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Reed May 01 Full
LETTERS Reed welcomes letters from readers found on page 50. The grinding wheel from kindergarten to fifth grade, concerning the contents of the left Reed for parts unknown many and everybody knows exactly where magazine or the college.Letters years ago.] they are and where they’re going. must be signed and may be edited The most enthusiastic prosely- for clarity and space.Our email IS SUCCESS FOR ALL tizers of SFA are invariably teachers address is [email protected]. A SUCCESS ? who didn’t know anything about Reed is now on line.Visit the elec- best practices in the teaching of tronic version of this publication at From Io McNaughton ’90 reading or cooperative learning http://web.reed.edu/ community/ How ironic that the very same pro- before coming across the program. newsandpub/reedmag /index.html. gram that drove me away from the And in my experience, SFA is teaching profession was invented driving the most thoughtful, by two Reedlings. experienced, creative teachers THE DOYLE OWL IN THE FIFTIES Slavin and Madden’s Success For away from the schools that need All has indeed been a lifesaver for them most. Success For All is an From David Lapham ’60 many troubled schools, but not easy way out for districts that In the summer of 1950 I had been because of any particular charac- don’t want to train and pay their a Reed student for two years. I was teristic of the program itself. teachers to use their own smarts living in a two-room apartment Instead, the program’s success has and initiative to develop their with Gary Snyder. -
A Working Chronology of Oregon Literature – 1838 -1950 by Tim Barnes with Additions by Rick Rubin & David Milholland
A Working Chronology of Oregon Literature – 1838 -1950 By Tim Barnes with additions by Rick Rubin & David Milholland 1838 (March) First Oregon poem, written by Mrs. Jason Lee, a farewell to her husband Jason Lee. 1843 Prairie Flower, by Sidney Walter Moss, was probably the first novel written in Oregon. An Oregon City merchant, Moss sent it east with a friend. It was published by Stratton & Barnard in Cincinnati under the name of a well-known author of the time, Emerson Bennett. 1846 -1855 Oregon Spectator, Oregon’s first newspaper, printed some of the earliest poetry written in Oregon, frequently unsigned. 1852 A Melodrame Entitled “Treason, Stratagems, and Spoils,” by Breakspear (Charles Lysander Adams). This political satire appeared in five installments in The Oregonian and later as a pamphlet. Adams may have been the most popular writer in Oregon in this era. (April 23) Edwin Markham born in Oregon City. The author of “The Man with the Hoe” (1899), the most famous poem of the Progressive Era, left Oregon at the age of five. 1854 Grains, or Passages in the Life of Ruth Rover, with Occasional Pictures of Oregon, Natural and Moral, by Mrs. Margaret Jewett Bailey. The first novel published in Oregon, a thinly disguised autobiography detailing Bailey’s difficulties as a woman missionary in Oregon. 1862 The Canoe and the Saddle, Adventures Among the Northwestern Rivers and Forests, by Theodore 1 Winthrop, a stirring account of a voyage from Port Townsend to The Dalles in 1853, published around the time of the author’s death early in the Civil War. -
Gary Snyder ‘51
Gary Snyder ‘51 July 22, 1998 John Sheehy ’82, Interviewer Location: Snyder’s home in California The following interview with Gary Snyder „51 was recorded on July 22, 1998, at his home on the San Juan Ridge of the Sierra foothills, that he calls Kitkitdizze, by John Sheehy „82, for the Reed College Oral History Project. Sheehy: Let‟s start with a bit of information about your early background. I'm interested in some of the seeds that were planted, or perhaps that started to sprout, while you were a student at Reed. But let‟s begin with some biographical information. You were born in San Francisco and then your family moved north of Seattle to a dairy farm. Snyder: A very small dairy farm. Three cows. Sheehy: And how old were you then at that time? Snyder: I was only maybe two years old when they moved up there. So my first memories are from Washington State and from this little farm. It was outside the city limits in those days, up north of Seattle. Sheehy: Did your family have background in that area? I think I heard that your grandfather had been a pioneer up there. 1 Snyder: Yes. My grandfather homesteaded in Kitsap County when it was still the Territory, and then my father was born in Seattle in 1900. He was the youngest of a number of brothers that were all working in logging or on ships when they were young men. Then he went to sea and ended up being a purser on ships for a while. -
Donald Allen Collection
http://oac.cdlib.org/findaid/ark:/13030/tf9x0nb72w No online items Donald Allen Collection Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Donald Allen Collection MSS 0003 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Donald Allen Collection Identifier/Call Number: MSS 0003 Physical Description: 48 Linear feet(105 archives boxes, 1 records carton, 1 card file box, 34 oversize folders) Date (inclusive): 1930 - 2005 Abstract: Papers of Donald Allen, an important editor who had a significant impact on the development of post WWII American poetry. The Donald Allen Collection consists of materials pertaining to the editorial work at Grove Press, Four Seasons Foundation, Grey Fox Press, and to special projects Allen did for the University of California, Penguin and St. James presses; materials produced by and regarding the poet Frank O'Hara; papers written by Allen at the Universities of Iowa and California, Berkeley; and finally a substantial correspondence with many of the most important writers and editors in America during the last twenty five years. The addition processed in 1991 contains manuscript and typescript materials related to the Four Seasons Foundation publication of Interviews (1980) by Edward Dorn and The Graces (1983) by Aaron Shurin; and the Grey Fox Press publication of Enough Said (1980) by Philip Whalen and I Remain (1980), a collection of Lew Welch's letters. The addition processed in 2011 enhances the earlier accessions with additional press files, correspondence, as well as Allen's personal subject files. -
MANUEL IZQUIERDO Myth, Nature, and Renewal
MANUEL IZQUIERDO Myth, Nature, and Renewal ROGER HULL HALLIE FORD MUSEUM OF ART Willamette University Salem, Oregon distributed by university of washington press seattle and london This book was published in connection with an exhibition arranged by the Hallie Ford Museum of Art at Willamette University entitled Manuel Izquierdo: Myth, Nature, and Renewal. The dates for the exhibition were January 19 to March 24, 2013, with companion exhibitions entitled Manuel Izquierdo: Maquettes and Small Sculptures and Manuel Izquierdo: Works on Paper, presented from November 17, 2012, to February 10, 2013. Designed by Phil Kovacevich Editorial review by Sigrid Asmus Printed and bound in Canada CONTENTS Front cover and Fig. 2, page 15: Manuel Izquierdo. Cleopatra. 1982. Welded sheet bronze. 23 x 16 x 30 inches. Hallie Ford Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna and Vay Rhoades. 2008.023.020 Frontispiece: Manuel Izquierdo in his studio, 1967. Photograph by Alfred A. Monner, courtesy of the Manuel Izquierdo Trust. Back cover and Fig. 93, page 96. Manuel Izquierdo. Center Ring. 1982. Woodcut. 30 x 22 inches. Hallie Ford PREFACE Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna 7 and Vay Rhoades. 2012.003.013 Photo credits: Arbona Fotografo, Figure 4; Bridgeman Art Library, Figure 74; Karen Engstrom, page 132; Paul Foster, Figures 22, 24, 27, 50, 54, 79, 81, 82; Richard Gehrke, Figure 62; Carl Gohs, Figure 68; Aaron Johanson, ACKNOWLEDGMENTS Figures 20, 21, 23, 35, 37, 38, 41, 45, 46, 47, 59, 60, 67, 73, 75, 76, 80, 83, 86, 95, 97, 99, 100, 101, 102, 108, and page 119; Manson Kennedy, page 6; Felipe Llerandi, Figure 11; Jim Lommasson, Figure 78; Kevin Longueil, Figure 103; 9 Frank Miller, front cover and Figures 2, 3, 7, 26, 36, 39, 40, 43, 44, 58, 61, 63, 64, 65, 66, 69, 70, 71, 72, 84, 92, 96, 107; Alfred A. -
Northwest Collection Creators List.Pdf
Northwest Collection Western Washington University Libraries List of Northwest creators (literary authors, artists, filmmakers, etc.) represented in collection Prepared in October 2019 by Jessica Mlotkowski and Casey Mullin Last updated: September 2021 Contents Alphabetical List .............................................................................................................................. 1 WWU Alumni ................................................................................................................................ 65 WWU Faculty ................................................................................................................................ 66 Creators of Color ........................................................................................................................... 67 Indigenous Persons ....................................................................................................................... 68 Alphabetical List Hazard Adams Literary Author Locale: Washington Biography: Hazard Adams (born 1923) is a literary scholar and novelist from Seattle, Washington. He is a professor emeritus at the University of Washington. William L. Adams Literary Author (Playwright) Locale: Oregon Biography: William L. Adams (1821-1906) was a playwright who lived in Oregon. His play, "Strategems, and Spoils, A Melodrame in Five Acts" was published in The Oregonian in 1952. Sherman Alexie Literary Author; Filmmaker Locale: Washington Biography: Sherman Alexie (born 1966) is a Spokane-Coeur