FY18-19 PEER REVIEW PANELS Panel Applicants (January Deadline)
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FY18-19 PEER REVIEW PANELS Panel Applicants (January deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 6 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 25 E ............................................................................................................................................................................. 27 F ............................................................................................................................................................................. 28 G ............................................................................................................................................................................. 30 H ............................................................................................................................................................................. 33 I............................................................................................................................................................................... 36 J .............................................................................................................................................................................. 37 K ............................................................................................................................................................................. 38 L .............................................................................................................................................................................. 41 M ............................................................................................................................................................................. 44 N ............................................................................................................................................................................. 52 O ............................................................................................................................................................................. 53 P ............................................................................................................................................................................. 55 R ............................................................................................................................................................................. 60 S ............................................................................................................................................................................. 62 T ............................................................................................................................................................................. 68 U-V ......................................................................................................................................................................... 70 W ............................................................................................................................................................................ 71 Y ............................................................................................................................................................................. 75 Z ............................................................................................................................................................................. 76 Panelist Response Data.......................................................................................................................................... 78 Ackamoor, Idris, Idris Ackamoor and Cultural Odyssey, San Francisco Idris Ackamoor is a composer, actor, tap dancer, administrator, and director. He is the Founder of the San Francisco performance company Cultural Odyssey and the Founder, Artistic Director of the legendary jazz and world music ensemble Idris Ackamoor & the Pyramids. Mr. Ackamoor just received a $50,000 Composer Commission presented by the Gerbode Foundation. In December 2016 Idris received a Theatre Bay Area Legacy Award presented to individuals that have made “extraordinary contributions to the Bay Area theatre community.” In 2015 he received the Sui Generis Foundation Achievement Award for “one of a kind contributions, which benefit society in unique ways.” He has been honored with two Lifetime Achievement Awards for his extraordinary musical and theatrical contributions. The most recent was presented in January 2012 by the renowned BBC radio personality Gilles Peterson at the Worldwide Awards Show in London. In 2003 San Francisco’s historic magazine, The San Francisco Bay Guardian, presented Idris with his first. Ackerman, Naomi, The Advot Project, LA CA Founder and director of The Advot Project, a local non-profit that uses theater for transformation empowering young woman and youth take control of their destiny. Her curriculum Relationships 101 is currently implemented in the LA county continuation schools and Gang intervention and youth Reduction centers. “Flowers Aren’t Enough,” an award-winning one-woman show written, directed, produced and performed by Naomi has been presented over 1,800 times globally, including at the United Nations. Naomi created the Jerusalem Municipality children’s clown school, and was one of the first clowns to integrate professional medical clowning into Israeli hospitals. She was a member of “ViewPoints,” an Arab, Jewish theater group run by the Peres Center for Peace. Naomi consults organizations globally, how using drama techniques to deal with gender,identity, tolerance and dialogue between diverse participants.For the past three decades she has used art to promote peace, evolve change and encourage self-empowerment. Adams Farrell, Kathryn, Kerredyn Collaborative, Irvine Before founding my own nonprofit consulting firm, I maintained a very successful career as a fundraiser in nonprofits (primarily arts and culture) across Southern California, including the Museum of Latin American Art, Natural History Museum of Los Angeles County, and the Aquarium of the Pacific. As a consultant, I support arts and culture organizations in building and funding innovative projects with big social impact. Adsit, Janelle, Humboldt State University, Eureka I am an assistant professor of creative writing at Humboldt State University. My books include Toward an Inclusive Creative Writing (2017), Critical Creative Writing (2018), and, with Renée Byrd, Writing Intersectional Identities: Keywords for Creative Writers (forthcoming in 2019), published by Bloomsbury. I’ve also published a book of poems titled Unremitting Entrance (Spuyten Duyvil, 2015). Adsit, Lexi, Peacock Rebellion, San Leandro Lexi Adsit is a fierce, fat, and femme translatina writer, storyteller, and stand-up comedian best known for her sassy, incisive feminist comedy style rooted in themes that advance social justice. Heavily influenced by W. Kamau Bell and Hari Kondabolu, she guides audiences through journeys of healing and California Arts Council | FY18-19 Peer Review Panels | Panel Applicants (January deadline) 2 [Return to Table of Contents] transformation. An artist, arts producer, and Managing Director of the trans women and femme of color-centered East Oakland- based arts group Peacock Rebellion, she has co-led the group recently named to the 2017 “YBCA 100,” Yerba Buena Center of the Arts’ annual list of the one hundred people, organizations, and movements who are shaping the future of culture. She has performed stand-up comedy, sketch comedy, spoken word, and storytelling in Peacock Rebellion’s Brouhaha, 2016 Best of the East Bay winner for “Most Historic Cultural Event”; Man Haters, 2016 winner of Best of the East Bay for “Best Comedy Show”; American Repertory Theater at Harvard University in Cambridge, Massachusetts; The News at SOMArts as part of the National Queer Arts Festival; STAY: An Oakland QTPOC (queer and trans people of color) Resilience Festival; and most recently, the Dyke March stage in San Francisco, CA. Agostini, Diana, Italian American Arts and Culture Association of San Diego, San Diego Diana Agostini began her work in the non-profit education sector long before moving to San Diego in 2012. Her background in International Cooperation had her travel the world working on national and international projects for NGOs and smaller non-profits. In 2013 Diana joined SDIFF, where she combines her passion for cultural studies to the one for the arts, trying to find creative ways to promote critical thinking and inclusion. When not