Fair Report by Anne Schafer, Coordinator

Total Page:16

File Type:pdf, Size:1020Kb

Fair Report by Anne Schafer, Coordinator San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 1 Fair report by Anne Schafer, Coordinator he exhibits – 352 in all – are wonderful I am also lucky to have a great team – Wayne T this year. We had 120 entries from SDMG Moorhead, Rich Yarbrough, Peggy Leibitzke and members. We are so lucky to have a strong core group Jennifer Stapp – to put the whole thing together. of exhibitors who are dedicated to showing their We also had help from key SDMG volunteers: Mike best, educating the public, etc. That includes mineral Harlow, Tim Bickford, and Wayne Leibitzke. dealers and collectors; fossil collectors; faceting, Both Navy and Marine volunteers helped with set-up lapidary and jewelry instructors and students from for three days: hauling, cleaning, and painting. Two local gem and mineral clubs; and professional jewelers 18-year old high school students joined the Gems & who are willing to enter their work, as well. Minerals Dept. staff this year to help out during the Fair: Conner Tisdale and Roen Hickok. ~ R E S U L T S ( SDMG MEMBERS) ~ ▪ Minerals (10 entries, including single items, sets David Lipson (full case, spheres) – 1st Place & Best of five, and a full case exhibit): Case of Lapidary Garry Cannon; Angie Cannon (full case, Master); Doug Peeler (cabs); Sherry Trochta (single spheres); Rhonda Epstein; Doug Peeler Denny Turner (cabs); Dolores Wheeler (carvings); ▪ Fossils (5 entries, including single pieces and Paul Williams (full case, spheres) full cases): ▪ Jewelry (approx. 54 items): Garry Cannon (petrified wood, full case & single Jeanne Abriel ( also in Enamel Guild); Lee Bennett; piece); Hugh Lawrence (full case, petrified ferns; Rocio Bergum; Donna Casey; Debbie Clough; single piece, cycadioid – 1st) Shannon Dempsey; Kathe Dunn; Diane Hall (also in ▪ Mixed Display (3 full case exhibits): Palomar GMS); Heather Hochrein; Jackie Leverone; Meg Berry (also member of FGMS) – Mixed Display, Tom KcKelvey; Lloyd Steven PekitPekit; Danielle work done by exhibitor – carvings, faceted gems, Polley; Al Puente (two no shows, alas); Denny works in progress, rough Turner; Dolores Wheeler; Jill Williamson. David Lipson – collection of purchased spheres, ▪ Educational (6 full cases) - all won Award of jewelry & carved frog Merit ribbons & $50: Paul Williams – full case of fluorescent spheres that Donna Beers – Educational exhibit on methods of he made himself casting, with Native American & western emphasis ▪ Faceting (approx. 18 entries, including single LuAnn Benton – Steps for Carving a Rock, lots of items and sets of 3 cut gems): images and materials, excellent “how to” exposition LuAnn Benton; Meg Berry (also member of FGMS); SDMG – 1880s diorama, from the SDMG Museum Bill Brisebois is an SDMG faceting instructor and Bob Hancock – display of work done by SDMG he won seven First Place ribbons; Tim Sandiford; faceting students Charles Shupe (also member of ); Palomar G&MS Lisbet Thoresen (specimens courtesy of Bill Depue, Dee Smith; David Smith; David Sullivan Vivian and Danny Watts, and John Pickett) – Agates ▪ Lapidary (approx. 20 entries, including single & Jaspers from Mojave Trails Nat’l Monument – Anne items and 3 full cases of spheres): Schafer Best Showmanship Award; Greg Anderson Meg Berry (carvings)(also member of FGMS); Tim Memorial Trophy for Best Educational Exhibit Bickford (stone bracelets); Jan Kunsa (carvings); John Kruzel (spheres and cabs) – Best Single Lapidary Work for hollow carnelian sphere, in his full case exhibit San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 2 Gemstone Exhibitors Fair Facetors Simon King Patricia Miklik Lu Ann Benton Bill Patterson Mark Elmendorf Loretta Evans Dave Smith Robert Hanson Lee Bennett Dave Smith Jamie Tollefson Stephanie Griffin Elbert McCune Donna Beers Elbert McCune Mike Harkleroad Mike Harkleroad Lu Ann Benton Lee Bennett James Curtis Stephanie Griffin Inna Rudykh Morna Morimoto by Bob Hancock Thank you to our Gemstone Thank you to our Fair Facetors Exhibitors emonstrators at the Fair: Facetors, of the San Diego wish to Thank our Exhibitors D Mineral and Gem Society, held faceting demonstrations, I who displayed gemstones in the on weekdays throughout the entire time the San Diego County Educational Class Display Case at the San Fair was open. The facetors cut sparkling gem stones on the Diego County Fair of 2017. The display UltraTec Faceting Machine, while explaining the various steps to case is made up of gemstones produced the thousands of visitors who came by to watch. by students and Instructors of the San Hoards people stopped by to observe the faceting demonstration, Diego Mineral & Gem Society. Our asking many questions and inspecting the machine, as well as display case this year won an “Award of our finished gemstones. Many folks were totally amazed at seeing a Merit” (a green ribbon and a cash award live demonstration of gem cutting, and the quality of workmanship of $50.00), which is the highest award produced by our students and instructors. in this category. Congratulations to the I want to congratulate all of our factors on their outstanding exhibitors and “Well Done.” performance, and thank you for a job well done. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 3 PHOTO GALLERY The Gems, Minerals & Jewelry Dept. on opening day, June 2, 2017. Exhibit featuring artifacts used in prospecting during the Gold Rush era. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 4 Demonstrators & Docents Jamie Frazier and daughter Lily came all the way from Wayne Moorhead looks on as a youngster selects a gem Joshua Tree to visit the Gems, Minerals & Jewelry Dept. at treasure from the sifting screen. the Fair this year. Lily was delighted to sift the sandbox in search of a buried mineral treasure. WORK IN PROGRESS... captions to come Minerals Two views of mineral specimens from the Irv Brown Collection. At top center, s stunning example of the California State gemstone, benitoite. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 5 Minerals Irv Brown Collection. Full case of minerals by members of the Malmquist family. Malmquist. Two parial views of a full case of minerals by Warren Jacobs San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 6 Minerals Single mineral specimens entered by different exhibitors. Top. Five minerals from one species by Mary Rose. Bottom. Five minerals from one state by Timothy Sherburn, 1st place. Full case of thumbnail minerals by Olivia Ramirez. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 7 Minerals, Meteorites & Petrified Wood Full case of European minerals by Angela Cannon. A. Leo Horensky Cup for Best single mineral – worldwide. Detail view of Angela Cannon’s case. Angela Cannon’s award-winning single minerals. Timothy Sherburn and Garry Cannon were Garry Cannon took 2nd Place for his single piece of petrified wood. both award-winners for their meteorites. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 8 Fossils Educational case – trilobites. Norm and Priscilla Brown, echinoderms, 1st Place. Malmquist, ammonite, 2nd Place. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 9 Fossils Marilyn and Dave Malmquis, 1st Place. Fossils, best case. Three fossils from the same country by Malmquist, 1st Place. Vertebrate fossil from Morroco by Mary Rose, 1st Place. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 10 Lapidary/Spheres Mixed display, more than one mineral, by David Lipson, 2nd place. Best single sphere by Jon Kruzel. John Kruzel in front of his full case of polishing spheres, 2nd place, with best single item [overset]. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 11 Lapidary/Spheres Mixed display, more than one mineral, by Steve Cooper, 3rd place. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 12 Meg Berry (a class by herself) Above. Mixed case with gems in all phases of carving by Meg. Berry, 1st Place. Left. Meg’s students at the Fallbrook Gem & Mineral Society entered a full case honoring Meg’s lifetime career achievements, Award of Merit. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 13 Faceting Heartland Faceters Club. Mixed case of faceted gems. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 14 Faceting Above (top). One faceted birthstone by Tim Sandiford, 2nd Place. Above (bottom). One faceted stone w/ optical qualities by Bill Brisebois, 1st Place. Right. One faceted synthetic stone, by Bill Brisebois, Best Single Item. Mixed case of faceted gems. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 15 Faceting Mixed case of faceted gems. Mixed case of faceted gems. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 16 Rough & Cut and Jewerly Art Left. Rough and cut lemon quartz by Karen Farrington, 3rd place. Right. Jewelry art obsidian cuff bracelet by Timothy Bickford, 1st Place. Constructed jewelry, all metal by Dee Wire-wrap jewelry by Ethan Johnson, 1st Chasing and repoussé jewelry by Jackie Smith, 3rd Place. Place. Leverone, 3rd Place. San Diego Mineral & Gem Society, Inc. Gems, Minerals & Jewelry Dept, San Diego County Fair 2017 Page 17 Southwest Jewelry and Fair Theme jewelry: Bola Tie Left. Southwest jewelry by Danielle Polley, 2nd place. Right. Bola tie by by Danielle Polley, 3rd Place. Silver bola tie set with dinosaur bone Lady’s bola tie set with rhodocrosite Silver bola tie by Lee Bennett,1st Place.
Recommended publications
  • Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art
    Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art Reflecting on the Moche Past Mirror Frame Moche, Loma Negra, Peru, AD 500-800 Gilded copper/bronze H. 9 ¼ in. W 5 in. irrors, useful for seeing one’s own image, or for reflecting light, are a commonplace today. But in ancient M times pooled water was the only readily available reflective surface. Artificial mirrors could be made only by processing rare natural substances or forging new man-made materials. Vanity is a universal human trait, and ancient peoples undoubtedly sought to admire their own faces, coiffures, and bodies. Numerous ceramic vessels portray individuals with elaborate coiffures or using pincers (tweezer-like tools) to pluck facial hair. At least two ceramic vessels portray women holding small black disks – presumably mirrors - up to their faces. After the con- quest, Garcilaso de la Vega wrote about mirrors: "Los espejos en que se miravan Las mugeres de LA sangre real eran de Plata muy brunida y Las comunes en acofar [The mirrors in which the women of royal blood looked were of highly polished silver; commoners used bronze mirrors]" libro II cap xxxviii. But pre-Columbian mirrors were undoubtedly used for purposes far more significant than facilitating personal adornment. Mirrors made by labori- ously mining, shaping, and grinding dark, shiny minerals were exchanged over long distances, incorporated in public and private rituals, and sometimes were buried with the dead. Today’s mirrors are made from glass or plastic sheets coated with silver or an- other reflective material. While glass was never manufactured in the ancient Americas, dark volcanic glass – obsidi- an – was sometimes ground flat and polished to produce a reflective sur- face.
    [Show full text]
  • OPAR CFP Advances in the Studies of Obsidian Sources and Artifacts Of
    THE BLACK GOLD THAT CAME FROM THE SEA. ADVANCES IN THE STUDIES OF OBSIDIAN SOURCES & ARTIFACTS OF THE CENTRAL MEDITERRANEAN AREA COORDINATING EDITORS Franco Italiano, Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Franco Foresta Martin, Laboratorio Museo di Scienze della Terra Isola di Ustica, Palermo, Italy; Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Maria Clara Martinelli, Polo Regionale delle Isole Eolie per i siti culturali, Parco Archeologico e Museo Luigi Bernabò Brea, Lipari, Messina, Italy. DESCRIPTION Open Archaeology invites manuscripts for the Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. This Special Issue collects most of the contributions presented at the international workshop on the same subject which took place in Palermo, Italy, on 10-12 June 2019. The topics are: archaeometric studies of obsidian sources and artifacts; new methods of obsidian sources discrimination; genesis of the Central Mediterranean obsidian outcrops exploited during the Prehistory; obsidians as an edutainment tool; a section is dedicated to studies of characterization of ancient glasses. HOW TO SUBMIT The authors are kindly invited to submit their contribution via online submission system Editorial Manager available at http://www.editorialmanager.com/opar/ It is important that authors include a cover letter with their manuscript, making it clear that the manuscript is dedicated to Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. The cover letter should explicitly state that the manuscript (or one with substantially the same content, by any of the authors) has not been previously published in any language anywhere and that it is not under simultaneous consideration or in press by another journal.
    [Show full text]
  • Welcome to Christ Church Cathedral's 'How Did They Do That?' Family Trail
    Welcome to Christ Church Cathedral’s ‘How Did They Do That?’ Family Trail Christ Church has teamed up with local makers to create a fascinating self-guided trail which explores the huge amount of work and the many materials and methods that were used to create the Cathedral building and its priceless collection of artefacts. Ever wondered how to make stone look like fur, how to carve wood or the secret to making coloured glass? Here’s your chance to find out, with help from the ex- perts. You can follow this trail in any order you like around the Cathedral. Directions to each object can be found at the start of each section. Where to find Chapel of St things... Laud North Quire South Transept Transept Crypt Entrance Carved pulpit Strongbow’s Entrance Tomb Baptistery Welcome Desk Stained Glass Windows These can be found all over the Cathedral — just look up! Stained glass windows tell stories. They were originally used to teach people who couldn’t read about the Bible. With sunlight shining through them, casting bright colours around the Cathedral, they provided quite a show. Almost like an early form of cinema, before films were even thought of… What is glass and how is it made? Glass is basically molten sand (silica). As obsidian it occurs naturally in volcanos. About 7,000 years ago people discovered that by adding soda ash or potash and lime to sand they could melt it themselves at a much lower temperature. How can you make different coloured glass? Coloured glass is produced by adding min- erals or metal oxides to the glass mix.
    [Show full text]
  • Rock and Mineral Eggs
    Rock and Mineral Eggs Pisolithic limestone is a sedimentary rock made of pisoids, which are concretionary grains usually made of calcium carbonate. They generally resemble ooids but are larger than 2 mm in diameter and can reach up to 10 mm in diameter. The grains are approximately spherical and have concentric layers. Obsidian is a naturally occurring volcanic glass formed as an extrusive igneous rock. It is produced when felsic lava from a volcano cools so rapidly that there is minimal crystal growth. The obsidian samples in the display are regular obsidian, snowflake obsidian, and brecciated obsidian. Some varieties of obsidian have inclusions of small, white, radially clustered crystals of cristobalite in the black glass, called snowflake obsidian. Brecciated obsidian is partially broken down and recrystallized pieces of obsidian in angular patterns. 3+ Epidote (Ca2Al2(Fe ;Al)(SiO4)(Si2O7)O(OH)) is easily identified by its characteristic yellowish green or pistachio colour. It is an important constituent of low- and medium-grade metamorphic rocks and occurs in large amounts in contact-metamorphosed limestones. Azurite (Cu3(CO3)2(OH)2) is a dark to light blue mineral that commonly occurs with malachite (Cu2CO3(OH)2). It forms when carbonated waters and copper minerals undergo a chemical reaction and can be identified by its effervescence with cold dilute HCl. Malachite is a mineral that can be distinguished by its green colour and typical banding. It effervesces in HCl and is a widespread secondary copper mineral. It occurs in the upper oxidized zones of copper deposits where limestone is present. Fluorite (CaF2) is a vitreous and transparent mineral that can vary in colour from clear to yellow, purple, blue, and even green.
    [Show full text]
  • Jackson's Auction
    Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief.
    [Show full text]
  • JEWELS of the EDWARDIANS by Elise B
    JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century.
    [Show full text]
  • Gems and Minerals in the Mcferrin Fabergé Collection
    GEMS AND MINERALS IN THE MCFERRIN FABERGÉ COLLECTION: A STUDY Presented by Christel McCanless,Annemiek Wintraecken, and Tim Adams Fabergé International Symposium Houston, Texas January 31, 2013 Organic Materials from Trees and the Oceans Gems and Minerals Mined from the Earth Rock Stars Demonstration Team, Houston Museum of Natural Science Tours – Cullen Hall of Gems & Minerals and the Smith Gem Vault, Docents All illustrations are courtesy of the Artie and Dorothy McFerrin Collection, unless otherwise noted. Fabergé Sorting Loose Stones ca. 1915 • 1908 Lapidary workshop at 44 Angliskii Prospekt, St. Petersburg, employing 30 craftsmen by 1912. • Hardstone animals and Russian folkloristic figures are not always marked Fabergé, unless they have added gold or silver decorations. • Study goals: Gem and mineral identification and discovery of historical details. Brown Agate, 18 ct. gold, diamondeyes, Zarnitza Sailor H.W. Henrik Wigström (1862-1923) (Virginia Museum of FineArts) (The Hodges Family Collection) Research Clues: London Sales Ledgers, October 14, 1913 Milky White Agate, Onyx or Chalcedony? I. Organic Materials from Trees and the Oceans Karelian Birch – Hard wood with bulbous growth, caused by a genetic defect of a tree growing in a sub-arctic climate Silver Birch Insights on the Appliques: (Wikipedia) Possibly a present from a woman closely connected to the man on the photo, perhaps a soldier going back to the battlefield after a vacation in July 1915 … Presented by Lyusya Messalineta, possibly a diminutive version of name Messalina,
    [Show full text]
  • Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. Jack M
    Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. Jack M. Ogden ABSTRACT This study deals with the gold jewellery made and worn in Egypt during the millennium between Alexander the Great's invasion of Egypt and the Arab conquest. Funerary jewellery is largely ignored as are ornaments in the traditional, older Egyptian styles. The work draws upon a wide variety of evidence, in particular the style, composition and construction of surviving jewellery, the many repre- sentations of jewellery in wear, such as funerary portraits, and the numerous literary references from the papyri and from Classical and early Christian writers. Egypt, during the period considered, has provided a greater wealth of such information than anywhere else in the ancient or medieval world and this allows a broadly based study of jewellery in a single ancient society. The individual chapters deal with a brief historical background; the information available from papyri and other literary sources; the sources, distribution, composition and value of gold; the origins and use of mineral and organic gem materials; the economic and social organisation of the goldsmiths' trade; and the individual jewellery types, their chronology, manufacture and significance. This last section is covered in four chapters which deal respectively with rings, earrings, necklets and pendants, and bracelets and armiets. These nine chapters are followed by a detailed bibliography and a list of the 511 illustrations. Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt. In two volumes Volume 1 - Text. Jack M. Ogden Ph.D. Thesis Universtity of Durham, Department of Oriental Studies. © 1990 The copyright of this thesis rests with the author.
    [Show full text]
  • Obsidian Butterfly
    Obsidian Butterfly by Laurell K. Hamilton Book 9 of the Anita Blake Vampire Hunter Series Chapter 1 I WAS COVERED in blood, but it wasn't mine, so it was okay. Not only was it not my blood, but it was all animal blood. If the worst casualties of the night were six chickens and a goat, I could live with it, and so could everyone else. I'd raised seven corpses in one night. It was a record even for me. I pulled into my driveway at a quarter 'til dawn with the sky still dark and star-filled. I left the Jeep in the driveway, too tired to mess with the garage. It was May, but it felt like April. Spring in St. Louis was usually a two-day event between the end of winter and the beginning of summer. One day you were freezing your ass off and the next day it'd be eighty plus. But this year it had been spring, a wet gentle spring. Except for the high number of zombies I'd raised, it had been a typical night. Everything from raising a civil war soldier for a local historical society to question, a will that needed a final signature, to a son's last confrontation with his abusive mother. I'd been neck deep in lawyers and therapists most of the night. If I heard, "How does that make you feel, Jonathan (or Cathy, or whoever)?" one more time tonight, I'd scream. I did not want to watch one more person "go with his or her feelings" ever.
    [Show full text]
  • Lithic Material Use in Late Prehistoric San Diego County
    TECHNOLOGY ANO ECOLOGY IN PREHISTORIC CALIFORNJ.4 57 LITHIC MATERIAL USE IN LATE PREHISTORIC SAN DIEGO COUNTY JOHN DIETLER Previous research has suggested that lithic material preference in San Diego County was directly related to resource availability throughout all periods of prehistory. The Late Prehistoric period witnessed a dramatic increase in the use of materials not a.vailable 10calJy, such as obsidian and cryptocrystalline silicates. This study examines the frequency of lithic materials at Late Prehistoric sites throughout San Diego County. The county is divided into ten zones defined by geography and cultural affiliation. Up to ten previously tested sites are selected to represent each zone, and the percentage ofseven broad material classes present at each is quantified. It is shown that in all parts of the county, the closest usable material at hand dominates asite's assemblage. Small percentages ofmore deSirable, non-local materials were imported through direct procurement or trade. Linguistic boundaries appear to have been impediments to the movement ofsome materials, especially Piedre de Lumbre chert. ost studies in lithic technology in San Diego foothills. Ten tested sites, or as many as were County to date have looked at the available, were selected to represent each zone, and M assemblage at one or two sites, or the the percentage of seven broad material classes present distribution of one type of material over a defined at each is quantified. area. In this paper, I attempt to examine the "big picture" in San Diego County. The goal of this study In order to have as uniform a data set as possible, was to characterize lithic material distribution in the all the sites chosen for this study are Late Prehistoric Late Prehistoric period and the factors that shaped it.
    [Show full text]
  • 2020Stainless Steel and Titanium
    2020 stainless steel and titanium What’s behind the Intrinsic Body brand? Our master jewelers expertise and knowledge comes from an exten- sive background in industrial engineering, specifically in the aero- nautical and medical fields where precision is key. This knowl- edge and expertise informs every aspect of the Intrinsic Body brand, from design specifications, fabrication methods and tech- niques to the selection and design of components and equipment used and the best workflow practices implemented to produce each piece. Our philosophy Approaching the design and creation of fine body jewelry like the manufacture of a precision jet engine or medical device makes sense for every element that goes into the work to be of optimum quality. Therefore, only the highest grade materials are used at Intrinsic Body: medical implant grade titanium and stainless steel, fine gold, and semiprecious gemstones. All materials are chosen for their intrinsic beauty and biocompatibility. Every piece of body jew- elry produced at Intrinsic Body is made with the promise that your jewelry will be an intrinsic part of you for many years to come. We Micro - Integration endeavor to create pieces that will stand the test of time in every way. of Technology Quality Beauty Precision in the Human Body 2 Micro - Integration of Technology in the Human Body 3 Implant Grade Titanium Barbells Straight Curved 16g 14g 12g 16g 14g 12g 10g 8g Circular Surface Barbell 16g 14g 12g 14g 2.0, 2.5, or 3.0mm rise height Titanium Labrets and Labret Backs 1 - Piece Labret Back gauge 2 - Piece Labret 18g (1 - pc back + ball) 2.5mm disc gauge 16g - 14g 16g - 14g 4.0mm disc 2 - Piece Labret Back 3 - Piece Labret (disc + post + ball) (disc + post) gauge gauge 16g - 14g 16g - 14g 4 Nose Screws 3/4” length, 20g or 18g 1.5mm Prong Facted 2.0mm 1.5mm Bezel Faceted 2.0mm 1.5mm Plain Ball 1.75mm 2.0mm 8-Gem Flower 4.0mm Clickers Titanium Radiance Clicker Wearing Surface Lengths 20g or 18g 1/4" ID = 3/16" w.s.
    [Show full text]
  • THE MYSTIC GEM of BABYLON by LOUISE SURGEY
    THE MYSTIC GEM OF BABYLON By LOUISE SURGEY ARNELIAN, the talisman gemstone of ancient Babylon still enchants the connoisseur of jewels with its red coloring and shifting beams of light. C The Babylonian citizen, befogged by sorcerers, depend­ ed implicitly on the carnelian to shield him from the black magic which he believed the Moon-god hurled earthward from time to time. Of course, the sorcerers may have been laughing in their wide sleeves at the credulous citizen, for the wisest of their kind considered black magoic to be merely a form of bad temper and as such liable to disappear under the sunny rays of the carnelian. The Babylonians, who were among the earliest to invent the processes of boring and engraving of stones, would in any case choose carnelian, a hard surfaced gem, for their handicraft. The cylinder-seal which every Babylonian carried upon his per­ son and by means of which he stamped his signature, was made of carnelan more frequently than of any other stone. The style conscious Babylonian usually chose a well cut carnelian to ornament the top of his walking stiek. Carnelian was also the talisman of tbe wonderful, if tigerish, Kings of Babylon. King Nebuchadnezzar, or, more accurately, King Nebu-kukui-uzer, who built the walls Nimgur-bel and Nimitti-bel to protect and encompass Babylon, the city he loved more than his own life, treasured the carnelian above even the 'bricks of bright silver' with which he had adorned the Temple of N ebu, his deity. When the silver and gold twelve foot statue of Bel-Mero­ dach or Marduk, the god of Babylon, 'he who stands and walks' was taken in solemn procession through the great Ishtar Gate and onward to his glittering temple, the bright carnelian shone upon his horehead.
    [Show full text]