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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Sloane Drayson Knigge Comic Inventory (Without
Title Publisher Author(s) Illustrator(s) Year Number Donor Box # 1,000,000 DC One Million 80-Page Giant DC NA NA 1999 NA Sloane Drayson-Knigge 1 A Moment of Silence Marvel Bill Jemas Mark Bagley 2002 1 Sloane Drayson-Knigge 1 Alex Ross Millennium Edition Wizard Various Various 1999 NA Sloane Drayson-Knigge 1 Open Space Marvel Comics Lawrence Watt-Evans Alex Ross 1999 0 Sloane Drayson-Knigge 1 Alf Marvel Comics Michael Gallagher Dave Manak 1990 33 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 1 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 2 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 3 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 4 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 5 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 6 Sloane Drayson-Knigge 1 Aphrodite IX Top Cow Productions David Wohl and Dave Finch Dave Finch 2000 0 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 600 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 601 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 602 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 603 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 -
Catfish Compendium: V. 1 by Steven Grant
Catfish Compendium: V. 1 By Steven Grant READ ONLINE If you are looking for a ebook Catfish Compendium: v. 1 by Steven Grant in pdf form, in that case you come on to faithful site. We presented the complete variation of this book in ePub, DjVu, txt, PDF, doc forms. You can reading by Steven Grant online Catfish Compendium: v. 1 or downloading. In addition to this ebook, on our website you can read instructions and different art books online, or download their as well. We wish to invite note what our website not store the book itself, but we provide reference to website wherever you may load either read online. So that if you have must to download Catfish Compendium: v. 1 by Steven Grant pdf , then you've come to the faithful website. We own Catfish Compendium: v. 1 ePub, txt, PDF, doc, DjVu formats. We will be glad if you return us more. Patent us4890410 - automatic fishing hook setting salmon, trout, muskie, northern pike, catfish, Steven Grant Lumsden: USPTO Bulk Downloads - Privacy Policy - Terms of Service - About Google Patents [PDF] What You Can When You Can: Healthy Living On Your Terms.pdf Dr. grant stevens marina plastic surgery William Grant Stevens, M.D., F.A.C.S. Birthplace: Orange, California: Licensure: Wounds- A Compendium of Clinical Research and Practice 1988 Clinical Evaluator. [PDF] B2.1-1-207: 1996 STANDARD WELDING PROCEDURE SPECIFICATION FOR; GAS TUNGSTEN ARC WELDING OF CARBON STEEL, 1/8 THROUGHT 1-1/2 INCH THICK, ER70S-2, AS-WELDED OR PWH.pdf Action comics: futures end 1 (dc comics) - Action Comics: Futures End #1 (v.2) #26, 27, 28, 1, 2, The Beast By Steven Grant, X-men 1994, 3 Books; $2.95 | Ends: 7/19 1:19 pm; [PDF] It Is Beautiful In Hong Kong ISBN: 4081050066.pdf Steve douglas facebook, twitter & myspace on Steven Grant Douglas Steve Douglas The Catfish Dude - Google+. -
Jun 18 Customer Order Form
#369 | JUN19 PREVIEWS world.com Name: ORDERS DUE JUN 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Jun19 Cover ROF and COF.indd 1 5/9/2019 3:08:57 PM June19 Humanoids Ad.indd 1 5/9/2019 3:15:02 PM SPAWN #300 MARVEL ACTION: IMAGE COMICS CAPTAIN MARVEL #1 IDW PUBLISHING BATMAN/SUPERMAN #1 DC COMICS COFFIN BOUND #1 GLOW VERSUS IMAGE COMICS THE STAR PRIMAS TP IDW PUBLISHING BATMAN VS. RA’S AL GHUL #1 DC COMICS BERSERKER UNBOUND #1 DARK HORSE COMICS THE DEATH-DEFYING DEVIL #1 DYNAMITE ENTERTAINMENT MARVEL COMICS #1000 MARVEL COMICS HELLBOY AND THE B.P.R.D.: SATURN RETURNS #1 ONCE & FUTURE #1 DARK HORSE COMICS BOOM! STUDIOS Jun19 Gem Page.indd 1 5/9/2019 3:24:56 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Bad Reception #1 l AFTERSHOCK COMICS The Flash: Crossover Crisis Book 1: Green Arrow’s Perfect Shot HC l AMULET BOOKS Archie: The Married Life 10 Years Later #1 l ARCHIE COMICS Warrior Nun: Dora #1 l AVATAR PRESS INC Star Wars: Rey and Pals HC l CHRONICLE BOOKS 1 Lady Death Masterpieces: The Art of Lady Death HC l COFFIN COMICS 1 Oswald the Lucky Rabbit: The Search for the Lost Disney Cartoons l DISNEY EDITIONS Moomin: The Lars Jansson Edition Deluxe Slipcase l DRAWN & QUARTERLY The Poe Clan Volume 1 HC l FANTAGRAPHICS BOOKS Cycle of the Werewolf SC l GALLERY 13 Ranx HC l HEAVY METAL MAGAZINE Superman and Wonder Woman With Collectibles HC l HERO COLLECTOR Omni #1 l HUMANOIDS The Black Mage GN l ONI PRESS The Rot Volume 1 TP l SOURCE POINT PRESS Snowpiercer Hc Vol 04 Extinction l TITAN COMICS Lenore #1 l TITAN COMICS Disney’s The Lion King: The Official Movie Special l TITAN COMICS The Art and Making of The Expance HC l TITAN BOOKS Doctor Mirage #1 l VALIANT ENTERTAINMENT The Mall #1 l VAULT COMICS MANGA 2 2 World’s End Harem: Fantasia Volume 1 GN l GHOST SHIP My Hero Academia Smash! Volume 1 GN l VIZ MEDIA Kingdom Hearts: Re:Coded SC l YEN ON Overlord a la Carte Volume 1 GN l YEN PRESS Arifureta: Commonplace to the World’s Strongest Zero Vol. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
Saviors, PART 1
® Saviors, PART 1 Tim Seeley • Diego Bernard 201992 - 2012 Fred Benes • Arif Prianto Previously In Tim Seeley • writer Diego Bernard • penciller Cover A • John Tyler Christopher Fred Benes • inker Cover B • Diego Bernard, Fred Benes, SAVIORS, Pt. 1 Arif Prianto • colorists & Arif Prianto Troy Peteri • letterer Bryan Rountree, Matt Hawkins, & Filip Sablik • editors Witchblade created by Marc Silvestri, David Wohl, Brian Haberlin, & Michael Turner WITCHBLADE® ISSUE 158. JULY 2012. FIRST PRINTING Published by Image Comics Inc. Office of Publication: 2134 Allston Way, Second Floor, Berkeley, CA For Top Cow Productions, Inc. 94704. $2.99 US. WITCHBLADE® 2012 Top Cow Productions, Inc. All rights reserved. “Witchblade,” the Witchblade logos, and the likenesses of all featured Marc Silvestri - CEO characters (human or otherwise) featured herein are registered trademarks of Top Cow Productions, Inc. Image Comics and the Image Comics logo are Matt Hawkins - President and COO trademarks of Image Comics Inc. The characters, events, and stories in this Bryan Rountree – Managing Editor publication are entirely fictional. Any resemblance to actual persons (living or Elena Salcedo – Director of Operations dead), events, institutions, or locales, without satiric intent, is coincidental. No Betsy Gonia - Production Assistant portion of this publication may be reproduced or transmitted, in any form or by any means, without the express written permission of Top Cow Productions, Inc. Printed in the U.S.A. For information regarding the CPSIA on this printed material call: 203-595-3636 and provide reference # RICH – 448584. “The challenge is Trying To capTure imaginaTion wiTh lines. BuT when iT works, comics can Be amazing.” Jason howarD ExpEriEncE crEativity Image Comics® and its logos are registered trademarks of Image Comics, Inc. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
J a C K Kirb Y C Olle C T Or F If T Y- Nine $ 10
JACK KIRBY COLLECTOR FIFTY-NINE $10 FIFTY-NINE COLLECTOR KIRBY JACK IT CAN’T BE! BUT IT IS! I’VE DISCOVERED... ...THE AND NOTHING WILL EVER BE THE SAME AGAIN!! 95 A TREASURE TROVE OF RARITIES BY THE “KING” OF COMICS! Contents THE OLD(?) The Kirby Vault! OPENING SHOT . .2 (is a boycott right for you?) KIRBY OBSCURA . .4 (Barry Forshaw’s alarmed) ISSUE #59, SUMMER 2012 C o l l e c t o r JACK F.A.Q.s . .7 (Mark Evanier on inkers and THE WONDER YEARS) AUTEUR THEORY OF COMICS . .11 (Arlen Schumer on who and what makes a comic book) KIRBY KINETICS . .27 (Norris Burroughs’ new column is anything but marginal) INCIDENTAL ICONOGRAPHY . .30 (the shape of shields to come) FOUNDATIONS . .32 (ever seen these Kirby covers?) INFLUENCEES . .38 (Don Glut shows us a possible devil in the details) INNERVIEW . .40 (Scott Fresina tells us what really went on in the Kirby household) KIRBY AS A GENRE . .42 (Adam McGovern & an occult fave) CUT-UPS . .45 (Steven Brower on Jack’s collages) GALLERY 1 . .49 (Kirby collages in FULL-COLOR) UNEARTHED . .54 (bootleg Kirby album covers) JACK KIRBY MUSEUM PAGE . .55 (visit & join www.kirbymuseum.org) GALLERY 2 . .56 (unused DC artwork) TRIBUTE . .64 (the 2011 Kirby Tribute Panel) GALLERY 3 . .78 (a go-go girl from SOUL LOVE) UNEARTHED . .88 (Kirby’s Someday Funnies) COLLECTOR COMMENTS . .90 PARTING SHOT . .100 Front cover inks: JOE SINNOTT Back cover inks: DON HECK Back cover colors: JACK KIRBY (an unused 1966 promotional piece, courtesy of Heritage Auctions) This issue would not have been If you’re viewing a Digital possible without the help of the JACK Edition of this publication, KIRBY MUSEUM & RESEARCH CENTER (www.kirbymuseum.org) and PLEASE READ THIS: www.whatifkirby.com—thanks! This is copyrighted material, NOT intended for downloading anywhere except our The Jack Kirby Collector, Vol. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
The Gnostic Zombie in Robert Kirkman's the Walking Dead
Doing What Comes Unnaturally: The Gnostic Zombie in Robert Kirkman’s The Walking Dead Peter Y. Paik, Comparative Literature University of Wisconsin-Milwaukee I. Pursuing the Millennium, Redux The defining philosophic problem of modernity is that of the soul that has become closed within itself, and cannot get outside of itself. This closed soul is one that remains confined within the narrow orbit of a static and one-sidedly immanent account of human reality, which denies the very possibility of truths and experiences that transcend the circumscribed limits set by calculability and utility. The leading thinkers of the modern period have evoked in arresting ways the diminished spiritual, political, and historical horizon that afflicts modern man and woman. We may think here of Heidegger’s dictum that modern technology constitutes a mode of revealing that alters the way human beings relate to being, so that “everywhere and always” man only encounters himself.1 For Pierre Manent, modern man is cut off from the experience of conversion -- the postmodern tolerance of all differences is at the same time a flight from their necessarily competing claims of significance, ruling out thereby the possibility of being transformed by a singular difference.2 For Hannah Arendt, the crisis of modern politics stems from the waning of authority, which enables men and women to resolve their conflicts without resorting to violence and coercion,3 or, we might add in light of recent events, without putting social peace at the mercy of unsustainable levels of economic growth. José Ortega y Gasset, in Revolt of the Masses, provides a scathing portrait of the modern “mass man” who believes that there is no one capable of teaching him anything and who complacently imposes a technicist and materialist ideology on history and society. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Comics and Videogames
14 Creating Lara Croft The meaning of the comic books for the Tomb Raider franchise Josefa Much Since the creation of Lara Croft in 1996, it seems impossible to imagine the game industry without her. Her pop-cultural impact certainly affected the gaming industry, but the expansion of her character into a whole franchise has also immortalized her through action figures, cosplay, music videos, and appearances in many other media. If you take a closer look at the franchise, you will find a number of different videogames for different gaming platforms as well as three action films, six novels, and many comic books. Shortly after the release of the very firstTomb Raider game in 1996, the comic book pub- lisher Top Cow released a crossover with their own heroine Sara Pezzini aka Witchblade and Lara Croft: Tomb Raider/ Witchblade (Turner 1997, 1998). The Witchblade comic books were one of Top Cow’s most prominent series. As a result, something very interesting happened: Lara Croft was introduced into a new universe beyond her own games, and thus into a new storyworld. She became part of the Top Cow universe as both franchises collided. Two years later, the Tomb Raider received her own stand- alone comic book series. It not only focused on her adventures, but also on her personal thoughts and approach, introducing different characters and friends of hers. Later on, this would be used to create new crossovers with different Top Cow characters (e.g., Dark Crossing [Holland and Turner 2000a, 2000b]; Endgame [Rieber and Green 2003a, 2003b, 2003c; Silvestri and Tan 2003; Turner 2002c]; the Magdalena crossover [Bonny and Basaldua 2004a, 2004b, 2004c]; the Fathom/ Witchblade/ Tomb Raider crossover [Turner 2000, 2002a, 2002b]).