Kennedy and Garter in Florida: an Undemogatic Encounter a Pre- Nursery-School Guide for the Teachable Twos
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Profiles in Style
PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ. -
Baird, Alison 2019
IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE INFAMOUS RED VELVET ROPE CULTURE AT STUDIO 54 A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alison P. Baird Washington, D.C. April 15, 2019 IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE NOTORIOUS RED VELVET ROPE CULTURE AT STUDIO 54 Alison P. Baird Thesis Adviser: Ellen Gorman, Ph.D. ABSTRACT Studio 54, the infamous New York City discotheque open from 1977 to 1980, was a notorious site in New York City for not only being one of the most sought-after venues in nightlife, but also for its ruthless red velvet rope culture. Disco was a defining artifact in American culture in the 1970s and greatly reflected the social and political atmosphere across the country. With the culmination of various political upheavals such as the Vietnam War and the Watergate Scandal, many Americans simply wanted to party, use drugs, and openly explore their sexuality. Studio 54 was, arguably, the most influential and well-known of the many discos— admired and loathed by those within and on the outside of the disco scene. Many outsiders and eager spectators observed the club as exclusionary and dictator-like. This thesis deconstructs the red velvet rope culture and analyzes the innate behavior and qualities of the clubbers with the aim to understand how these people contributed to the tremendous popularity of Studio 54. Gossip columns, newspapers, tabloids and archived footage offers compelling insight to the way of the disco-door as well as the qualities and behaviors that club goers possessed as such to gain admission. -
South London Artists Francesca Gavin Reports
I I "' FINDERS KEEPERS Miami's power collecting couple are exploring new avenues of art with a maverick insider. south london artists Francesca Gavin reports. Portrait by Lea Crespi usband and wife Don and Mera also with Ian Schrager, of Morgans Hotel before there are reviews, before there Rubell are acknowledged art Group - the couple inherited his interests are incentives". The couple's quest has royalty. With over 50 years of and later launched their own successful recently brought them to south London. collecting under their belt, they hotel group with a number of properties "There's something very powerful in have supported generation- in their home town of Miami. As their going into a new neighbourhood," Hdefining artists at key moments early in business prospects grew, so did their art says Mera. ''Art feels good when it's their careers, such as Jeff Koons, Keith collection - the publicly accessible Rubell part of a reinvention, a revitalisation. Haring and Jean-Michel Basquiat. Where Family Collection (RFC) now comprises We are very, very excited." the Rubells go, everyone else is quick to over 7,000 works and is housed in a They began working with London- follow. When they first started collecting, 3,750sq m space. The couple was also based Eugenio Re Rebaudengo, the Don worked as a doctor, while Mera was instrumental in setting up the Miami founder of digital art platform Artuner, a teacher. They began their collection outpost of Art Basel and is generally after visiting his Studioscape project in soon after marrying in 1964, always agreed to have had a huge influence on 2015. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020 Monday October 12, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died The Big Interview Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The The Band’s Robbie Robertson - Jethro Tull’s Ian Anderson sits down with Dan Rather to talk about King of Pop.” His contributions to music, dance, and highly publicized personal life made him a his five decades as a progressive rock idol. global figure in popular culture for over four decades. 9:00 AM ET / 6:00 AM PT 5:30 PM ET / 2:30 PM PT Deep Purple’s: The Ritchie Blackmore Story A Year in Music From his pop roots with The Outlaws and his many session recordings in the sixties, through 1964 - Actor, writer, and musician, Tommy Chong dives into 1964: the year The Beatles took defining hard rock with Deep Purple and Rainbow in the seventies and eighties and on to the over, Motown Records became a driving force, and The Rolling Stones made their debut. Plus, a renaissance rock of Blackmore’s Night, Ritchie has proved that he is a master of the guitar across look at how political and social changes influenced pop music. a multitude of styles. This is the definitive story of a true guitar legend. 6:00 PM ET / 3:00 PM PT 10:20 AM ET / 7:20 AM PT The Big Interview Robert Plant And The Strange Sensation Edward Norton - Academy Award winner Edward Norton’s life is much more than Hollywood. -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T. -
FILM / VIDEO REVIEWS Dead Boys Live DVD Review [MVD] by Oct 18, 2006, 15:17
Dead Boys Live DVD review [MVD] Page 1 of 1 FILM / VIDEO REVIEWS Dead Boys Live DVD review [MVD] By Oct 18, 2006, 15:17 DEAD BOYS LIVE! AT CBGB 1977 directed by Rod Swenson; Music Video Distributors, 2004 DVD In the 1980’s, long before cult followings were manufactured overnight by a couple of internet bloggers, when the idea of a retail chain that only sold coffee was laughable, and before there was a hit Broadway show called Hairspray, there was a movie called Polyester. Director John Waters delivered something in Polyester, which seemed to speak directly into my teenage ear. Much to my mother’s disgust, that film regularly filled the screen of our living room TV. It was practically a religious experience for this high school outcast who played in a naive punk rock band. My favorite character by far was Bo-Bo Belsinger. At the time, I had no idea Bo-Bo was played by Stiv Bators and I would soon discover that Bators was the typecast front man for the Dead Boys… an ever-present band in my adolescent years. Fast forward 25 years as I pop this Dead Boys DVD into my new broadband enabled MacBook Pro with my HD television glowing in the background. Instantly time warped to 1977, I witness Cheetah Chrome attack his guitar with precision guided machine gun picking as the band kicks off the set with “Sonic Reducer.” Still fucking kills. Immediately apparent is that this CBGB signified something other than a t-shirt logo and Hilly Kristal’s epic landlord dispute. -
TSENG Kwong Chi Curiculum Vitae (Full)
TSENG Kwong Chi Curiculum Vitae (full) As of October 2020 History - Education - Awards: Page 2 Solo Exhibitions: Page 3-4 Selected Group Exhibitions: Pages 5-13 Performances: Page 14 Film & Video: Page 14 Selected Public Collections: Page 15 Selected Private/Corporate Collections: Page 16 Artists’ Monographs: Page 17 Selected Books & Catalogue: Pages 18-21 Selected Bibliography (previews, reviews, feature articles): Pages 22-27 1 Tseng Kwong Chi Born in Hong Kong, 1950. Left Hong Kong with family in 1966. Educated in Hong Kong; Vancouver, Canada; Montréal, Canada; Paris, France. Settled in New York City, New York 1978. Died in New York City, New York 1990. EDUCATION Ecole Supérieure d’Arts Graphiques, L’Académie Julian, Paris, France Sir George Williams University, Montreal, Canada University of British Columbia, Vancouver, Canada AWARDS Yale Brachman Award for Distinguished Cultural Contribution, Timothy Dwight College, Yale University, New Haven, Connecticut Award for Distinguished Work, Asian American Arts Institute, New York City 2 SOLO EXHIBITIONS 2020 TSENG KWONG CHI: East Meets West, Yancey Richardson Gallery, New York, NY Two Friends: Tseng Kwong Chi and Keith Haring, Galerie Hervé Perdriolle, Brussels, Belgium (catalogue) Tseng Kwong Chi: East Meets West 2020, Ben Brown Fine Arts, Hong Kong 2016 Tseng Kwong Chi: Ambiguous Ambassador, Carroll and Sons Gallery, Boston, MA 2015-16 Tseng Kwong Chi: Performing for the Camera, Grey Art Gallery, New York University, NY; Chrysler Museum of -
Allmusic ((( Live! at CBGB OMFUG:1977 > Review
allmusic ((( Live! At CBGB OMFUG:1977 > Review ))) Username [E-mail Address] Password [Forgot Password?] Log me in automatically. Home Search Help Center Questions? OverviewReviewCreditsChart & Awards Live! At CBGB OMFUG:1977 Send to Friend jump to allmovie Dead Boys jump to allgame Review by Greg Prato Very little pro-shot, color footage exists of the first wave of CBGB's bands, let alone a full show. But the Dead Boys were one of the few lucky acts to have had an entire show taped (which was done originally for a TV special on the punk rock movement), and the results can now finally be sampled in their entirety on the Live at CBGB 1977 DVD. Perhaps since they knew they were being filmed that night, the bandmembers pull no punches in this performance, especially Stiv Bators, who hands in such an over the top performance that he often collapses on-stage at the end of the numbers. Also interesting is to see what an authentic CB's crowd looked like way back when — few to no Mohawks or safety pins are detected — for the most part, just a regular-looking crowd. Taped right around the time of the release of the group's classic debut, Young Loud & Snotty, many of the expected early faves turn up here in turbocharged form, including "Sonic Reducer," "All This and More," and "What Love Is," as well as an explosive set-closing cover of the Stooges' "Search and Destroy." Also included as a bonus are interviews with all of the group's bandmembers from the same day of the show, as well as a modern-day chat with Cheetah Chrome. -
Never Mind the Sex Pistols, Here╎s CBGB the Role of Locality and DIY
Vassar College Digital Window @ Vassar Senior Capstone Projects 2020 Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene Ariana Bowe Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Bowe, Ariana, "Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene" (2020). Senior Capstone Projects. 1052. https://digitalwindow.vassar.edu/senior_capstone/1052 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Bowe 1 Vassar College Never Mind The Sex Pistols, Here’s CBGB The Role of Locality and DIY Media in Forming the New York Punk Scene A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Media Studies. By Ariana Bowe Thesis Advisers: Professor Justin Patch May 2020 Bowe 2 Project Statement In my project, I will explore the New York City venue CBGB as one of the catalysts behind the rise of punk subculture in the 1970s. In a broader sense, I argue that punk is defined by a specific local space that facilitated a network of people (the subculture’s community), the concepts of DIY and bricolage, and zines. Within New York City, the locality of the punk subculture, ideas and materials were communicated via a DIY micro-medium called zines.