Earth Matters: Studies for Our Global Future
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
Mediterranean Ecological Footprint Trends Content
MEDITERRANEAN ECOLOGICAL FOOTPRINT TRENDS CONTENT Global Footprint Network 1 Global Footprint Network EDITOR Foreword Promotes a sustainable economy by Alessandro Galli advancing the Ecological Footprint, Foreword Plan Blue 2 Scott Mattoon a tool that makes sustainability measureable. Introduction 3 AUTHORS Alessandro Galli The Ecological Footprint 8 Funded by: of World Regions David Moore MAVA Foundation Established in 1994, it is a family-led, Nina Brooks Drivers of Mediterranean Ecological Katsunori Iha Footprint and biocapacity changes 10 Swiss-based philanthropic foundation over time whose mission is to engage in strong Gemma Cranston partnerships to conserve biodiversity Mapping consumption, production 13 for future generations. CONTRIBUTORS AND REVIEWER and trade activities for the Mediterranean Region Jean-Pierre Giraud In collaboration with: Steve Goldfi nger Mediterranean Ecological Footprint 17 WWF Mediterranean Martin Halle of nations Its mission is to build a future in which Pati Poblete people live in harmony with nature. Anders Reed Linking ecological assets and 20 The WWF Mediterranean initiative aims economic competitiveness at conserving the natural wealth of the Mathis Wackernagel Toward sustainable development: 22 Mediterranean and reducing human human welfare and planetary limits footprint on nature for the benefi t of all. DESIGN MaddoxDesign.net National Case Studies 24 UNESCO Venice Conclusions 28 Is developing an educational and ADVISORS training platform on the application Deanna Karapetyan Appendix A 32 of the Ecological Footprint in SEE and Hannes Kunz Calculating the Ecological Footprint Mediterranean countries, using in (Institute for Integrated Economic particular the network of MAB Biosphere Research - www.iier.ch) Appendix B 35 Reserves as special demonstration and The carbon-plus approach learning places. -
Building a Sustainable and Desirable Economy-In-Society- In-Nature
SCIENCE | ENVIRONMENT State of the World 2013 2013 STATE OF THE WORLD is Is Sustainability Still Possible? SUSTAINABILITY “State of the World 2013 assembles the wisdom and clarity of some of the earth’s finest thinkers, visionaries, and activists into a dazzling array of topics that merge to offer a compellingly lucid and accessible vision of where we are—and what is the wisest and healthiest course for the future.” OF THE WORLD STATE —NINA SIMONS, Cofounder, Bioneers Still Possible? “This edition forges a new path for the State of the World series, and for environmental thinking in general. A pivotal book that marks a defining moment for our species.” — RICHARD HEINBERG, Senior Fellow, Post Carbon Institute, and author of The End of Growth “State of the World 2013 is a powerful collection of articles, and the vision behind it is impressive. Here is a book that gets beyond ‘sustainababble’ and asks the tough, essential questions. It should make readers more determined than ever to do their part in avoiding planet-wide disaster—and better informed about how to do that.” — PETER SINGER, Professor of Bioethics, Princeton University, and author of Animal Liberation, One World, and The Life You Can Save Sustainability gets plenty of lip service, but the relentless worsening of key environmental trends reveals much of that attention to be “sustainababble.” From climate instability and species extinctions to approaching scarcities of freshwater, minerals, and energy, worrisome limits to human economic activity look more pressing each year—all while our political institutions seem impotent to address the challenge. THE WORLDWATCH INSTITUTE, in this edition of the celebrated State of the World series, takes an unflinching look at what the data say about the prospects for achieving true sustainability, 2013 what we should be doing now to make progress toward it, and how we might cope if we fail to do so. -
Simon Fraser University Special Collections and Rare Books
Simon Fraser University Special Collections and Rare Books Finding Aid - Robert Bringhurst fonds (MsC 154) Generated by Access to Memory (AtoM) 2.0.1 Printed: March 23, 2015 Language of description: English Simon Fraser University Special Collections and Rare Books W.A.C. Bennett Library Simon Fraser University 8888 University Drive Burnaby British Columbia V5A 1S6 Canada Telephone: 778-782-4626 Fax: 778-782-3023 Email: [email protected] http://atom.archives.sfu.ca/index.php/msc-154 Robert Bringhurst fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 5 Series descriptions .......................................................................................................................................... -
Contractors with Total Contract Value of Over £100,000 Chart Based on Contracts with a Value of Over 5000 GBP
Contractors with total contract value of over £100,000 chart Based on Contracts with a value of over 5000 GBP Contract Value Supplier Name 116325.00 Affinity Workforce Ltd 796000.00 Solace Women's Aid 323557.00 BARTS HEALTH NHS TRUST 210147.00 Boxmoor Construction Ltd 107420.30 EUROPEAN ELECTRONIQUE LTD 415448.22 HAYHURST AND CO 198221000.00 United Living (South) Ltd 894000.00 Working Men's College 450000.00 Capita Travel and Events 4405561.66 CATERLINK LTD 135545.21 CHURCHES FIRE SECURITY LTD 400000.00 Artelia UK 105036.66 Vinci Construction Uk Ltd 500000.00 CAMPBELL REITH HILL LLP 17000000.00 Re-Gen UK 408098.00 IMPERIAL COLLEGE HEALTHCARE NHS TRUST 4707213.00 ST MUNGO COMMUNITY HOUSING (GRIFFIN HSE) 131176.21 Softcat Ltd 147371.31 DAVID PHILLIPS 250971.43 Marcus & Marcus Ltd Page 1 of 22 10/02/2021 Contractors with total contract value of over £100,000 chart Based on Contracts with a value of over 5000 GBP 136044.00 CENTRAL & CECIL 198667.55 GODWIN & CROWNDALE TMC LTD 288142.90 PRICEWATERHOUSECOOPERS 494918.96 APEX HOUSING SOLUTIONS 425000.00 Rick Mather Architects LLP 148855.40 Alderwood LLA Ltd - Irchester 2 821312.26 Falcon Structural Repairs 1169203.00 Ark Build PLC 103675.37 MANOR HOSTELS (LONDON) LTD 319608347.72 VEOLIA ENVIRONMENTAL SERVICES (UK) PLC 299532.76 CASTLEHAVEN COMMUNITY ASSOC. 207757.50 PERSONALISATION SUPPORT IN CAMDEN 12000000.00 AD Construction Group 678874.77 St Johns Wood - Lifestyle Care (2011) PLC 424893.63 INSIGHT DIRECT (UK) LTD 150366.19 HOLLY LODGE ESTATE COMMITTEE 114136.63 SPECIALIST COMPUTER CENTRES 943735.13 Mihomecare 4800000.00 Turner & Townsend Project Management Ltd 140000000.00 Volkerhighways 233048.00 KPMG 1150000.00 LONDON DIOCESAN BOARD FOR SCHOOLS Page 2 of 22 10/02/2021 Contractors with total contract value of over £100,000 chart Based on Contracts with a value of over 5000 GBP 302480.00 DAISY DATA CENTRE SOLUTIONS LTD 30000000.00 Eurovia Infrastructure 140126.15 DAWSONRENTALS BUS & COACH LTD 261847.08 ST MARTIN OF TOURS HOUSING ASSOC. -
PENNY LANG: 1942-2016 “One of Canada’S Undeniable Treasures” Montreal Int’L Jazz Festival
PENNY LANG: 1942-2016 “one of Canada’s undeniable treasures” Montreal Int’l Jazz Festival Penny Lang emerged on the North American music scene in the 1960s. Her powerful interpretations and originals in folk, blues, country and gospel have gained her a large and devoted following as "a superb singer of sardonic folk material… hugely entertaining" (The Toronto Star). She also remained true to the art of entertaining, keenly perceptive and able to read the mood of her audiences. No two shows were alike, as she was a master communicator. Her songs: emotionally powerful observations of the human condition, sometimes poignant, sometimes hilarious, always memorable. Born in east-end Montréal to a musical family, Penny Lang learned the ropes in prisons, hospitals, churches, camps and dusty old theatres. During the 1960s she performed at major folk festivals (Philadelphia, Mariposa..), folk clubs and countless bars throughout North America. Her mentors were Dave vanRonk and Kate McGarrigle; she hung with Stevie Wonder and the Reverend Gary Davis; she adored Nina Simone and Pete Seeger. A near brush with fame occurred when she was asked to record Leonard Cohen’s Suzanne for a US major label but it was not to be. Her darkest years lay ahead of her, and Penny left regular performing in 1970 after the birth of her son Jason. In 1988, after some time living in rural Québec, Penny re-emerged a stronger woman and a more powerful force. With the help of friends she directed her energies into songwriting, and was welcomed back to an adoring public. She became the darling of le tout Montréal, virtually precipitating a folk/roots revival. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
South East Maidstone Urban Extension Review of Cashflow Model and Viability
South East Maidstone Urban Extension Review of cashflow model and viability Prepared on behalf of Golding Homes 20 April 2012 Final DTZ 125 Old Broad Street London EC2N 2BQ PRIVATE & CONFIDENTIAL www.dtz.com Review of cashflow model and viability | Golding Homes Contents 1 Introduction 4 1.1 Basis of Instruction 4 2 Golding Homes Financial Model Structure 5 2.1 Key Scheme Details 5 2.2 The Financial Model 6 3 Review of Revenue Assumptions 8 3.1 Revenue 8 3.1.1 Market Sale Housing 8 3.1.2 Affordable Housing 9 3.2 Future House Prices, Absorption and Sales Rates 10 3.2.1 Assumptions about Sales/ Build Out Rates 11 3.3 New Homes Bonus 12 3.4 Current Housing Land Supply 12 4 Review of Cost Assumptions 14 4.1 Cost 14 4.1.1 Unit Sizes 14 4.1.2 Build Costs 14 4.1.3 Code for Sustainable Homes 15 4.1.4 Cost Inflation 15 4.2 On Costs 16 4.3 Planning Contributions (CIL & s106) 17 4.4 Finance Rate 18 4.5 Infrastructure Costs 19 4.6 Land Value 20 4.7 Profit 20 5 Scenario Analysis 22 6 Summary 24 6.1 Delivery Structure 24 6.2 Financial Returns 24 Final 2 Review of cashflow model and viability | Golding Homes Status of Report and Limitations This report contains information which may be commercially sensitive if released. Circulation should be limited to appropriate individuals within Golding Homes. The contents of this report are confidential to Golding Homes in the context in which the report is supplied and DTZ expressly disclaims any responsibility towards third parties in respect of the whole or any part of its contents. -
Justice Audio Video Disco Full Album Download Zip Justice Audio Video Disco Rar
justice audio video disco full album download zip Justice Audio Video Disco Rar. Year Of Release: 2011 Genre: Dance, Electronic Format: Flac, Tracks Bitrate: lossless Total Size: 940 MB 01. Horsepower (03:40) 02. Civilization (03:37) 03. Listen to Audio, Video, Disco. Justice Album 2011 11 songs. 2011 album from the French Electronic duo. The duo is known for incorporating a strong Rock and Indie influence into their music and image. Madurai tamil movie video songs free download. Features the singles ‘Civilization’ and ‘Audio Video Disco’. Tracklist 01. Horsepower 3:39 02. Civilization 3:39 03. Ohio 4:01 04. Canon (Primo) 0:27 05. Canon 3:39 06. On’n’on 4:30 07. Brainvision 3:11 08. Parade 4:01 09. New Lands 4:14 10. Helix 4:28 11. Audio, Video, Disco. 4:53. Download: Justice Audio Video Disco Rare Earth. Justice – Audio, Video, Disco (2011) FLAC (tracks) 24 bit/96 kHz Time – 00:40:39 938 MB Genre: Electronic Official Digital Download – Source: Web Digital Booklet © Ed Banger Records – Because Music. 2011 album from the French Electronic duo. The duo is known for incorporating a strong Rock and Indie influence into their music and image. Features the singles ‘Civilization’ and ‘Audio Video Disco’. Tracklist 01. Horsepower 3:39 02. Civilization 3:39 03. Ohio 4:01 04. Canon (Primo) 0:27 05. Canon 3:39 06. On’n’on 4:30 07. Brainvision 3:11 08. Parade 4:01 09. New Lands 4:14 10. Helix 4:28 11. Audio, Video, Disco. 4:53. MamBaRecords. -
FY2007 Mid-Term Financial Results Briefing Session Segment Overview and Strategy
Capcom Co., Ltd. (Tokyo-Osaka Stock Exchange Symbol:9697) FY2007 Mid-Term Financial Results Briefing Session Segment Overview and Strategy Capcom Public Relations & Investor Relations Section Capcom Public Relations & Investor Relations Section 0 Disclaimer Regarding Forward-looking Statements Management strategies, plans, projections and other statements excluding historical facts in these presentation materials are forecasts. Please note that the business projections herein are based on the information that is available at the time of the Mid-Term Financial Result announcement and certain assumptions that serve as the basis of rational judgments have been made. Actual performance may vary substantially from these projections due to various contributing factors in the future. Additionally, changes in market environments, such as the diversification of user needs, may drastically affect the performance of this industry in which our company operates. Factors contributing to performance fluctuations include, but are not limited to: (1) the presence or absence of strong-selling titles and the number of units sold in the home video game software business, which accounts for not less than 50% of our total sales; (2) the progress of home video game software development; (3) the proliferation of home video game consoles; (4) sales in overseas markets; (5) trends in stock prices and foreign exchange; (6) cooperation with other companies in development, sales and operations; and (7) changes in market environments. Capcom Public Relations & Investor Relations Section 1 < Contents > 1. Home Video Games Business P 3 2. Arcade Operation Business P 9 3. Arcade Games Sales Business P 11 4. Contents Expansion Business P 14 5. Business Forecast for Fiscal Year 2007 P 1 6 Capcom Public Relations & Investor Relations Section 2 Home Video Games Business for 1st Half Ended September 30, 2007 Although we had no major hit titles in the 1st half, robust sales were maintained. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.