Alphabet Soup Alphabet Soup

Total Page:16

File Type:pdf, Size:1020Kb

Alphabet Soup Alphabet Soup LINUXUSER KTools: Fonts in KDE Installing Fonts on KDE ALPHABETALPHABET SOUPSOUP www.sxc.hu A well chosen font is the perfect addition to your Linux experience. KDE provides a number of tools that help you cook up a really tasty alphabet soup with very little effort. BY MARCEL HILZINGER one are the days when you click and use the context menu to save font with Konqueror. As an alternative, needed a degree in computer launching a second Konqueror window. you might prefer to use the Fontforge Gscience to install new fonts in The easiest way to go is to use True- program instead [1]. Linux. In fact, installing fonts in Linux type fonts, as they comprise a single file. To see a preview of a font, you can became child’s play when KDE went to For Type1 fonts you need to install both either hover the mouse over the font file version 3. the Postscript Font Binary (which is iden- To install fonts in KDE, simply pop up tifiable by the *.pfb file extension) and KTools a Konqueror window by pressing the file with the font metrics information In this column we present tools, month [Alt]+[F2] and typing konqueror, then (which is identifiable by the *.afm file by month, which have proven to be type the fonts:/ URL in the location box. extension). Some Type1 fonts have a file especially useful when working under Now copy the fonts from any folder to in Postscript Font Metric format instead KDE, solve a problem which otherwise your Personal directory to make them of the Adobe Font Metric file, but KDE is deliberately ignored, or are just some available to programs (see Figure 1). can’t use this. The workaround is to run of the nicer things in life, which – once There is no need to relaunch the GUI or the pf2afm tool to convert the PFM file discovered – you would not want to do KDE. As an alternative, you can right to an AFM file, before you can install the without. GLOSSARY Type1: A font technology invented by which has a big impact on the rendering as they will print on paper. Due to tech- Adobe to support high quality PostScript of fonts at resolutions below 300 dpi, nology transfer between Apple and printing fonts. Although the Type1 speci- was proprietary. Adobe did not release Microsoft, this technology was intro- fication was open, neither Apple, nor the information necessary for creating duced into Windows in 1989. Today, IBM, nor Microsoft was capable of creat- high quality Type 1 fonts until 1990. both Truetype and Type1 fonts can be ing high quality Type1 fonts because Truetype: A technology invented by used for both on-screen displays and some of the suporting technology , Apple to display scalable fonts on screen printing. 78 ISSUE 55 JUNE 2005 WWW.LINUX- MAGAZINE.COM KTools: Fonts in KDE LINUXUSER Figure 1: Installing fonts in Konqueror using drag and drop. Figure 2: Font management in the KDE Control Center. for a few seconds, or select Font Preview. these sources, as many fonts are only It also makes sense to disable fonts None of the KDE tools has a print func- free for your own personal use. that you use only rarely. Disabling a font tion. To discover how you can print out To take the headaches out of manag- hides the font from the applications, a sample page with a number of fonts, ing a large collection of fonts, KDE has a which improves the application memory without needing to keep changing the font management tool, which is located footprint and makes it easier to find the font in OpenOffice or Kword, read the in the KDE Control Center below System fonts you are looking for. To disable a “Creating a font catalog” box. administration | Font Installer. When font, select the font you want to disable, you launch the tool, it initially displays and then click on the icon with the red Font Management all the fonts in the ~/.fonts directory. X. Clicking the red X icon tells the KDE Most distributions have a selection of The left-hand side of the window shows font installer to tag the font as (Dis- about 30 fonts by default. If you happen you the font name, file name, and font abled) and dim the font icon. To re- to have a Windows partition on your size. On the right, there is a font pre- enable a font after it has been disabled, machine, you can add the fonts below view, which you can scale up or down simply select the font and click on the C:\WINDOWS\FONTS\ to your collec- by clicking on the magnifying glass icon. icon with the green check mark. What tion. If you are the hunter and gatherer If you would prefer to see a sample sen- the KDE font installer does to disable a type, you will probably have a large col- tence in various sizes instead of the font is to put a dot at the start of the font lection of fonts and find it increasingly alphabet display, click on the Waterfall filename. Linux will handle a disabled difficult to keep track of the fonts in your icon on the right. If you need special or font file as a hidden file, although the collection. The free-ttf-fonts package in accented characters from other lan- fonts are still there. Suse Linux gives you over 300 fonts. guages, it makes sense to change the Of course, you can also install fonts And there are any number of free fonts sample sentence to reflect this (see in the KDE Control Center font installer up for grabs on the Internet, see the Figure 2). This allows you to see at a module. To install fonts using the Con- Fontfreak site [2], for example. Note the glance if the selected font actually sup- trol Center font installer, click on Add… font licensing if you download from ports the characters you need. and then select the fonts you want to add. The KDE font installer supports Box 1: Creating a Font Catalog major font formats such as Truetype, Opentype, and Type1. At this time of writing, KDE does not page numbers) and table of contents give users the ability to print individual (TOC), you might also like to enable the To install, enable or disable fonts glob- fonts, not to mention a font catalog. Extra offset for binding option. This tells ally for your machine, you will need to However, newer versions of the Scribus the script to use an extra offset to allow click the button on the bottom left of the layout program include a script that you to bind the pages to form a neat ref- screen to switch to Administrator Mode. allows you to create a font catalog. To do erence. And if your printer supports this, This tells KDE to open /usr/share/fonts so, select Script | Scripts for Scribus | you can also select Double side printing. (for Mandrake, Debian and Fedora) or FontSample within Scribus. In the new Now click on OK to tell the script to cre- /usr/X11R6/lib/X11/fonts (for Suse window, select the fonts you want to ate the catalog. Depending on the num- Linux). ■ print out below Available Fonts, and ber of fonts you have selected, and your then click the button with the greater computer’s performance, this process INFO than sign. If you want to print out all may take a few minutes. You can then your fonts, click the button with the two print out the complete catalog or use the [1] Fontforge: http://fontforge. greater than signs instead. Besides the PDF export function to create a high sourceforge.net/ page format A4, page numbering (want class PDF with the fonts embedded. [2] Fontfreak: http://www.fontfreak.com WWW.LINUX- MAGAZINE.COM ISSUE 55 JUNE 2005 79.
Recommended publications
  • Google Docs Reference
    Google Drive Quick Reference Guide Google Drive Homepage Overview 1. Search Drive: Enter your search text and click on the Search icon to find your files. Select the folder first if you would like to search within a specific folder. 2. New & Upload: Click New and choose from the list of documents, presentations, etc. that you can create or upload using Google Drive. 3. My Drive: The section of Google Drive on the web that syncs to your computer. Any time you modify a file or folder in My Drive, these changes will be mirrored in the local version of your Google Drive folder. 4. Navigation Panel: Links to your starred items and trash. Shared with me lets you view files, folders, and Google Docs that others have shared with you. 5. Download Google Drive (under settings in new drive): Download and install the Google Drive Client for your Mac/PC to sync files from your computer to Google Drive on the web. (won’t work on SBCSC computers) 6. Details Pane: Here you can see a preview of the select- ed file, the time of your last view, when it was last modi- fied, and by whom. You can also view and update the file’s sharing settings and organize it into folders. (right click (i) view details-or (i) on top menu top open pane) Upload Files and Folders into Google Drive You can upload and convert the following file types into Google Drive for online editing and sharing. • Documents: Microsoft Word, OpenOffice, StarOffice, RTF (.rtf), HTML, or plain text (.txt).
    [Show full text]
  • Drag-And-Guess: Drag-And-Drop with Prediction
    Drag-and-Guess: Drag-and-Drop with Prediction Takeshi Nishida Takeo Igarashi Department of Computer Science, Department of Computer Science, The University of Tokyo The University of Tokyo / PREST JST [email protected] [email protected] ABSTRACT is presented to the user as an animation; the user can start the Drag-and-guess is an extension of drag-and-drop that uses next operation before the animation terminates. predictions. As the user starts dragging an object, the system predicts the drop target and presents the result. If the target is hidden in a closed folder or beneath other windows, the system makes it temporarily visible to free the user from manual preparation. The user can accept the prediction by releasing the mouse button and the object flies to the target, or reject it by continuing the dragging operation, thereby switching to traditional drag-and-drop seamlessly. Keywords: Drag-and-drop, Drag-and-guess, Prediction INTRODUCTION We demonstrate an extension of traditional drag-and-drop Figure 1 Drag-and-guess in action. that uses predictions, called drag-and-guess (DnG) (Figure 1). As the user starts dragging an object, the system predicts the drop target and responds by revealing the predicted result. If the target is not visible (e.g., hidden in nested hierarchical folders or outside the area visible on the screen), -The user starts dragging the system automatically makes the target location -The system checks the situation temporarily visible. If the prediction is correct, the user can System : confident System : unconfident accept it by releasing the mouse button, when the object Task : difficult Task : easy automatically drops on the target.
    [Show full text]
  • Pick-And-Drop: a Direct Manipulation Technique for Multiple Computer
    Pick-and-Drop: A Direct Manipulation Technique for Multiple Computer Environments tun ekimoto ony gomputer iene v ortory snF QEIREIQ rigshigotndD hingwEkuD okyo IRI tpn CVIEQESRRUERQVH rekimotodslFsonyFoFjp httpXGGwwwFslFsonyFoFjpGp ersonGrekimotoFhtml ABSTRACT This paper proposes a new field of user interfaces called multi-computer direct manipulation and presents a pen-based direct manipulation technique that can be used for data transfer between different computers as well as within the same computer. The proposed Pick-and-Drop allows a user to pick up an object on a display and drop it on another display as if he/she were manipulating a physical object. Even though the pen itself does not have storage capabilities, a combination of Pen-ID and the pen manager on the network provides the illusion that the pen can physically pick up and move a computer object. Based on this concept, we have built several experimental applications using palm-sized, desk- top, and wall-sized pen computers. We also considered the importance of physical artifacts in designing user interfaces in a future computing environment. KEYWORDS: direct manipulation, graphical user inter- Figure 1: A typical ªmouse jungleº in a multi-computer faces, input devices, stylus interfaces, pen interfaces, drag- environment and-drop, multi-computer user interfaces, ubiquitous com- puting, computer augmented environments writing a program on a UNIX while editing a diagram on a INTRODUCTION Mac). In a ubiquitous computing (UbiComp) environment [18], we no longer use a single computer to perform tasks. Instead, However, using multiple computers without considering the many of our daily activities including discussion, documen- user-interface introduces several problems.
    [Show full text]
  • Review of Service Composition Interfaces
    Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES UNIVERSITY OF TAMPERE D‐2009‐7 TAMPERE 2009 UNIVERSITY OF TAMPERE DEPARTMENT OF COMPUTER SCIENCES SERIES OF PUBLICATIONS D – NET PUBLICATIONS D‐2009‐7, OCTOBER 2009 Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES FIN‐33014 UNIVERSITY OF TAMPERE ISBN 978‐951‐44‐7896‐3 ISSN 1795‐4274 Preface This report was produced in the LUCRE project. LUCRE stands for Local and User-Created Services. The project is part of the Flexible Services research programme, one of the programmes of the Strategic Centre for Science, Technology and Innovation in the ICT field (TIVIT) and funded by Tekes (the Finnish Funding Agency for Technology and Innovation) and the participating organizations. The Flexible Service Programme creates service business activity for global markets. The programme has the aim of creating a Web of Services. The programme creates new types of ecosystems, in which the producers of services, the people that convey the service and the users all work together in unison. As part of such ecosystems, LUCRE will develop an easy-to-use, visual service creation platform to support the creation of context aware mobile services. The goal is to support user-driven open innovation: the end- users (people, local businesses, communities) will be provided with tools to compose new services or to modify existing ones. The service creation platform will build on the technology of existing mashup tools, widget frameworks, and publish/subscribe mechanisms.
    [Show full text]
  • Forscore 11.2 User Guide
    Introduction Getting the most out of this guide This document was designed to introduce you to forScore’s many features, and to give you a framework of knowledge to use as you continue exploring and learning on your own. It’s not a technical manual and isn’t intended to provide exhaustive step-by-step instructions for every situation. Every person learns di!erently, and while we do our best to make things clear for users of all levels, you may have some questions that aren’t answered here. If that’s the case, just head to forscore.co/support and send us a message so we can help. A note about Drag and Drop and Contextual Menus With iOS 11, Apple introduced Drag and Drop—a new way of working with all sorts of content, not just within forScore but between it and many other apps on an iPad. forScore supports these gestures and o!ers advanced capabilities through dozens of unique interactions. In most cases Drag and Drop doesn’t allow you to do new things, but it does make doing a lot of common things a lot faster. Contextual Menus, added with iOS 13, provide even more powerful ways of previewing and working with content. Instead of creating a separate way of accessing these menus, Apple combined Drag and Drop gestures and Contextual Menus into one, streamlined interaction. To keep things simple, this guide doesn’t call out every situation where Drag and Drop or Contextual Menus are available. Instead, we provide two sections at the end of this document that help you understand when these interactions can speed up the tasks you’ve learned about in earlier sections.
    [Show full text]
  • Customizing Konqueror
    ,COPYRIGHT.16171 Page iv Wednesday, March 30, 2005 4:55 PM Test Driving Linux by David Brickner Copyright © 2005 O’Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safari.oreilly.com). For more informa- tion, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Editor: Andy Oram Production Editor: Emily Quill Cover Designer: Mike Kohnke Interior Designer: Marcia Friedman Printing History: April 2005: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. The Linux series designations, Test Driving Linux, and related trade dress are trademarks of O’Reilly Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O’Reilly Media, Inc. was aware of a trademark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. This book uses RepKover™, a durable and flexible lay-flat binding. ISBN: 0-596-00754-X [M] ,ch02.4045 Page 29 Wednesday, March 30, 2005 4:42 PM Chapter 2 2 + SURF THE ! WEB 29 ,ch02.4045 Page 30 Wednesday, March 30, 2005 4:42 PM epending on how much time you spend on the Internet, your web browser may be one of the most important programs on your Dcomputer.
    [Show full text]
  • Topoxpress Ios® Guide
    topoXpress iOS® guide Follow this guide to get familiar with the integrated user interaction features, location source and data tranfer options of topoXpress on iOS®. Content: How to interact with topoXpress using Touch gestures on iOS® How to drag and drop layers from File app into topoXpress on iPadOS® How to prepare topoXpress projects or files to be copied to a Mac® or PC from an iOS® device How to transfer topoXpress projects or files between your iOS® device and a Mac® computer How to transfer topoXpress projects or files between your iOS® device and a Windows® computer How to get cm accuracy location data in topoXpress on iOS® How to receive GNSS data through TCP port in topoXpress on iOS® How to use Dictation in topoXpress on iOS® How to use AutoFill for your topoXpress password on iOS® How to close topoXpress on iOS® Minimum system requirement for topoXpress is iOS 12.4. www.topoXpress.com iOS and macOS is a trademark of Apple Inc. TopoLynx Ltd. 2020 How to interact with topoXpress using Touch gestures on iOS® topoXpress was designed for touch screens, therefore the user interface elements are providing an ergonomic experience on iOS®. Use single taps to push buttons, place vertexes or open and edit text fields. Use touch and hold on the zoom in and zoom out buttons. Use pan to move the map view or edit vertexes of a geometric feature. Use scroll to navigate in the menu or in lists. Use pinch to zoom in or out on the map view. Use rotate to rotate the mapview.
    [Show full text]
  • Tajima DG/ML by Pulse Offers an Extensive Collection of Professional Quality Embroidery Fonts
    Tajima DG/ML by Pulse offers an extensive collection of professional quality embroidery fonts. Whether you are adding lettering to an existing design or digitizing a corporate logo, with hundreds of exquisite fonts to choose from, you are sure find the perfect font for any job. Each Pulse font has been expertly digitized using beautiful satin stitches to create flawless lettering. Fonts are scaleable and include a myriad of special and international characters so they can be easily customized for any design. www.tajima.com www.pulsemicro.com For more information, visit www.pulsemicro.com/fonts Tajima DG/ML by Pulse Font Catalog 1 Legend M- Minimum height for font use M+ Maximum height for font use U Font contains uppercase letters only L Font contains lowercase letters only B Font contains both uppercase and lowercase letters N Font contains numerals 0-9 C Font contains all or a subset of the following special characters: !”#$’()*+,-./:;=?@_{}|¡¢£¥¦¨©« -®¯°¿ In Font may contain a subset of international characters from the following languages: Czech, Dutch, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanish, and Swedish Notes: This catalog includes all standard and optional fonts. Standard fonts are those that are included with Tajima DG/ML by Pulse. The list of standard fonts is dependent on the software level and version. Optional fonts are those available to users at an extra cost. Not all fonts contain all characters. For a complete list of characters included in each font, visit www.pulsemicro.com/fonts or consult the Tajima DG/ML by Pulse Font Help by clicking on Fonts from the Help menu within the software.
    [Show full text]
  • Font Catalog Creator 2.0
    Veenix® Font Catalog Creator 2.0 Introduction Veenix® Font Catalog Creator allows you to quickly and easily create and print font catalogs and font sample sheets of all your fonts, whether they are installed and active in your System or just sitting somewhere on a hard drive. Font Catalog Creator offers 16 professional page layouts, numerous easy to use customization options and even allows you to activate any font in your collection. 2 Easy Steps to Creating A Font Catalog 1. Add your font collection by clicking on the "Add Fonts" icon button in the tool bar of the Font Catalog Creator window. Navigate to the folder containing your fonts and click the "Choose" button. 2. Click the "Print Font Catalog" button in the tool bar of the Font Catalog Creator window or select "Print Font Catalog" from the "File" menu. (Note: It's a good idea to Print to Preview or Print To PDF before actually printing to paper.) Important Printing Notes When printing large font collections, it is a very good idea to start with a clean memory slate by restarting your computer first. It is also a good idea to print in smaller batches: pages 1-50, then 51-100, etc. and also to turn off any other font management software while printing. Font Catalog Creator will alert you if problems are encountered in the printing process, and provide you with the page number on which the error occurred. If you encounter such errors, you should print the fonts on the indicated page in a single-page format (one font per page) to discover the offending font and then remove that font from your database.
    [Show full text]
  • Arabic Type Classification System
    ARABIC TYPE CLASSIFICATION SYSTEM QUALITATIVE CLASSIFICATION OF HISTORIC ARABIC WRITING SCRIPTS IN THE CONTEMPORARY TYPOGRAPHIC CONTEXT BY DARIN ABU-SHAQRA | INCLUSIVE DESIGN | 2020 SUBMITTED TO OCAD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN INCLUSIVE DESIGN TORONTO, ONTARIO, CANADA, 2020 i ACKNOWLEDGEMENTS I wish to express my sincere appreciation to both my primary advisor Richard Hunt, and secondary advisor Peter Coppin, your unlimited positivity, guidance and support was crucial to the comple- tion of this work. It was an absolute honour to have two geniuses in their fields as my advisors. Enriching my knowledge of typography and graphic design and looking through the lens of inclusive design and cognitive science of representation shaped a new respect for the cultural and experiential power of typography in me. My sincere gratitude goes to the talented calligraphers and graphic designers whom I have interviewed back in Jordan. Thank you, for your valuable time, and for allowing me to watch the world from different angles, and experiences. This project owes a lot to your motivation. My heartfelt thanks goes to my family - my late father Khalid, who, although is no longer with me, continues to inspire every step I have to take, my mother Nadia for being the symbol of strength and persistence, my siblings Yasmin, Omar, Ali and Abdullah for always believing in my dreams and doing whatever it takes to make them come true. A special thanks goes to the one who made those two years possible, Ra’ad thank you for being the definition of a life companion and a husband.
    [Show full text]
  • The Konqueror Handbook
    The Konqueror Handbook Pamela Roberts Developers: The KDE Team The Konqueror Handbook 2 Contents 1 Overview 6 2 Konqueror Basics7 2.1 Starting Konqueror . .7 2.2 The Parts of Konqueror . .8 2.3 Tooltips and What’s This? . .9 2.4 Left and Middle Mouse Button Actions . .9 2.5 Right Mouse Button Menus . 10 2.6 Viewing Help, Man and Info Pages . 11 3 Konqueror the File Manager 12 3.1 Folders and Paths . 12 3.2 View Modes . 12 3.2.1 File Tip Info . 13 3.2.2 File Previews . 13 3.2.3 Information in the View . 14 3.3 Folder View Properties . 14 3.3.1 The View Properties Dialog . 15 3.4 Navigation . 15 3.4.1 Finding Files and Folders . 16 3.4.2 Removable Devices . 16 3.5 Deleting Files and Folders . 17 3.6 Moving and Copying . 17 3.6.1 Using Drag ’n Drop . 18 3.6.2 Duplicate File or Folder Names . 18 3.7 Selecting Items in the View . 19 3.7.1 Selecting Items Using the Mouse . 19 3.7.2 Selecting Items Using the Keyboard . 19 3.7.3 Selecting Items Using the Menu . 20 3.8 Create New . 20 3.9 Changing Names and Permissions . 21 3.9.1 Copy and Rename . 21 3.10 Configuring File Associations . 22 3.11 At the Command Line . 22 The Konqueror Handbook 4 Konqueror the Web Browser 23 4.1 Connecting to the Internet . 23 4.2 Surfing and Searching . 24 4.3 Tabbed Browsing . 25 4.4 Web Shortcuts .
    [Show full text]
  • SAS/GRAPH Fonts
    125 CHAPTER 6 SAS/GRAPH Fonts Overview 125 Specifying Fonts in SAS/GRAPH Programs 125 Font Specifications 126 Default Fonts 126 Font Locations 127 Using Hardware Fonts 128 Default Hardware Fonts 128 Changing the Default Hardware Font 128 With a GOPTIONS Statement 128 With the GDEVICE Procedure 129 Alternative Hardware Fonts 129 Specifying Special Characters 130 Using SAS/GRAPH Software Fonts 131 Rendering Fonts 131 Font Lists 131 Overview SAS/GRAPH software has a variety of type styles that you can use to display text and special characters in your procedure output. These type styles are stored in fonts that you can specify when you want to select type for the text on your graphs or choose plot symbols. This chapter explains how to specify a font, how to change the default hardware font, how to produce special characters, and how to select a software font. Note: In some operating environments, you can access the System or TrueType fonts that are available to the host print driver that is currently set for your printer. For more information, see the SAS documentation for your operating environment. R Specifying Fonts in SAS/GRAPH Programs When you select a type style for text or plot symbols, you use statement options to assign the font. You can assign fonts for any amount of text from a single character in a title to all the text in your output. When SAS/GRAPH software encounters an explicit font specification in a SAS statement, it uses the font that you specify rather than a font that is specified in a GOPTIONS statement or the device’s hardware font.
    [Show full text]