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US EPA, Pesticide Product Label, CLOROX BLEACH, 09/13/2011
UNITED STATES ENVIRONMENTAL PROTECTION AGENCY WASHINGTON, DC 20460 OFFICE OF CHEMICAL SAFETY AND POLLUTION PREVENTION September 13, 2011 Ms. J. Evelyn Lawson Senior Regulatory Information Scientist The Clorox Company C/o PS&RC; P. O. Box 493 Pleasanton, CA 94566-0803 Subject: Notification Application per PR Notice 98-10 Clorox Bleach EPA Registration Number 5813-1 Application Date: August 22, 2011 EPA Receipt Date: August 23, 2011 Dear Ms. Lawson: This acknowledges receipt of the above notification application, submitted under the provision of PR Notice 98-10, FIFRA 3(c)9. Proposed Notifications: • Add an ingredient disclosure website on page 32; • Updated EPA Est. information including alternate language for Puerto Rico, and updated year. General Comments: Based on a review of the material submitted, the following comment applies: The notification application is acceptable. A copy of the accepted notification has been inserted in your file for future reference. Should you have any questions or comments concerning this letter, please contact Adam Heyward via email at heyward. adam(q),epa.gov or by telephone at (703) 347-0274 during the hours of 6:00 am to 2:30 pm EST. MbWsBS Harris^ Product Manager (32) Regulatory Management Branch II Antimicrobials Division (751 OP) a/Sf Plftte reid instruction* on nv»r*e b»for» coir I'm form. Form Aporov OMB No. 2070-O06O. Approval expire* 2-28-95 United States Registration OPP Identifier Number Environmental Protection Agency &EPA Amendment EL0359 Washington, OC 20460 Other Application for Pesticide - Section I 1. Company/Product Number 2. EPA Product Manager 3. Proposed Classification 5813-1 Monisha Harris None Restricted 4. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Romancing race and gender : intermarriage and the making of a 'modern subjectivity' in colonial Korea, 1910-1945 Permalink https://escholarship.org/uc/item/9qf7j1gq Author Kim, Su Yun Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Romancing Race and Gender: Intermarriage and the Making of a ‘Modern Subjectivity’ in Colonial Korea, 1910-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Su Yun Kim Committee in charge: Professor Lisa Yoneyama, Chair Professor Takashi Fujitani Professor Jin-kyung Lee Professor Lisa Lowe Professor Yingjin Zhang 2009 Copyright Su Yun Kim, 2009 All rights reserved The Dissertation of Su Yun Kim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii TABLE OF CONTENTS Signature Page…………………………………………………………………...……… iii Table of Contents………………………………………………………………………... iv List of Figures ……………………………………………….……………………...……. v List of Tables …………………………………….……………….………………...…... vi Preface …………………………………………….…………………………..……….. vii Acknowledgements …………………………….……………………………..………. viii Vita ………………………………………..……………………………………….……. xi Abstract…………………………………………………………………………………. xii INTRODUCTION: Coupling Colonizer and Colonized……………….………….…….. 1 CHAPTER 1: Promotion of -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
Bleach, the Final Frontier
BLEACH, THE FINAL FRONTIER By dj Date Masamune Also, friendly reminder from Kenpachi-sama… Need to Knows • Panel will be available online + my resources on my blog • Will upload .pdf of PowerPoint that will be available post-con • Contact info. • Take a business card before you leave • If you have any questions left, feel free to ask me after the panel or e-mail me • ‘Discussion panel’ is nothing w/o the discussion part ~^.^~ How It’s Going to Be… • For every arc, I’ll do a super quick, super basic summation (accompanied by a crapload of pics), then everyone else can add in their own things, move the crap on rapidly, rinse & repeat • i.e., everyone gets a chance to talk • So, none of that “anime expert”/“I know more than the panelist” b.s. • Important mindset to have: Bleach is a recently ended train wreck you can never look away from Tite Kubo Audience SO LET’S GET STARTED~! & may kami-sama help us all ~.~; AGENT OF THE SHINIGAMI, SNEAK ENTRY, & THE RESCUE ARC Episodes 1-63 Manga: 1-182 Ishida Uryuu Chad Yasutora Ichigo Kurosaki Orihime Inoue Chizuru Honsho Mizuiro Kojima Asano Keigo Tatsuki Arisawa Mizuho Asano Yuzu & Karin Don Kanonji Kon Genryusai Yamamoto Soi Fon Gin Ichimaru Retsu Unohana Sousuke Aizen Zanpakuto: (Sui-Feng) Zanpakuto: Zanpakuto: Zanpakuto: Ryujin Jakka Zanpakuto: Shinsou Minazuki Kyoka Suigetsu Suzemabachi Zanpakuto: Bankai: Bankai: Bankai: Zanka no Tachi Kamishini no Yari *Suzumushi Jakuho Raikoben Bankai: Zanpakuto: Zanpakuto: Suzumushi Senbonzakura Tenken Tsuishiki: Enma Bankai: Bankai: Zanpakuto: Korogi Senbonzakura -
Sanitizer and Disinfectant
How to Properly Make and Use Sanitizers & Disinfectants SANITIZING FOOD CONTACT SURFACES A solution of bleach and water should be used to sanitize all food preparation and contact surfaces. 1 tablespoon of bleach per 1 gallon of water will give you a 50-200 ppm sanitizing solution. This can be used to sanitize dishes, utensils, food preparation counters and tables. * Make sure that you use only UNSCENTED bleach for food contact surfaces and that you are using chemical test strips to check the sanitizer concentration. All spray bottles must be clearly labeled with contents.* DISINFECTING CHANGING TABLES, BATHROOMS, TOYS All changing tables/diapering areas, bathrooms and toys must be disinfected after each use. The following solution of bleach and water should be used on these surfaces: 1 tablespoon of bleach per 1 quart of water OR ¼ cup of bleach per 1 gallon of water This will give you a 500-800 ppm disinfecting solution. Remake solution daily. Soaking method for toys: Wash and rinse toys to remove any visible dirt. Soak toys in a solution of ¾ cup of bleach per gallon of water for 5 minutes. Rinse toys and allow to fully air dry. IN CASE OF ACCIDENTS AND ILLNESS For all surfaces impacted by ill children (vomiting, diarrhea), a stronger solution of bleach and water is required. 1/3 cup bleach per 1 gallon of water OR 2 tablespoons bleach per 1 quart water. This will give you a 1000+ ppm disinfecting solution. After cleaning the area with detergent, spray or wipe with surfaces with the disinfectant. Make sure to allow surfaces to fully air dry. -
Japanese Manga and Its Buds Lynne, Miyaki Final Project Bleach
Priest 1 Alexander Priest May 2013 Jpnt 179 Graphically Speaking: Japanese Manga and Its Buds Lynne, Miyaki Final Project Bleach ‘Live Action’ Screenplay This is a satirical screenplay of the manga series created by Tite Kubo. Priest 2 Introduction: There haven’t been many American ‘live action’ movie adaptations of manga. There was a brief period, where movies Speed Racer (2008), Astro Boy (2009), and Dragonball Evolution (2009) debuted and theatres, but they would receive negative or mixed reception. To commemorate these movies, I have drafted an intentionally horrible screenplay for my imaginary movie, Bleach: Soul Reaper ™. Unfortunately, I was not able to create that would actually span an entire movie. A myriad of difficulties and challenges embodies the difficulties that come with creating these adaptations in the first place. Firstly, I have had a lack of experience in screenplay writing. My second struggle came with adapting the much-loved Bleach and trying to corrupt it for the sake of satire. Maintaining a coherent storyline is difficult when you are also trying tamper with existing plots and storylines. Adaptations will always contradict the source material, it is inevitable, but much effort goes in deciding what should and shouldn’t be changed. Successfully fulfilling the notion of a “terrible adaptation” proves more challenging than initially expected. Thirdly, I didn’t know how to keep the screenplay informative without inserting footnotes to provide context and justification. The purpose of this project is to reveal common mistakes and disastrous trends within American interpretations of Japanese source materials, so I created a portion of a live-action screenplay that embodies this. -
Korean Honorific Speech Style Shift: Intra-Speaker
KOREAN HONORIFIC SPEECH STYLE SHIFT: INTRA-SPEAKER VARIABLES AND CONTEXT A DISSERATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (KOREAN) MAY 2014 By Sumi Chang Dissertation Committee: Ho-min Sohn, Chairperson Dong Jae Lee Mee Jeong Park Lourdes Ortega Richard Schmidt Keywords: Korean honorifics, grammaticalization, indexicality, stance, identity ⓒ Copyright 2014 by Sumi Chang ii ACKNOWLEDGEMENTS No words can express my appreciation to all the people who have helped me over the course of my doctoral work which has been a humbling and enlightening experience. First, I want to express my deepest gratitude to my Chair, Professor Ho-min Sohn, for his intellectual guidance, enthusiasm, and constant encouragement. I feel very fortunate to have been under his tutelage and supervision. I also wish to thank his wife, Mrs. Sook-Hi Sohn samonim, whose kindness and generosity extended to all the graduate students, making each of us feel special and at home over the years. Among my committee members, I am particularly indebted to Professor Dong Jae Lee for continuing to serve on my committee even after his retirement. His thoughtfulness and sense of humor alleviated the concerns and the pressure I was under. Professor Mee Jeong Park always welcomed my questions and helped me organize my jumbled thoughts. Her support and reassurance, especially in times of self-doubt, have been true blessings. Professor Lourdes Ortega's invaluable comments since my MA days provided me with a clear direction and goal. -
Bleach Bath Recipe Card
Bleach Bath Recipe Card Taking bleach baths two to three times per week is thought to reduce inflammation and the risk of developing staph infections by safely decreasing bacteria on the skin. This bleach bath recipe has the same level of chlorine in your average swimming pool. INGREDIENTS Bathtub Water Regular or Measuring "unconcentrated" spoons/cups household bleach (5.25% sodium DIRECTIONS hypochlorite) STEP THINGS TO REMEMBER 1 Fill bath tub with lukewarm water DO NOT use excessively hot or cold water STEP Add 1/2 cup bleach for a full standard-size bathtub of water (approx. 40 gallons); 1/4 cup for a half DO NOT add any other products 2 bathtub of water (approx. 20 gallons); 2 or ingredients to the bath tablespoons for a baby bathtub (approx. 4 gallons) DO NOT soak for longer than 15 STEP minutes Get in and soak for 10 minutes 3 DO NOT submerge your head or face under the water STEP Rinse o completely with warm tap water DO consult with your health care 4 provider first before trying a STEP bleach bath or giving one to your 5 Proceed with daily skin care routine child for the first time ABOUT THE NATIONAL ECZEMA ASSOCIATION National Eczema Association (NEA) is the leading advocacy organization serving people with eczema and those who love them. NEA provides information, resources and support to more than 6 million people each year, while funding research leading to better treatments and a cure for the millions of Americans aected by eczema. Go to nationaleczema.org to find out more. -
Aachi Wa Ssipak Afro Samurai Afro Samurai Resurrection Air Air Gear
1001 Nights Burn Up! Excess Dragon Ball Z Movies 3 Busou Renkin Druaga no Tou: the Aegis of Uruk Byousoku 5 Centimeter Druaga no Tou: the Sword of Uruk AA! Megami-sama (2005) Durarara!! Aachi wa Ssipak Dwaejiui Wang Afro Samurai C Afro Samurai Resurrection Canaan Air Card Captor Sakura Edens Bowy Air Gear Casshern Sins El Cazador de la Bruja Akira Chaos;Head Elfen Lied Angel Beats! Chihayafuru Erementar Gerad Animatrix, The Chii's Sweet Home Evangelion Ano Natsu de Matteru Chii's Sweet Home: Atarashii Evangelion Shin Gekijouban: Ha Ao no Exorcist O'uchi Evangelion Shin Gekijouban: Jo Appleseed +(2004) Chobits Appleseed Saga Ex Machina Choujuushin Gravion Argento Soma Choujuushin Gravion Zwei Fate/Stay Night Aria the Animation Chrno Crusade Fate/Stay Night: Unlimited Blade Asobi ni Iku yo! +Ova Chuunibyou demo Koi ga Shitai! Works Ayakashi: Samurai Horror Tales Clannad Figure 17: Tsubasa & Hikaru Azumanga Daioh Clannad After Story Final Fantasy Claymore Final Fantasy Unlimited Code Geass Hangyaku no Lelouch Final Fantasy VII: Advent Children B Gata H Kei Code Geass Hangyaku no Lelouch Final Fantasy: The Spirits Within Baccano! R2 Freedom Baka to Test to Shoukanjuu Colorful Fruits Basket Bakemonogatari Cossette no Shouzou Full Metal Panic! Bakuman. Cowboy Bebop Full Metal Panic? Fumoffu + TSR Bakumatsu Kikansetsu Coyote Ragtime Show Furi Kuri Irohanihoheto Cyber City Oedo 808 Fushigi Yuugi Bakuretsu Tenshi +Ova Bamboo Blade Bartender D.Gray-man Gad Guard Basilisk: Kouga Ninpou Chou D.N. Angel Gakuen Mokushiroku: High School Beck Dance in -
Webtoons, the Literature of the 21St Century
Navajyoti, International Journal of Multi-Disciplinary Research Volume 4, Issue 2, February 2019 WEBTOONS, THE LITERATURE OF THE 21ST CENTURY Ridhu Elizabeth MA English, Jyoti Nivas College Autonomous Abstract Webtoons are digital comics that owe its origin to South Korea wherein it developed as a reaction against the large manga base of Japan. Thus as New Media celebrated creating a subculture that transcends geographical and temporal spaces, Webtoons become the digital media that allows for the same through its easy accessibility and larger socially relevant themes, all at the tip of your finger. This paper will analyse the narrative form of webtoons and its relevance today. Keywords: Webtoons, subculture, narrative. Internet, the most remarkable creation at the turn of the 20th century made the most revolutionary impact in the cultural, commercial and technological aspect of our lives. Its World Wide Web became the primary instrument in the genesis of the globalized era we are in today with there being no end to communications despite geographical or temporal restrictions thus exciting further innovations in every field. The literary field was no less different. The beginning of the 21st century saw the rise of the New Media that used computers as the main medium for its creation, usage, propagation and distribution. With the creation of Web 2.0 technologies like Facebook and YouTube, the most technologically challenged individuals could harness the medium for storytelling through their uploading of pictures and videos. No longer are words so prominent, but graphics and animation are just as likelyto communicate story content or be used as part of the interactive interface. -
Sailor Mars Meet Maroku
sailor mars meet maroku By GIRNESS Submitted: August 11, 2005 Updated: August 11, 2005 sailor mars and maroku meet during a battle then fall in love they start to go futher and futher into their relationship boy will sango be mad when she comes back =:) hope you like it Provided by Fanart Central. http://www.fanart-central.net/stories/user/GIRNESS/18890/sailor-mars-meet-maroku Chapter 1 - sango leaves 2 Chapter 2 - sango leaves 15 1 - sango leaves Fanart Central A.whitelink { COLOR: #0000ff}A.whitelink:hover { BACKGROUND-COLOR: transparent}A.whitelink:visited { COLOR: #0000ff}A.BoxTitleLink { COLOR: #000; TEXT-DECORATION: underline}A.BoxTitleLink:hover { COLOR: #465584; TEXT-DECORATION: underline}A.BoxTitleLink:visited { COLOR: #000; TEXT-DECORATION: underline}A.normal { COLOR: blue}A.normal:hover { BACKGROUND-COLOR: transparent}A.normal:visited { COLOR: #000020}A { COLOR: #0000dd}A:hover { COLOR: #cc0000}A:visited { COLOR: #000020}A.onlineMemberLinkHelper { COLOR: #ff0000}A.onlineMemberLinkHelper:hover { COLOR: #ffaaaa}A.onlineMemberLinkHelper:visited { COLOR: #cc0000}.BoxTitleColor { COLOR: #000000} picture name Description Keywords All Anime/Manga (0)Books (258)Cartoons (428)Comics (555)Fantasy (474)Furries (0)Games (64)Misc (176)Movies (435)Original (0)Paintings (197)Real People (752)Tutorials (0)TV (169) Add Story Title: Description: Keywords: Category: Anime/Manga +.hack // Legend of Twilight's Bracelet +Aura +Balmung +Crossovers +Hotaru +Komiyan III +Mireille +Original .hack Characters +Reina +Reki +Shugo +.hack // Sign +Mimiru -
Die Visualisierung Von Zeit Im Modernen Shôjo Manga
www.medienobservationen.lmu.de 1 Kristin Eckstein Die Visualisierung von Zeit im modernen shôjo manga 1. Einführung Der Manga hat sich innerhalb des vergangenen Jahrzehnts als fester Bestandteil der Comic-Kultur in Deutschland etabliert; etwa 70% der hierzulande publizierten Comics sind mittlerweile japanischer Herkunft1 und auch auf den großen Buchmessen in Leipzig und Frankfurt haben sie einen eigenen Bereich eingenommen. Seit einiger Zeit sind auch Mädchen und junge Frauen aufgrund der eigens für ein spezifisch weib- liches Publikum konzipierten shôjo manga von bedeutsamer Relevanz für den deutschen Mangamarkt. Im Jahr 2006 waren 60% aller Manga-Leser weiblich; nie zuvor hatte die Comicrezeption in Deutschland eine derart hohe „Frauenquote“.2 Innerhalb der deutschsprachigen Comic- und Mangawissenschaften hat sich der Mädchenmanga jedoch bisher noch nicht auf eine ähnliche Wei- se etablieren können, bleibt er doch zumeist aufgrund einer Fokussie- rung auf Werke mit einer vermeintlich höheren Literarizität wie denen Tezuka Osamus3 und Taniguchi Jirôs, oder den aktionsbetonten, hand- lungsorientierten shônen manga unberüchsichtigt – und dass, obgleich sich neben den auf dem gegenwärtigen Stand fraglos zahlreichen Publikatio- nen schablonisierter, gleichförmiger Geschichten und Figuren auch Aus- nahmewerke wie Nana (Yazawa Ai, seit 2000), Fruits Basket (Takaya 1 Diese Zahl bezieht sich auf eine Aussage Dr. Joachim Kaps', Leiter des Verla- ges Tokyopop, im Interview mit der japanischen Botschaft. „Manga in Deutsch- land“. Neues aus Japan 56 (2009). URL: http://www.de.emb- japan.go.jp/NaJ/NaJ0907/drkaps.htm (zit. 2.11.2011). 2 Bastian Knümann. „Deutsche Mangabranche boomt weiterhin“. Handelsblatt (5.4.2006). URL: http://www.handelsblatt.com/lifestyle/kultur- literatur/deutsche-mangabranche-boomt-weiterhin/2637798.html (zit.