Tuxedo Junction
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The BG News May 4, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-4-2001 The BG News May 4, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 4, 2001" (2001). BG News (Student Newspaper). 6812. https://scholarworks.bgsu.edu/bg-news/6812 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY May 4, 2001 SOCCER: PARTLY CLOUDY Men's, women's teams HIGH: 76 | LOW: 47 start training in summer www.bgnews.com to be at the top; PAGE 10 independent student press VOLUME 90 ISSUE 152 Hitting Conklin students upset links at Residents hold meeting with Carter administrators to discuss maintenance Park By Jordan Fouts By IvyIckes CITT REPORTER *0M[N S REPORTER Putting a new spin on an old New is better. game, Carter Park will hosl its But that was not the case this annual disc golf tournament past year in Conklin Hall. tomorrow morning. Tuesday night, the residents Billing itself as the "World's of Conklin met with Linda Biggesl Disc Golf Tournament," it Newman, director of Residence is part of a national coordination Life and lim Zentmeyer, associ- by Circular Productions, a disc ate director of golf course design and installation Housing/Operations and company. -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Cash Box , Page 38 23, 1959 Album Reviews
— May The Cash Box , Page 38 23, 1959 Album Reviews POPULAR PICKS cont. “TO WHOM IT MAY CONCERN’’—Nat “TWO TIME WINNERS”- -Andy Williams “King” Cole—Capitol W 1190 & Stereo SW —Cadence CLP 3026 1190 Andy Williams, who most recently scored Nat “King” Cole lends his warm expres- with “Hawaiian Wedding Song,” has sive tones to 12 new songs, all of which chosen for his newest Cadence LP a dozen are of the love ballad kind—undoubtedly standards that have recently witnessed a Cole’s ablest vehicles. The title song, co- big pop revival by various artists. He penned by the singer, is from his current indulges the tunes with the modern beat him, ‘ The Night of the Quarter Moon.” treatment, attesting to their indestruct- Other tunes include “Love-Wise,” “In The ibility. Included are “Twilight Time,” “My Heart of Jane Doe,” “If You Said No”, “This Happiness,” “It’s All in the Game,” “Love Morning It was Summer.” No obstacles Letters in the Sand,” “Blueberry Hill” and block the hit path of Cole’s latest effort. his own hit. A chart stand awaits this set. ‘HOLLYWOOD IN RHYTHM”—Ray Coniff IN RHYTHM HOLLYWOOD and his Orch.—Columbia CL 1310 & Stereo RAY CONNIFF CS 8117 Musical Medicine “MUSICAL MEDICINE BY MIKE PEDICIN In his third “Rhythm” album (“Broadway Apollo 484 In Rhythm” now on the lists following a b>'Mikt Package is a successful run of “Concert In Rhythm”), potpourri of combo-vocal rhythm stanzas by the Pedicin outfit, Ray Coniff continues his pace setting ar- mostly taken at rangements of old favorites, turning here a lively rock beat. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
DYNATRON 74 R A
"Lord, ain't it funny how time slips away?" asked a semi-popalar song of the day. ((I hope, nobody a6lu which day..,I can't necaJUL i£ that wab con temporary with Sweet Tuxedo Girt, Tuxedo Junction or Life in the Faat Lane.)) No, it ain't. Not the least bit. This issue was planned for November 1980 and what with one thing and another I think the actual publication date will be February 1981. Still I suppose that is better than September. The ex cuses are all standard so pick whichever you can think of and apply it to the seni-lateness of this issue. Semi because I really do not have any particular schedule to stick to and the zine gets published whenever. When ever I get around to it. (Not to be confused with ROUND TUTT which is Becky Cartwright’s FLAPzine. This isn’t a FLAPzine although copies will probably showup there as well as elsewhere. Maybe even elsewhen. Elsewhere or here or elsewhen or even now this is the 74th issue of DYNATRON a faznine (a what?) of sorts. A fanzine of sorts (got it right that time) concerned with nothing serious—just the usual stf. DYNATRON is available for 50q per copy or, preferably, trades, contributions of material, and letters of comment. (The usual, as most ignorant fanzine reviewers say although I prefer the unusual.) CONTRIBUTIONS OF ARTICLES, ESSAYS, REVIEWS, ETC., ARE NEEPEP.^ The files are empty and ol’ Roytac is about run dry. There isn't much incentive to publish when there isn’t any thing to publish. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Glenn Miller and His Orchestra “Top 10 Hits” 1939-1943
GLENN MILLER AND HIS ORCHESTRA “TOP 10 HITS” 1939-1943 Prepared by: Dennis M. Spragg September 2017 TABLE OF CONTENTS INTRODUCTION .............................................................................................................................4 METHODOLOGY .............................................................................................................................4 1. SUMMARY ..................................................................................................................... 5 2. The Billboard Top 10 Records, 1940-1943........................................................................ 8 3. The Billboard #1 Records, 1940-1943 .............................................................................. 9 4. The Billboard Chronology, 1940-1943 ........................................................................... 10 1940 ............................................................................................................................................ 10 1941 ............................................................................................................................................ 11 1942 ............................................................................................................................................ 13 1943 ............................................................................................................................................ 16 5. Your Hit Parade Top 10 Records, 1939-1940 ................................................................. -
JM80475 Tuxedo Junction.Pdf
DISCOGRAPHY Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch Jazz / Ragtime / Dixieland (Fortsetzung - Continued - Suite) BRASS BAND EMR 3105 Mackie Messer WEILL (Saurer-Tailor) EMR 3025 Mackie Messer (Solo Voice) WEILL (Saurer-Tailor) JAZZ / RAGTIME / DIXIELAND EMR 2646 Maple Leaf Rag JOPLIN (Thomas) EMR 3022 12th Street Rag BOWMAN (Tailor) SECUNDA / JACOBS EMR 1339 Means That You're Grand EMR 3189 A Cornet's Pleasure (Cornet Solo) KÜBLER (Armitage) EMR 1244 A Portrait GERSHWIN (Armitage) EMR 3745 Meet Mr. Gershwin (Piano Solo) TAILOR EMR 3021 A String Of Pearls GRAY (Saurer) EMR 2988 Meet The Bat STRAUSS (Tailor-Saurer) EMR 3903 A Swinging Safari (Mary And Max) KAEMPFERT (Parson) EMR 2980 Moments Musicaux SCHUBERT (Tailor) EMR 3189 A Trumpeter's Pleasure (Cornet Solo) KÜBLER EMR 1690 Moonlight Serenade (Sun Valley Serenade) MILLER (Thomas) BERGANTINE / PETERS EMR 1337 Ain't She Sweet AGER / YELLEN (Armitage) EMR 1329 My Happiness EMR 2668 Alexander's Ragtime Band BERLIN (Tailor) (Armitage) EMR 3932 Naggy Blues ARMITAGE EMR 3497 Aloa-Oe Arr.: TAILOR EMR 3496 Navy Jump TAILOR EMR 2666 American Patrol (Glenn Miller) TRADITIONAL (Richards) EMR 3635 Night And Day PORTER, Cole (Saurer) EMR 3024 Artistry In Rhythm KENTON (Saurer) EMR 3899 Night On The Town VALTA EMR 3902 As You Like NAULAIS EMR 2526 On The Sunny Side Of The Street McHUGH (Thomas) EMR 3003 Bad Bad -
Newsletter Jump
BIG BAUD NEWSLETTER JUMP VOLUME XXXIII BIG BAND JUMP NEWSLETTER JULY-AUGUST 1994 Famous Door, where several radio broadcasts a week INTERVIEW CAPSULES spread the word about Count Basie’s exciting new band. It occurred to us that only the first subscribers to the The Scene BBJ NEWSLETTER, which began with the March- April issue o f1989, have had the advantage o f reading It was between sets at a dance featuring the Count Basie some o f the initial interviews. Rather than repeat them, Band and the guys were all outside taking a smoke and but to still give newer readers an opportunity to enjoy talking, but we caught the Count in the kitchen behind their comments, we offer these mini-interview com the ballroom. ments from two o f the music personalities featured in the first six months o f the BBJ NEWSLETTER. Basie leaned on a counter, relieving his legs of the weight, and was matter-of-fact, apparently not enjoying COUNT WILLIAM BASIE being interviewed. We later learned of his shyness, giving us the illusion that he didn’t want to be inter viewed, when in fact he later mentioned the value of such conversations. The year was 1971. The Interview Capsule BBJ: How did your theme, ONE O’CLOCK JUMP originate? CB: Well, that started in Kansas City. We were doing that number for some time without a name, and then we happned to be on the air at that time, too. We actually had a name for the tune, but it couldn’t be used in public. -
This Is a Listing of Our Most Requested Popular Songs That We Perform. This Is Just a Small Sampling of Tunes from Our Library of Over 700 Musical Arrangements
This is a listing of our most requested popular songs that we perform. This is just a small sampling of tunes from our library of over 700 musical arrangements. Most Requested Songs 1. Old Time Rock And Roll 2. Give Me Some Lovin' 3.The Twist 4. Mony, Mony 5. Shout 6. Y.M.C.A 7. Electric Slide 8. Celebration 9. The Locomotion 10. Twist And Shout 11. I Swear 12. Stayin Alive 13. How Deep Is Your Love, 14. My Sharona 15. Hang On Sloopy 16. Jump, Jive, And Wail 17. Margaritaville 18. Land Of 1000 Dances 19. Down At The Twist And Shout 20. In The Mood And Many More....... Contemporary Ballads Contemporary Rock After the Lovin Always All Night Long Always & Forever Beat It Can’t Take My Eyes Off of You Billie Jean Color My World Brown Eyed Girl Endless Love Celebration Evergreen Disco Inferno Have I Told You Lately That I Love You Easy Lover Hello Feels So Good How Deep Is Your Love Give Me Some Lovin If Give Me the Night Just the Two of Us Hang on Sloopy Just You and Me Heart of Rock & Roll Lady Heard It Through the Grapevine Love Me Tender Hip to be Square Memory I Saw Her Standing There My Girl La Bamba Never Gonna Let You Go Land Of 1000 Dances Rainy Days & Monday Louie, Louie Saving All My Love For You Locomotion Send in the Clowns Make Me Smile Somewhere Out There Margaritaville Still Mony, Mony That’s What Friends Are For My Sharona The Way We Were Old Time Rock & Roll The Way You Look Tonight Pick Up the Pieces Theme From Ice Castles Play That Funky Music White Boy Truly Please Mr. -
Cab Driver Knifed to Death Sun. Public Works Chief Hired
IN THIS ISSUE IN THE NEWS W e d d i n g L o w d o w n p l a n n i n g B on Canada g u id e SERVING ABERDEEN, HAZLET, HOLMDEL, g e e s e KEYPORT, MATAWAN AND MIDDLETOWN P a g e 3 1 P a g e 4 6 JANUARY 21, 1 9 98 4 0 C E N T S VOLUME 28, NUMBER 3 Cab driver knifed to death Sun. Keansburg m an, 40, discovered behind a Route 35 pharm acy _______________ BY L IN D A D eNIC O LA _______________ Staff Writer he Middletown Police Department, along with the TMonmouth County Pros ecutor’s Office, is investigating the stabbing death of a taxi driver who was found late Sunday afternoon slumped over in his cab. The 40-year-old victim, Robert J. Gelhaus Jr., of 28B Bayview Ave., Keansburg, worked for Middletown Yellow Cab, a division of Murphy Possible witness Transportation, Middletown. sought by police His body was discovered at 4:59 p.m. by Patrolman Ralph Flannigan, who was on routine patrol, behind Crestview Pharmacy, Route 35 and Crestview Drive. The pharmacy had closed at 3 p.m. Alan Christoe, Matawan, rebuilt this foot bridge at Terhune Park in Matawan to earn the rank of Eagle Scout. Flannigan observed a 1991 steel blue Mercury station For the story, see page 9. (Augusto F. Menezes/ Greater Media) wagon, with an inverted triangle and the name of the cab company on the back two windows, was running and the headlights were on. -
Guide to the Ray Mckinley Music and Ephemera, 1945-1994
Guide to the Ray McKinley Music and Ephemera, 1945-1994 NMAH.AC.0635 Scott W. Schwartz January 5, 2000 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 1 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music......................................................................................................... 5 Series 2: Ephemera............................................................................................... 49 Series 3: Audiovisual Materials.............................................................................. 57 Ray McKinley Music and