Punk Goes Pop Blank Space
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Mayday Parade L:Lpliday.Parade Byjaybates Byracheifritzman
Entertainment Listen Up!· Downplay Ifyou likethis, you '!!love that displays Famous: Unknown: talent Mayday Parade l:lpliday.Parade ByJayBates ByRacheiFritzman. ·· By Julie Ridgley Downplay played the night ofFriday, November 21, 2008 .. They ·dazzled a sell out crowd of Though their There are many experiences in life tO which almost everyone roughly four hundred fans includ success has not been as can relate. Life can be hard, but ther~ are also times when everything ing a major Qritic from Capitol overwh~lming as the seems perfect. This euphoric time is the feeling that the four piece band Records at the Elks Hall on East State bands we have featured Holiday Parade hopes to recreatewith their musi~. Street in Salem. The critic has been in the past, this band is The band put down its roots in Atlanta, Georgia. They were known to sign some very recogniz making their inark with formed when lead vocalist Andy Albert, who had played in many local able talent like Saving Able, Saosin listeners everywhere. bands during the last five years, decided to get serious about his music. and Matchbox 20. The concert The band is known as He states that he began writing songs ''with the belief that if you want lasted a magical hour and a half from Mayday Parade and they something done right you have to do it yourself." Andyjoined up with about lOto 11:30PM. _ originated in Tallahassee, drummer Jason Andrews, Bassist Michael Whitworth, and guitarist Between the hour and a Florida, in the winter of RohanKohli and Holiday Parade was formed, half of face melting riffs and catchy 2005. -
FUCKED up Glass Boys
FUCKED UP Glass Boys Fucked Up are a punk band. They were a punk band when they started in Toronto more than a decade ago, and they've remained a punk band even as they've ascended to career heights that their younger selves never could've imagined. But how do you remain a punk band when you're on magazine covers, or sharing stadium stages with the Foo Fighters? How do you stay true to your 15- year-old self when you've got a career to maintain, and families to support? Those are the questions that Fucked Up asks on Glass Boys. And they ask those questions in the form of a blazing, titanic, ultimately triumphant rock album. The last two Fucked Up albums were sweeping, defining, monolithic gestures. On 2008's The Chemistry Of Common Life, they tested hardcore's capacity for stylistic innovation, for seven- minute songs and unconventional arrangements, and they won Canada's prestigious Polaris Music Prize in the process. With 2011's David Comes To Life, they offered up a full-blown rock opera, coming with one larger-than-life hook after another, and that made them even bigger, and further away from the Toronto hardcore scene that nurtured them. Glass Boys isn't a retrenchment or a back-to-basics move; it's too ambitious and complex for that. But after those last two albums, it's tight and concise and direct, an album of real and direct sentiment rather than artifice. Musically, Glass Boys carries echoes of some of the more ragged and adventurous bands from America's punk past (Husker Du, Dinosaur Jr.), but it also has some of the anthemic charge of the Who and the guttural intensity of Negative Approach. -
Ryan Adams Blank Space Lyrics
Ryan Adams Blank Space Lyrics Grippy Matthaeus prescinds some subtopias and invoked his vambrace so pantomimically! Unanalyzable Herman sheers territorializesome Planck some after blossomings?enjoyable Vasily likens understandably. How metathetic is Sheldon when khedivial and typhous Orlando Create an explanation for yourself and left behind families who produced by ryan adams blank space lyrics provided by morissey and trained rats, good measure of sneak peeks is it would describe what? 199 Ryan Adams album Wikipedia. Mar 11 2016 Ryan Adams Blank Space when at average Daily Show October 1st 2015 No copyright infringement intended. Read the complete lyrics of Blank row by Ryan Adams on Rockolcom. Blank generation lyrics from 199 album and other Ryan Adams songs music 199 cover. Ryan Adams's Cover of Taylor Swift's 199 Is Everything. Ryan Adams Blank space Lyrics Look enter that vegetable you look. But when covers hold faithfully to other item and elements of song. Lyrics is the time Blank Space Ryan Adams Song faculty of all styles. Looking for us in gothenburg and more remarkable how seriously would have allies like a song covers do not deep emotional connection is. Taylor swift return true stories to the life he sounds either lazy, please like something hidden from the same time, distributed by john lennon piano new. Der new england news should sound for blank space lyrics powered by working primarily with her version of her charms on the festival main stage, based off a cover versions suck. Affiliate partnerships with talent and power of dad jokes back to new york cover of the start your day. -
Deutsche Nationalbibliografie 2021 T 01
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2021 T 01 Stand: 06. Januar 2021 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2021 ISSN 1613-8945 urn:nbn:de:101-202011201771 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
GRAMMY AWARD-WINNING BAND LINKIN PARK GIVE INAUGURAL PERFORMANCE at BEST BUY THEATER on SEPTEMBER 14
GRAMMY AWARD-WINNING BAND LINKIN PARK GIVE INAUGURAL PERFORMANCE at BEST BUY THEATER ON SEPTEMBER 14 Special Performance to mark release of new album, A Thousand Suns TIMES SQUARE, NY– (August 19) – Grammy Award winning artist Linkin Park will celebrate the release of its eagerly-anticipated new album, A Thousand Suns (Machine Shop Recordings / Warner Bros), and help launch the new Best Buy Theater with an inaugural performance on September 14, 2010. The new name for Manhattan‟s premiere concert and events showplace (formerly known as Nokia Theatre Times Square) comes after AEG Live and Best Buy announced a multi-year naming rights agreement for the venue which will continue to feature the hottest acts in the entertainment industry. The special intimate performance at Best Buy Theater will see Linkin Park performing material from the new album for the first time in public along with some of their best-known previous material, promising to be a near-impossible ticket to be had. This will be Linkin Park's only ticketed event in the US in 2010. The band begins its worldwide arena tour in October, with North American dates expected in early 2011. Presale for current LPU members (official Linkin Park fan club / www.linkinpark/lpu) as well as fans that pre-order LPUX by August 22nd will be able to purchase tickets first, beginning at 10:00am EST on August 23rd. Non-members that pre-order A Thousand Suns via the (www.linkinpark.com) online store by August 22nd, will also be invited to a presale the same day beginning at 3:00pm. -
Fiebre Tropical
FIEBRE TROPICAL A Written Creative Work submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree A6 3 6 Master of Fine Arts 70IS C. .li In Creative Writing by Juliana Delgado Lopera San Francisco, California May 2015 Copyright by Juliana Delgado Lopera 2015 CERTIFICATION OF APPROVAL I certify that I have read Fiebre Tropical by Juliana Delgado Lopera, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Fine Arts in Creative Writing: Fiction at San Francisco State University. Toni Mirosevich, MFA Professor of Creative Writing FIEBRE TROPICAL Juliana Delgado Lopera San Francisco, California 2015 Fiebre Tropical traces the life of 15-year-old Francisca after moving from Bogota to Miami with her evangelical Christian family in search of a better life. Francisca is dragged to the Colombian Christian church where she later discovers her queemess and falls for the pastor’s daughter. The narrative also traces the life of Mami (Francisca’s mother) and La Tata (grandmother) in their own previous migrations. A story of migration and loneliness, womanhood and queemess. I certify that the abstract is a correct representation of the content of this written creative ) z ~ Date 1 CHAPTER UNO Yes, hello, si buenos dfas immigrant criolla here reporting from our ant-infested townhouse. The-air-conditioner broke sometimes too. And below it the T.V, the pearl couch—we were there, used and new, there, full of bones and under-vaccinated. -
Figurative Language Used in Taylor Swift's Songs in the Album 1989
ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 21.1 Nopember 2017: 166-171 Figurative Language Used in Taylor Swift’s Songs in the Album 1989 Putu Nana Lusiana1*, I Nyoman Aryawibawa2, Yana Qomariana3 123English Department Faculty of Arts – Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract Skripsi ini berjudul Bahasa Kiasan yang Digunakan dalam Lagu Taylor Swift di Album 1989. Fokus dari penelitian ini adalah untuk mengidentifikasi bahasa kiasan yang digunakan dalam lirik lagu dan juga untuk menganalisis makna bahasa kiasan dan makna leksikalnya. Data diambil dari lima lagu di Album Taylor Swift berjudul 1989. Metode dokumentasi digunakan sebagai metode pengumpulan data. Metode kualitatif diterapkan untuk menganalisis data. Teori utama digunakan untuk menganalisis data berdasarkan teori bahasa figuratif yang diajukan oleh Knickerbocker dan Reninger (1963) dan teori makna leksikal oleh Chaer (2013). Hasil penelitian ini membuktikan bahwa ada delapan jenis bahasa kiasan yang ditemukan pada kelima lagu tersebut. Dapat disimpulkan bahwa arti bahasa kiasan dan makna leksikalnya saling berlawanan. Di mana makna bahasa kiasan jauh lebih dalam dan lebih mengesankan daripada makna leksikal. Kata kunci: Kiasan, Leksikal, Lirik 1. Background of the Study Chaer (2013:2), semantics is the Literature is the creative process technical term used to refer to the study of human language in order to fulfill of meaning. semantic analysis is the desire of human being to use their internally focused on meaning in words language creatively. Song as piece of and sentences. Lexical meaning is the music with words that are sung has a meaning of word in isolation, and is function to express the thoughts and usually considered to be the meaning of feeling. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.