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Film Forever 2012-2017

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Film Forever 2012-2017 BFI MEASURES OF SUCCESS How well are we doing? BFI STRATEGIC PLAN FILM FOREVER 2012-2017 The BFI’s five year plan for UK film is set out Film Forever published in Film Forever. (October 2012) The plan covers all BFI activity and is centred By 2017 the BFI aims to have: around three strategic priorities. This booklet explains the targets we set ourselves to deliver by 2017 • Ensured that a new education offer is available to every school and our progress to date in achieving them. in the UK and 25% of all young people are actively engaged • Increased the size, diversity and geographic spread of BFI The BFI’s strategic priorities are: audiences for film • Expanding education and learning and boosting audience • Funded a range of British films and talent which will have choice across the UK won major domestic and international awards • Supporting the future success of British film by investing • Supported an increase in the diversity of talent in film development, production talent and skills • Helped increase the total level of inward investments • Unlocking film heritage for everyone in the UK to enjoy and exports by investing in preservation, digitisation, interpretation and access • Increased by 25% the number of visits and reach to BFI content digitally We also aim to: • Digitised and made available 10,000 significant heritage titles • Make a difference through partnerships, leadership and advocacy • Increased, year-on-year, the total amount of charitable income to the BFI • Support our activities with fundraising and philanthropy • Ensured that 80% of key partners consider the BFI as either very effective or effective BY 2017 THE BFI AIMS TO HAVE… Ensured that the new education offer is available to To have increased the geographic spread of Audiences every school across the UK and that 25% of all young viewing British independent and specialised film people are actively engaged (in the BFI 5-19 education through BFI interventions (in venue and publishing) scheme) Scotland North East 2012-13 2015-16 2012-13 2015-16 0.1m 0.3m 0.2m 0.6m Northern Ireland Yorkshire 2012-13 2015-16 2012-13 2015-16 2016 0.1m 0.3m 0.6m 1.1m 9,042 East Midlands ACTIVE FILM 2012-13 2015-16 2017 CLUBS West Midlands 0.2m 0.6m 0k 15k 2012-13 2015-16 0.4m 0.2m East of England 2012-13 2015-16 Wales 0.3m 0.2m 2012-13 2015-16 0.4m 0.6m London 2012-13 2015-16 1.4m 1.6m South West 2012-13 2015-16 South East 0.4m 0.6m 2012-13 2015-16 0.3m 1.1m 2013-14 13% 5% OF YOUNG PEOPLE ACTIVELY ENGAGED 2014-15 12% 2015-16 13% 2016-17 25% BY 2017 THE BFI AIMS TO HAVE… To have helped increase the total level of inward To have helped increase the total level of exports, investment by generating new business from by generating new business from emerging target markets emerging target markets Inward Investment Exports £1.5bn £1.5bn £1. 4 b n £1. 2 3 b n £1. 3 b n £1.17 b n £1.17 b n £1.0bn £1.0bn £868m £671m £500m £500m 2012-13 2013-14 2014-15 2016-17 2012-13 2013-14 2014-15 Large increase from non-US ‘tier 1’ priority territories: Increase in exports to N. America £797m in 2014 (£639m 2012); Brazil and China: 2012 – under £100k; 2015 – £1.9m Decline in exports to Europe £542m in 2014 (£601m in 2012) and Asia £60m in 2014 (£77m in 2012) BY 2017 THE BFI AIMS TO HAVE… To have increased the size and geographic reach To have increased by 25% the number of visits of Audiences viewing British independent and and reach to BFI content digitally specialised film through BFI interventions Number of visits to BFI content (digitally) 10m 20m 19.4m (+115%) 7.6m 16.3m (+ 81%) Outside London 5m 4.6m 80% 10m 10.9m (+21%) 9m (base) Outside London 71% 0 0m 2012-13 2015-16 2012-13 2013-14 2014-15 2015-16 Audiences to activities supported by the BFI has grown 65% in-venue and bfi.org.uk – 15.9m views (+25%) publishing: 4.6 million (2012/13) to 7.6 million (2015/16) Proportion of audiences from outside London 80% in 2015-16 (71% in 2012-13) BFI Player – 3.4m views (+95%) BFI Youtube – 7.3m streams (+103%) Into Film – 3.4m estimates reach by educational resources BY 2017 THE BFI AIMS TO HAVE… Funded a range of British films and talent which have To have digitised and made available to the public won domestic and international awards (includes festival 10,000 significant heritage titles invitations, nominations and winners) BIFA Suffragette / Anne Marie Duff NOMINATIONS & nominations and wins (Best Supporting Actress) AWARDS (Winners are highlighted) Suffragette / Academy Awards The Lobster / Yorgos Lanthimos Helena Bonham Carter 4 nominations (Best Director) (Best Supporting Actress) Brooklyn / Saoirse Ronan 2016 Brooklyn The Lobster / Colin Farrell 7,000 (Best Picture; Writing) (Best Actor) (Best Actress) 45 Years / Charlotte Rampling The Lobster / Olivia Colman Brooklyn / Julie Walters (Actress in a Leading Role) (Best Supporting Actress) (Best Supporting Actress) 7, 0 13 Brooklyn / Saoirse Ronan The Lobster / Ben Whishaw Brooklyn / Domnhall Gleeson (Best Supporting Actor) (Best Supporting Actor) UFH TITLES (Actress in a Leading Role) 2017 BAFTA The Lobster Brooklyn / Fiona Weir 0 10,000 DIGITISED 11 nominations and wins (Best Screenplay) (Casting – Outstanding Achievement in Craft) (Winners are highlighted) The Lobster (Best British Independent Film) Brooklyn 45 Years (Best Screenplay) (Outstanding British Film) The Lobster (Producer of the Year) Dark Horse: The Incredible Brooklyn True Story of Dream Alliance (Outstanding British Film; 45 Years / Andrew Haigh (Best Documentary) Best Screenplay; (Best Director) Best Costume Design; How to Change the World 45 Years / Charlotte Rampling (Best Documentary) Best Make-up and Hair) (Best Actress) Brooklyn / Saorise Ronan A Syrian Love Story 45 Years / Tom Courtenay (Best Documentary) (Best Actress) (Best Actor) Slow West Brooklyn / Julie Walters 45 Years (Best Supporting Actress) (The Douglas Hickox Award – (Producer of the Year) Debut Director) The Lobster 45 Years (Outstanding British Film) The Survivalist (Best Screenplay) (The Douglas Hickox Award – Second Coming 45 Years Debut Director) (Outstanding Debut by British (Best British Independent Film) 2016 Writer, Director or Producer) The Survivalist / Mia Goth 4,000 High Rise / Tom Hiddleston (Most Promising Newcomer) A Syrian Love Story (Best Actor) (Outstanding Debut by British Sunset Song / Agyness Deyn 4,728 Writer, Director or Producer) High Rise / Sienna Miller (Most Promising Newcomer) (Best Supporting Actress) The Violators UFH TITLES The Survivalist 2017 (Outstanding Debut by British High Rise / Luke Evans (Producer of the Year) AVAILABLE 0 10,000 Writer, Director or Producer) (Best Supporting Actor) Golden Globes High Rise 1 nomination (Best Screenplay) Brooklyn / Saoirse Ronan Suffragette / Brendan Gleeson (Best Performance by (Best Supporting Actor) an Actress in a Motion Suffragette / Carey Mulligan Picture Drama) (Best Actress) BY 2017 THE BFI AIMS TO HAVE… Increased year-on-year the total Ensured that 80% of key partners consider amount of charitable (fundraising) the BFI as either very effective or effective income to the BFI as the lead body for film and its advisory role to Government 2012–13 £3.6m ££ (£2.5m cash) 2013–14 £2.8m ££ (£1.7m cash) 2014–15 ££ £3.7m 85% (£2.6m cash) RATED THE BFI’S LEADERSHIP AND ADVOCACY ROLE AS VERY EFFECTIVE OR EFFECTIVE (Survey independently undertaken by DCMS for the Triennial Review 2014) 2015–16 £4.6m Next survey planned for 2016 as part of 2022 strategic plan consultation (£3.1m cash) ££ BY 2017 THE BFI AIMS TO HAVE… Increased the diversity of audience viewing British independent and specialised film through BFI interventions Action Target Progress Interns Fund for BFI Film Academy Alumni To be launched in Launched September 2014 September 2014 3 Ticks assessment for BFI Film Fund To be launched in Launched September 2014 September 2014 Commitment to Diversity To be launched Launched February 2014 (BFI website) Adaptation of the 3 Ticks assessment for all BFI Lottery funds and By July 2015 Head of Lottery Diversity appointed all BFI activities Working Group established Working towards achieving a consensus on action by the film sector By September 2014 Diversity Standards introduced on diversity UK wide (May 2016) Specific and targeted research on diversity to commence By Autumn 2014 Diversity data captured for most BFI activities but generic research not yet commenced Increase the diversity of BFI audiences No target set 3 Diversity research projects underway Supported an increase in the diversity of talent No target set Monitoring being undertaken .
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