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Judith Leiber
Judith Leiber Line and Shape Judith Leiber : Line and Shape “I was determined to make my bags as beautiful as possible in line and shape, without ever compromising on materials and workmanship. I have never swerved from that goal” Judith Leiber I grew up in Budapest, Hungary. My father used to work for because he was not sure that Switzerland would remain the Kereskedelmi Bank, where he was a general manager, and independent from the Nazis. So he moved to America and he was very, very successful. He did a great deal of traveling opened a pastry business. at that time. He used to go to the West, to Spain and France I wasn’t terribly interested in fashion in high school. I became and England and Italy, and he was a great businessman. interested in fashion really when I was in London in 1938. I Eventually he retired from banking and went into the jewelry became very interested in clothing and I liked the way it business. looked. But still, I had clothes that were very good that my My mother never worked. She was a housewife. She used to mother bought. When I was young my mother bought all my play bridge with her friends and she played tennis in the clothes, of course. summertime. She also worked on our education, my sister I never finished high school. My parents sent me to England Eva’s and mine, and she was very successful at teaching us. in 1938 at 17 to take the Matriculation Exam, the university We had a very nice apartment in Pest. -
Judith Leiber Handbags
J U D I T H L E I B E R H A N D BAG S L E I B E R M U S E U M JUDITH LEIBER’S ARTFUL HANDBAGS By Jeffrey Sussman There are many highly accomplished artists in a wide variety of fields: painting, sculpture, music, literature, photography, film, architecture, etc. In the creation of artful handbags, however, there is only Judith Leiber; she is entirely sui generis. Prior to the creation of beautiful handbags that are works of art, handbags had been, at best, stylish and fashionable. The handbags of Judith Leiber go beyond fashion, indeed, even beyond style. The bags are regarded by highly respected museum curators the world over as works of art. It is why the bags are in the permanent collections of such museums as the Smithsonian, The Metropolitan Museum of Art, The Corcoran Gallery, and The Victoria and Albert Museum, among various others. Dennis Kois, the former exhibition designer at the Corcoran Gallery of Art and now Executive Director of the deCordova Museum in Massachusetts, wrote: “Mrs. Leiber’s work was shown at the [Corcoran] because she is among the few fashion designers in the world whose work transcends craft and enters the realm of art.” And Dr. Valerie Steel, Director and Chief Curator of the Museum at FIT, wrote: “Judith Leiber is one of the world’s most important handbag designers. Her name is synonymous with a certain kind of evening bag known as a minaudiere, which is made of metal or other hard materials and usually highly decorated or bejeweled. -
Fall 2019 Rizzoli Fall 2019
I SBN 978-0-8478-6740-0 9 780847 867400 FALL 2019 RIZZOLI FALL 2019 Smith Street Books FA19 cover INSIDE LEFT_FULL SIZE_REV Yeezy.qxp_Layout 1 2/27/19 3:25 PM Page 1 TABLE OF CONTENTS RIZZOLI Marie-Hélène de Taillac . .48 5D . .65 100 Dream Cars . .31 Minä Perhonen . .61 Achille Salvagni . .55 Missoni . .49 Adrian: Hollywood Designer . .37 Morphosis . .52 Aēsop . .39 Musings on Fashion & Style . .35 Alexander Ponomarev . .68 The New Elegance . .47 America’s Great Mountain Trails . .24 No Place Like Home . .21 Arakawa: Diagrams for the Imagination . .58 Nyoman Masriadi . .69 The Art of the Host . .17 On Style . .7 Ashley Longshore . .43 Parfums Schiaparelli . .36 Asian Bohemian Chic . .66 Pecans . .40 Bejeweled . .50 Persona . .22 The Bisazza Foundation . .64 Phoenix . .42 A Book Lover’s Guide to New York . .101 Pierre Yovanovitch . .53 Bricks and Brownstone . .20 Portraits of a Master’s Heart For a Silent Dreamland . .69 Broken Nature . .88 Renewing Tradition . .46 Bvlgari . .70 Richard Diebenkorn . .14 California Romantica . .20 Rick Owens Fashion . .8 Climbing Rock . .30 Rooms with a History . .16 Craig McDean: Manual . .18 Sailing America . .25 David Yarrow Photography . .5 Shio Kusaka . .59 Def Jam . .101 Skrebneski Documented . .36 The Dior Sessions . .50 Southern Hospitality at Home . .28 DJ Khaled . .9 The Style of Movement . .23 Eataly: All About Dolci . .40 Team Penske . .60 Eden Revisited . .56 Together Forever . .32 Elemental: The Interior Designs of Fiona Barratt Campbell .26 Travel with Me Forever . .38 English Gardens . .13 Ultimate Cars . .71 English House Style from the Archives of Country Life . -
HANDBAGS-Sample-Spreads.Pdf
legendary designs from azzedine alaïa to yves saint laurent HANDBAGS A Love Story monica botkier Handbags_5p_hires.indd 2-3 5/24/17 11:06 AM INTRODUCTION remember the first time I fell in love . with a bag. It was locked away inside a glass tower at Bergdorf Goodman on the main floor. I strolled through, as I usually do every time the seasons and the collections change, and noticed this buttery soft brown hobo with impeccable stitching, a confident slouch, and the most alluring antique-like horn handle attached by simple rings on each side. It was everything I wanted to be: sophisticated, well traveled, exotic. That bag represented all my dreams. I had to have it. The bag was Yves Saint Laurent’s Mombasa, designed by the sexiest of designers, Tom Ford. I went to visit it every day for a week until I finally convinced myself that buying it was more important than paying the rent. Once I was the proud owner of my first designer bag, I began to notice how many otherI women had one. I also started to see bags for their color, size, condition, and brand. Designer bags had become my addiction, and I was inducted into a secret society that came with its own silent language spoken between members in knowing nods and glances of approval—in the streets, on the subway, at restaurants. Men have various trophies—cars, watches—and women have bags. It’s true that bags are practical—they protect our belongings and carry us through the day—but they also reveal taste, power, and status. -
An Analysis of Media Coverage of First Ladies
FIRST IMPRESSIONS: AN ANALYSIS OF MEDIA COVERAGE OF FIRST LADIES AND THEIR INAUGURAL GOWNS FROM JACKIE KENNEDY IN 1961 TO MICHELLE OBAMA IN 2009 by AMY SULLIVAN DIANNE BRAGG, COMMITTEE CHAIR CHRIS ROBERTS, COMMITTEE CO-CHAIR AMANDA THOMPSON A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Journalism and Creative Media in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2018 Copyright Amy Sullivan 2018 ALL RIGHTS RESERVED ABSTRACT The Presidential Inaugural Ball is a special moment for every president’s wife because it is her first official public appearance as first lady of the United States. Historically, the manner in which the first lady presents herself in the way she dresses often contributes to her public image. Scrutiny from the media includes a focus on what she wears to the inauguration, as well as examination and analysis of her inaugural ball gown that evening. The gowns have a tradition of setting the tone for the first lady in the new administration as well as providing glimpses of a first lady’s personality. The gown gives the world a look at her personal style and a glimpse at her potential influence on fashion trends. Most first ladies recognize and understand the expectations of the role and what it means to the public. Some, however, have questioned why their appearance should matter so long as they are true to themselves. In positions of power, though, appearances are important because the media can use fashion as a lens to filter and interpret information to the public.