DOCSLIB.ORG

Hit Me Baby One More Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hit Me Baby One More Time HIT ME BABY ONE MORE TIME Miriam Kongstad 1 Can you handle my truth? Britney Spears casually plays around with a new camera, occasionally focusing on others, but largely keeping the lens on herself. 2 An animal is born in the wild. Andrew Wallet are appointed conservators. The conservatorship extends Britney Spears is born in 1981 in McComb, Mississippi and raised in past managing Britney Spears’ estate to approving any minor purchase or 1 Kentwood, Louisiana, in a low-income household. driving a car. In 2020 the conservatorship is still in effect. The animal is studied by scientists. The animal lives under increased surveillance and complies with expectations to prevent conflict. From early childhood Britney Spears receives singing and dancing lessons with a professional career in sight. Britney Spears releases five further solo albums, including Black Out which is released shortly after her infamous shaving. On the cover she appears with long black hair. In 2013, Spears takes up a four year long residency in The animal is caught. Las Vegas and performs the show Britney: Piece of Me over 250 times. In 1993 at the age of 11, old Britney Spears becomes a member of The All- Despite the show's major commercial success, it is still described to be New Mickey Mouse Club, a children’s variety show which aired on the looking backwards rather than forwards.2 Disney Channel, with a cast of mostly teen performers. Activists protest against animal captivity. The animal is displayed in a zoo. The #freebritney movement is formed by journalist and comedian Tess Britney Spears is recognised as an auspicious pop star. Barker and Barbara Gray in 2017. In addition to running a weekly podcast series scrutinising Spears’ life and activities on social media, they organise a The animal becomes a main attraction and gets its own enclosure in the zoo. number of protests and demonstrations against Spear' conservatorship.3 Britney Spears declines to perform in the girl band Innosense and aspires to a solo career. In 1999 she releases her first solo album. The animal suffers from depression and extra precautions must be taken in order to make it perform again. The animal escapes. In 2019, Britney Spears is caught by paparazzis whilst driving a car After releasing four solo albums, giving birth to two children and filing for unlawfully. Shortly after she is coerced by her conservators to re-enter a divorce in 2007, Britney Spears shaves off her hair and attacks a paparazzi psychiatric ward. The same year Jamie Spears is accused of abusing and his car with an umbrella. The events become world news and Britney Spears’ children. A court case which concerns ending the speculations arise about Spears suffering from mental illness. conservatorship begins and remains in process in 2020. 4 The animal is caught and restored. In 2007 Britney Spears is also kept in a psychiatric ward, loses custody her children; is declared legally incompetent and is eventually placed under court approved conservatorship. Her father Jamie Spears and the lawyer 3 Scared to love you Britney Spears’ relationship to her career has progressed to the point where Spears reveals that she loves it. However, after criticism is provoked, Spears closes up somewhat about her feelings and returns to the cameras as comfort. 4 Let’s start by zooming into the mind and bedroom of a teenage dream because here is to be found a synthetic portrait illuminating a long-lived scheme one that leaves me with both fascination fears and tears it’s a form of erected desire - it’s the face of Britney Spears a component in the motor oil greasing the gears of a spectacular machine with a nauseating smell of honey seducing me to spend that pocket money listen! the pop song holds a tune that ties a grip a form of involuntary companionship which every day squirts out thousands of repeated messages defining all of those premises that we do not look young enough slim, white and willing enough messages that come to us carried by the boiling steam pumping out of the spectacular machine bearing no reprieve5 5 Sink your teeth deep into that blazed blondie’s face taste the flesh of a woman about to fall from grace and even if you might think to yourself that her image ain't gonna burn a heart out you’ll see that this bonfire is devout let’s imagine for a moment the machinery would pause from its grind and if so I would ask you to slip deep inside that very eye of your mind to see what you then find when you’re there do remember that the Young-Girl is not always young she just hacked the hourglass the day she embraced to get stung resenting ageing as a crime of disgrace6 she wears the mask of her face7 and through her enveloping whole she becomes a form of educational patrol when she giggles she’s working8 feeding not merely the paparazzi behind a tree lurking emblematic as a business not a soul felt by many yet often laborious to unroll but don’t look back in anger, don’t you look back in anger I heard you say9 with a whipping tone of positivity in the moment when I am brushed off as an angry woman yet again 6 The potency of the erupted icon is a form of autopilot dialysis fulfilling a predetermined role she seems to arrive packaged with reflexive extol and all of a sudden she wasn’t merely hanging on a wall as a poster but imperceptibly shaping the very eye of the mind from the get-go Britney compressed a narrative which is you can be like me and I guarantee it will make you happy and loved and attractive while roaring like a Pavlovian Dog10 turning the mechanic steam into fragranced smog her visual appeal to the sensation of desire is a trick worthwhile to admire as the memory of her body alone is able to generate a drooling sensation within a single tone If a nice dress is the promise of a beautiful body Britney is the promise of a beautiful life.11 7 I wish as a teenager I had thought lucky that my lips not only mumble lucky that my hips are spare and fumble lucky that my breasts are small and humble so you don’t confuse them with mountains12 ‘cuz I don’t wanna be that pretty faced girl on the poster squeezed in between flocks of men lying tightly under a boaster flesh without sensation like a cheaply sold roaster for Friday night’s family dinner but oh I did not I was blissfully unaware that the beautiful is always bizarre on un-reality TV if not I would have understood that just be natural and carefree didn’t really mean what it seemed to be in due time I could have reached for the command key and modified my recognition in this blond front figure leading a form of vanilla warfare backed up by fitness as today’s natural healthcare and scuffed at a smile is the best makeup any girl can wear13 when I was told to behave 8 I am the reason they exist15 but I know it might be born out of fear of ending on a blacklist the dread of being the one who ain’t ever getting kissed it is indeed a violent passage to grow through girlhood this has to be underlined I can’t afford to be misunderstood yet the hardest part is that those patterns are passed on through a stream of love transmitted through the breast milk like a protecting boxing glove I came to understand the celebrity as the consumer and the producer above all a major seducer mothers wishing daughters the best of life the consumer of producers which often boils down to becoming someone’s wife as well as the producer of consumers14 what needs to be reproved and reprogrammed so who is it then employing all of those rumours? is how the internal voice is damned which undoubtedly is the hardest job of all the answer is women voluntarily making your own bloody flesh crawl women are the ones who buy them but take those smokey Torches of Freedom and swallow them with your quinsy self-affirmation through somebody else’s mayhem throat16 to test if that sales strategy gratifies the gloom of your guts or if it might denote women are the ones these narratives are aimed at an effect which is merely skin-deep a way to clean feet on our own doormat 9 It’s full on, it’s right on it, it flashes like strobe lights, enough to make anyone get an Following the pale figure with rapid steps, trying to get close, trying to get up front. It’s epileptic attack. Pine trees lit by flashes. It’s pitch black otherwise, so the focus is a residential area, that’s clear now. A long, typical evergreen hedge. Cars honking clear and sharp when flashes are shut out in the dim night. A head with no face intensely, big dogs barking around. The handbag dog remains quiet. Is it trained so? emerges. It’s grim. A pale figure with no face in the darkness, approaching frontally. Is it even alive? The sound is deafening but local, like the inside of a beehive, There’s a white hat, a greyish sweater with a hood and some long black hair. The pale approximating like an ominous storm. From below the edge of the flashlight figure turns their head slightly.
Load more

Recommended publications
  • Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James Keiko Miyajima Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1059 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James by Keiko Miyajima A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 Copyright @ 2015 Keiko Miyajima ALL RIGHTS RESERVED ii This manuscript has been read and accepted for the Graduate Faculty in English to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Richard Kaye ___________________ ________________________ Date Chair of Examining Committee Mario DiGangi ___________________ ________________________ Date Executive Officer David Reynolds Talia Schaffer Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James By Keiko Miyajima Advisor: Professor Richard Kaye This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing.
    [Show full text]
  • Scream & Shout Deconstructed
    Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Scream & Shout Deconstructed Skip to: Audio/Video At a Glance Introduction Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Wil.i.am featuring Britney Spears Song/Album: Scream & Shout / #willpower Songwriters: Will Adams, Jean Baptiste Kouame, Jef Martens Producers: Will Adams, Jef Martens Genre: Pop Sub Genre: Straight-Up Electro Pop, Dance Length: 4:44 Structure: A-B-IB/VB-A-A-B-IB/VB-C-B Tempo: 130 BPM First Chorus: 0:44 (15% into the song) Intro Length: 0:14 Outro Length: 0:18 Electric vs. Acoustic: Electric Primary Instrumentation: Synth Lyrical Theme: Partying/Clubbing (primary), Love/Relationships (secondary) Title Occurrences: Scream & Shout occurs 14 times within the song Lyrical P.O.V: 1st, 2nd & 3rd Introduction Back to Top Futuristic, egotistic, repetitive, dark, evocative, generic, clever, cliché, unique, familiar, ultra- 1 / 77 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com infectious, fun and of course, “Britney bitch!” These are just some of the terms that describe Will.i.am’s collaboration with Britney Spears on the third single from his forthcoming album, #willpower. To-date Scream & Shout has hit #1 in 21 countries on 23 charts throughout the world, so suffice it to say that the song contains a host of hit factors that enabled it to rise to the top, which we’ll be exploring in depth throughout the report.
    [Show full text]
  • The Best Totally-Not-Planned 'Shockers'
    Style Blog The best totally-not-planned ‘shockers’ in the history of the VMAs By Lavanya Ramanathan August 30 If you have watched a music video in the past decade, you probably did not watch it on MTV, a network now mostly stuck in a never-ending loop of episodes of “Teen Mom.” This fact does not stop MTV from continuing to hold the annual Video Music Awards, and it does not stop us from tuning in. Whereas this year’s Grammys were kind of depressing, we can count on the VMAs to be a slightly morally objectionable mess of good theater. (MTV has been boasting that it has pretty much handed over the keys to Miley Cyrus, this year’s host, after all.) [VMAs 2015 FAQ: Where to watch the show, who’s performing, red carpet details] Whether it’s “real” or not doesn’t matter. Each year, the VMAs deliver exactly one ugly, cringe-worthy and sometimes actually surprising event that imprints itself in our brains, never to be forgotten. Before Sunday’s show — and before Nicki Minaj probably delivers this year’s teachable moment — here are just a few of those memorable VMA shockers. 1984: Madonna sings about virginity in front of a black­tie audience It was the first VMAs, Bette Midler (who?) was co-hosting and the audience back then was a sea of tux-wearing stiffs. This is all-important scene-setting for a groundbreaking performance by young Madonna, who appeared on the top of an oversize wedding cake in what can only be described as head-to-toe Frederick’s of Hollywood.
    [Show full text]
  • Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives.
    [Show full text]
  • Beyonce Embarrassed to Play Her Steamy New Song for Her Mother
    lifestyle SUNDAY, JANUARY 5, 2014 Gossip Beyonce embarrassed to play her steamy new song for her mother he 32-year-old singer has admitted she still mad at me.” The ‘Drunk in Love’ hitmaker, who has a Thasn’t played the sexy track - which appears 23-month-old daughter, Blue Ivy, with husband Jay on her recently released hit album ‘BEYONCE’ - Z, also revealed that the song was inspired by her for her mum Tina Knowles because the lyrics are so spouse’s attempts to woo her when they first met. salacious. On ‘Partition’, Beyonce sings of a romantic Beyonce made the admission in a new mini-docu- tryst with her lover in the back of a chauffeur-driven mentary ‘Liberation’, which she uploaded to car, with lyrics including: “Driver, roll up the partition YouTube in support of her fifth album. She said: “It please, I don’t need you seeing ‘Yonce on her knees.” takes me back to being in my car as a teenager. It The star explained: “I kinda had this whole fantasy of takes me back to when me and my husband first being in the car, and this whole movie played in my meet, and he tries to scoop me and he thinks I’m the head. I didn’t have a pen and paper. I got to the mic, hottest thing in the world. I’m like, ‘Oh, press record...’ “I was so embarrassed after I recorded the song because I’m just talking s**t. I’m like, ‘I can’t play this for my husband!’ I still haven’t played it for my mum.
    [Show full text]
  • 2013 06 26.Pdf
    14th NILA 195 26 June 2013 NORFOLK ISLAND LEGISLATIVE ASSEMBLY 14TH NILA HANSARD – 26 JUNE 2013 PRAYER Almighty God we humbly beseech Thee to vouchsafe Thy blessing upon this House, direct and prosper our deliberations to the advancement of Thy glory and the true welfare of the people of Norfolk Island, Amen LEAVE OF ABSENCE FOR MR DAVID PORTER MLA MR EVANS Thank you Mr Speaker, I seek leave of the House for Mr David Raymond Porter SPEAKER: Thank you Mr Evans. Honourable Members, is leave granted? Thank you. Leave is granted? CONDOLENCES Honourable Members I call on condolences, are there any condolences this morning? MR EVANS Mr Speaker it is with regret that this House records the passing of Britney Quintal Christian who sadly passed away on the 8th June. Britney was born in October 1993 the daughter of April and Darren. Britney was the most loyal sister to Dylan and Carissa and was so proud to become an Aunt to Taj and later Zya. She will be remembered by her friends as a powerful and influential young girl. Brit was a straight shooter and knew what she wanted in life. “She was orn a mission”. At three years old Brit was already on her motor bike. A girl of action, dedication, determination, little stubborn and always in momentum. Brit did nothing by halves. Brit grew up on Norfolk with the freedom of youth offered to all at Carscade Heights, surrounded by carefully constructed shortcuts of holes through and under hedges between the houses of her extended family and friends.
    [Show full text]
  • Gimme More Vineright.Com
    Gimme More VineRight.com NOVICE 32 COUNT 2 WALL Choreographer Jérome Ciurana ( August 2019 ) Music Gimme More by Britney Spears DÉSCRIPTIF : SUR LE DÉBUT DU LYRIC OU 20 SEC FAIRE LA DANSE JUSQU'À LA FIN [1-8] (KNEES IN KNEES OUT) WITH ARM MOVEMENT, RIGHT KICK, BEHIND SIDE CROSS, STEP LEFT TO SIDE, BOUNCE X 2 AND SNAP 1-2 Push knees in and cross hands on knees, Push knees out and untie our hands 3 RIGHT kick to right side 4&5 Cross RIGHT behind left, Step LEFT to left side, Cross RIGHT over left 6-7 Step LEFT to left side and bounce left heel, Bounce left heel (snap left finger) 8 LEFT kick Coup de pied GAUCHE à gauche [9-16] BEHIND SIDE CROSS, STEP SIDE, ARM MOUVEMENT, RIGHT SHOULDER UP & DOWN, CROSS & HEEL 1&2 Cross LEFT behind right, Step RIGHT to right side, Cross LEFT over right {behind side cross} 3-4 Step RIGHT to right side and do a wave with right arms at left shoulder 5-6 Rise RIGHT shoulder, Down RIGHT shoulder 7&8 Cross RIGHT over left, Step LEFT to left side, RIGHT heel forward [17-24] CAMEL WALK RIGHT AND LEFT {WITH ARMS) MAMBO STEP FORWARD, MAMBO STEP BACK, STEP 1/2 TURN 1 Step RIGHT forward and push LEFT knee forward ( left arm on chest) 2 Step LEFT forward and push RIGHT knee forward (right arm on chest) 3&4 Step RIGHT forward, Recover weight on LEFT , Step RIGHT back {mambo step} 5&6 Step LEFT back, Recover weight on RIGHT, Step LEFT forward {mambo step} 7-8 Step RIGHT forward , Pivot 1/2 turn left [6H] [25-32] SHUFFLE FORWARD, ROCK STEP FORWARD, BIG STEP BACK , STEP SLIDE, STEP BACK AND APPART 1&2 Step RIGHT forward, Step LEFT next to right, Step RIGHT forward {shuffle} 3-4 Step LEFT forward, Recover weight on RIGHT {rock step} 5-6 Big step LEFT back ( push hands forward) , Slide RIGHT beside left 7-8 Step RIGHT back to right side, Step LEFT to left side GIMME MORE !!!!!!! LES RÉFÉRENCES DES HEURES NE VALENT QUE SUR LE PREMIER MUR ASSOCIATION SPIRIT OF COUNTRY : [email protected] HTTP://CLUB.QUOMODO.COM/SPIRITOFCOUNTRY/BIENVENUE.HTMLGimme More 24-Sep-2021 1/1 VineRight.com.
    [Show full text]
  • We Will Rock You”
    “We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • 2011 Kevin & Bean Clips Listed by Date
    2011 Kevin & Bean clips listed by date January 03 Monday 01 Opening Segment-2011-01-03-No What It Do Nephew segment.mp3 02 Show Biz Beat-2011-01-03-6 am.mp3 03 Highlights Of Dick Clark and Ryan Seacrest-New Years Eve-2011-01-03.mp3 04 Harvey Levin-TMZ-2011-01-03.mp3 05 The Internet Round-up-2011-01-03.mp3 06 Show Biz Beat-2011-01-03-7 am.mp3 07 Thanks For That Info Bean-2011-01-03.mp3 08 Broken New Years Resolutions-2011-01-03.mp3 09 Show Biz Beat-2011-01-03-8 am.mp3 10 Eli Manning-2011-01-03-Turns 30 Today.mp3 11 Patton Oswalt-2011-01-03-New Book Out.mp3 12 Show Biz Beat-2011-01-03-9 am-Patton Oswalt Sits In.mp3 13 Dick Clark New Years Eve-More Highlights-2011-01-03-Patton Oswalt Sits In.mp3 14 Calling Arkansas About 2000 Dead Birds-2011-01-03-Patton Oswalt Sits In.mp3 15 Show Biz Beat-2011-01-03-10 am.mp3 January 04 Tuesday 01 Opening Segment-2011-01-04.mp3 02a Bean Did Not Realize It Was King Of Mexicos Birthday-2011-01-04.mp3 02b Show Biz Beat-2011-01-04-6 am.mp3 03 Calling Arkansas About 2000 Dead Birds-from Monday 2011-01-03-Patton Oswalt Sits In.mp3 04 and 14 Hotline To Heaven-2011-01-04-Michael Jackson.mp3 05 Oprah Rules In Kevins House-2011-01-04.mp3 06 Show Biz Beat-2011-01-04-7 am.mp3 07 Strange Addictions-2011-01-04-Listener Call-in.mp3 08 Paula Abdul-2011-01-04-On Her New TV Show.mp3 09 Show Biz Beat-2011-01-04-8 am.mp3 10 Bean Passed Out On Christmas Eve-2011-01-04-Wife Donna Explains.mp3 11 Psycho Body-2011-01-04.mp3 12 Show Biz Beat-2011-01-04-9 am.mp3 13 Afro Calls-2011-01-04.mp3 15 Show Biz Beat-2011-01-04-10 am.mp3
    [Show full text]
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
    Electronically FILED by Superior Court of California, County of Los Angeles 8/30/2021 3:16 PM Sherri R. Carter, Executive Officer/Clerk, By Arianna Smith, Deputy Clerk 1 GREENBERG TRAURIG, LLP MATHEW S. ROSENGART (SBN 255750) ([email protected]) 2 ERIC V. ROWEN (SBN 106234) ([email protected]) SCOTT D. BERTZYK (SBN 116449) ([email protected]) 3 LISA C. MCCURDY (SBN 228755) ([email protected]) MATTHEW R. GERSHMAN (SBN 253031) ([email protected]) 4 JANE H. DAVIDSON (SBN 326547) ([email protected]) 1840 Century Park East, Suite 1900 5 Los Angeles, CA 90067-2121 Tel: 310-586-3889 6 Fax: 310-586-7800 7 Attorneys for Conservatee Britney Jean Spears 8 9 SUPERIOR COURT OF THE STATE OF CALIFORNIA 10 COUNTY OF LOS ANGELES, CENTRAL DISTRICT 11 12 In re the Conservatorship of the Person and Case No. BP108870 Estate of 13 Hon. Brenda J. Penny, Dept. 4 BRITNEY JEAN SPEARS, 14 CONSERVATEE BRITNEY SPEARS’S Conservatee. SUPPLEMENTAL PETITION FOR 15 SUSPENSION AND REMOVAL OF JAMES P. SPEARS AS CONSERVATOR OF THE ESTATE 16 PURSUANT TO PROBATE CODE SECTION 2650(j) 17 Date: September 29, 2021 18 Time: 1:30 PM Dept: 4 19 20 21 22 23 24 25 26 27 28 1 SUPPLEMENTAL PETITION FOR SUSPENSION AND REMOVAL 1 SUPPLEMENTAL PETITION 2 I. INTRODUCTION 3 1. Britney Spears established in her July 26, 2021 Verified Petition for Suspension and 4 Removal of James P. Spears (the “Petition”) that Mr. Spears’s suspension and removal were mandated 5 under Probate Code Section 2650(j) because, as a matter of law, this relief is “in the best interests of” Ms.
    [Show full text]
  • A Study of Microtones in Pop Music
    University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion.
    [Show full text]