Ione Mignogna

Cand.soc. in Management of Creative Business Processes Master Thesis Democratizing art in the digital age: a study of the history of Tate’s digital strategy Ione Mignogna Academic Supervisor: José Ossandón Number of pages: 73 Characters: 171,116 Hand-in date: Signature: Copenhagen Business School, 2016 1 Executive Summary The aim of the paper is to reconstruct the history of the digital strategy of the chosen single case study of the British institution Tate. This will be done to explain the case itself and to serve as a guideline for other museums wanting to implement a digital strategy. The descriptive and inductive research will answer the question ‘what is the history of Tate’s digital strategy?’ Qualitative data was collected through semi-structured interviews as primary data sources and gathered from secondary sources including documents and information found on Tate’s website and on third party websites. The grand challenge this thesis deals with is the democratization of art. In order to understand the grand challenge within the context of managerial studies, two concepts were highlighted in relation to Tate’s digital strategy: co-creation and Lampel et al.’s ‘Balancing Act’ (2000). Democratization efforts can be brought forward through the use of digital co-creative practices, which will be pointed out to show how changing the communication with existing and new audiences can increase accessibility and transform the role of the museum audience from passive receptors of knowledge to active co-creators of meaning and experiences. The second concept focuses on the role that digitalization plays in helping democratize art by blurring the lines between the paradoxes of needing to remain profitable whilst wanting to exhibit art-for-art’s sake, as well as between increasing accessibility without neglecting the quality of the artworks and exhibitions. Tate’s history will be presented in the form of a timeline divided in three stages: the initial stage going from 1998-2007 when digital practices began to be implemented yet the focus remained on the website, the second stage from 2007-2015 when social media and the use of mobile platforms became of interest to Tate, and the current third stage where the generation of revenue became a key concern in the development of the digital strategy. Strategic advice will be presented in this paper for smaller museums, museums facing struggles similar to those that Tate faced, as well as for other cultural institutions wanting to move towards digital. 2 Table of Contents Executive Summary ........................................................................................................................................ 2 1.0 Introduction ........................................................................................................................................ 5 2.0 Definition of the problem ................................................................................................................... 6 2.1 Democratizing art: a brief history of the origin of museums and their role nowadays ..................... 6 2.2 Academic Discussion .......................................................................................................................... 9 2.2.1 Co-creation ....................................................................................................................................... 10 2.3.2 Balancing Act .................................................................................................................................... 13 2.3 Case Description ............................................................................................................................... 14 2.4 Research Question ........................................................................................................................... 15 3.0 Methodology .................................................................................................................................... 16 3.1 Approach .......................................................................................................................................... 16 3.2 Data collection methods .................................................................................................................. 17 3.3 Data Analysis .................................................................................................................................... 21 4.0 Timeline: Tate’s digital strategy ....................................................................................................... 22 4.1 Leading period 1994-1998 ................................................................................................................ 23 4.2 The first stage 1998-2007 ................................................................................................................. 25 4.2.1 Website Launch ................................................................................................................................ 25 4.2.2 The establishment of an in-house team ........................................................................................... 28 4.2.3 Adapting to the limited resources .................................................................................................... 29 4.2.4 Perceived Risks ................................................................................................................................. 30 4.2.5 Renovation of the website: from brochure to 5th gallery ............................................................... 31 4.2.6 Digital Activities 2002-2007 .............................................................................................................. 32 4.3 The second stage 2007-2015 ............................................................................................................ 38 4.3.1 New digital initiatives 2007-2009 ..................................................................................................... 39 4.3.2 Renovation of the website: from 5th gallery to participatory period .............................................. 43 4.3.3 Challenges for the new website ....................................................................................................... 48 4.3.4 An organizational structure adapting to the digital era ................................................................... 49 4.3.5 Tate and Social Media ...................................................................................................................... 51 4.3.6 Implementation of the social media strategy .................................................................................. 57 4.3.7 Digital initiatives 2012-2013 ............................................................................................................. 57 4.3.8 Revised digital strategy 2013-2015 .................................................................................................. 58 4.4 The third stage .................................................................................................................................. 60 4.4.1 Website: shifting to a commercial view ........................................................................................... 60 3 4.4.2 The future of digital activity at Tate ................................................................................................. 62 5.0 Discussion ......................................................................................................................................... 63 5.1 The purpose of Tate’s digital strategy .............................................................................................. 64 5.2 Co-creation ....................................................................................................................................... 66 5.3 Balancing act..................................................................................................................................... 69 6.0 Conclusion ........................................................................................................................................ 71 7.0 Recommendations............................................................................................................................ 71 References .................................................................................................................................................... 74 Appendices ................................................................................................................................................... 80 Acknowledgements ...................................................................................................................................... 96 Figures, Tables and Graphs Table 1: Data collection resources………………………………………………………………………………………………………18 Figure 1: Organizational Structure 2000-2005………………….....................................................................29 Figure 2: Tate Online's objectives and projects aimed at achieving those objectives………………………….35 Figure 3: 2010-2012 Digital Strategy Goals…………….……………………………………………………....………………….48 Figure 4: Social Media goals……………………………………………………………………………………………………………….54 Figure 5 Social media platform strategies…………………………………………………………………………………………..55 Graph 1: Physical and Online visits from 2002-2015…………………………………………………………………………..53 Graph 2: Social media engagement 2010-2015………………………………………………………………….………….……60

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