with these emotive metaphors giving his speech a solid balance between intellectual rhetoric and traditional folk language. Uplifting as this epideictic address needed to be, Obama’s rhetoric was once again informed by practical wisdom and pragmatic judgment expressed at least in part by quotable and proverbial statements. The amazing aspect of this use of formulaic language is that Barack Obama does not merely adhere to traditional language but that he insists on its innovative use as he calls for socioeconomic change and a better life for all. Keywords: Paremiology. Proverb. Proverbial expression. Quotation. Pseudo-proverb. -
A Conversation with Professor Eddie S. Glaude, Jr., Author, ‘Begin Again, James Baldwin’S America and Its Urgent Lessons for Our Own’
A Conversation with Professor Eddie S. Glaude, Jr., Author, ‘Begin Again, James Baldwin’s America and Its Urgent Lessons for Our Own’ Join Michael Zeldin in his conversation with Professor Eddie Glaude, Jr., the James S. McDonnell Distinguished Professor of African American Studies at Princeton University and author of Begin Again, James Baldwin’s America and Its Urgent Lessons for Our Own. The writings of James Baldwin and Dr. Glaude’s elicitation of the important lessons they have to teach us about the aftertimes in which we find ourselves and the steps we need to take if we are to find a progressive path forward for our country couldn’t be timelier. It is a discussion of monumental importance in 21st century America. Guest Professor Eddie S. Glaude Jr. Eddie S. Glaude Jr. is an intellectual who speaks to the complex dynamics of the American experience. His most well- known books, Democracy in Black: How Race Still Enslaves the American Soul, and In a Shade of Blue: Pragmatism and the Politics of Black America, take a wide look at black communities, the difficulties of race in the United States, and the challenges our democracy face. He is an American critic in the tradition of James Baldwin and Ralph Waldo Emerson. In his writings, the country’s complexities, vulnerabilities, and the opportunities for hope come into full view. Hope that is, in one of his favorite quotes from W.E.B Du Bois, “not hopeless, but a bit unhopeful.” He is the James S. McDonnell Distinguished University Professor and chair of the Department of African American Studies, a program he first became involved with shaping as a doctoral candidate in Religion at Princeton. -
Commencement to Honor Classes '20 And
DEREK CHAUVIN TRIAL REACTIONS FROM THE WABASH COMMUNITY SEE PAGE FIVE APRILFebruary 30, 19,2021 2021 Commencement to Honor Classes ’20 and ’21 COURTESY OF COMMUNICATIONS AND MARKETING With Commencement not being held last yeardue to the pandemic, the forthcoming celebration of the class of 2020 and 2021 will allow for a larger group of recent Wabash graduates to receieve a formal, in-person celebration for the efforts and achievements garnered over the last four years. JAKOB GOODWIN ’23 | STAFF format. In that email, he said that get to join the Class of 2021 for their the College and Dr. Butler as a long- WRITER • “We were devastated a year there was a hope to hold an in-person first time. time professor in the political science ago when we were forced to hold commencement at some point in the Rather than on the Mall in front department. They join the ranks of our 2020 Commencement Ceremony future. The administration probably of the chapel, this year’s ceremony former Wabash Presidents, legendary in a virtual format.” That is what did not expect it to take a year to will take place in the newly built professors, and campus leaders. Jim Amidon ‘87, Chief of Staff to make an in-person ceremony possible, Little Giant Stadium. Amidon told me Surely, in this year where nothing President Feller, told me when but this has created an opportunity that the stadium was chosen because has been the same, graduation would I asked him about the upcoming for a ceremony unlike any other, it had the space for the necessary be no different. -
Chris Nelson Speaking of Neil Young
music Chris Nelson Speaking of Neil Young s a junior in high school I found myself humming along to Neil Young’s “Old Man” and “Heart of Gold” whenever the local classic Arock station decided to take a break from Aerosmith or Boston or AC/ DC. Senior year I’d take the scenic route home from football practice while blaring Harvest Moon in the used Mustang I shared with my older brother, driving past the cornfields just as the setting sun made them glow and feeling nostalgic for the innocence I had yet to lose. First semester of college I was getting high to his 1969 self-titled solo debut, and by spring I waited for rainy days to wallow in my loneliness with the haunting On the Beach, playing it over and over on an old turntable of my father’s that I had restored. In accordance with the natural progression of other Neil faithfuls, it wasn’t until I had exhausted this mostly acoustic, more accessible singer/songwriter side of Neil Young that I was able to graduate to an appreciation of his electric work—the highest and most challenging level a Neil faithful can reach. And it took me even longer to fall in love with it. Only recently have I begun to figure out why: his style of playing, with its wailings and repetitions and clutter and incoherence, is my style of speaking. Like his guitar, I stutter. The phonetic makeup of the word itself seems cruel, stutter, in that its intonation peaks at the difficult and forceful “t” sound—a voiceless alveolar stop produced by blocking airflow in the vocal tract—and therefore prevents sufferers from cleanly vocalizing what’s afflicting them, rather like the blatantly onomatopoeic lisp. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.