2009 Financial Statements for Bertelsmann AG
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Redalyc.JOSÉ DONOSO, TELLING the TALE and RECLAIMING THE
Lingüística y Literatura ISSN: 0120-5587 [email protected] Universidad de Antioquia Colombia Gómez, Juan David JOSÉ DONOSO, TELLING THE TALE AND RECLAIMING THE SOCIAL RESPONSIBILITY OF THE ARTIST Lingüística y Literatura, núm. 58, julio-diciembre, 2010, pp. 51-66 Universidad de Antioquia Medellín, Colombia Available in: http://www.redalyc.org/articulo.oa?id=476548732005 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative JOSÉ DONOSO, TELLING THE TALE AND RECLAIMING THE SOCIAL RESPONSIBILITY OF THE ARTIST Juan David Gómez universidad de Antioquia Recibido: 16/09/2009 Aceptado: 05/11/2009 Abstract: The Cuban revolution and the military coups in Latin America, among other things, forced Latin American artists committed to addressing the social problems in their countries to consider transforming their social commitment into socialist commitment. This essay shows how Jose Donoso’s novel, Curfew, rejects this call and marks a new stage in the relationship between socialism and American literature by being socially committed to the actual political situation in Chile without being a socialist text. Key words: Curfew, Socialism, Pinochet, Donoso, social responsibility. JOSÉ DONOSO, CONTANDO LA HISTORIA Y RECLAMANDO LA RESPONSABILIDAD SOCIAL DEL ARTISTA Resumen: La Revolución Cubana y los golpes de estado en Latinoamérica, entre otras cosas, obligaron a artistas latinoamericanos comprometidos con el mejoramiento de sus LINGüÍSTICA y literatuRA 51 N.º 58, 2010 JuAN David GÓMEZ respectivas sociedades, a meditar sobre la posibilidad de transformar su compromiso social en un compromiso socialista. -
1997, 23. Jahrgang
Rundfunk und Geschichte Mitteilungen des Studienkreises Rundfunk und Geschichte Informationen aus dem Deutschen Rundfunkarchiv 23. Jahrgang Nr. 4- Oktober 1997 Altred Braun und die Hörfunkreportage Kommentare in Stuttgarter Medien nach 1945 Die DDR im Spiegel ihrer Objekte, Bilder und Töne Konstruktivismus und Systemtheorie Medienunternehmer vom 18. bis 20. Jahrhundert Lesen im Umbruch Dokfilmfestival in Leipzig Deutsches Rundfunk-Museum in Berlin Rezensionen Bibliographie Mitteilungen des Studienkreises Rundfunk und Geschichte Informationen aus dem Deutschen Rundfunkarchiv Jahresregister 1997 Zitierweise: RuG- ISSN 0175-4351 Redaktion: Ansgar Diller Edgar Lersch Redaktionsanschrift Dr. Ansgar Diller, Deutsches Rundfunkarchiv Frankfurt am Main - Berlin, Bertramstraße 8, 60320 Frankfurt am Main, Tel. 069-15687212, Fax 069-15687200 Dr. Edgar Lersch, Süddeutscher Rundfunk, Historisches Archiv, Neckarstraße 230, 70190 Stuttgart, Tel. 0711-9293233, Fax 0711-9292698 Redaktionsassistenz: Dr. Stefan Niessen Herstellung: Michael Friebel Redaktionsschluß: 24. November 1997 Das Inhaltsverzeichnis von »Rundfunk und Geschichte« wird ab Jg. 23 (1997), H. 1, im INTERNET (http://hsozku lt. geschichte.hu-berlin .de/zeitschr/RuGe/rugindex. htm) angeboten. Inhalt 23. Jahrgang Nr. 4/0ktober 1997 Aufsätze Steffen Jenter Altred Braun. Ein halbes Jahrhundert im Dienst des Rundfunks Sein Weg in den Medien und die Entstehung der Hörfunkreportage 195 Stefan Kursawe Stimmen der »Stunde Eins« Politische Kommentare im Stuttgart der unmittelbaren Nachkriegszeit 208 Thomas Beutelschmidt Out of fashion oder mega in? Die DDR im Spiegel ihrer Objekte, Bilder und Töne Eine Bestandsaufnahme 224 Miszellen Konstruktivismus und Systemtheorie in der Medienforschung Einführende Bemerkungen (Christian Filk) 233 Medienunternehmer vom 18. bis 20. Jahrhundert Eine Tagung in Büdingen (Marcus Scholler) 238 »Lesen im Umbruch. Forschungsperspektiven im Zeitalter von Multimedia« Ein Symposium in Frankfurt am Main (Edgar Lersch) 240 Dialog mit einem Mythos Symposium und VII. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
ENTREPRENEURSHIP: That Goal Was Achieved
One day, RICOH 129 imagined collaborating with ALUMNI the world’s best MAGAZINE business schools. It imagined that April-June 2013 students from these www.iese.edu schools could access to the right information, in the Jordi Canals Pedro Nueno Josep Tàpies and María Fernández Javier Zamora Building Companies That Maximize Your Board How to Weather the Slings and Big Data: How to Turn right place and at Generate Trust Potential Arrows of Fortune Information Into Value the right time. It imagined an excellent service for the future executives. ENTREPRENEURSHIP: That goal was achieved. TURNING IDEAS INTO ACTION One day RICOH imagined change.dea /ricohspain 900 818 302 BARCELONAIESE GLOBAL ALUMNI REUNI ON S AVE THE DATE: NOVEMBER 8 BARCELONAIESE GLOBAL ALUMNI REUNI ON S AVE THE DATE: NOVEMBER 8 C O N T E N T S COVER STORY ENTREPRENEURSHIP: TURNING IDEAS INTO ACTION 8 IDEAS CROSSROADS U.S. ADVISORY COUNCIL “HIGH-LEVEL LESSONS FROM EXPERIENCE” Building Companies that Generate Trust Jordi Canals 18 DOING GOOD & DOING WELL CORPORATE GOVERNANCE !e Power of Maximize your Board Potential Working Together 36 Pedro Nueno 24 MBA CAREER FORUM FAMILY BUSINESS Searching for New Talent 44 How to Weather the Slings and Arrows of Fortune 8TH BANKING SECTOR MEETING Josep Tàpies y Optimism at Banking Sector Meeting 46 María Fernández Moya 26 SUMMER SCHOOL BIG DATA How to Turn Information Future MBAs Are Already Into Value Studying at IESE 48 Javier Zamora 30 40 AGENDA 52 2 APRIL-JUNE 2013 / No. 129 Alumni Magazine IESE PEOPLE PEOPLE EGGERT GUDMUNDSSON (MBA ’97, AMP ’12) “We’d pay a high price PHILIP MOSCOSO AND PASCUAL BERRONE if we joined the EU” 54 58 TWO NEW ACADEMIC CHAIRS DRIVING BUSINESS RESEARCH AND INNOVATION LUIS I. -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
Curriculum Vitae Claus Hecking
Curriculum Vitae Claus Hecking Personal Profile • Dedicated journalist with a nose for exclusive news and a passion for op-eds and non-mainstream feature stories. • Eleven years experience as a staff writer and author for leading print and digital media such as Die Zeit, Spiegel Online and Financial Times Germany. Main topics: EU politics and policy, international finance and global economics. • Experience as a Brussels correspondent and as a Frankfurt correspondent who knows how to explain complex topics to a broad audience and who speaks several languages fluently. • Multimedia storyteller who writes stories, takes pictures, videos and audios. Experience Economics Correspondent , Die Zeit / Zeit.de, Hamburg (January 2015 to present) • Covering European and global economy, EU, finance, energy, environment, aviation. • Created “Countdown für das Klima” (“countdown for the climate”), a 13 week-long series of articles about the UN climate conference in Paris. Contracted Author , Spiegel Online, Hamburg & Freelancer, Die Zeit (2013 to 2014) • Covering European and global economy, EU, finance, energy, environment, creation of multimedia features (video, photo, audio, infographics, text) , • Created “Was wurde aus=?6 (3What happened to=?61, a series of articles about persons/events/places/topics that once made headline news and have disappeared from the public radar in the last years. • 2.14: 8omination for the German- rench ,ournalist Prize and one shortlist nomination for the German ,ournalist Prize. Blogger , Total Global, www.total-global.info (2.14 to present1 • Private blog about international economy, globalization and the EU. International Correspondent , 2apital, Berlin (2.12 to 2.141 • 2overing European : global economy, EU, energy, finance, aviation. -
Annual Report 2019 Key Figures
ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Drucksache 19/22675 19
Deutscher Bundestag Drucksache 19/22675 19. Wahlperiode 18.09.2020 Schriftliche Fragen mit den in der Woche vom 14. September 2020 eingegangenen Antworten der Bundesregierung Verzeichnis der Fragenden Abgeordnete Nummer Abgeordnete Nummer der Frage der Frage Achelwilm, Doris (DIE LINKE.) ...................1 Fricke, Otto (FDP) ............................47, 97 Akbulut, Gökay (DIE LINKE.) .................. 31 Gastel, Matthias Alt, Renata (FDP) ............................... 111 (BÜNDNIS 90/DIE GRÜNEN) .................. 98 Amtsberg, Luise Göring-Eckardt, Katrin (BÜNDNIS 90/DIE GRÜNEN) .................. 16 (BÜNDNIS 90/DIE GRÜNEN) .................. 65 Bartsch, Dietmar, Dr. (DIE LINKE.) ............. 82 Gohlke, Nicole (DIE LINKE.) .............. 18, 113 Bauer, Nicole (FDP) ..........................76, 77 Hahn, André, Dr. (DIE LINKE.) ................. 71 Bause, Margarete Hanke, Reginald (FDP) .......................54, 83 (BÜNDNIS 90/DIE GRÜNEN) .................. 32 Held, Marcus (SPD) ........................ 99, 100 Bayaz, Danyal, Dr. Helling-Plahr, Katrin (FDP) ...................... 55 (BÜNDNIS 90/DIE GRÜNEN) .................2, 3 Hemmelgarn, Udo Theodor (AfD) .......... 66, 101 Bayram, Canan Herbrand, Markus (FDP) ........................7, 8 (BÜNDNIS 90/DIE GRÜNEN) ...............53, 80 Hess, Martin (AfD) ...................19, 20, 21, 56 Brantner, Franziska, Dr. (BÜNDNIS 90/DIE GRÜNEN) ...........17, 33, 34 Hessel, Katja (FDP) ................................9 Buchholz, Christine (DIE LINKE.) ............35, 36 Höchst, Nicole -
Senderlisten
Senderlisten 1. Analoge TV-Sender Nr. Sendername Kanal Frequenz/MHz 1 1-2-3 tv S29 367,25 2 3Sat S11 231,25 3 Das Erste K6 182,25 4 arte S10 168,25 5 Bibel TV/Eurosport S12 238,25 6 Channel 21 K7 189,25 7 DMAX S21 303,25 8 HSE24 S23 319,25 9 Kabel 1 S20 294,25 Kinderkanal KIKA (06.00-21.00 Uhr)/ 10 S16 266,25 BBC World News (engl.) (21.00-06.00 Uhr) 11 N24 S26 343,25 12 NDR Schleswig-Holstein K5 175,25 13 Nickelodeon S22 311,25 14 n-tv S6 140,25 15 Phoenix S9 161,25 16 Pro Sieben K11 217,25 17 QVC S24 280,25 18 RTL SH/HH S18 303,25 19 RTL II K12 224,25 20 SAT.1 HH/SH K10 210,25 21 sixx K9 203,25 22 Sport1 S13 245,25 23 Super RTL S19 287,25 24 Tele5 S27 351,25 25 Comedy Central/VIVA S7 147,25 26 VOX S15 259,25 27 ZDF K8 196,25 Gültig ab 01.02.2018 Seite 1 von 15 NN_SDLPK_0218_1 nordischnet . Eine Marke der GVG Glasfaser GmbH . Sedanstraße 14b . 24116 Kiel . Tel. 0800/90 700 70 . Fax 0431/90 700 477 . E-Mail: [email protected] . www.nordischnet.de Handelsregister Amtsgericht Kiel HRB 12827 KI . Sitz der Gesellschaft Kiel . USt-IdNr. DE 281 030 825 . Steuernummer 20/298/08994 . Geschäftsführer Michael Gotowy . Jörg Knöller Senderlisten 2. Digitale TV-Sender Nr. Modulation Sendername Kanal Frequenz/MHz 1 QAM256 1-2-3.tv K47 682 2 QAM256 1-2-3.tv HD K40 626 3 QAM256 3sat S32 394 4 QAM256 3sat HD K24 498 5 QAM256 Al Jazeera Channel K51 714 6 QAM256 Algerie 3 K46 674 7 QAM256 Anixe HD K52 722 8 QAM256 ANIXE SD K47 682 9 QAM256 ARD-alpha K26 514 10 QAM256 arte K54 738 11 QAM256 arte HD D122 122 12 QAM256 Astro TV K48 690 13 QAM256 Bayerisches -
Lorella Belli Literary Agency Ltd Lbf 2019
LORELLA BELLI LITERARY AGENCY LTD Translation Rights List LBF 2019 lbla lorella belli literary agency ltd 54 Hartford House 35 Tavistock Crescent Notting Hill London W11 1AY, UK Tel. 0044 20 7727 8547 [email protected] Lorella Belli Literary Agency Ltd. Registered in England and Wales. Company No. 11143767. Registered Office: 54 Hartford House, 35 Tavistock Crescent, Notting Hill, London W11 1AY, United Kingdom. 1 Fiction: New Titles/Authors Nisha Minhas Selected Backlist includes: Rick Mofina Taylor Adams Kirsty Moseley Renita D’Silva Ingrid Alexandra Owen Mullen Helen Durrant J A Baker Steve Parker Joy Ellis TJ Brearton Katie Stephens Charlie Gallagher Ruth Dugdall Mark Tilbury Sibel Hodge Ker Dukey Victoria Van Tiem Ana Johns Hannah Fielding Anita Waller Carol Mason Janice Frost Alex Walters Nicola May Sophie Jackson PP Wong Dreda Say Mitchell Maggie James Dylan H Jones Betsy Reavley Sharon Maas Alison J Waines Selected Bookouture authors (no new submissions, but handling existing deals/publishers only): Mandy Baggot Anna Mansell Rebecca Stonehill Robert Bryndza Angela Marsons Fiona Valpy Colleen, Coleman Helen Phifer Sue Watson Jenny Hale Helen Pollard Carol Wyer Arlene Hunt Kelly Rimmer Louise Jensen Claire Seeber Non-Fiction: New Titles Sally Corner Gerald Posner Marcus Ferrar Patricia Posner Hira Ali Tamsen Garrie Robert J Ray Nick Baldock/Bob Hayward Girl on the Net Tam Rodwell Christopher Lascelles Jonathan Sacks Selected Backlist Jeremy Leggett Grace Saunders -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value