Old Testament History, by Robert Vannoy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Bibliography of the Writings of Gerhard Franz Hasel
Andm University Seminu? Studis, Autumn 1996, No.2,169-186. Copyright @ 1996 by Andrews University Press. A BIBLIOGRAPHY OF THE WRITINGS OF GERHARD FRANZ HASEL MICHAELG. HASEL Doctoral Candidate University of Arizona BOOKS The Remnant: The History and Theology of the Remnant Idea fiom Genesis to Isaiah. Berrien Springs: Andrews University Press, 1972; 2d ed., 1974; 3d rev. ed., 1980. Old Testament Theology: Basic Issues in the Current Debate. Grand Rapids: Eerdmans, 1972; rev. 2d ed., 1975; rev. and expanded 3d ed., 1982, 1985; rev., expanded and enlarged 4th ed., 1991. Translations: Korean: Hyondae Kuycsk Sinbak ui Tonghyang. Seoul, Korea: Christian Literature Society, 1984. Portuguese: Teologia do Antigo Testamento: Quest6es fundamentais no debate atual. Rio de Janeiro: Conven~20Batista Brasileira, 1987. Indonesian, 1986. Jonah: Messenger of the Ehenth Hour. Mountain View, CA: Pacific Press, 1976. New Testament 7heolog-y: Basic Issues in the Current Debate. Grand Rapids: Eerdmans, 1978. Translations: Korean: Hyondae Shinyak Sinhak ui Tongbyang. Seoul: Christian Literature Society, 1982. Portuguese: Teologia do Novo Testamento: Quest6es fundamentais no debate at&. Rio de Janeiro: Conven~iioBatista Brasileira, 1988. Interpretagdo Mica: Princlipios gerals. Campinas, Bd:Dido Sul-Americana, 1979. Understanding the Living Word of Cod. Mountain View, CA Pacific Press, 1980. Redengdo dzvina boje. Brasilia: Publica@es SALT, 1982. Spanish translation: Redencidn divinu boy. Lima: Villa Union, 1982. 170 SEMINARY STUDIES 34 (AUTUMN 1996) God3 Great Gift: The Everlasting Gwenant. Washington, DC: Review and Herald, 1982. Covenant in Blood. Mountain View, CA: Pacific Press, 1982. BibEical Intevpretation Toaky. Washugon, DC: Biblical Resenh Institute, 1985. Translations: Spanish: La Inteqv-etacibn de la Biblia. -
Folklore and the Hebrew Bible: Interdisciplinary Engagement and New Directions
humanities Article Folklore and the Hebrew Bible: Interdisciplinary Engagement and New Directions Susan Niditch Department of Religion, Amherst College, Amherst, MA 01002, USA; [email protected] Received: 16 November 2017; Accepted: 1 January 2018; Published: 10 January 2018 Abstract: This essay explores the rich interactions between the fields of folklore and biblical studies over the course of the 20th century until the present. The essay argues for the continued relevance of folklore and related fields to an appreciation of ancient Israelite cultures and their artistic inventions. It concludes with several case studies that underscore the fruitful realizations that emerge from this sort of interdisciplinary humanistic work. Keywords: form-criticism; oral tradition; formula; morphology; typology; social context; performance 1. Introduction The fields of biblical studies and folklore studies have always shared much in terms of content and methodology. Readers of the Hebrew Bible encounter narratives about the exploits of heroes and the creation of the world, they find descriptions of ritual actions rich in symbolic media, saying forms akin to proverbs and riddles, and verbal repetitions of various kinds betokening formulaic and traditional styles of speech—a corpus richly suggestive of folklore. Biblicists’ interests in life settings, prosody, literary forms, reception, and redaction in many ways, moreover, parallel those of folklorists who emphasize performance contexts and cultural settings, the texture, content, and structures of various folk genres, the significance of these aspects of genre for an appreciation of message, and the importance of developments in stories and other media across time and place. The scholarly interrelationship between the study of the Hebrew Bible and folklore studies has a long, complicated history. -
Ashland Theological Journal 2009 Hermann Gunkel, Creation And
Ashland Theological Journal 2009 Book Reviews Hermann Gunkel, Creation and Chaos in the Primeval Era and the Eschaton: A Religo Historical Study of Genesis 1 and Revelation 12. With contributions by Heinrich Zimmerman. Translated by K. William Whitney, Jr. Grand Rapids: Eerdmans, 2006 Pp. xlii, 442. Paper. $36.00 Originally published in 1895 and reprinted in 1921, Gunkel's Schopfung und Chaos in Urzeit und Endzeit has now finally been translated into English. Thus, one of the great classics of biblical criticism is now available to a wider audience. Since Gunkel's method and conclusions are well known, a legitimate question is what need is there for a review of a work so foundational and well known? Very little discussed has not been covered elsewhere, Even the appendix (pp. 253-83) which provides translations of selected Babylonian myths does not provide readers access to material not available elsewhere, such as Pritchard's Ancient Near Eastern Texts, or Hallo's Context of Scripture. Nevertheless, a review of this translation is warranted for several reasons. First, the preface by Peter Machinist provides the reader with a brief analysis of both the significance and shortfalls of Creation and Chaos (xv-xx). In particular, the reader is informed that Gunkel focused too exclusively upon Mesopotamian mythology for cultural parallels with the Hebrew Bible. Gunkel could not be blamed for not anticipating later discoveries, particularly of Canaanite and West Semitic literature, whose impact on the biblical tradition is undoubtedly more profound than the Mesopotamian or Babylonian parallels (xix). Nevertheless, twenty-first century readers are well advised that the discussion has advanced. -
Commemorating in Europe: Along Lines of Separation
EDITORIAL COMMEMORATING IN EUROPE: ALONG LINES OF SEPARATION Countries in Central European are celebrating a series of anniversa- ries which all are connected to events of the 20th century. The history of the last century gave Mark Mazower reason to speak about a Dark Continent, as is the title of his account of Europe between the First World War and the Fall of the Berlin Wall. It is a period of conflicts and war, ideologies with a high violent potential like nationalism, fascism and communism, resulting in the dictatorial rule of one party over a significant part of Europe. Surveys about issues of national identity from Central European area always indicate that history plays a central role in the way peo- ple think about their community and identity. According to them his- tory is the most important factor in the formation and structure of national identity in countries like Rumania, Hungary, Slovakia, the Czech Republic and elsewhere. Or, to put it in another way, history is very much alive and kicking in the streets of Prague, Bratislava, Bu- dapest and Bucharest – but we could also add Belgrade, Skopje or Zagreb. That means that anniversaries are not just moments to mark certain historical events, but they are commemorated for their role in the self-perceptions of the nations in Central and Southeastern Eu- rope. In the Czech context 2008 offers anniversaries of 1918, 1948 and 1968, in 2009 it will be about 1939, about Jan Palach and about the Velvet Revolution. Already in 2007, when it was 40 years ago that the manifesto Charta 77 had been published, we could see an interest- ing trend in commemorating events from recent history. -
THE HUMAN NATURE of ANGELS in GENESIS Kristian Edosomwan
THE HUMAN NATURE OF ANGELS IN GENESIS Kristian Edosomwan Edosomwan 2 Introduction Genesis often portrays angels in very human ways. The angels described in Genesis 6:1-4 can both copulate and procreate with human women, giving them undeniably human characteristics. In Genesis 18 and 19, angels accept human hospitality and eat human food. And the angel in Genesis 32 uses a human form to wrestle with Jacob on even footing. As these three narratives show, and this paper will argue, angels in Genesis demonstrate an apparently human nature through their interactions with human beings. Genesis 6:1-41 Gen 6:1-4 gives us a window to view how ancient Israelites saw angels. Within the narrative the “sons of God” see the “daughters of men” and choose to marry them and have children (Gen 6:1-2). The “sons of God” are angels while the “daughters of men” are human women. This story has traditionally been looked at as a story of angels transgressing the boundary between heaven and earth and mingling illicitly with human women, such as in 1 Enoch and Jubilees. A common interpretation is that “sons of God” does not refer to angels and instead refers to minor deities under Yahweh. Early Israelite angelology can be seen as an adaptation of the polytheistic system of other Ancient Near Eastern nations.2 The term “sons of gods” was used to signify minor deities on the divine council in Canaanite mythology, but these deities became the angels of Hebrew angelology.3 The angels referenced in Gen 6:1-4 could be deities that the 1 For the sake of my argument I have ignored Gen 6:3, which is a break in the text and seems unrelated to the rest of Gen 6:1-4. -
Authorship of the Pentateuch
M. Bajić: Authorship of the Pentateuch Authorship of the Pentateuch Monika Bajić Biblijski institut, Zagreb [email protected] UDK:27-242 Professional paper Received: April, 2016 Accepted: October, 2016 Summary This piece is a concise summary of the historical and contemporary develo- pment of Pentateuch studies in Old Testament Theology. This article aims to provide information on the possible confirmation of Mosaic authorship. The purpose is to examine how the Documentary Hypothesis, Fragment and Su- pplemental Hypotheses, Form and Traditio-Historical Criticism, Canonical and Literary Criticism have helped to reveal or identify the identity of the author of the Torah. To better understand the mentioned hypotheses, this article presents a brief description of the J, E, D, and P sources. Key words: Pentateuch, authorship, Mosaic authorship, Torah, Documen- tary Hypothesis, Fragment and Supplemental Hypothesis, Form and Tradi- tio-Historical Criticism, Canonical and Literary Criticism. In the most literal sense, the Pentateuch 1 (or Torah) is an anonymous work, but traditional views support the belief of Mosaic authorship (Carpenter 1986, 751- 52). Yet, with the advent of humanism and the Renaissance, the sense of intellec- tual freedom and upswing in research have led to the fact that many have begun to read the Bible critically, trying to challenge its text as well as the traditions and beliefs that are formed from it (Alexander 2003, 61-63). One of the most commonly attacked beliefs is Moses’ authorship of the Torah. There has been an 1 Taken from the Greek translation LXX. Pentateuch is derived from the Greek word pentateu- chos, which means a five-book work, known as the Books of Moses (Carpenter 1986). -
GENESIS in the PENTATEUCH Konrad Schmid I in the Heyday of the Documentary Hypothesis It Was a Common Assumption That Most Texts
GENESIS IN THE PENTATEUCH Konrad Schmid Introduction In the heyday of the Documentary Hypothesis it was a common assumption that most texts in Genesis were to be interpreted as elements of narra- tive threads that extended beyond the book of Genesis and at least had a pentateuchal or hexateuchal scope (J, E, and P). To a certain degree, exe- gesis of the book of Genesis was therefore tantamount to exegesis of the book of Genesis in the Pentateuch or Hexateuch. The Theologische Realen- zyklopädie, one of the major lexica in the German-speaking realm, has for example no entry for “Genesis” but only for the “Pentateuch” and its alleged sources. At the same time, it was also recognized that the material—oral or written—which was processed and reworked by the authors of the sources J, E, and P originated within a more modest narrative perspective that was limited to the single stories or story cycles, a view emphasized especially by Julius Wellhausen, Hermann Gunkel, Kurt Galling, and Martin Noth:1 J and E were not authors, but collectors.2 Gunkel even went a step further: “‘J’ and ‘E’ are not individual writers, but schools of narrators.”3 But with the successful reception of Gerhard von Rad’s 1938 hypothesis of a tradi- tional matrix now accessible through the “historical creeds” like Deut 26:5– 9, which was assumed to have also been the intellectual background of the older oral material, biblical scholarship began to lose sight of the view taken by Wellhausen, Gunkel, Galling, and Noth. In addition, von Rad saw J and 1 Julius Wellhausen, Die Composition des Hexateuchs und der historischen Bücher des Alten Testaments (3rd ed.; Berlin: Reimer, 1899); Hermann Gunkel, Genesis (6th ed.; HKAT 1/1; Göttingen: Vandenhoeck & Ruprecht, 1964 [repr. -
The Gilgamesh Traditions and the Pre-History of Genesis 6:1-4 David Melvin Baylor University, Waco TX 76798
The Gilgamesh Traditions and the Pre-History of Genesis 6:1-4 David Melvin Baylor University, Waco TX 76798 A number of scholars have suggested that behind the present form of Gen 6:1-4 lies a broader ancient Near Eastern tradition of which only a portion has been preserved in the biblical account. Wellhausen describes the text as an "erratic boulder."1 Hermann Gunkel reflects this assessment when he refers to the story as "a torso" of an original tradition which was much fuller.2 Following their lead, many scholars have attempted to trace the biblical story back to a broader ancient Near Eastern tradition.3 Proposed histories of the tradition linking it with other known ancient Near Eastern myths have suffered from the fact that, to date, the only myth which explicitly narrates the taking of human women as wives by gods and the birth of an entire race of semi-divine offspring is found in Hesiod's Catalogue of Women, fr. 204 M-W. In this text, Zeus devises the Trojan War as a means of destroying the demigods, as well as humanity so as to prevent the birth of more demigods by the mating of gods with humans. Ronald Hendel has argued on the basis of this text that Gen 6:1-4 originally served as the motive for the Flood story, with the Semitic Flood paralleling the Greek Trojan War.4 Most scholars, 1 Prolegomena to the History of Ancient Israel (trans. J. S. Black and A. Menzies; Meridian: New York, 1957), 317. 2 Genesis (trans. -
Response to J. Richard Middleton
Response to J. Richard Middleton Walter Brueggemann Columbia Theological Seminary am grateful to Richard Middleton for having commented upon my work Iwith such care, precision, and generosity. On every point that matters for Middleton's analysis, he has understood me correctly and reported fairly. On the whole I must accept the critique he makes of my work. My re sponse to his critique is not to justify what I have done, but to comment upon my own memory of the context and impetus for my work, and then, as far as I am able, to extend the conversation a bit further. H Multiple Models Middleton rightly notes that in my work on creation in the faith and texts of ancient Israel, my thinking reflects either a development or a shift of models that suggests contradictory approaches. Among these he notes three: first, a dialectic of prophetic/royal consciousness which has been the dominant model of my work and which received its most extreme expres sion in Israel's Praise; second, a triadic model of orientation/disorienta- tion/new orientation, a more recent development in my thinking which I use particularly in reference to the Psalms; and third, a world-affirming position in In Man We Trust which is rather an early oddity in my work. That is a fair summary of how my thinking has emerged. Three comments are in order. First, it is clear to me that my best inter pretive work is the proposal of models of reading that look for larger patterns of meaning; these models are informed by historical criticism but seek to suggest interpretive possibilities for contemporary reading. -
3161542738 Lp.Pdf
Forschungen zum Alten Testament 2. Reihe Herausgegeben von Konrad Schmid (Zürich) · Mark S. Smith (New York) Hermann Spieckermann (Göttingen) 83 Catherine Petrany Pedagogy, Prayer and Praise The Wisdom of the Psalms and Psalter Mohr Siebeck Catherine Petrany, born 1981; MA in Systematic Theology and PhD in Biblical Studies at Fordham University in the Bronx, New York; currently Assistant Professor of Theology at St. Vincent College in Latrobe, PA. e-ISBN PDF 978-3-16-154273-2 ISBN 978-3-16-154272-5 ISSN 1611-4914 (Forschungen zum Alten Testament, 2. Reihe) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliogra- phie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2015 by Mohr Siebeck, Tübingen, Germany. www.mohr.de This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to reproduc- tions, translations, microfilms and storage and processing in electronic systems. The book was printed by Laupp & Göbel in Gomaringen on non-aging paper and bound by Buchbinderei Nädele in Nehren. Printed in Germany. Preface This study presents a revised version of my doctoral dissertation submitted to the Department of Theology in 2014 at Fordham University in the Bronx, New York. A portion of chapter three appeared previously in The Shape and Shaping of the Book of Psalms: The Current State of Scholarship, edited by Nancy deClaissé-Walford. I am grateful to Professor Konrad Schmid, Profes- sor Mark S. Smith and Professor Hermann Spieckermann, editors of the For- schungen zum Alten Testament II series, for accepting this work for publica- tion. -
The Psalms and Modern Biblical Studies
15 THE PSALMS AND MODERN BIBLICAL STUDIES By JOHN S. KSELMAN ~-,,,~HE BOOK OF PSALMS, probably the most familiar part of the " ~1 " Old Testament, has always bad a privileged place in Jewish 11 and Christian prayer and devotion. The psalms were part of the piety and worship of Jesus (Mt 26:30; Mk 14:26); and the frequent quotations in the New Testament of the psalms are exceeded only by the New Testament's use of Isaiah. In this survey I will examine the different approaches developed and refined in the twentieth century for the study of the Hebrew Scriptures, particularly the psalms. 1 The two main concerns of contemporary scholarship on the psalms will provide the outline and structure of this article: the psalms as liturgy (i.e., as liturgical prayer) and the psalms as literature (i.e., the psalms as a c011ection of sacred writings). The psalms began their life as part of the worship of Israel, a role which they continue to play in the worship of many Christian churches; as a book, they became part of Holy Scripture, and so took on a new function - to instruct. The Psalms as prayer: form criticism The twentieth century has seen great progress in the understanding of the Hebrew Scriptures through the investigative method termed 'form criticism'. This method categorizes biblical literature by form, i.e., by literary type or genre; it associates the determined genre with an institutional setting in ancient Israel that produced and preserved it (what form critics call its 'setting in life'); and it investigates the literature's origins, before it was fixed in writing, in orally composed and transmitted material. -
Reading Glasses: Form Criticism by Joshua T
Reading Glasses: Form Criticism by Joshua T. James Introduction to Form Criticism When I was a high school student, our English teacher assigned weekly reading selections from an anthology. Within this massive textbook were many different types of literature (or genres), including essays, poems, short stories, plays, novellas, and excerpted chapters from novels. Before each piece, the editors of the anthology provided a brief introduction, which included a short biography of the author, their historical and social setting, and interpretive aids to assist the reader. Like my high school anthology, the Bible is also a compilation of individual literary works. The diverse literature of the Bible represents a wide variety of genres (narrative, history, law, poetry, prophecy, song, letter, etc.) that were originally intended for use within a specific setting to accomplish a specific function. Unfortunately, there are no editorial introductions within the Bible to orient the reader regarding the genre, setting, and function of a specific text. In addition, most scholars believe that a large portion of biblical literature was spoken, or passed on through oral tradition, long before it was written. In their view, the stories of the Bible are best understood as folk traditions that were originally spoken for many years, by many different people, and in many different settings. The biblical text that we now possess is the culmination of this long developmental process. By helping the reader recognize the numerous (and not always obvious) types of literature within the Bible, form criticism attempts to recover the underlying oral form of the biblical text as well as its original social setting (where it was used) and function (why it was used).