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LÚR Festival
Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir -
Page 1 FLOATING STAGE CONCERTS THURSDAY 9TH
FLOATING STAGE CONCERTS WEDNESDAY 8TH JULY THURSDAY 9TH JULY FRIDAY 10TH JULY Sponsored by Westcoast 20.45 20.45 20.35 22.15 S O P H I E SARA COX MADNESS JAMES BLUNT PRESENTS ELLIS-BEXTOR JUST CAN’T GET ENOUGH 80s Sophie Ellis-Bextor shot to fame as a vocalist on If you’ve got fond memories of legwarmers and Spiller’s huge number one single Groovejet, followed spandex, ‘Just Can’t Get Enough 80s’ is a new show by Take Me Home and her worldwide smash hit, set to send you into a retro frenzy. Murder on the Dancefloor. Join Sara Cox for all the hits from the best decade, Her solo debut album, Read My Lips was released in delivered with a stunning stage set and amazing visuals. 2001 and reached number two in the UK Albums Chart Huge anthems for monumental crowd participation and was certified double platinum by the BPI. moments making epic memories to take home. Her subsequent album releases include Shoot from the Hip (2003), Trip the Light Fantastic (2007) and Make a Scene (2011). In 2014, in a departure from her previous dance pop Madness is a band that retains a strong sense of who and what it is. Ticket prices The five-time Grammy nominated and multiple BRIT award winning Ticket prices Ticket prices albums, Sophie embarked on her debut singer/songwriter Many of the same influences are still present in their sound – ska, Grandstand A £140 artist James Blunt is no stranger to festival spotlight and will the Grandstand A £140 Grandstand A £135 album Wanderlust with Ed Harcourt as co-writer and reggae, Motown, rock’n’roll, rockabilly, classic pop, and the pin-sharp Grandstand B £120 wow crowds at Henley Festival. -
WECON LX3V-4AD Module
WECON LX3V-4AD Module Wecon Technology Co., Ltd. Website: http://www.we-con.com.cn/en Technical Support: [email protected] Skype: fcwkkj Phone: 86-591-87868869 LX3V-4AD Extension Module 1. Introduction The LX3V-4AD special module has four input channels.The input channels receive analog signals and convert them into a digital value.This is called an A/D conversion, the maximum resolution is 12 bits. The selection of voltage or current based input/output is by user wiring.Analog ranges of -10 to 10V DC (resolution:5mV), and/or 4 to 20mA, -20 to 20mA(resolution:20µA) may be selected. Data transfer between the LX3V-4AD and the LX3V main unit is by buffer memory exchange. There are 32 buffer memories (each of 16 bits) in the LX3V-4AD. LX3V-4AD consume 5V voltage from LX3V main unit or active extension unit,90mA current of power supply. 2. Dimensions ① Extension cable and connector ② Com LED:Light when communicating ③ Power LED:Light when connect to 24V ④ State LED:Light when normal condition ⑤ Module name ⑥ Analog signal output terminal ⑦ Extension module interface ⑧ DIN rail mounting slot ⑨ DIN rail hook ⑩ Mounting holes(φ4.5) - 2 - 3. Terminal layouts ① The analog input is received through a twisted pair shielded cable. This cable should be wired separately from power lines or any other lines which may induce electrical noise. ② If a voltage ripple occurs during input, or there is electrically induced noise on the external wiring, connect a smoothing capacitor of 0.1 to 0.47µF, 25V. ③ If you are using current input, connect the V+ and I+ terminals to each other. -
Tx2n-4Ad-Tc Special Function Block User's Guide
HCFA CORPORATION LIMITED TX2N-4AD-TC SPECIAL FUNCTION BLOCK USER’S GUIDE This manual contains text, diagrams and explanations which will guide the reader in the correct installation and operation of the TX2N-4AD-TC special function block and should be read and understood before attempting to install or use the unit. Guidelines for the Safety of the User and Protection of the TX2N-4AD-TC special function block. This manual should be used by trained and competent personnel. The definition of such a person or persons is as follows: a) Any engineer using the product associated with this manual, should be of a competent nature, trained and qualified to the local and national standards. These engineers should be fully aware of all aspects of safety with regards to automated equipment. b) Any commissioning or service engineer must be of a competent nature, trained and qualified to the local and national standards. c) All operators of the completed equipment should be trained to use this product in a safe and coordinated manner in compliance to established safety practices. Note: The term ‘completed equipment’ refers to a third party constructed device which contains or uses the product associated with this manual. Notes on the Symbols Used in this Manual At various times throughout this manual certain symbols will be used to highlight points of information which are intended to ensure the users’ personal safety and protect the integrity of equipment. 1) Indicates that the identified danger WILL cause physical and property damage. 2) Indicates that the identified danger could POSSIBLYcause physical and property damage. -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Iacs2017 Conferencebook.Pdf
Contents Welcome Message •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 Conference Program •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 Conference Venues ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 10 Keynote Speech ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 16 Plenary Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 20 Special Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 34 Parallel Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 40 Travel Information •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 228 List of participants ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 232 Welcome Message Welcome Message Dear IACS 2017 Conference Participants, I’m delighted to welcome you to three exciting days of conferencing in Seoul. The IACS Conference returns to South Korea after successful editions in Surabaya, Singapore, Dhaka, Shanghai, Bangalore, Tokyo and Taipei. The IACS So- ciety, which initiates the conferences, is proud to partner with Sunkonghoe University, which also hosts the IACS Con- sortium of Institutions, to organise “Worlding: Asia after/beyond Globalization”, between July 28 and July 30, 2017. Our colleagues at Sunkunghoe have done a brilliant job of putting this event together, and you’ll see evidence of their painstaking attention to detail in all the arrangements -
Russian Red in San Francisco SAN FRANCISCO
MUSIC Russian Red in San Francisco SAN FRANCISCO Thu, October 16, 2014 8:00 pm Venue The Independent, 628 Divisadero St, San Francisco, CA 94117 View map Phone: 415-771-1421 Admission Buy tickets. Doors open at 7:30 pm- More information Russian Red Credits The Spanish singer tours the U.S. and Canada to present her U.S. tour organized by The Windish third album ‘Agent Cooper.’ Agency, Charco and Sony Music Entertainment España S.L. Image courtesy of the artist. During the last few years Russian Red has become one of the most renowned artists in the Spanish music scene. Russian Red’s singer, Lourdes Hernández, has an exceptional voice and an innate ability to communicate and captivate a variety of audiences. She broke through the music scene in 2008 and became THE indie phenomenon with her debut album I Love Your Glasses (achieving a Gold record in Spain) and soon began performing on the main Spanish stages (Primavera Sound Festival, FIB, Jazzaldia, among many others), and reaching audiences in the USA, Mexico, Colombia, Venezuela, Argentina, Costa Rica, Germany, Holland, Belgium, etc. In 2011 she released her second LP, Fuerteventura (with Sony Music) thus taking a big leap forward in her career. Produced by Tony Doogan (Belle & Sebastian, Mogwai, David Byrne, etc.) and recorded with Stevie Jackson, Bob Kildea and Richard Colburn from Belle & Sebastian, Fuerteventura debuted at #2 on the topselling albums charts in Spain, where it stood for over 39 weeks, consolidating her position as one of the most outstanding and international Spanish artists. Russian Red rounded the year off taking home the MTV EMA Award as “Best Spanish Artist.” Fuerteventura was not only a great success in Spain, but it also launched Russian Red onto the international scene, placing her in the international bands spectrum. -
CHAPTER 2 ‘From the Night and the Light, All Festivals Are Golden’: the Festivalization of Culture in the Late Modernity1,2
CHAPTER 2 ‘From the night and the light, all festivals are golden’: The festivalization of culture in the late modernity1,2 Paula Guerra Abstract Festivals have been stated as important forms of social and cultural participation. In the twenty‐first century, all countries have been faced with a number of annual2 festivals, but also by diversifying the type of festivals, its location and its audiences. The festival model has expanded all over the world and became globalize. With this model emerged the so‐ called ‘festivalization of culture’. Portugal was no different in this phenomenon. The main purpose of this chapter is to explore the Portuguese festival dynamics. These dynamics have the function of globalization coding, marketing and culture of media coverage, mobilizing thousands of actors on the supply side, in mediation and on the demand side. There are several elements that prove this in Portugal: unprecedented evolution in the number of festivals over the past two decades; the spread of festivals around the country, especially in its Atlantic coast and in metropolitan areas; the exponential increase of the habitués; the weight of the turnover of the festivals in the statement of accounts culture and cultural industries; the importance of festivals for the launch and projection of the bands; and, above all, the design of a new way of life in an environment marked by consumptions, appropriations and embodiments of practices, associated with experience and sociability of the festival. 1 This chapter result of an intensive research carried out since 2005, anchored in three projects. The first, developed between 2005 and 2009, Urban cultures and youth lifestyles: Scenery, sounds and aesthetic in contemporary Portuguese (SFRH / BD / 24614/2005), at the Institute of Sociology of the University of Porto (IS‐UP), coordinated by the author of this article and funded by the Science and Technology Foundation (FCT). -
Sgt. Pepper Live Dimanche 22 Octobre 2017 – 16H30 Et 20H30
Sgt. Pepper Live Dimanche 22 octobre 2017 – 16h30 et 20h30 GRANDE SALLE PIERRE BOULEZ – PHILHARMONIE Samedi 21 octobre Dimanche 22 octobre 20H30 CONCERT 16H30 & 20H30 CONCERT ANOUSHKA SHANKAR SGT. PEPPER LIVE ANOUSHKA SHANKAR, SITAR AVEC : ED HARCOURT, CARL BARÂT, PETER MANU DELAGO, PERCUSSIONS, HANG DOHERTY, DANNY GOFFEY, GAZ COOMBES, SANJEEV SHANKAR, SHEHNAI STEVE MASON, BARRIE CADOGAN... TOM FARMER, CONTREBASSE, CLAVIER 17 H CONCERT CLASS OF ’67 - BERIO, STOCKHAUSEN, THE BEACH BOYS & THE BEATLES S T A R G A Z E ANDRÉ DE RIDDER, DIRECTION NORA FISCHER, SOPRANO ACTIVITÉS CE WEEK-END Aart Strootman/Morris Kliphuis, Variations sur Smile, d’après The Beach Boys SASAMEDIMEDI Luciano Berio, Folk Songs Visite-atelier du Musée de 14h30 à 16h30 Luciano Berio, O King LITTLE ROCKER Karlheinz Stockhausen, Stop and Start Luciano Berio, Michelle II, d’après John Music Session de 16h à 19h Lennon et Paul McCartney AUTOUR DES BEATLES DIMDIMANCHEANCHE Café musique de 11h à 12h30 SGT. PEPPER Un dimanche en chanson de 14h à 17h LES BEATLES Contes au Musée de 15h à 16h HISTOIRES DE SWING ET AUSSI Enfants et familles Concerts, ateliers, activités au Musée… Adultes Ateliers, conférences, visites guidées du Musée… WEEK-END HAPPY BIRTHDAY SGT. PEPPER Sgt. Pepper’s Lonely Hearts Club Band, l’album des Beatles qui a révolutionné la culture populaire de son temps, a 50 ans. Ce week-end propose de retrou- ver, autour de deux concerts présentant l’album en live, ses inspirations majeures : la musique contemporaine et expérimentale avec Stockhausen et Berio ; les Beach Boys ; la musique indienne, à travers la rencontre Ravi Shankar / George Harrison et l’apparition du sitar. -
Fx-4Ad User Manual
Foreword 0 This manual provides technical information on the use of the FX4ADspecial function block in connec- tion with theFX programmable controller. 0 Users should ensure that the details of this manual are studied and understood before attempting to in- stall or use theseunits. CONTENTS 1. INTRODUCTION 1 2. CONFIGURATION AND SPECIFICATIONS 2 3. WIRING 5 4. BUFFER MEMORY ASSIGNMENT 8 5. STATUS INFORMATION 12 6. OPERATION PROCEDURE 14 7. PRELIMINARY CHECKS 17 Chapter 8 is concerned with the changing of the default settings. 8. ADJUSTING GAIN AND OFFSET 18 If you don't plan to change these defaults, you can skip this section. 9. COMMANDSFROM / TO 24 10. REFERENCE 25 1. INTRODUCTION (1) Introduction Configuration (4) Unit The FX-4AD analog input unit converts up to 4 The enclosure of the FX-4AD unit resembles to channels of analog input (either voltage or cur- that of the 16 I/O point extension blocks, but rent) into .12-bit digital readings and transfers the number of 110 points occupied by theFX- the data to an FX series programmable control- 4AD is actually 8 (you can count them as either ler. Optical coupling is used to ensure that volt- input or output points). For the purposes of age surges do not damage other areas of your power consumption, the FX-4AD unit draws equipment. 30mA from the 5V supply of the base unit. Use this figure to calculate whether the base unit (2) Compatible PCs has enough power to support this and other special blocks. Versions 2.0 or later of the FX series of pro- grammable controllers (those with serial nos. -
Cash Box NY Date, the Primary Sponsors of These Type of on What Could Have Been a Typical Album/Ticket Circulation NINA TREGUB
November 2, 1985 ZZ Top Turning Up The Heat With “Afterburner Story on Page 15 •« V 1 ' H Qf ^ J|| HBl Y C4SH BOX ^THE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 21 — November 2, 1985 C4SHBQ< GUEST EDITORIAL GEORGE ALBERT President and Publisher MARK ALBERT Corporate $$$$ Aid Artists & Promoters — Vice President and General Manager SPENCE BERLAND Manufacturer’s Next? Vice President By Rip Pelley J.B. CARMICLE Vice President Many years have passed since the American consumer tuned in the with major music stars. Many potential sponsors are still fence sitting DAVID ADELSON radio to laugh at a young comic who identified himself as “Bob because of the usual expensive fees inherent with these type of Managing Editor Pepsodent Hope." While Hope’s middle name may have changed from programs. Although these fees are usually justified, most advertisers ROBERT LONG "Pepsodent" to “Texaco,” consumers have never changed their cannot afford the high ticket sponsorship. willingness to identify products with the celebrities In fill the void for these of companies, record Director Black/Urban Marketing who endorse them. order to types Currently, the advertising industry, facing manufacturer’s can tap these organization’s JIMI FOX audience slippage and fragmentation in network products and retail outlets for use in national and Director Media Communications television advertising, has turned to event local new release campaigns. In turn, the Research sponsorship and targeted consumer marketing advertiser can participate in the airtime generated KEITH ALBERT, Manager campaigns to further reach today's mobile by these promotions, as well as potential DARRYL LINDSEY RON ROSENTHAL consumer. -
Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band
Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band undertheradarmag.com /interviews/lush_- _miki_berenyi_and_emma_anderson_on_1996_album_lovelife_and_the_last_d/ "Lush was so tied up with Chris, and without him, it's just really, really difficult to consider [a reunion]." - Miki Berenyi Apr 28, 2015 By Frank Valish Issue #51 - September/October 2014 - alt-J The year was 1996. Lush had released its third full-length album, Lovelife. Although their shoegaze-crossed-with- pop songwriting never truly fit into Britain's chart-centric musical atmosphere, the band was finally getting its due, with Lovelife cracking the Top 10 on Britain's album charts and spawning three charting singles, "Single Girl," "Ladykiller," and "500 (Shake Baby Shake)." The band was in demand for concerts across the U.S. and Europe. On the surface, it seemed like things couldn't get any better. But within a year, it would all be over. 1/4 Lush formed in London in 1988, fronted by school friends Emma Anderson (guitars/vocals) and Miki Berenyi (vocals/guitars), along with Chris Acland (drums) and Steve Rippon (bass). After releasing a series of EPs that garnered Lush attention in the U.K., including 1990 cover stories for both Melody Maker and NME, Rippon left and was replaced by Philip King just prior to the release of the band's full-length debut. Spooky, released in 1992, was an album that showcased the dream-pop soundscapes and ethereal melodies of the band's two frontwomen and propelled Lush to recognition in America with a gig on 1992's Lollapalooza festival.