Mini'app'les Newsletter the Minnesota Apple Computer Users' Group, Inc
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Final Cut Express 2 Edit Like a Pro
Final Cut Express 2 Edit like a pro. Key Features The powerful, affordable DV editor Final Cut Express 2 is a robust and cost-effective editing solution for digital video Capture video. Connect a FireWire-equipped enthusiasts. Based on Apple’s award-winning Final Cut Pro 4 professional video editing DV camcorder to your Mac and capture video software, Final Cut Express 2 delivers incredible real-time performance and advanced directly to the Browser window. Then organize and manage your clips with ease. editing features tailored to meet the needs of home, education, and creative business videographers. For flexible, full-featured DV editing, Final Cut Express 2 is the perfect Customize the interface. Change window combination of power, ease of use, and affordability. and track layouts, add interface buttons, and reorganize Browser columns to make your Approachable editing flow more easily. Final Cut Express 2 was designed to provide a simple, straightforward workflow. Just plug your FireWire-equipped DV camcorder or deck into your Macintosh and use Make professional edits. Use editing tech- the Capture window to capture your footage. The Browser and hierarchical clip bins niques like slip, slide, ripple, roll, and split to help you organize, search, and sort your clips. make edits without altering your source video. Improved trimming tools and a new Trim Edit The Final Cut Express interface provides multiple ways of performing actions so you window make your edits smoother. can work the way you like. Start a project by dragging clips into the Timeline or the Canvas window, then arrange and edit them together with a number of intuitive tools. -
AIC 24P Workflow
Guide to Capturing 720p24 HDV from the JVC HD-100 or JVC BR-HD50 By Graeme Nattress FInal Cut Pro does not natively support JVC’s 720p24 HDV format but can be made to capture it. Apple’s initial support for HDV was through iMovie and Final Cut Express, via use of an intermediate codec called “AIC” or Apple Intermediate Codec. When Final Cut Pro gained HDV support with version 5.0, AIC was supplemented with “native” HDV support. As of FCP 5.03, there is still no native support for 720p24 HDV, but there is a work- around that allows use of 720p24 via AIC. This document outlines the simple work- around using Cinema Tools, an application bundled with Final Cut Pro. Due to the 24p being embedded in a 720p60 MPEG2 stream, once captured via AIC, the video plays very fast. By using the “conform” feature in Cinema Tools, we can make the video once again run at 23.98fps and hence work for 24p editing. AIC has improved it’s quality since it’s initial release and is now suitable, although not the best online codec for editing HDV non-natively. AIC capturing does not support timecode or batch capture. This is how to do it: Set up Final Cut Pro 1 Easy Preset Easy presets represent the easiest way to set up Final Cut Pro for any task. It’s best to select the easy preset before making your new project, to be sure that project conforms to the settings you’ve chosen. Plugin Solutions For Final Cut Pro - www.nattress.com - 2 Select HDV-Apple Intermediate Codec 720p30 There is no option for 720p24, but 720p30 does capture each and every 24p frame, but wrongly assigns a frame rate of either 59.94fps or 29.97fps to the captured files. -
RED FCS Whitepaper V3
Using RED Media With Final Cut Studio v30.1.0 www.RED.com Table of Contents Introduction–Software and Hardware Requirements! 4 Improved Color Science in v30.1.0! 5 FLUT is Compatible With Older Native Media! 5 Downgrading for Older Projects! 5 Unsupported FLUT Features! 6 Choosing Camera Settings for Final Cut Studio Compatibility! 7 Choosing a Camera Resolution! 7 Choosing an Aspect Ratio! 8 Choosing a Frame Rate! 9 Choosing the Appropriate Timecode Track for Each Magazine! 9 Archiving RED Media in Preparation for Ingest! 10 Archiving RED Media Using Disk Images! 11 The Structure of RED Media Directories! 12 Ingesting REDCODE Media Using Final Cut Pro! 14 Method 1: Transcode to an Apple ProRes Codec! 14 Method 2: Ingesting Native RED QuickTime Files! 17 Tracking Ingested Media to the Original R3D Media! 19 Specifications for RED QuickTime Media! 19 Using RED QuickTime Media in Final Cut Pro! 20 Automatically Conforming a Sequence for RED Media! 20 Using RED Media with Final Cut Studio – Aug 25, 2010! 2 Creating a “RED Using ProRes” Sequence Preset in Final Cut Pro!20 Real-Time Performance in Final Cut Pro Using RED QuickTime Media! 23 Exporting and Rendering Native RED QuickTime Media! 24 Color Workflows Using RED Media! 26 Workflow 1: Work and Finish Using Apple ProRes! 26 Workflow 2: Work Offline Using Apple ProRes; Then Reconform to Native RED QuickTime Media in Final Cut Pro! 27 Workflow 3: Work Offline Using ProRes; Reconform to Native REDCODE Media Using Cinema Tools and Color! 31 Workflow 4: Work and Finish Using REDCODE! 35 Using Unlimited -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Apple's Soundtrack Pro 2
summertimespecialreport software PSN’s look at the latest in software platforms, effects plug-ins and virtual instruments includes a pair of UA’s LA-3A and user reviews and a new software product section. Audio engineers and desktop music producers of all kinds will find some exciting new releases this sum- mer or early fall, between the long-awaited Reason 4.0 and upcoming FXpansion BFD2—both currently Neve 88RS in beta testing—Waves’ new collection of API-model- ing plug-ins, new sound libraries from East West and ILIO, and Digidesign’s new Structure soft sampler. Check out reviews of Apple’s new SoundTrack Pro 2 and Universal Audio’s Neve 88RS and LA-3A plug- ins, just released with UAD version 4.7.0, as well as a rundown of some of the new software products ei- ther just out, or coming soon to a store near you. SUMMERTIME SOFTWARE SUMMERTIME Apple’s Soundtrack Pro 2 Universal Audio’s LA-3A Product information by Rich Tozzoli by Geoff Sanoff Neve 88RS Channel Strip: $299 s with every new release from niversal Audio’s latest additions to LA-3A Audio Leveler: $149 Apple, the word “integration” its UAD-1 line are the LA-3A com- A always finds its way into the work- U pressor and the Neve 88RS channel flow. Soundtrack Pro 2 is the company’s strip. As someone working frequently on a On this particular song, I had been using latest incarnation in the ever-advancing host-based system (Black Lion modded [Digidesign’s] Smack, which I like on series, bundled as part of the latest Final Digi 002 running Pro Tools LE 7.3.1, quad drums, but the LA-3A added a nice sense Cut Studio 2 package. -
Power Mac G4 FAQ
Power Mac G4 FAQ Overview Q. What are the key features of the Power Mac G4? A. The new Power Mac G4 system delivers outstanding performance, innovative DVD and CD creation capabilities, and substantial expansion options. • Performance. The Power Mac G4 offers the fastest-ever PowerPC G4 processor with Velocity Engine, achieving processing speeds up to 733 megahertz. The system architecture is improved and main memory can be expanded to 1.5 gigabytes.1 The result is a 38 percent performance improvement over previous Power Mac G4 systems. • Music CDs and interactive DVDs. iTunes software and the CD-RW drive let you create custom music CDs on all new Power Mac systems.2 Choose a configuration that includes the DVD-R/ CD-RW drive and iDVD software, and the Power Mac G4 becomes the first affordable start-to- finish DVD authoring and recording solution. • Highly expandable. Now with five slots—one superfast AGP 4X graphics slot plus four high- performance PCI slots—the Power Mac G4 allows you to add video, audio, and SCSI cards to accomplish a wide range of professional tasks. Performance Q. What are the performance features of the new Power Mac G4? A. The Power Mac G4 is faster as a result of the following performance enhancements: • Processors running at 466, 533, 667, and 733 megahertz • Faster system bus running at 133 megahertz • Data throughput of over 1 gigabyte per second • PCI throughput of up to 215 megabytes per second • Gigabit Ethernet standard on all systems Q. What are the benefits of the new 667- and 733-megahertz processors? What makes them faster? A. -
DVD Studio Pro 3 ©2005 Adrian Ramseier and Martin Sitter, All
25610c01.qxd 7/28/04 2:37 PM Page 9 Tiger Basic Project: Using the Basic Configuration Matt Geller is a Chicago-based systems integrator, consult- ant, and all-around technology therapist specializing in dig- ital video postproduction installations. In addition to his work as a video editor and motion graphics artist, Matt is a certified instructor for Apple, Boris, and Discreet, and is a courseware author and technical editor for Apple. He helped form the Chicago Final Cut Pro Users Group and served as its treasurer for three years. You can find out more about Matt at http://thetechtherapist.com. 25610c01.qxd 7/28/04 2:37 PM Page 10 1 Lesson Files Lessons > 01_TigerBasic_Completed Media Media > TigerBasic folder Time This lesson takes approximately 60 minutes to complete. Goals Learn the six steps of DVD authoring Learn about the DVD-Video Specification Learn what assets can be used for DVDs Work with the Basic view Assemble a simple DVD project Use the Palette window Create a basic menu Create a slideshow with audio Burn a disc 25610c01.qxd 7/28/04 2:37 PM Page 11 Lesson 1 Preparing Your First DVD Project Welcome to the world of DVD authoring! As an interactive medium, DVD-Video gives you, the DVD author, a unique opportunity to plan and create an experience for the user. The experience you create includes not only things to see and hear, but also choices for users to make along the way. Apple DVD Studio Pro 3 provides elegant, simple, and powerful tools to help you create this user experience. -
Leopard 10.5.8 Latest Software
Leopard 10.5.8 latest software Here is a list of the latest software that OS X Leopard supports. If you have software that can be added, tell me in the thread and where to find it, so we can expand the list. A lot of the software is not on the mac repository sites or other sites, some download links are broken and programs or any info about them will be extremely hard to find. I have a lot of free space on my HDD and I store all this software & can send a download link whenever someone needs something (ideal solution is if we can make a file server or make a new updated PCC store). I first used a list from “The Leopard Thread”, sorted everything better (sorry if something isn't in order) and added programs that weren't there before. Also, some of the programs weren't the latest version, so I found the latest, found a serial and added it in the folder. Please, if you want to add something on the list, check if it truly is the latest version for PPC! Also, if some program is put under incorrect label or there is a better version, please tell me in the thread, i want to make it as best as possible! Green Have latest version of the software and a working serial if it needs one Blue Have latest version of the software, but no serial Red Downloaded latest version of the software, but haven’t tested it Magenta I guess that this is the latest version, but can’t find a download link anywhere Black Not downloaded or checked if it works or latest version Bold Black - made a list like this before without checking too much if the programs were latest version & these weren't on the Leopard Thread list, so i copied them & need to check again 1. -
Phoenix Film Office
Phoenix Film Office - PRODUCTION LISTINGS Editors Name/Company Phone-1Phone-2 Email/WebSite Service Description 2882FiLMS 786-213-9632 2882Films provides video and photo services to reach any audience sucha s music videos, events, commercials, tutorial videos, birthdays, weddings, etc. www.2882films.com A Southwest Post Production 602-996-5942 [email protected] APA member. ACE & Academy Award nominee for Best Film Editing. 35/16mm Movieola linear editing systems, Lightworks non linear editing systems, 35/16 interlock projection system and much more. David Berlatsky Anderson, Kevin 602-820-4647 [email protected] Been working in Production for a few years now. Excited to expand my knowledge and develop my career. I'm easy going and am very passionate about creative expression and idea development and execution. I do what I love and love what I do. Bindson, Brad 480-228-3031 [email protected] Editor, 8 years experience with Avid and Final Cut Pro. Assistant director/PA; feature/TV, documentry and commercial experience. Cone, Lee Ann 623-847-9241 602-793-7767 [email protected] 19 yrs. exp. in ALL phases of production. B.A. in Film Prod. - LMU: Los Angeles, CA. Professional, dependable, enthusiastic, extremely organized and detail oriented with a director’s/editor’s eye for continuity. Available for editing - Avid or Final Cut. Own Final Cut Pro HD. Can assist during shoot in downloading, organizing and logging video files from camera hard drives/P2 cards. Experienced with Red camera footage. Have also worked as on-set editor and DIT. Available for Travel: Passport. Features, Shorts, Commercials, Infomercials, Training Films. -
Final Cut Pro HD
HighNoonNFHome.qxp 3/4/04 3:44 PM Page 1 New Features in Final Cut Pro HD UP01022.Book Page 2 Tuesday, March 23, 2004 7:32 PM Apple Computer, Inc. © 2004 Apple Computer, Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. Your rights to the software are governed by the accompanying software license agreement. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Every effort has been made to ensure that the information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. Apple Computer, Inc. 1 Infinite Loop Cupertino, CA 95014-2084 408-996-1010 www.apple.com Apple, the Apple logo, DVD Studio Pro, Final Cut, Final Cut Pro, FireWire, Mac, Mac OS, Macintosh, PowerBook, Power Mac, and QuickTime are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Cinema Tools, Finder, OfflineRT, LiveType, and Sound Manager are trademarks of Apple Computer, Inc. Digital imagery® copyright 2001 PhotoDisc, Inc. AppleCare is a service mark of Apple Computer, Inc. Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. -
Final Cut Pro 4.0 to DVD Studio Pro 2.0 Beginners Guide
Final Cut Pro 4.0 to DVD Studio Pro 2.0 Beginners Guide Part 1. Importing Video with Final Cut Pro 4 Make sure the Sony Mini DV deck is connected via firewire using the grey colored firewire/usb2 hub located on the right side of the G4 computer before launching Final Cut Pro. (Note: Do not plug in any external devices into the back of the G4 computer unless authorized) Setting up your Project Folder 1. From the Desktop, double click on Storage 3/DMA STUDENTS 2. Create a Folder: Go File>New Folder to Create a folder with your first and last name ex. Joe Smith. This will be your project folder. Launch Final Cut Pro by clicking on its Slate icon on the left end of the dock. 1. Close any open projects. Look at the grey Tabs (near the top of the screen) in the Browser window and select the project. To close a project: Go File>Close Project. Setting up your Project 1. Go File>New Project: Choose DV NTSC 48khz and click OK. 2. Go File>Final Cut Pro>System Settings: Under the Scratch Disk Tab, click the set button and choose Storage 3/DMA STUDENTS/Your Name, then click OK. 3. Save Project: Go File>Save Project As: Name your Project then choose Storage 3/DMA STUDENTS/Your Name, then click OK . Log and Capture Window 1. Go File>Log and Capture to launch the Capture Window. 2. Transport Controls: Use the transport controls to locate your in and out points. 3. Mark IN Point: Set the IN point pressing “i” on your keyboard or clicking in the IN point icon located in the lower left corner of the capture window. -
Menu / Disc Creation DVD Studio Pro
Menu / Disc Creation DVD Studio Pro Please note that all versions of DVD Studio Pro are slightly different. As a result, there may be some slight differences between this guide and your version, but most aspects of this recital authoring process will remain the same. INTRODUCTION Within the template files, copy the MENU folder from the template location to the location you’re editing from. This folder contains all of the files you’ll need. For multiple disc sets, copy the folder multiple times and rename each folder accordingly (Disc 1 , Disc 2 , etc.) Open the menu folder, then double-click on the MENU project file to open DVD Studio Pro . SETUP The first time you create a menu, you’ll need to import a template file – this is for the SELECT A DANCE page, and will allow you to automatically create chapter indexes. To do this, open the Palette window, and click on the Templates tab. Click on CUSTOM . Right click anywhere in this window and IMPORT . Browse to the Template folder, and import the SELECT A DANCE.dsptemplate file. Press F3 to change your view to ADVANCED . This is the best view to use when working with this template. HOW IT WORKS DVD first play is set to a DRC intro video – this is already set up for you. All user operations are prohibited during this intro, so the viewer can’t fast forward or skip over it. It then jumps to the Main Menu, which will display information about the recital, a program scan and studio logo.