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Pani Bp4 Scenic Projectors
RON HAYS PRODUCTIONS MEGAVISION , PANT BP4 SCENIC PROJECTORS RON HAYS-DESIGNER/DIRECTOR LONG AND SHORT TERM PROJECTOR RENTALS For the first time in the United States, the spectacular image projection and special effect capabilities of Austria's PANT SCENIC PROJECTORS can be yours!! I have 8 Projectors worth more than $300,000. I also design and direct multi-image slide shows and multi-media shows . I have designed and "performed" over twenty-five major productions using these projectors along with lasers, lights and effects. Images can range from twenty feet by twenty feet to two-hundred feet by two-hundred feet with a depth of field of seventy-five feet! Project on buildings, giant screens or scrims, snow or sidewalks, or any light colored surface with 400,000 lumens of light. Available from RON HAYS PRODUCTIONS - complete PANT PROJECTION packages are now available on a daily or weekly rental basis with rates as low as $1200 a week for performing arts users. PRODUCTION DESIGN and SOFTWARE GRAPHIC SERVICES SLIDE PRODUCTION AUTOMATIC SLIDE CHANGERS Experienced TECHNICAL CREWS STURDY TRAVEL CASES LENSES AND EFFECTS (Fire, rain, snow, clouds, water, etc.) COMPUTER CONTROLLED FADE-UPS AND DISSOLVES Tech specs-see over TECHNICAL SPECIFICATIONS 2'-4 3/16" THE PROJECTORS PANT BP4 HMI Weight: 150 Ib in"y' .w TOa ~omuw Size: 40" x 36" x 48" Shipping Weight : 195 Ib THE BALLAST 4000W / 380V 160Hz Weight: 175 Ib Size : 30"x 9" x 16" Shipping Weight: 205 Ib MIX THE TRANSFORMER Step-up (208V / 380V) Weight : 125 Ib 1 3/16" Size: 24" x 24" x 1 /2" W. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Cablevision Photos Folder List
CableVision photos folder list File Folder Other subjects 3 DO Company Trip Hawkins, Rick Tompane 700 Club Tim Robertson, Susan Howard, Ben Kinchlow, logo 900 Numbers Wheel of Fortune, Jeopardy, Jay Leno A & E Brooke Bailey Johnson, Lyle Schwartz, Sy Lesser, Michael Cascio, Martha Greenhouse, Gladys Nederlander, Susan Silver, Peggy Charren, Nickolas Davatzes, Drew Sheckler, Susan Wittenberg, Gary Loeffler, Carole Kealy, Tom Bradley, Susan Herman, Decker Anstrom, Dusty Morris, Todd Noyes, Michael Katz, Whitney Goit, Ronald Schneier, Annette Simand, William McGorry, James Gray, Ray Joslin, Ellen Agress, Mark Mersky, Rita Ellix, Stephanie Sills, Susan Schulman, Shelley Blaine, Lucy Chudson, Lawrence Widrig, Betty Cornfeld, Sherri London, Arlene Kekalos, Paulette McLeod, Gerard Gruosso, Robert Igiel, Lori Sue Meyers, Enid Karpeh, Ken Street, Randall McKey, Colin Watson, Andrew Orgel, Phil Lind, Daniel Davids, Lisa Cowles, Abbe Raven, Carolyn Reynolds, Susan Leventhal, Brian Litman, Steve Bouchard, David Lee A & E - programming programming A.B.C. Jack Healy, Paul Coss, Elton Rule A.B.C. Video Enterprises, Inc. Bruce Maggin, Thomas Bloniarz, graphic A.C.E. Cable Awards John Goddard, Kay Koplovitz, Char Beales, Bob Johnson A.C.L. Staff Photos Fred Cady, Bob, Holt, Rob Williams A.C.T.S. Stephen Baum, Thomas Rogeberg, Jimmy Allen, Gene Linder, Ronald Dixon, G. William Nichols, programming A.C.T.V. programming, Dr. Michael Freeman Ph.D., Andre Chagnon, John Lack, Dr. Diana Gagnon A.I.D.S. A.P. (Associated Press) Roy Steinfort, Robert Reed, Greg Groce, Tim Brennan, Jerry Astertay, Donald Harwood, Anne Nobles, Henry Heibrunn A.R.T.S. (Alpha Repertory Television Service) programming including Melba Moore "The Creative Drive", Jack Palance The Mysterious Eastern Zone", Peter Strauss "America, Where It All Happens", David Birney, Richard Thomas A.T.&T. -
Christophers Cite TV's Contributions PBS Cites Gains In
State Department of Education; Towards Visual Henry and the Polka Dot Kid, executive producer: its WTVT(TV) Tampa, Fla., violated rules by Learning New York State Education Department and George Heinemann, producer: Linda Gottlieb, direc- running program (said "to depict America Appalachian BOCES Consortium; The Original Rom - tor: Richard Marquand, writer: W W. Lewis (NBC); as having weakened its defense relative to pin' Stompin ; Hot and Heavy Cool and Groovy All Blind Sunday producer: Daniel Wilson, director: Larry the Russians Star Jazz Show, CBS -TV; It Must Be Love 'Cause I Feel Elikann, writers: Arthur Barron, Fred Pressburger ") without announcing that it So Dumb, ABC -TV; Song of Myself CBS -News; (ABC). was furnished by American Security Orangutans: Orphans of the Wild CBS -TV; A Matter Children of Divorce, producer /director /writer: Mike Council. Commission addressed issue of of Ethics, CBS News; Rattlesnakes: Life and Death of Gavin (NBC); Chinatown, executive producer: David whether film was provided "as an induce- a Western Gladiator. Daniel Wilson Productions; Bub- Loxton, producers /directors /writers: John Alpert, Keiko ment" for broadcast even though no mon- ble Gum Digest WMAO -TV Chicago; The Camera and Tsuno, Yoko Maruyama (WNET(TV) New York /PBS); etary consideration was made. the Song Ontario Education Communications Authori- Christmas Around the World, executive producer: or other ty; Come Into My Parlor, Survival Anglia Ltd.: Welfare, Lee Mendelson, producer: Karen Crommie, directors/ Since there was no sponsorship identifica- WNET New York; Let's Hear It for the Patients, WBBM- writers: Lee Mendelson, Karen Crommie (NBC); Come tion- Gaylord said it was editing error - TV Chicago; There's Something We've Been Meaning to into My Parlour, producer: Aubrey Buxton, filmed by FCC said, violation occurred. -
The Wedding Jackpot: a Creative and Critical Investigation of the Farce Genre in the Context of Screenwriting and Feature Film
The Wedding Jackpot: A Creative and Critical Investigation of the Farce Genre in the Context of Screenwriting and Feature Film A project submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Sung-Ju Suya Lee BFA, York University, Toronto, Canada MBA, University of Bradford School of Management, Bradford, U.K. School of Media and Communication College of Design and Social Context RMIT University November 2016 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the project is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. Sung-Ju Suya Lee November 2016 Acknowledgements In what has been an amazing academic journey, I have met many who supported and encouraged me over the half dozen years. First and foremost, I would like to thank my primary supervisor, Associate Professor Craig Batty, for his expert guidance and unwavering belief in me. I was taught what it means to be rigorous, not only in academia, but also in creative practice. He has set a high standard that will be with me forever. It is his lantern that shines a light at the end of the tunnel. I would like to thank my secondary supervisor, Dr Daniel Binns, whose support was much appreciated. -
Harry Crane Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt0p3017jh No online items Finding Aid for the Harry Crane Papers, ca. 1915-late 1990s (bulk 1940s-1980s) Processed by Julie Graham, K. Bachli, C. Butler, and N. Schneider; machine-readable finding aid created by Julie Graham UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the Harry Crane 203 1 Papers, ca. 1915-late 1990s (bulk 1940s-1980s) Descriptive Summary Title: Harry Crane Papers Date (inclusive): 1915-1990s, Date (bulk): (bulk 1940s-1980s) ca. 1915-late 1990s (bulk 1940s-1980s) Collection number: 203 Creator: Crane, Harry, 1914-1999 Extent: 170 boxes (85 linear ft.);4 Cartons (4 linear feet); and 4 flat boxes (ca. 3 linear feet) Abstract: Comedic writer Harry Crane started his career as a standup comic. During his long career Crane wrote for a number of renowned entertainers, but is best remembered for developing the popular television creation, The Honeymooners. The collection consists of script files, gag files, humor topical publications, and a small amount of awards, audio visual material, books, business files, clippings, correspondence, memorabilia, and photographs related to Cranes' prolific career writing for radio, television, and motion pictures as well as his long association with popular entertainers. Repository: University of California, Los Angeles. -
Sports & Entertainment Leadership Council
SPORTS & ENTERTAINMENT LEADERSHIP COUNCIL MEMBERS FY 2014 - 2015 ADAM ANDERS – Executive Music Producer, Glee!; Multi Award Winning Producer, Composer and Entrepreneur; Member of the Board of Governors for the Recording Academy Creating the soundtracks of our lives, Adam Anders and Anders Music Inc. have sold more than 70 million albums and created the music for some of the most successful major motion pictures and television shows in history. His songs have broken music chart records and his work has earned him 3 consecutive Grammy nominations, 2 People’s Choice Awards, 2 Golden Globe Awards and an ARIA Award. He has an unparalleled track record of writing and producing top-notch tunes for both established artists and up-comers including Cee-Lo, Jonas Brothers, Miley Cyrus, Selena Gomez, Demi Lovato, Backstreet Boys, Clay Aiken, Sheryl Crow, Steven Curtis Chapman, Jesse McCartney, CeCe Winans, Nick Lachey, Ashley Tisdale and The McClymonts. His music can also be heard on many major motion pictures, movies made for television, and television shows including, Glee, Disney’s High School Musical 3, The Young Victoria, Cheetah Girls 3, Evan Almighty, The Wedding Planner, Rugrats In Paris, Camp Rock and Camp Rock 2, Hannah Montana, and Starstruck, to name a few. Anders recently served as the Executive Music Producer for the Warner Brothers Film “Rock Of Ages” film and soundtrack, a project whose Original Score is by Anders and Peer Astrom, All songs were produced by Adam Anders and Peer Astrom. The film and chart topping soundtrack features performances by Tom Cruise, Mary J. Blige, Russell Brand, Julianne Hough, Alec Baldwin, Diego Boneta and Malin Akerman, all crafted by Anders. -
Running Head: PERCEPTIONS of FEMALE AGGRESSION
Running Head: PERCEPTIONS OF FEMALE AGGRESSION UNIVERSITY OF OTTAWA Perceptions of Female Aggression on Reality Television By Kathleen Donovan Master of Arts in Communication Supervisor: Peruvemba S Jaya Department of Communications © Kathleen Donovan, Ottawa, Canada, 2016 PERCEPTIONS OF FEMALE AGGRESSION ii ABSTRACT Despite the detrimental effects of aggression, Reality Television is replete with portrayals of female direct and indirect aggression for the sake of entertainment. Direct, physical and verbal aggression may be easy to identify but indirect aggression can be circuitous and subtle such as gossiping and exclusion from the group. Victims of indirect aggression can experience long-term psychological repercussions such as depression, anxiety, low self-esteem and self-abusive behaviour. Exposure to indirect relational aggression on Reality Television has also been shown to increase physical aggression in its viewers. Combining three theoretical frameworks this study draws on social cognitive theory, cultivation theory as well as feminist frameworks. Female adults were recruited to participate in semi-structured interviews discussing their perceptions and influence of Reality Television clips portraying female aggression. Keywords: indirect aggression, verbal aggression, Reality Television, mean girl, post- feminism PERCEPTIONS OF FEMALE AGGRESSION iii Table of Contents ABSTRACT ...................................................................................................................... ii LIST OF TABLES ......................................................................................................... -
Off-Campus Contact Ban Under Debate
T»" Wednesday, October 30,1991 The independent newspaper serving the SMU community since 1915 Vol 77 No. 40 Reagan appointed mHP Students circulate petition to student loan board By KAREN RINAMAN management, and I will help to against 10-man rule sanction Contributor to The Daily Campus oversee the working of the corpo By DAVID NELSON ration," Reagan said. received a f 3t of sanctions Oct. hinders certain individual Gov. Ann Richards appointed Contributor to The Daily Campus 16 that included the 10-man rights. Reagan said one of the issues 1 Barbara Reagan, former chair rale. The petition is still in prelimi the board must face is trying to A petition is being circulated woman of the economics depart The petition urges "SMU to nary stages, but is designed to avoid high loan delinquency around the SMU community ment and professor emeritus of rates. reconsider certain sanctions allow members of the communi questioning the 10-man rule, a placed on campus organiza economics, to the Texas The corporation guarantees ty to voice their opinions on the sanction recently imposed on tions." It also says, "The specific rule, Gray said. Guaranteed Student Loan banks that they will get their three-fraternities by University referred to is the The petition is currently being Corporation Board of Directors. money back from students who sanction being Judicial Council restricting to 10 10-man rule." circulated by ATO around cam The TGSLC covers a large take out educational loans, the number of fraternity mem The petition says that stu pus in fraternity houses, sorority number of higher education Reagan said. -
For Immediate Release
‘SAFE HARBOR’ PRODUCTION BIOS DAN PAULSON (Executive Producer) - A native of New York City, Dan Paulson graduated with Honors, receiving a B.A. from Boston University, as well as an MBA from Columbia University’s Graduate School of Business. Paulson began his career in the entertainment industry with NBC, where he worked as an executive in business affairs. Leaving NBC to begin a freelance career, he produced television commercials and industrial films, before joining 20th Century Fox as a story editor, eventually being promoted to the position of production executive. Paulson remained with Fox until he formed his own production company, Daniel L. Paulson Productions. Under the banner of his newly formed company, Paulson developed, packaged and produced a number of theatrical films, television movies and several series pilots, including “Comes a Horseman,” starring James Caan, Jane Fonda and Richard Farnsworth, who received a Best Supporting Actor Oscar® nomination. Paulson also produced the TV movie “Thaddeus Rose and Eddie,” starring Johnny Cash and Diane Ladd. In addition, he executive produced and received the Christopher Award for the NBC TV movie “Victims for Victims.” Paulson joined Dick Clark Productions as VP in charge of movies and series. He served as executive producer for such films as the CBS TV movies “Starfever” and “Copacabana,” which received two Emmy® nominations. Other projects for Dick Clark Productions included the TV movies “Promised a Miracle” and “Town Bully,” and the ABC pilot “Remo Williams,” starring Roddy McDowell. Upon leaving Dick Clark Productions, Paulson produced a number of theatrical films including “Backtrack,” starring Jodie Foster, Charlie Sheen, Joe Pesci, Dean Stockwell, Vincent Price and Dennis Hopper, who also directed; “Passenger 57,” starring Wesley Snipes, and “Sunset Park.” Under Daniel L.