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Folklore and the Hebrew Bible: Interdisciplinary Engagement and New Directions
humanities Article Folklore and the Hebrew Bible: Interdisciplinary Engagement and New Directions Susan Niditch Department of Religion, Amherst College, Amherst, MA 01002, USA; [email protected] Received: 16 November 2017; Accepted: 1 January 2018; Published: 10 January 2018 Abstract: This essay explores the rich interactions between the fields of folklore and biblical studies over the course of the 20th century until the present. The essay argues for the continued relevance of folklore and related fields to an appreciation of ancient Israelite cultures and their artistic inventions. It concludes with several case studies that underscore the fruitful realizations that emerge from this sort of interdisciplinary humanistic work. Keywords: form-criticism; oral tradition; formula; morphology; typology; social context; performance 1. Introduction The fields of biblical studies and folklore studies have always shared much in terms of content and methodology. Readers of the Hebrew Bible encounter narratives about the exploits of heroes and the creation of the world, they find descriptions of ritual actions rich in symbolic media, saying forms akin to proverbs and riddles, and verbal repetitions of various kinds betokening formulaic and traditional styles of speech—a corpus richly suggestive of folklore. Biblicists’ interests in life settings, prosody, literary forms, reception, and redaction in many ways, moreover, parallel those of folklorists who emphasize performance contexts and cultural settings, the texture, content, and structures of various folk genres, the significance of these aspects of genre for an appreciation of message, and the importance of developments in stories and other media across time and place. The scholarly interrelationship between the study of the Hebrew Bible and folklore studies has a long, complicated history. -
Ashland Theological Journal 2009 Hermann Gunkel, Creation And
Ashland Theological Journal 2009 Book Reviews Hermann Gunkel, Creation and Chaos in the Primeval Era and the Eschaton: A Religo Historical Study of Genesis 1 and Revelation 12. With contributions by Heinrich Zimmerman. Translated by K. William Whitney, Jr. Grand Rapids: Eerdmans, 2006 Pp. xlii, 442. Paper. $36.00 Originally published in 1895 and reprinted in 1921, Gunkel's Schopfung und Chaos in Urzeit und Endzeit has now finally been translated into English. Thus, one of the great classics of biblical criticism is now available to a wider audience. Since Gunkel's method and conclusions are well known, a legitimate question is what need is there for a review of a work so foundational and well known? Very little discussed has not been covered elsewhere, Even the appendix (pp. 253-83) which provides translations of selected Babylonian myths does not provide readers access to material not available elsewhere, such as Pritchard's Ancient Near Eastern Texts, or Hallo's Context of Scripture. Nevertheless, a review of this translation is warranted for several reasons. First, the preface by Peter Machinist provides the reader with a brief analysis of both the significance and shortfalls of Creation and Chaos (xv-xx). In particular, the reader is informed that Gunkel focused too exclusively upon Mesopotamian mythology for cultural parallels with the Hebrew Bible. Gunkel could not be blamed for not anticipating later discoveries, particularly of Canaanite and West Semitic literature, whose impact on the biblical tradition is undoubtedly more profound than the Mesopotamian or Babylonian parallels (xix). Nevertheless, twenty-first century readers are well advised that the discussion has advanced. -
H. Wheeler Robinson and the Problem of Organizing an Old Testament Theology
THE USE OF © 1972, Duke University Press THE OLD TESTAMENT L.C.C.card no. 70-185463 I.S.B.N. 0-8223-0288-8 IN THE NEW AND OTHER ESSAYS STUDIES IN HONOR OF WILLIAM FRANKLIN STINESPRING Edited· by JAMES M. EFIRD PRINTED IN THE UNITED STATES OF AMERICA Composition by Maurice Jacobs, Inc. DUKE UNIVERSITY PRESS Durham, N. C. 1!l72 H. WHEELER ROBINSON AND THE PROBLEM OF ORGANIZING AN OLD TESTAMENT THEOLOGY MAX E. POLLEY Old Testament theology is an historical discipline which arose from the need to show the relationship between history and revela tion in the religion of Israel. Before the rise of historical criticism there was no biblical theology; the use of the Bible in precritical times was as a "proof-text" for orthodox doctrines. The study of biblical content was a part of the discipline called systematic theology rather than one aspect of biblical studies as it is today. The material of the Bible was therefore arranged under the head ings that best suited the needs of the systematic· theologian: God, man, and redemption. The Bible was seldom allowed to speak for itself; the theologian simply listened to the echo of his own voice. l With the rise of biblical criticism tha( was dedicated to a study of literary and historical problems of the Bible, there arose also the desire to study the religious thought of the Old Testament independent of dogmatic interests. The actual beginning of biblical theology is attributed to John Philipp Gabler in a lecture published in 1787 entitled "Oratio de iusto discrimine theologiae biblicae et dogmaticae regundisque recte utruisque finisbus." 2 In this lecture I wish to express my gratitude to Dr. -
THE HUMAN NATURE of ANGELS in GENESIS Kristian Edosomwan
THE HUMAN NATURE OF ANGELS IN GENESIS Kristian Edosomwan Edosomwan 2 Introduction Genesis often portrays angels in very human ways. The angels described in Genesis 6:1-4 can both copulate and procreate with human women, giving them undeniably human characteristics. In Genesis 18 and 19, angels accept human hospitality and eat human food. And the angel in Genesis 32 uses a human form to wrestle with Jacob on even footing. As these three narratives show, and this paper will argue, angels in Genesis demonstrate an apparently human nature through their interactions with human beings. Genesis 6:1-41 Gen 6:1-4 gives us a window to view how ancient Israelites saw angels. Within the narrative the “sons of God” see the “daughters of men” and choose to marry them and have children (Gen 6:1-2). The “sons of God” are angels while the “daughters of men” are human women. This story has traditionally been looked at as a story of angels transgressing the boundary between heaven and earth and mingling illicitly with human women, such as in 1 Enoch and Jubilees. A common interpretation is that “sons of God” does not refer to angels and instead refers to minor deities under Yahweh. Early Israelite angelology can be seen as an adaptation of the polytheistic system of other Ancient Near Eastern nations.2 The term “sons of gods” was used to signify minor deities on the divine council in Canaanite mythology, but these deities became the angels of Hebrew angelology.3 The angels referenced in Gen 6:1-4 could be deities that the 1 For the sake of my argument I have ignored Gen 6:3, which is a break in the text and seems unrelated to the rest of Gen 6:1-4. -
Authorship of the Pentateuch
M. Bajić: Authorship of the Pentateuch Authorship of the Pentateuch Monika Bajić Biblijski institut, Zagreb [email protected] UDK:27-242 Professional paper Received: April, 2016 Accepted: October, 2016 Summary This piece is a concise summary of the historical and contemporary develo- pment of Pentateuch studies in Old Testament Theology. This article aims to provide information on the possible confirmation of Mosaic authorship. The purpose is to examine how the Documentary Hypothesis, Fragment and Su- pplemental Hypotheses, Form and Traditio-Historical Criticism, Canonical and Literary Criticism have helped to reveal or identify the identity of the author of the Torah. To better understand the mentioned hypotheses, this article presents a brief description of the J, E, D, and P sources. Key words: Pentateuch, authorship, Mosaic authorship, Torah, Documen- tary Hypothesis, Fragment and Supplemental Hypothesis, Form and Tradi- tio-Historical Criticism, Canonical and Literary Criticism. In the most literal sense, the Pentateuch 1 (or Torah) is an anonymous work, but traditional views support the belief of Mosaic authorship (Carpenter 1986, 751- 52). Yet, with the advent of humanism and the Renaissance, the sense of intellec- tual freedom and upswing in research have led to the fact that many have begun to read the Bible critically, trying to challenge its text as well as the traditions and beliefs that are formed from it (Alexander 2003, 61-63). One of the most commonly attacked beliefs is Moses’ authorship of the Torah. There has been an 1 Taken from the Greek translation LXX. Pentateuch is derived from the Greek word pentateu- chos, which means a five-book work, known as the Books of Moses (Carpenter 1986). -
GENESIS in the PENTATEUCH Konrad Schmid I in the Heyday of the Documentary Hypothesis It Was a Common Assumption That Most Texts
GENESIS IN THE PENTATEUCH Konrad Schmid Introduction In the heyday of the Documentary Hypothesis it was a common assumption that most texts in Genesis were to be interpreted as elements of narra- tive threads that extended beyond the book of Genesis and at least had a pentateuchal or hexateuchal scope (J, E, and P). To a certain degree, exe- gesis of the book of Genesis was therefore tantamount to exegesis of the book of Genesis in the Pentateuch or Hexateuch. The Theologische Realen- zyklopädie, one of the major lexica in the German-speaking realm, has for example no entry for “Genesis” but only for the “Pentateuch” and its alleged sources. At the same time, it was also recognized that the material—oral or written—which was processed and reworked by the authors of the sources J, E, and P originated within a more modest narrative perspective that was limited to the single stories or story cycles, a view emphasized especially by Julius Wellhausen, Hermann Gunkel, Kurt Galling, and Martin Noth:1 J and E were not authors, but collectors.2 Gunkel even went a step further: “‘J’ and ‘E’ are not individual writers, but schools of narrators.”3 But with the successful reception of Gerhard von Rad’s 1938 hypothesis of a tradi- tional matrix now accessible through the “historical creeds” like Deut 26:5– 9, which was assumed to have also been the intellectual background of the older oral material, biblical scholarship began to lose sight of the view taken by Wellhausen, Gunkel, Galling, and Noth. In addition, von Rad saw J and 1 Julius Wellhausen, Die Composition des Hexateuchs und der historischen Bücher des Alten Testaments (3rd ed.; Berlin: Reimer, 1899); Hermann Gunkel, Genesis (6th ed.; HKAT 1/1; Göttingen: Vandenhoeck & Ruprecht, 1964 [repr. -
The Gilgamesh Traditions and the Pre-History of Genesis 6:1-4 David Melvin Baylor University, Waco TX 76798
The Gilgamesh Traditions and the Pre-History of Genesis 6:1-4 David Melvin Baylor University, Waco TX 76798 A number of scholars have suggested that behind the present form of Gen 6:1-4 lies a broader ancient Near Eastern tradition of which only a portion has been preserved in the biblical account. Wellhausen describes the text as an "erratic boulder."1 Hermann Gunkel reflects this assessment when he refers to the story as "a torso" of an original tradition which was much fuller.2 Following their lead, many scholars have attempted to trace the biblical story back to a broader ancient Near Eastern tradition.3 Proposed histories of the tradition linking it with other known ancient Near Eastern myths have suffered from the fact that, to date, the only myth which explicitly narrates the taking of human women as wives by gods and the birth of an entire race of semi-divine offspring is found in Hesiod's Catalogue of Women, fr. 204 M-W. In this text, Zeus devises the Trojan War as a means of destroying the demigods, as well as humanity so as to prevent the birth of more demigods by the mating of gods with humans. Ronald Hendel has argued on the basis of this text that Gen 6:1-4 originally served as the motive for the Flood story, with the Semitic Flood paralleling the Greek Trojan War.4 Most scholars, 1 Prolegomena to the History of Ancient Israel (trans. J. S. Black and A. Menzies; Meridian: New York, 1957), 317. 2 Genesis (trans. -
Jewish Monotheism: the Exclusivity of Yahweh in Persian Period Yehud (539-333 Bce)
JEWISH MONOTHEISM: THE EXCLUSIVITY OF YAHWEH IN PERSIAN PERIOD YEHUD (539-333 BCE) by Abel S. Sitali A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES Master of Arts in Biblical Studies We accept this thesis as conforming to the required standard Kent Clarke, PhD ............................................................................... Thesis Supervisor Dirk Buchner, D.Litt. ................................................................................ Second Reader TRINITY WESTERN UNIVERSITY Date (March, 2014) © Abel S. Sitali Table of Contents Introduction (i) Previous History of the Origin of Monotheism ---------------------------------------------------------------1 (ii) Thesis Overview -------------------------------------------------------------------------------------------------7 CHAPTER ONE POLYTHEISM IN THE ANCIENT NEAR EASTERN WORLD 1.1 Polytheism in the Ancient Near Eastern World---------------------------------------------------------------9 1.1.1 Polytheism in Canaanite Religion-----------------------------------------------------------------10 1.1.2 The Divine Council in the Ugaritic Texts--------------------------------------------------------11 1.2 Polytheism in Pre-exilic Israelite Religion------------------------------------------------------------------13 1.2.1 Israelite Religion in Light of its Canaanite Heritage--------------------------------------------13 1.2.2 Israelite Religion as Canaanite Religion—Identification Between El -
Redaction Criticism: 1 Kings 8 and the Deuteronomists
Redaction Criticism: 1 Kings 8 and the Deuteronomists Tomas Römer What Does “Redaction Criticism” Mean? A Short History of the Method Te idea of redactors and redaction is probably as old as the historical and critical investigation of the Bible. It can be traced back to Richard Simon’s critical history of the Old Testament, where he claimed that the original texts of the Bible had been altered by “public scribes” who added new ideas to, or sometimes shortened, the text they were rewriting.1 According to the Documentary Hypothesis as established by Abraham Kuenen and Julius Wellhausen, redactors are distinguished from the original authors of the documents, or “sources.” Te original sources of the Pentateuch, or the Hexateuch, are: JE (the Jehovist); D (the frst edition of the book of Deuteronomy); and P (the Priestly document). Tese documents were put together, in the light of this model, by dif- ferent redactors who worked more or less mechanically.2 Tey neither invented the chronological framework of the frst books of the Bible, which already existed in the oldest document (J [Yahwist]), nor did they add new stories. Teir main concern was to harmonize the diferent sources by intermingling the parallel accounts (as, e.g., in Exod 14) or putting them side by side (in Gen 1:1–2:3; 2:4–3:25). As Otto Eissfeldt puts it: “Tere is a distinction, for the most part clearly recognizable, between the author, organically shaping the material, and the redactor working mechanically.”3 Until the middle of the twentieth century, biblical scholars were not much interested in the work of the redactors. -
Apologetics and Biblical Criticism Lite
Appendix 1: Apologetics and “Biblical Criticism Lite” (Note: this was originally an appendix to How to Read the Bible) I have a premonition that some readers of the present volume – especially my fellow academics, as well as some divinity school students, ministers, and perhaps a few educated laymen – will react to its main argument with a yawn. Such people have grown used to the idea that the Bible really wasn’t written by those figures long claimed to be its authors, that it is full of contradictions and editorial overlays, etiological narratives and invented history. “Yes, Virginia, there is no Santa Claus,” they will say. “We are all a little older and wiser now, and some of our old illusions have fallen away. But really, that’s not so bad – in fact, it’s not bad at all. We embrace the truth about the Bible as we now know it.” I understand this reaction, but I don’t think it tells the whole story. I have noticed that these same people, especially when it comes to talking about actual texts – in biblical commentaries or introductions to the Old Testament – are often not nearly as blasé as their yawn might indicate (nor as committed to the “truth about the Bible as we now know it”). On the contrary, what they have to say often has an unmistakably apologetic tone: “Yes, it’s true, modern scholars have shown X, but still…” Indeed, this “Yes, but still…” way of talking about the Bible is so common nowadays it might practically be described as a reflex, a built-in or automatic way of trying to downplay the results of modern scholarship (yielding what might be called “Biblical Criticism Lite”) and thereby minimizing its implications. -
The Significance of Creation in the Book of Isaiah
JETS 59/3 (2016): 449–71 THE SIGNIFICANCE OF CREATION IN THE BOOK OF ISAIAH TERRANCE R. WARDLAW JR.* Abstract: In moving beyond the previous fragmentation of the book of Isaiah, canon critics now look to themes spanning the three major sections of Isaiah 1–66. The present investigation examines the theme of creation through these three major sections to its climax in the new crea- tion of chapters 65–66 under the assumption of the unitary authorship by Isaiah of Jerusalem during the Assyrian period. This analysis will demonstrate that Isa 4:2–6, 40–48, and 65– 66 hold creation (Gen 1:1–2:3) in tension with exodus and wilderness themes (Exodus 1–18; Numbers 10–21) as types for understanding exile, future return, and the telos of election and redemption. The manner in which Isaiah understands redemption through the lens of creation will be contrasted with more recent discussions in Biblical theology in order to substantiate the argument that Isaiah understood redemption as the process moving toward new creation through the ministry of the ideal Servant. Keywords: creation, Isaiah, canon criticism, redemption, typology The contemporary critical consensus regarding the tripartitE division and thE exilic relecture of Isaiah impacts both the idEntification of macrostructural features and the interprEtation of their microstructural manifestations.1 With the ascendancE of critical views, scholars focused on Isaiah 1–39, 40–55, or 56–66 as discrete units with their own respectivE author and historical setting. In conjunction with the application of literary, form, and redaction criticism to genre units within thE tExt of Isaiah, the book was atomized by mainstream scholars until the latter half of the twentieth cEntury.2 ThEn bEginning with thE application of rhetorical criticism by * TErrancE Wardlaw is a linguist and translator with SIL IntErnational. -
Art and the Biblical Canon
1994 CONFERENCE PROCEEDINGS 37 ART AND THE BIBLICAL CANON David Jasper It is recorded in the apocryphal book 2 Esdras, that God has a conversation with the priest and prophetic scribe, Ezra, giving him instructions which Ezra is prompt to obey, for he records as follows: I took with me the five men as I had been told, and we went away to the field, and there we stayed. On the next day I heard a voice calling me, which said: 'Ezra, open your mouth and drink what I give you.' So I opened my mouth, and was handed a cup of what seemed like water, except that its colour was the colour of fire. I took it and drank, and as soon as I had done so my mind began to pour forth a flood of understanding, and wisdom grew greater and greater within me, for I retained my memory unimpaired. I opened my mouth to speak, and I continued to speak unceasingly.The Most High gave understanding to the five men, who took turns at writing down what was said, using characters which they had not known before. They remained at work through the forty days, writing all day, and taking food only at night. But as for me, I spoke all through the day; even at night I was not silent. In the forty days, ninety-four books were written. At the end of the forty days the Most High spoke to me. 'Make public the books you wrote first,' he said, 'to be read by good and bad alike.