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All Terrain String Festival Press Release
Press Contact: Blake Zidell Blake Zidell & Associates 718.643.9052 [email protected] For Immediate Release February 6, 2017 PEAK PERFORMANCES’ ALL TERRAIN STRING FESTIVAL: BOLCOM 4x4 PAYS TRIBUTE TO COMPOSER WILLIAM BOLCOM, MARCH 31 – APRIL 2 Festival Celebrating String Quartet Composition and Performance Will Feature Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet, and Acclaimed Guest Artists Including Jazz Bassist John Patitucci and Classical Guitarist Eliot Fisk Program Includes the World Premiere of Bolcom’s String Quartet No. 12, by Shanghai Quartet, and the New York / New Jersey Premiere of His String Quartet No. 8, by Arditti Quartet, as well as a Genre-Spanning Range of Classic and Contemporary Music Shanghai Quartet, Ensemble-in-Residence at John J. Cali School of Music at Montclair State University, Will Join the Other Featured Quartets, in Addition to Headlining a Concert of Their Own Peak Performances presents All Terrain String Festival: Bolcom 4x4 Featuring Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet March 31 – April 2 The Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ) Ticket Prices: $20 per concert; Saturday Pass (two concerts and Mingle with the Musicians Dinner), $60; All-Festival Pass, $90 To Purchase: www.peakperfs.org or 973.655.5112 Peak Performances is pleased to present All Terrain String Festival: Bolcom 4x4, a three-day festival in which four of the world’s foremost string quartets will perform the work of prolific Pulitzer Prize-winning American composer William Bolcom, along with music by a wide variety of other composers, from Mozart to Dizzy Gillespie. -
Kronos Quartet Prelude to a Black Hole Beyond Zero: 1914-1918 Aleksandra Vrebalov, Composer Bill Morrison, Filmmaker
KRONOS QUARTET PRELUDE TO A BLACK HOLE BeyOND ZERO: 1914-1918 ALeksANDRA VREBALOV, COMPOSER BILL MORRISon, FILMMAKER Thu, Feb 12, 2015 • 7:30pm WWI Centenary ProJECT “KRONOs CONTINUEs With unDIMINISHED FEROCity to make unPRECEDENTED sTRING QUARtet hisTORY.” – Los Angeles Times 22 carolinaperformingarts.org // #CPA10 thu, feb 12 • 7:30pm KRONOS QUARTET David Harrington, violin Hank Dutt, viola John Sherba, violin Sunny Yang, cello PROGRAM Prelude to a Black Hole Eternal Memory to the Virtuous+ ....................................................................................Byzantine Chant arr. Aleksandra Vrebalov Three Pieces for String Quartet ...................................................................................... Igor Stravinsky Dance – Eccentric – Canticle (1882-1971) Last Kind Words+ .............................................................................................................Geeshie Wiley (ca. 1906-1939) arr. Jacob Garchik Evic Taksim+ ............................................................................................................. Tanburi Cemil Bey (1873-1916) arr. Stephen Prutsman Trois beaux oiseaux du Paradis+ ........................................................................................Maurice Ravel (1875-1937) arr. JJ Hollingsworth Smyrneiko Minore+ ............................................................................................................... Traditional arr. Jacob Garchik Six Bagatelles, Op. 9 ..................................................................................................... -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Masking Their True Talent, Volunteer Musicians Get to Work
16 | Tuesday, April 7, 2020 HONG KONG EDITION | CHINA DAILY LIFE The sounds of succor Prominent Chinese musicians provide comfort and support during the pandemic with online shows, Chen Nan reports. n these days of anxiety, I wanted to find a way to con- tinue to share some of the music that gives me com- ‘Ifort,” says Yo-Yo Ma, the renowned cellist, who has been trying to pro- vide succor during the coronavirus pandemic. Since March 14, Ma has been post- ing videos of himself performing short music pieces on his social media platforms. The first video he posted was his rendition of Antonin Dvorak’s Going Home from 1893’s Symphony No 9 and then on March 17, he post- ed: “This is for the healthcare work- ers on the front lines — the Sarabande from Bach’s Cello Suite No 3. Your ability to balance human connection and scientific truth in service of us all gives me hope.” All his videos are posted using the hashtag #SongsOfComfort, which is an idea he came up with spontane- ously. “I was in the office one day and we were talking like ‘let’s do some- thing in this time that actually serves people’s needs’. Somehow, music has always been comforting to me. This is what I do and this is the best that I can offer. I know that people are doing everything that they can to help in whatever way they know how,” the cellist says in an interview with PBS NewsHour at his home in Massachusetts, the Somehow, music has United States. -
Linked Data for Production Stanford Projects
Linked Data for Production Stanford projects Love from afar: DESCRIBING MUSIC AUDIO & VIDEO RECORDINGS IN BIBFRAME, THE PERFORMED MUSIC ONTOLOGY & BEYOND NANCY LORIMER OLAC MEETING ALA 2017 L’Amour de loin (Love from afar) opera in 5 acts composed by Kaija Saariaho (2000) libretto by Amin Maalouf libretto based on the semi-autobiographical poem “La vida breve” by the troubadour Jaufré Rudel libretto has a published Turkish translation (from French) 2 recorded performances, 1 on video, 1 as a sound recording (both SACD & streaming) full score, vocal score both published by Chester has derivative work: Cinq reflets de L’Amour de loin BIBFRAME 2.0 A very quick introduction… What BIBFRAME is and is not Is… Is NOT… “an initiative to evolve bibliographic a “replacement” for MARC description standards to a linked data model” a one-stop shop for linked data creation an OWL ontology for use by the library community requires additional vocabularies a “core” ontology that covers the requires extensions for domains basics of bibliographic description as currently conceived your only choice… a potential successor to MARC for linked data is all about choice! cataloging a common framework for the creation of linked data by the library community Linked Data for Performed Music: the Performed Music Ontology Develop a BIBFRAME-based ontology extension for performed music in all formats Domain-specific enhancements and/or extensions of BIBFRAME for use by the library community as a common standard Establish a model by which these standards can be created, endorsed, and maintained by the community Do this through partnering with domain communities and the PCC Why ontologies? “An ontology is a formal naming and definition of the types, properties, and interrelationships of the entities that really or fundamentally exist for a particular domain of discourse. -
American Composers Orchestra Presents Next Composer to Composer Talks in January
FOR IMMEDIATE RELEASE Press Contact: Christina Jensen, Jensen Artists 646.536.7864 x1 [email protected] American Composers Orchestra Presents Next Composer to Composer Talks in January William Bolcom & Gabriela Lena Frank Wednesday, January 13, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerBolcom John Corigliano & Mason Bates Wednesday, January 27, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerCorigliano Free, registration recommended. New York, NY – American Composers Orchestra (ACO) presents its next Composer to Composer Talks online in January, with composers William Bolcom and Gabriela Lena Frank on Wednesday, January 13, 2021 at 5pm ET, and John Corigliano and Mason Bates on Wednesday, January 27, 2021 at 5pm ET. The talks will be live-streamed and available for on-demand viewing for seven days. Tickets are free; registration is highly encouraged. Registrants will receive links to recordings of featured works in advance of the event. ACO’s Composer to Composer series features major American composers in conversation with each other about their work and leading a creative life. The intergenerational discussions begin by exploring a single orchestral piece, with one composer interviewing the other. Attendees will gain insight into the work’s genesis, sound, influence on the American orchestral canon, and will be invited to ask questions of the artists. On January 13, Gabriela Lena Frank talks with William Bolcom about his Symphony No. 9, from 2012, of which Bolcom writes, “Today our greatest enemy is our inability to listen to each other, which seems to worsen with time. All we hear now is shouting, and nobody is listening because the din is so great. -
I Just Love This Orchestra! Berkeley Symphony Photo by David S
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. -
Esa-Pekka Salonen – Long Bio (1237 Words)
Esa-Pekka Salonen – long bio (1237 words) Esa-Pekka Salonen’s restless innovation drives him constantly to reposition classical music in the 21st century. He is currently the Principal Conductor and Artistic Advisor for London’s Philharmonia Orchestra and the Conductor Laureate for the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. This season is his second of three as the Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic, and his first of five years as Artist in Association at the Finnish National Opera and Ballet. Additionally, Salonen is Artistic Director and cofounder of the annual Baltic Sea Festival, now in its fourteenth year, which invites celebrated artists to promote unity and ecological awareness among the countries around the Baltic Sea. Salonen’s works move freely between contemporary idioms, combining intricacy and technical virtuosity with playful rhythmic and melodic innovations. Three major retrospectives of Salonen's original work have been critical and public successes: at Festival Présences Paris in 2011, at the Stockholm International Composer Festival in 2004, and at Musica Nova, Helsinki in 2003. His pieces for symphony orchestra include Giro (1982), LA Variations (1996), Foreign Bodies (2001), Insomnia (2002), and Nyx (2011), as well as two concertos: for pianist Yefim Bronfman and for violinist Leila Josefowicz. The latter won the prestigious Grawemeyer Award, is performed on three continents this year, and was featured in a 2014 international Apple ad campaign for iPad. Salonen’s most recent composition, Karawane, for orchestra and chorus, premiered during his time as the first-ever Creative Chair at the Tonhalle Orchestra Zurich, while his upcoming cello concerto for Yo-Yo Ma will premiere with the Chicago Symphony Orchestra this spring under Salonen's own direction, before going to the New York Philharmonic at home and on their European tour. -
Applied Experiments in Collaboration Along the Silk Road
This is the version of the article accepted for publication in The World of Music published by VWB: http://www.journaltheworldofmusic.com/planned.html#Sharing Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/26018 Applied experiments in collaboration along the Silk Road Rachel Harris (SOAS, University of London) Abstract This paper considers the nature of work done in performances that seek to “create bridges” across cultures and to highlight shared heritage across political borders. What agendas are privileged, and what forms of representation are entailed? I explore these issues via case studies in musical collaboration along the “Silk Road”, the ancient trade routes brought to life in the contemporary imagination to link cultures from Europe to East Asia. I privilege the perspectives of the various actors involved, arguing that careful attention to the experiences of participants serve to texture our understanding of cultural border-crossings. Music-making, as a form of embodied practice, may serve as a way of deconstructing conventional narratives but it may also serve to uphold established hierarchies. I argue that in cross-border encounters musicians draw on diverse imaginaries – learned aesthetic norms, bodily habitus and imaginative resources – casting their collaborators as musical and social others in their efforts to make sense of what they hear. Bio Rachel Harris teaches ethnomusicology at SOAS, University of London, and is series co- editor of the SOAS Musicology Series. She is the author of Singing the Village, Making a Musical Canon in Central Asia, and co-editor of Gender in Chinese Music, and Pieces of the Musical World. -
News Release
news release FOR IMMEDIATE RELEASE PRESS CONTACTS: Maggie Stapleton (ACO/EarShot) February 12, 2019 646.536.7864 x2; [email protected] Siobhan Rodriguez (Sarasota Orchestra) 941.487.2746; [email protected] EarShot and Sarasota Orchestra Present Brand New Orchestral Works by Four Emerging Composers Krists Auznieks, Nicky Sohn, Sam Wu, Kitty Xiao Saturday, March 16, 2019 at 8pm Holley Hall | 709 N Tamiami Trail | Sarasota, FL Tickets: $15 - $30 and more information available at www.sarasotaorchestra.org EarShot: bit.ly/earshotnetwork Sarasota, FL – On Saturday, March 16, 2019 at 8pm, EarShot (the National Orchestral Composition Discovery Network) and the Sarasota Orchestra present the readings of new works by four emerging composers at Holley Hall (709 N Tamiami Trail). Led by Los Angeles based conductor Christopher Rountree, the New Music Readings will be the culmination of a series of private readings, feedback sessions, and work with mentor composers Robert Beaser, Laura Karpman, and Chinary Ung. The selected composers and their works, chosen from a national call for scores that yielded 127 applicants, are Krists Auznieks (Crossing), Nicky Sohn (Bird Up), Sam Wu (Wind Map), and Kitty Xiao (Ink and Wash). Additional activities include professional development panels with the mentor composers and guests William J. Lackey of American Composers Forum, Stephen Miles of New College of Florida, and select staff from the Sarasota Orchestra administrative team. “Sarasota Orchestra is thrilled to be a partner for the ACO’s Earshot initiative and a leader on the national forefront of orchestras raising the profile of emerging composers,” said Sarasota Orchestra President/CEO Joseph McKenna. -
Women in Classical Music Symposium Sponsored by Soprano Dawn Upshaw
Dallas Symphony Orchestra Announces Inaugural Women in Classical Music Symposium Sponsored by November 6-9, 2019 Morton H. Meyerson Symphony Center in Dallas, Texas Honoring Soprano Dawn Upshaw Inaugural Recipient of the Dallas Symphony’s Women in Classical Music Award Registration Now Open at mydso.com/women Dallas, Texas (April 24, 2019) – The Dallas Symphony Orchestra (DSO) announced today the programming and guests for the inaugural Women in Classical Music Symposium. This intensive and comprehensive symposium, sponsored by J.P. Morgan, held November 6-9, 2019, in Dallas, Texas, will feature talks, a public keynote presentation and panel discussions on topics relevant to women in the classical music industry and their unique struggles and triumphs. The event will also include important networking opportunities and performances and will appeal to individuals in all roles of classical music – orchestra members, soloists, composers, conductors and administrators – with pathways for conversation and discussion. The DSO has established an award to honor individuals who are creating pathways to lift up the next generation of women and who demonstrate excellence in the field. American soprano Dawn Upshaw is the inaugural winner of the Dallas Symphony’s Women in Classical Music Award. Upshaw has achieved worldwide celebrity as a singer of opera and concert repertoire ranging from the sacred works of Bach to the freshest sounds of today. Her ability to reach to the heart of music and text has earned her both the devotion of an exceptionally diverse audience and the awards and distinctions accorded to only the most distinguished of artists. In 2007, she was named a Fellow of the MacArthur Foundation, the first vocal artist to be awarded the five-year “genius” prize, and in 2008, she was named a Fellow of the American Academy of Arts & Sciences. -
Orchestra of St. Luke's Expands Its 2018–2019 Orchestral Season With
Press Release ORCHESTRA OF ST. LUKE’S EXPANDS ITS 2018–2019 ORCHESTRAL SEASON WITH MULTIPLE CHAMBER MUSIC PERFORMANCES, NEW COLLABORATIONS, AND FREE COMMUNITY CONCERTS Bernard Labadie’s Inaugural Season as OSL’s Principal Conductor Kicks Off with Opening Carnegie Hall Series Concert on October 25, 2018 Featuring Haydn’s “Nelson Mass” and Mozart’s Requiem Chamber Music Season Opens December 2018 with Baroque Program Focused on Italian Composers, Continues with an All-Mozart Program in February 2019, and All-Mendelssohn Program in May 2019 Maestro Labadie to Receive Honorary Doctor of Musical Arts Degree from Manhattan School of Music and is Named Distinguished Artist in Conducting and Orchestral Activities The 42nd Season of Free School Concerts Introduces Public School Students to the Life and Work of Jerome Robbins, and to Music in Color's 2019 Composer Gabriela Lena Frank New York, NY, May 7, 2018 — Orchestra of St. Luke’s (OSL) today announced additional details of its 2018–2019 season—the Orchestra’s 44th—including its signature Chamber Music Series, Music in Color, and Free School Concerts celebrating the Jerome Robbins centenary. The previously announced 32nd– annual subscription series presented by Carnegie Hall opening on October 25 will mark the official start of Bernard Labadie’s tenure as Principal Conductor of the Orchestra. The series will feature a season-long focus on Haydn, a specialty of both the conductor and the Orchestra. The Chamber Music series features three programs that will be presented this year at The Brooklyn Museum, Merkin Concert Hall, The Morgan Library and Museum, and The DiMenna Center for Classical Music.