Delegate Welcome Pack 2014

Total Page:16

File Type:pdf, Size:1020Kb

Delegate Welcome Pack 2014 Delegate Welcome Pack 2014 The London Screenwriters’ Festival is proudly sponsored by 1 Welcome To The London Screenwriters’ Festival 2014! My name is Chris Jones, founder and creative director of the festival. And just like you, I love storytelling and writing screenplays. The LSF has fast become the most exciting, prestigious and largest event of its kind. Over the three days of the festival you can expect to gain a massive amount of screenwriting knowledge, make powerful new industry contacts and connect with a whole new group of like minded creatives. This pack will help you get the most from the festival. I urge you to read it as soon as you can if you want to get the most from your LSF experience. My hope and belief is that the festival will change the way you look at your writing, your career and Plan for success at hopefully your life too. So open your mind and heart and get ready for one hell of an adventure. It’s LSF 2014 going to be awesome! Promise. To get the most from the festival, you need to do some planning. While there is a TON of very cool stuff going on at the festival, we also know that many delegates miss out because they didn’t read Chris Jones the website, the emails or other messages Creative Director we send. www.LondonSWF.com That’s why we created this booklet, to give PS - There is a delegate area on the site where we you the complete lowdown in advance. share resources and updates. You will have been sent a login already for this, if not, drop Lucia an email at [email protected]. 2 3 Welcome To The London Screenwriters’ Festival 2014! My name is Chris Jones, founder and creative director of the festival. And just like you, I love storytelling and writing screenplays. The LSF has fast become the most exciting, prestigious and largest event of its kind. Over the three days of the festival you can expect to gain a massive amount of screenwriting knowledge, make powerful new industry contacts and connect with a whole new group of like minded creatives. This pack will help you get the most from the festival. I urge you to read it as soon as you can if you want to get the most from your LSF experience. My hope and belief is that the festival will change the way you look at your writing, your career and Plan for success at hopefully your life too. So open your mind and heart and get ready for one hell of an adventure. It’s LSF 2014 going to be awesome! Promise. To get the most from the festival, you need to do some planning. While there is a TON of very cool stuff going on at the festival, we also know that many delegates miss out because they didn’t read Chris Jones the website, the emails or other messages Creative Director we send. www.LondonSWF.com That’s why we created this booklet, to give PS - There is a delegate area on the site where we you the complete lowdown in advance. share resources and updates. You will have been sent a login already for this, if not, drop Lucia an email at [email protected]. 2 3 Shape of the Festival “There are indeed some The festival runs for three days from October ‘rules’ that cannot be 24th to 26th (Friday to Sunday). The days start at 9.00am and end around 7.30pm (with broken. Chief among them: networking drinks running into the evening). There will be a launch party on Thursday 23rd Don’t Bore The Audience” evening when you can also pick up your pass. The venue is Regent’s University in Regent’s Park. Ted Tally, Screenwriter On the first day of the festival, there will be a bottleneck as 700 delegates turn up to collect passes, so arrive early. We suggest no later than 8.30am on Friday 24th October. Each day, you can arrive early for breakfast (in the Refectory), and stay late for our parties (on Thursday, Friday and Saturday nights). We recommend planning for both early mornings and late evenings! Plan to be present as much as possible as the magic often happens when sharing breakfast, Wifi coffee or a drink. Regent’s University has just installed new WiFi and we hope this means there will Online be free access site wide this year. We will confirm this nearer the time. We have an official Twitter hashtag for the festival which is #LondonSWF. You can follow us on Twitter @LondonSWF Join us on Facebook too at fb.com/londonswf - do drop by and like the page, we use it for many announcements of upcoming stuff. We have a blog too - check it out at www.londonscreenwritersfestival.com/blog No Recording Please Books We record every session the speakers allow us There will be a bookstore onsite where to, so please respect their request. If it’s not being you can get signed books from our recorded by us, it’s confidential. speakers. If you think you might like to buy some books, remember to bring enough cash as the machine onsite charges £1.50 for withdrawal. 4 5 Shape of the Festival “There are indeed some The festival runs for three days from October ‘rules’ that cannot be 24th to 26th (Friday to Sunday). The days start at 9.00am and end around 7.30pm (with broken. Chief among them: networking drinks running into the evening). There will be a launch party on Thursday 23rd Don’t Bore The Audience” evening when you can also pick up your pass. The venue is Regent’s University in Regent’s Park. Ted Tally, Screenwriter On the first day of the festival, there will be a bottleneck as 700 delegates turn up to collect passes, so arrive early. We suggest no later than 8.30am on Friday 24th October. Each day, you can arrive early for breakfast (in the Refectory), and stay late for our parties (on Thursday, Friday and Saturday nights). We recommend planning for both early mornings and late evenings! Plan to be present as much as possible as the magic often happens when sharing breakfast, Wifi coffee or a drink. Regent’s University has just installed new WiFi and we hope this means there will Online be free access site wide this year. We will confirm this nearer the time. We have an official Twitter hashtag for the festival which is #LondonSWF. You can follow us on Twitter @LondonSWF Join us on Facebook too at fb.com/londonswf - do drop by and like the page, we use it for many announcements of upcoming stuff. We have a blog too - check it out at www.londonscreenwritersfestival.com/blog No Recording Please Books We record every session the speakers allow us There will be a bookstore onsite where to, so please respect their request. If it’s not being you can get signed books from our recorded by us, it’s confidential. speakers. If you think you might like to buy some books, remember to bring enough cash as the machine onsite charges £1.50 for withdrawal. 4 5 Map of the Venue, Regent’s University Don’t panic! The Venue is smaller than it looks and you will quickly get your bearings. It’s essentially a large quad with rooms on all four sides. Out back in the private gardens will be the Final Draft Marquee. Getting There The London Screenwriters’ Festival is hosted by the Regent’s University, in the heart of London and within the beautiful grounds of Regent’s Park. The address is Regent’s University, Inner Circle, Regent’s Park, London, NW1 4NS. Baker Street is the closest tube stop, around ten minutes walk to the university. There is a Google map with directions here http://goo.gl/maps/n01dk Tube Directions: Exit Baker Street tube station, take the Marylebone Road exit and turn left. Walk past Madame Tussauds, before taking the next left onto York Gate, which continues onto York Bridge. Follow the road into Regent’s Park and the main entrance to Regent’s University will be on your left-hand side. Walking time is approximately 10 minutes. Please note that Baker Street “The first draft is nothing Underground Station is not wheelchair accessible. more than a starting point, It’s not advised to travel to the venue by car as parking is expensive and restricted. Allow time to get lost on your way on the first day ;o) so be wrong as fast as you Do not lose your pass, replacements will cost £20. can” When you arrive we will also give you the most up Andrew Stanton, Director to date schedule and a map of the venue. There will also be a board with all the speakers listed on it, to and Screenwriter Remember The Clocks Change On Saturday Night jog your memory. REMEMBER, ARRIVE EARLY! On Saturday night / Sunday morning of the festival, the clocks will go back and hoorah, we And also, the clocks go back on Saturday night of all get an extra hour in bed! the festival, so you get an extra hour in bed. 6 7 Map of the Venue, Regent’s University Don’t panic! The Venue is smaller than it looks and you will quickly get your bearings. It’s essentially a large quad with rooms on all four sides. Out back in the private gardens will be the Final Draft Marquee.
Recommended publications
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Versailles: French TV Goes Global Brexit: Who Benefits? with K5 You Can
    July/August 2016 Versailles: French TV goes global Brexit: Who benefits? With K5 you can The trusted cloud service helping you serve the digital age. 3384-RTS_Television_Advert_v01.indd 3 29/06/2016 13:52:47 Journal of The Royal Television Society July/August 2016 l Volume 53/7 From the CEO It’s not often that I Huw and Graeme for all their dedica- this month. Don’t miss Tara Conlan’s can say this but, com- tion and hard work. piece on the gender pay gap in TV or pared with what’s Our energetic digital editor, Tim Raymond Snoddy’s look at how Brexit happening in politics, Dickens, is off to work in a new sector. is likely to affect the broadcasting and the television sector Good luck and thank you for a mas- production sectors. Somehow, I’ve got looks relatively calm. sive contribution to the RTS. And a feeling that this won’t be the last At the RTS, however, congratulations to Tim’s successor, word on Brexit. there have been a few changes. Pippa Shawley, who started with us Advance bookings for September’s I am very pleased to welcome Lynn two years ago as one of our talented RTS London Conference are ahead of Barlow to the Board of Trustees as the digital interns. our expectations. To secure your place new English regions representative. It may be high summer, but RTS please go to our website. She is taking over from the wonderful Futures held a truly brilliant event in Finally, I’d like to take this opportu- Graeme Thompson.
    [Show full text]
  • BBC Press & Publicity
    British Broadcasting Corporation BBC Worldwide Press Office Level 5, 6 Eden Park Drive, Macquarie Park NSW 2113 Monday March 26, 2012 UKTV ANNOUNCES A WEALTH OF AUSTRALIAN PREMIERES FOR 2012 GOING FOR GOLD, WE’LL TAKE MANHATTAN, ONE NIGHT, INSIDE MEN, FALCÓN AND NEVER MIND THE BUZZCOCKS Australia’s UKTV today announces brand new premium drama and entertainment content for 2012 including Going for Gold, We’ll Take Manhattan, One Night, Inside Men, Falcón and the ultimate irreverent music quiz show Never Mind the Buzzcocks which has never before screened in Australia. Starring Doctor Who’s Matt Smith, Going for Gold (1 x 90) is the powerful and uplifting story of how two men from very different backgrounds triumphed against the odds, capturing Olympic Gold in the double sculling and embodying the battling spirit of the 1948 London games. This is the first of three dramas with a London theme. Set over one hot summer’s night when nerves are frayed and tensions ride high, One Night (4 x 50) follows four very ordinary, but very different people whose fates become intertwined by a seemingly trivial event…with far reaching consequences. It’s winter 1962, and the cockney photographer David Bailey and unknown model Jean Shrimpton (played by Doctor Who’s side kick Karen Gillan) are sent to New York for a prestigious Vogue photo shoot. The 90 minute drama, We’ll Take Manhattan tells the story of a wild week, their love affair, terrible fights with their fashion editor – and how two young people with no such intention happened to change the world of fashion forever.
    [Show full text]
  • Ben Cogan 2015 - Freelance Casting Director
    Ben Cogan 2015 - Freelance Casting Director 2016 Trendy (Feature Film) Executive Producer: Marilena Parouti Director: Louis Lagayette 2016 Son of Perdition (Short Film) Producer: Alex Carapuig Director: Matthew Harrison 2015 Just Charlie (Feature Film) Executive Producer: Karen Newman Director: Rebekah Fortune 2015 After the Fray (Short Film) Producer: Alex Carapuig Director: Matthew Harrison 2002 - 2015 Casting Director at BBC 2006 – 2015 Casualty (183 episodes and regulars) Executive Producers: Mervyn Watson, Belinda Campbell, Jonathan Phillips and Oliver Kent Series Producers: Jane Dauncey, Oliver Kent, Nikki Wilson and Erika Hossington Producers: Various Directors: Various BAFTA nominations for ‘Continuing Drama’ in 2007 (won), 2009, 2010, 2011, 2014 and 2015. 2009 Wish 143 (Short Film) Producer: Samantha Waite Director: Ian Barnes Oscar nominated. 2008 Kiss of Death (TV Movie) Executive Producer: Patrick Spence Producer: Jane Steventon Director: Paul Unwin 2007 The Real Deal Executive Producer: Will Trotter Producer: Ben Bickerton Director: Ian Barnes 2002 – 2006 Doctors (345 episodes and regulars) Executive Producers: Carson Black & Will Trotter Series Producers: Beverley Dartnall Producers: Various Directors: Various 2005 The Trouble with George Executive Producer: Mal Young & Serena Cullen Producer: Sam Hill Director: Matthew Parkhill 2000 – 2002 Casting Assistant at BBC EastEnders (225 episodes) Executive Producer: John Yorke Series Producer: Lorraine Newman Producers: Various Directors: Various Holby City (38 episodes) Executive Producer: Mal Young Series Producer: Kathleen Hutchinson Producers: Various Directors: Various In Deep (4 episodes) Executive Producer: Mal Young Producer: Steve Lanning Director: Colin Bucksey Waking the Dead (4 episodes) Executive Producer: Alexei de Keyser Producer: Joy Spink Director: Robert Knights & Gary Love EastEnders: The Return of Nick Cotton Executive Producers: Mal Young & John Yorke Producer: Beverley Dartnall Director: Chris Bernard .
    [Show full text]
  • Scuttlebutt from the Spermaceti Press 2021
    Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress).
    [Show full text]
  • Bhasker Patel
    Bhasker Patel Bhasker is currently a regular in ITV's Emmerdale. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Roles Film Production Character Director Company KAL JISNE DEKHA LEE & THOMPSON BARE FACTS Clive Rohan Tully Brunswick Studios THE MAN INSIDE Rajiv Patel Dan Turner Man Inside Ltd TWENTY8K Uncle Sati Neil Thompson Twenty8K PIERCING BRIGHTNESS Naseer Khan Shezad Dawood Ubik Productions ASHES Indian Man Mat Whitecross Ashes SNOWDEN Sacha Oliver Stone Endgame Entertainment PULP Stan Shaun Magher & Pulp Films Bode O'Toole JUNKHEARTS Hasan Tinge Krishnan Coded Pictures ANUVAHOOD Shopkeeper Adam Deacon Anuvahood The Movie Ltd. DON'T STOP DREAMING Karan Saluja Media...What Else Ltd KIDULTHOOD Menhaj Huda A Stealth & Cipher Films Ltd PARTITION Ken McMullen Bandung / Channel 4 Films United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company IN DER KNEIPE Rose Seller C.Cay Wesnigk C.Cay Wesnigk Films TRANSATLANTIS Featured Christian Wagner Christian Wagner Films DAS LETZE ZIEGEL Featured Stefan Dahnert Jost Hering Film Production IMMACULATE Featured Jamil Dehlavi Film Four Int / C'est La CONCEPTION Vie Films A BUSINESS AFFAIR Jabool Charlotte Brandstorm Business Affair Prods. SPICY RICE/ DRAGON'S Shejad / Lead Jan Schutte / Novoskop Film / ZDF FOOD Thomas Strittmatter WILD WEST Co-Star David Attwood / Film Four Int / Initial Films Harwant Bains BEING HUMAN
    [Show full text]
  • Jarred Christmas
    Jarred Christmas COMEDIAN, WRITER, TV & RADIO PRESENTER, IMPROVISER AND ACTOR ‘BEST CHILDREN’S SHOW’ NOMINEE – LEICESTER COMEDY FESTIVAL 2017 ‘BEST COMPERE’ - CHORTLE AWARDS 2016 New Zealand Sensation Jarred Christmas is one of the most innovative and exciting stand-ups on the UK circuit. A sought-after headliner famed for his quick-witted spontaneity, masterful skills of improvisation and energetic storytelling; Jarred is a regular at the Edinburgh Festival, and at comedy clubs and International festivals around the globe. He is a regular team member at The Comedy Store’s weekly topical show The Cutting Edge and was recently named Best Compere at the 2016 Chortle Awards; scooping the title for the second time. A dynamic onstage persona combined with the ability to improvise with anything that’s thrown his way makes Jarred’s comedy sizzle with originality. Early in his career he supported both Ross Noble and Tommy Tiernan on UK tours. He has since written and performed in countless shows at the Edinburgh Festival and has toured the UK in his own right with his solo shows Jarred Christmas Stands Up and Let’s Go Mofo. He is currently playing to packed theatres across the UK hosting the All Star Stand Up Tour. The show features a world-class line-up of comedians and Jarred is honoured to be hosting the show for the second year running. Combining his superlative improv and stand-up comedy skills (not to mention vocal agility), Jarred has recently developed The Mighty Beatbox Gameshow and a child-friendly version The Mighty Kids Beatbox Gameshow which he hosts alongside acclaimed beatboxer The Hobbit.
    [Show full text]
  • 2014 BAFTA TV Awards Full List of Nominations
    NOMINATIONS IN 2014 LEADING ACTOR JAMIE DORNAN The Fall – BBC Two SEAN HARRIS Southcliffe – Channel 4 LUKE NEWBERRY In The Flesh – BBC Three DOMINIC WEST Burton and Taylor – BBC Four LEADING ACTRESS HELENA BONHAM CARTER Burton and Taylor – BBC Four OLIVIA COLMAN Broadchurch - ITV KERRIE HAYES The Mill – Channel 4 MAXINE PEAKE The Village – BBC One SUPPORTING ACTOR DAVID BRADLEY Broadchurch – ITV JEROME FLYNN Ripper Street – BBC One NICO MIRALLEGRO The Village – BBC One RORY KINNEAR Southcliffe – Channel 4 SUPPORTING ACTRESS SHIRLEY HENDERSON Southcliffe – Channel 4 SARAH LANCASHIRE Last Tango in Halifax – BBC One CLAIRE RUSHBROOK My Mad Fat Diary – E4 NICOLA WALKER Last Tango in Halifax – BBC One ENTERTAINMENT PERFORMANCE ANT AND DEC Ant and Dec’s Saturday Night Takeaway – ITV CHARLIE BROOKER 10 O’Clock Live – Channel 4 SARAH MILLICAN The Sarah Millican Television Programme – BBC Two GRAHAM NORTON The Graham Norton Show – BBC One FEMALE PERFORMANCE IN A COMEDY PROGRAMME FRANCES DE LA TOUR Vicious – ITV KERRY HOWARD Him & Her: The Wedding – BBC Three DOON MACKICHAN Plebs – ITV2 KATHERINE PARKINSON The IT Crowd – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME RICHARD AYOADE The IT Crowd – Channel 4 MATHEW BAYNTON The Wrong Mans – BBC Two JAMES CORDEN The Wrong Mans – BBC Two CHRIS O’DOWD The IT Crowd – Channel 4 Arqiva British Academy Television Awards – Nominations Page 1 SINGLE DRAMA AN ADVENTURE IN SPACE AND TIME Mark Gatiss, Matt Strevens, Terry McDonough, Caroline Skinner – BBC Wales/BBC America/BBC Two BLACK MIRROR: BE RIGHT BACK
    [Show full text]
  • SELINA MACARTHUR Editor
    (7/20/21) SELINA MACARTHUR Editor www.selinamacarthur.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THIS IS GOING TO HURT” Lucy Forbes AMC Networks Naomi De Pear (Series) Tom Kingsley BBC James Farrell Sister Pictures Adam Kay “THE ELECTRICAL LIFE OF Will Sharpe Amazon Studios Adam Ackland LOUIS WAIN” StudioCanal Leah Clarke SunnyMarch Guy Heeley “CATHERINE THE GREAT” Phillip Martin HBO Christine Healy (Mini-Series) Sky “BLACK MIRROR: USS Toby Haynes Netflix Charlie Brooker CALLISTER” Ian Hogan (Season 4, Episode 1) Louise Sutton Winner: Primetime Emmy for Editing for a Limited Series or a Movie “FLOWERS” Will Sharpe Channel 4 Jane Featherstone (Seasons 1 & 2) See So Naomi De Pear Winner: RTS Craft Award for Best Editing Diederick Santer “THE BISEXUAL” Desiree Akhavan Channel 4 Katie Carpenter Hulu Naomi De Pear Jane Featherstone “TIN STAR” Grant Harvey Sky Atlantic Alison Jackson (Season 1, Episode 6) Rowan Joffe Cameron Roach Diedrick Santer “HUMANS” Carl Tibbetts AMC Jonathan Brackley (Season 2, Episodes 3 & 4) Channel 4 Chris Fry Lars Lundström Henrik Widman “COLD FEET” Juliet May ITV Kenton Allen (Season 6, Episodes 3 & 4) Mike Bullen Rebecca Ferguson Matthew Justice “HARRY PRICE: GHOST Alex Pillai Bentley Productions Jack Lothian HUNTER” ITV Studios Denise Paul (TV Movie) Jo Wright “JEKYLL & HYDE” Stewart Svaasand ITV Studios Charlie Higson (Mini-Series, Episode 10) Emily Russell Louise Sutton (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (7/20/21) SELINA MACARTHUR Editor - 2
    [Show full text]
  • John Yorke Interview Part 1.Pdf
    INTERVIEW: JOHN YORKE J Friedmann The Yorkie bar kid JohnYorke When the BBC announced two years ago that John Yorke had developing younger-skewing drama series and serials. been appointed Controller of In-House Drama, Alan Yentob, Nicolas Brown would join BBC In-House Drama in the the Director of Drama, Entertainment and Children's, said that newly-created role of Director of Drama Production and Sally the move would bring together all BBC England In-House Woodward Gentle would become Creative Director in charge Drama Production into a single department. Yorke would have of all development in the department. special responsibility for continuing drama series and sin- Alan Yentob said: 'The new department will become the gles and would be joined by Kate Harwood, Executive largest developer and producer of drama in the UK with the Producer, EastEnders, as Head of Series and Serials. broadest range of output and best array of talent.' Diederick Santer was subsequently appointed Executive So, two years later, ScriptWriter magazine asked John Yorke Producer, EastEnders, with additional responsibility for what it was like coming back to the BBC after being at Channel 4. March 2007 39 INTERVIEW: JOHN YORKE John Yorke: Coming back was very writer - an incredibly experienced writer - encourage them, you’re going to find exciting. Channel 4 is a fantastic place to Tony McHale, who is absolutely in charge yourself in a real hole eventually. work but you don't get to make very of the entire direction of the show. On much. So I went from a team of eight EastEnders we created a core writing JF: So what you are saying is that you are people making 26 hours of drama a year group of twelve writers who each write allowing a group of writers to have much to a team of about 300 people making twelve episodes a year and it is they who more hands-on control: you have your 400 hours of drama.
    [Show full text]
  • BB Fou St S BB CT Ur Ser BC O Thr Rvi on Ree Ce Ne, Ea BB Nd BC
    BBC Trust service review: BBC OnOne, BBC Two, BBC Three and BBC Fouru Consultation Questions November 2013 Getting the best out of the BBC for licence fee payers Introduction to the consultation Background The BBC Trust works on behalf of licence fee payers to ensure that the BBC provides high quality services and good value for everyone in the UK. One of the ways we do this is by carrying out an in-depth review of each of the BBC's services at least once every five years. This consultation is part of our review of BBC television. It will help us to get the views of licence fee payers on BBC One, BBC Two, BBC Three and BBC Four. What do you think are the strength of the channels and what should the BBC do to make these television services better? How to take part in the consultation The simplest way to take part in the consultation is by completing the questionnaire online at www.bbc.co.uk/bbctrust/have_your_say/ If you cannot reply online, you can return it to us using the enclosed pre-paid envelope at BBC Trust, Television Services Consultation, 180 Great Portland Street, London W1W 5QZ. To request a questionnaire in audio or braille please call 0800 0680 116 or Textphone 0800 0153 350. The consultation is open until 14th Feb 2014, we are unable to accept responses after this date. You can answer as many or as few questions as you wish. What happens next? Once the consultation closes, we will analyse the responses, alongside a range of other information that we are collecting as part of this review.
    [Show full text]
  • Women Directors – Who’S Calling the Shots?
    Women Directors – Who’s Calling the Shots? Women Directors in British Television Production A Report by Directors UK May 2014 Contents Page 1. Executive Summary 2 2. About Directors UK/ Background to the Research 4 3. Women Directors and Employment: The Data 5 4. Drama 11 5. Entertainment and Comedy Programmes 14 6. Children’s Programmes 17 7. Factual Programmes 18 8. Why is this happening? Responses to Findings 21 9. Recommendations 24 10. Appendix Gender make-up of the UK’s film and television Directors 28 Maintaining a Career as a Director 29 Production Companies 30 Methodology 31 Children’s programmes featured in this report 31 Drama programmes featured in this report 33 Entertainment/Comedy programmes featured in this report 36 Factual programmes featured in this report 38 Women Directors – Who’s Calling the Shots? A Report by Directors UK 1. Executive Summary This study, conducted throughout 2013, examined a range of television programmes produced by BBC, ITV Studios, and six leading independent production companies; All3Media, Endemol, Fremantle, Kudos, Shed and Zodiak. The study provides a snapshot of employment patterns and practices on programmes transmitted up to December 2012. The data is drawn from programme credits for UK commissioned television programmes, matched with the most comprehensive database of directors working on those programmes. It shows a worrying decrease in employment for women directors in the most recent 2 years analysed (i.e. 2011 and 2012), specifically in drama, entertainment and comedy. Key findings 0% Women directors have ever worked on many popular dramas and entertainment shows. 13% Drama episodes directed by women in 2011 and 2012, down from 14% of the total sample1.
    [Show full text]