ON the GROUND MINI GUIDE 2016 PROGRAMMES & TICKETS All the Festivals’ Programmes Are Widely Available in Print Form and Online
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Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Thundering Hooves Report [2006]
THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios.......................................................................................................................... -
The Old and New Towns of Edinburgh World Heritage Site Management Plan
The Old and New Towns of Edinburgh World Heritage Site Management Plan July 2005 Prepared by Edinburgh World Heritage on behalf of the Scottish Ministers, the City of Edinburgh Council and the Minister for Media and Heritage Foreword en years on from achieving World Heritage Site status we are proud to present Edinburgh’s first World Heritage Site Management Plan. The Plan provides a framework T for conservation in the heart of Scotland’s capital city. The preparation of a plan to conserve this superb ‘world’ city is an important step on a journey which began when early settlers first colonised Castle Rock in the Bronze Age, at least 3,000 years ago. Over three millennia, the city of Edinburgh has been shaped by powerful historical forces: political conflict, economic hardship, the eighteenth century Enlightenment, Victorian civic pride and twentieth century advances in science and technology. Today we have a dynamic city centre, home to 24,000 people, the work place of 50,000 people and the focus of a tourism economy valued at £1 billion per annum. At the beginning of this new millennium, communication technology allows us to send images of Edinburgh’s World Heritage Site instantly around the globe, from the broadcasted spectacle of a Festival Fireworks display to the personal message from a visitor’s camera phone. It is our responsibility to treasure the Edinburgh World Heritage Site and to do so by embracing the past and enhancing the future. The World Heritage Site is neither a museum piece, nor a random collection of monuments. It is today a complex city centre which daily absorbs the energy of human endeavour. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Notice of Meeting and Agenda
Item 6.1 - Business Bulletin Culture and Communities Committee 10.00am, Tuesday, 12 September 2017 Dean of Guild Court Room, City Chambers, Edinburgh Culture and Communities Committee Convener: Members: Contact: Councillor Donald Wilson Councillor Wilson (Convenor), Lynne Halfpenny Director of Culture Councillor I Campbell (Vice- Tel: 0131 529 3657 Convenor) Andy Gray Councillor Brown, Head of Schools and Councillor K Campbell, Lifelong Learning Communities and Councillor Doran, Families Tel: 0131 529 2217 Councillor Graczyk, Councillor McNeese-Mechan, Health and Social Care Partnership Councillor Miller, Councillor Ian Campbell Ross Murray (Vice-Convener) Councillor Mitchell, Governance Officer Tel: Councillor Osler, 0131 469 3870 Councillor Staniforth Culture and Communities Committee – 12 September 2017 Page 2 of 24 Recent News Background For further PANTO STARS’ ACKNOWLEDGED FOR THEIR CONTRIBUTION TO information THE CITY OF EDINBURGH please contact: On Thursday 2 March at the City Chambers King’s Theatre panto stars Catherine Allan Stewart, Andy Gray and Grant Stott were invited to a special Bromley, Head of Press and reception with the Lord Provost in recognition of their contribution to the Communications City of Edinburgh. – Festival and Now one of the best-selling pantos across the UK, the King’s Theatre King’s Theatre on Edinburgh panto owes its success to the dedication of its audiences and 622 8088 the unique chemistry between ‘dame’ Allan Stewart, ‘eejit’ Andy Gray and ‘panto villain’ Grant Stott. Cinderella in 2017/18 will mark their lucky thirteenth panto together at the King’s; Grant Stott’s eighteenth consecutive King’s panto and Allan Stewart’s seventeenth. The comedy threesome’s fabulous energy, the special effects provided by The Twins FX, stunning choreography and sensational musical scores combine to make a spectacular family show to remember. -
Lockdown Legacy Webinar: the Digital Future of the Art and Cultural Heritage World 7 November 2020, 10Am-1Pm Keynote Speaker: T
Lockdown Legacy Webinar: The Digital Future of the Art and Cultural Heritage World 7 November 2020, 10am-1pm Keynote speaker: Terence Gould, Technology Manager, Art UK SESSION 1 Chair: Alice Strang, Art Historian and Curator of Modern & Contemporary Art 10.00 - 10.10am Welcome 10.10 - 10.30am KEYNOTE SPEAKER: Terence Gould, Technology Manager, Art UK, ‘Curating by all & for all: Art UK as a digital exhibitions platform’ 10.30 - 10.40am Abi Webster, Programme Assistant, Edinburgh Art Festival, ‘Performance in the digital realm: potentials and challenges for new commissions’ 10.40 - 10.50am Margaret Sweetnam, Marketing & Communications Manager, Aberdeen Archives, Gallery & Museums, ‘How To be More Joe Wicks - Finding our Digital Mojo’ 10.50 - 11.00am Q&A FIRST BREAK - 11.00 - 11.10am Visual presentation # 1 Isabella Wagner, University of Glasgow / The Hunterian ‘The Hunterian’s Approach to Digital Engagement’ Visual presentation #2 Bianca Callegaro, University of Glasgow & Co-Founder, Art Gate Blog, ‘Online Engagement with Culture in the New Normal: The case of Art Gate Blog’ SESSION 2 Chair: Shona Elliott, Lead Curator (Collections Access), Aberdeen Archives, Gallery & Museums 11.10 - 11.20am Welcome 11.20 - 11.30am Norman McBeath, Printmaker and Photographer, ‘Perdendosi’ 11.30 - 11.40am Sandy Wood, Collections Curator, Royal Scottish Academy of Art & Architecture, ‘Pandemic: The Royal Scottish Academy during lockdown and beyond’ 11.40 - 11.50am Alice Strang, Art Historian & Curator of Modern & Contemporary Art, ‘A Curatorial History of Lockdown in 164 Posts’ 1 11.50 - 12noon Q&A SECOND BREAK - 12.00 - 12.10pm Visual presentation Martin Disley, Artist and Technology Researcher Cartographic Hallucination: Generative A.I. -
FULL ATTENDEES Individuals
Contemporary Collections and Collecting in Scotland Series Record of Attendence Individuals First name Surname Organisation Position Jennifer Melville Aberdeen Art Gallery Keeper of Fine Art Liesbeth Bik Artist Christine Borland Artist Rose Frain Artist Jos van der Pol Artist Gerrie van Noord Artist Pension Trust, London Co-Director Andrew Brown Arts Council England Senior Strategy Officer - Visual Arts Louise Shelley Centre for Contemporary Art, Glasgow Head of Programmes Kate Gray Collective Gallery, Edinburgh Director Jenny Crowe Consultant Moira Jeffrey Consultant Kirstie Skinner Consultant Elaine Martay Cultural Strategy and Diplomacy Team, Scottish GoveInternationalrnment Policy Mark O'Neill Culture Sport Glasgow Head of Arts and Museums Ben Harman Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Victoria Hollows Culture Sport Glasgow / Gallery of Modern Art, GlasgowMuseum Manager Sean McGlashan Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Margaux Achard Culture Sport Glasgow/ Kelvingrove Jenny Brownrigg Duncan of Jordanstone College of Art and Design Exhibitions Curator Edwin Janssen Duncan of Jordanstone College of Art and Design Artist/Academic Leader Laura Simpson Duncan of Jordanstone College of Art and Design Assistant Curator, Exhibitions Graham Domke Dundee Contemporary Arts Curator Clive Gillman Dundee Contemporary Arts Director Judith Winter Dundee Contemporary Arts Deputy Director and Head of Programmes Joanne Brown Edinburgh Art Festival Director Ian -
Edinburgh Responsible Itinerary
Edinburgh Itinerary - 4 days 01. Edinburgh Bus Tours Edinburgh Castle Hop-on/hop-off bus tours are a great way for your clients to Edinburgh Castle is one of quickly orientate themselves on a city visit, and to identify the the oldest fortified palaces in must-see city sights. Edinburgh Bus Tours offer visitors three Europe. Built on top of Castle fantastic hop on hop off city tours, plus a further option which Rock and dominating the will allow them to enjoy the spectacle of the iconic Forth Bridges. city’s skyline, the castle has Your clients can enjoy the views with commentary in 9 different a long rich history as a royal languages, on the company’s new fleet of environmentally friendly residence, and it is alive with tour buses. Private hires are also available. many exciting tales. When your clients climb Castle Hill, Waverley Bridge they will walk in the footsteps Edinburgh, EH1 1BQ of soldiers, kings and queens. www.edinburghtour.com The castle is now a world- Link to Trade Website famous visitor attraction and an iconic part of the Old and New Towns of Edinburgh World Heritage Site. Distance between Edinburgh bus tours and the Scottish National Gallery is 0.4miles/0.6km Castlehill Edinburgh, EH1 2NG www.edinburghcastle.scot Link to Trade Website Distance between Edinburgh Castle and the Scotch Whisky Experience is 151 feet / 50 metres The Scotch Whisky Experience A ‘must-visit’ Edinburgh attraction, The Scotch Whisky Experience has been inspiring visitors to Edinburgh about the joys of Scotch whisky for over 30 years. -
The Celtic Who's Wh
/ -^ H./n, bz ^^.c ' ^^ Jao ft « V o -i " EX-LlBRlS HEW- MORRISON M D E The Celtic Who's Wh. THE CELTIC WHO'S WHO Names and Addresses of Workers Who contribute to Celtic Literature, Music or other Cultural Activities Along with other Information KIRKCALDY, SCOTLAND: THE FIFESHIRE ADVERTISER LIMITED 1921 LAURISTON CASTLE LIBRARY ACCESSION CONTENTS Preface. ; PREFACE This compilation was first suggested by the needs nf the organisers of tlie Pau-Celtic Congjess held in Edin- burgh in May, 1920. Acting as convener ol the Scottish Committee for that event, the editor found that there was in existence no list of persons who took an acti^•p interest in such matters, either in Scotland or in any of the other Celtic countries. His resolve to meet this want was cordially approved by the lenxlers of tlie Congress circulars were issued to all wlrose addresses could be discovered, and these were invited to suggest the n-iines of others who ought to be included. The net result is not quite up to expectation, but it is better tlaan at first seemed probable. The Celt may not really be more shy or n.ore dilatory than men of other blood, but certainly the response to this elTort has not indicated on his pfirt any undue forwardness. Even now, after the lapse of a year and the issue of a second ;ind a third circular, tlie list of Celtic aaithors niid inu<;iciii::i.s is far from full. Perhaps a second edition of the l)"(>k, when called for, may be more complete. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Rutherford Coat of Arms: Lauriston Castle
PMSA NRP: Work Record Ref: EDIN1276 02-Jun-11 © PMSA RAC Rutherford Coat of Arms: Lauriston Castle 1272 Sculptor: Unknown Town or Village Parish Local Govt District County Edinburgh Edinburgh NPA The City of Edinburgh Council Lothian Area in town: Cramond Road: Cramond Road South Location: Above front door of Lauriston Castle A to Z Ref: OS Ref: Postcode: EH4 Previously at: Setting: On building SubType: Public access Commissioned by: Year of Installation: Details: Design Category: Architectural Category: Heraldic Category: Non Commemorative Category: Sculptural Class Type: Coat of Arms SubType: Define in freetext Subject Mythological SubType: Standing Part(s) of work Material(s) Dimensions > Whole Stone c.2ft H x 1ft 6in W x 3in D Work is: Extant Listing Status: Don't Know Custodian/Owner: City of Edinburgh Council Condition Report Overall Condition: Good Risk Assessment: No Known Risk Surface Character: Comment No damage Vandalism: Comment None Inscriptions: At top of coat of arms: PER MARE PER TERRAS Signatures: None Physical A standing mermaid looking into a mirror and combing her hair. Description: Person or event commemorated: History of Commission : Exhibitions: Related Works: Legal Precedents: References: On-site inspectio, Notes: Photo Details: ID By Date Medium Ref Digitised Digi ref Selected? Book > 703 DK 13/11/03 CS 131/9+10 Not Digitised No Inspected: 23/09/2003 by: Joan Kennedy Data Entry: 20/02/2006 13:44:06 by: Tracy Smith To Editor: No Returned: No Re Entered: No Finally Checked: No Page 1 of 1 PMSA NRP: Work Record Ref: -
The Hannay Family by Col. William Vanderpoel Hannay
THE HANNAY FAMILY BY COL. WILLIAM VANDERPOEL HANNAY AUS-RET LIFE MEMBER CLAN HANNAY SOCIETY AND MEMBER OF THE CLAN COUNCIL FOUNDER AND PAST PRESIDENT OF DUTCH SETTLERS SOCIETY OF ALBANY ALBANY COUNTY HISTORICAL ASSOCIATION COPYRIGHT, 1969, BY COL. WILLIAM VANDERPOEL HANNAY PORTIONS OF THIS WORK MAY BE REPRODUCED UPON REQUEST COMPILER OF THE BABCOCK FAMILY THE BURDICK FAMILY THE CRUICKSHANK FAMILY GENEALOGY OF THE HANNAY FAMILY THE JAYCOX FAMILY THE LA PAUGH FAMILY THE VANDERPOEL FAMILY THE VAN SLYCK FAMILY THE VANWIE FAMILY THE WELCH FAMILY THE WILSEY FAMILY THE JUDGE BRINKMAN PAPERS 3 PREFACE This record of the Hannay Family is a continuance and updating of my first book "Genealogy of the Hannay Family" published in 1913 as a youth of 17. It represents an intensive study, interrupted by World Wars I and II and now since my retirement from the Army, it has been full time. In my first book there were three points of dispair, all of which have now been resolved. (I) The name of the vessel in which Andrew Hannay came to America. (2) Locating the de scendants of the first son James and (3) The names of Andrew's forbears. It contained a record of Andrew Hannay and his de scendants, and information on the various branches in Scotland as found in the publications of the "Scottish Records Society", "Whose Who", "Burk's" and other authorities such as could be located in various libraries. Also brief records of several families of the name that we could not at that time identify. Since then there have been published two books on the family.