From Object to Concept
From Object to Concept Global Consumption and the Transformation of Ming Porcelain Stacey Pierson This publication has been generously supported by the Sir Y. K. Pao Publication Fund for publications in Chinese art and architecture. Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Hong Kong University Press 2013 ISBN 978-988-8139-83-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Company Limited, Hong Kong, China Contents Acknowledgements vii Illustrations ix Abbreviations xiii Notes on Romanisation xv Introduction 1 1. Porcelain in Ming China (14th–17th centuries) 5 2. Ming Porcelain in the World (15th–17th centuries) 31 3. Porcelain as Metaphor—Inventing ‘the Ming Vase’ (18th–20th centuries) 57 4. Ming Porcelain in the Art World (19th–21st centuries) 81 Appendix 109 Notes 111 Bibliography 145 Index 165 Illustrations 1.1 Bowl with underglaze blue decoration, Ming dynasty, Chenghua mark and period (1465–87), often described as a ‘palace bowl’. PDF A650, British Museum. 1.2 Throwing a bowl at the porcelain factory. Watercolour and ink on paper, China, Guangzhou, 1810–20. Winterthur Museum, Gift of Leo A. and Doris C. Hodroff, 2004.47.14.4.
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