The Greatest Kid Books of All Time
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Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
October 2019
Abington Senior High School, Abington, PA, 19001 October 2019 It’s October! Th ink Pink! By Rachel Oh Th e start of October signals many things: colder nights, changing leaves, approaching early action/decision deadlines for seniors, and of course, the annual Pink Out football game! Versing Pennsbury this year on October 18th, the night is sure to be fi lled with excitement and is an easy opportunity to express school spirit through a great cause, with a sea of pink shirts swallowing the bleachers and the fi eld every year. Pink Out Shirts, designed by our wonderful Key Club, will be sold during the week of the 18th in Cafe A. However, instead of collecting the profi ts, the Key Club will donate all of the revenue from t-shirt sales to four foundations: Th e Breathing Room, Asplundh Cancer Pavilion, Unite for Her, and Living Beyond Breast Cancer. Th e Breathing Room specializes in supporting and caring for local families aff ected by cancer, while Unite for Her is committed to help women diagnosed with ovarian or breast cancer through free therapy. Living Beyond Breast Cancer provides information and off ers either online or in-person programs to those aff ected by breast cancer, and the Asplundh Cancer Pavilion, associated with Jeff erson Health, is an advanced medical center that personalizes in caring for any type of cancer. From the various missions these foundations strive towards, it’s evident that a $10 shirt can go a long way. Th e game lasts from 7pm-9pm at the Schwarzman Stadium, and it is a fun yet rewarding way to spend a Friday night. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
The Curious Case of Michael Jackson As Gothic Narrative Author(S)
Title “Did I scare you?”: The curious case of Michael Jackson as gothic narrative Author(s) Dennis Yeo Kah Sin Source Studies in Gothic Fiction, 1(1), 13-30 Published by Cardiff University Press Copyright © 2010 The Author This is an Open Access article distributed under the Creative Commons Attribution- NonCommercial 4.0 International License (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc/4.0/). Citation: Yeo, D. K. S. (2010). “Did I scare you?”: The curious case of Michael Jackson as gothic narrative. Studies in Gothic Fiction, 1(1), 13-30. Retrieved from http://studiesingothicfiction.weebly.com/archive.html This document was archived with permission from the copyright holder. “Did I scare you?”: Th e Curious Case of Michael Jackson as Gothic narrative Dennis Yeo Kah Sin INTRODUCTION On June 25, 2009, Michael Jackson died.1 Universally hailed as a musical genius and pop icon, Michael’s tale is shrouded by rumor, speculation and mystery. Even as this article is written, controversy rages not only over the cause of his death but also the legacy he has left behind. 2 Michael manifested all that we loved and loathed of our humanity – a desire to restore the innocence of the world and yet a dark inclination towards deviant transgressions. He was very much an enigma that many imitated but few identifi ed with. Although he was a hypersensitive recluse victimized by an abusive childhood, his transformations of physiognomy caused him to be the focus of uninterrupted media attention. He reportedly gave millions to charitable organizations yet left behind an inheritance of debt and lawsuits. -
A Video Conversation with Pulitzer Prize Recipient Art Spiegelman
Inspicio the last laugh Introduction to Art Spiegelman. 1:53 min. Photo & montage by Raymond El- man. Music: My Grey Heaven, from Normalology (1996), by Phillip Johnston, Jedible Music (BMI) A Video Conversation with Pulitzer Prize Recipient Art Spiegelman By Elman + Skye From the Steven Barclay Agency: rt Spiegelman (b. 1948) has almost single-handedly brought comic books out of the toy closet and onto the A literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus— which por- trayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and their lives later in America. His comics are best known for their shifting graphic styles, their formal complexity, and controver- sial content. He believes that in our post-literate culture the im- portance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in para- graphs.” Having rejected his parents’ aspirations for him to become a dentist, Art Spiegelman studied cartooning in high school and began drawing professionally at age 16. He went on to study art and philosophy at Harpur College before becoming part of the underground comix subculture of the 60s and 70s. As creative consultant for Topps Bubble Gum Co. from 1965-1987, Spie- gelman created Wacky Packages, Garbage Pail Kids and other novelty items, and taught history and aesthetics of comics at the School for Visual Arts in New York from 1979-1986. -
Michael Jackson Lyrics Trivia Quiz
MICHAEL JACKSON LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) 1> "I'm gonna make a change for once in my life. It's gonna feel real good, gonna make a difference, gonna make it right..." a. This is it b. They Don't Care About Us c. Man In The Mirror d. This Time Around 2> "Everybody look around 'cause there's a reason to rejoice you see. Everybody come out and let's commence to singing joyfully..." a. We're Almost There b. The Lady in My Life c. Twenty-Five Miles d. A Brand New Day 3> "Your butt is mine. Gonna tell you right. Just show your face in broad daylight..." a. Tabloid Junkie b. Bad c. Thriller d. The Girl Is Mine 4> "She was more like a beauty queen from a movie scene. I said don't mind, but what do you mean, I am the one..." a. Whatzupwitu b. You Can't Win c. Workin' Day and Night d. Billie Jean 5> "They told him don't you ever come around here. Don't want to see your face, you better disappear..." a. Beat it b. Wanna Be Startin' Somethin' c. Too Young d. Unbreakable 6> "The way she came into the place, I knew right then and there, there was something different about this girl..." a. Who Is It b. Dangerous c. What Goes Around Comes Around d. The Girl Is Mine 7> "What about sunrise, what about rain, what about all the things that you said we were to gain..." a. We Are the World b. -
Artists Composer 1958 Abc the Jackson 5 Gordy/Mizell
NO TITLE ARTISTS COMPOSER THE 1958 ABC JACKSON GORDY/MIZELL/PERREN/RICHARDS 5 THE AIN'T NO 1959 JACKSON WITHERS, BILL SUNSHINE 5 MICHAEL 1960 BAD MICHAEL JACKSON JACKSON MICHAEL 1961 BEAT IT MICHAEL JACKSON JACKSON MICHAEL 1962 BEN SCHARF / BLACK JACKSON MICHAEL 1963 BILLIE JEAN MICHAEL JACKSON JACKSON BLACK OR MICHAEL 1964 B. BOTTRELL / M. JACKSON WHITE JACKSON BLOOD ON MICHAEL 1965 THE DANCE MICHAEL JACKSON/TEDDY RILEY JACKSON FLOOR BREAK OF MICHAEL 1966 MICHAEL JACKSON, DR. FREEZE DAWN JACKSON MICHAEL AMBROSIUS, MARSHA/ HARRIS, 1967 BUTTERFLIES JACKSON ANDRE MICHAEL 1968 CRY R KELLY JACKSON THE DANCING 1969 JACKSON DAVIS/PARKS/FLETCHER MACHINE 5 MICHAEL MICHAEL JACKSON, BILL BOTTRELL 1970 DANGEROUS JACKSON AND TEDDY RILEY MICHAEL 1971 DIRTY DIANA MICHAEL JACKSON JACKSON DON'T STOP MICHAEL 1972 'TIL YOU GET MICHAEL JACKSON JACKSON ENOUGH MICHAEL 1973 EARTH SONG MICHAEL JACKSON JACKSON THE ENJOY 1974 JACKSON GAMBLE, K./HUFF, L. YOURSELF 5 MICHAEL 1975 GHOSTS MICHAEL JACKSON/TEDDY RILEY JACKSON GOT TO BE MICHAEL 1976 WILLENSKY, E THERE JACKSON HEAL THE MICHAEL 1977 MICHAEL JACKSON WORLD JACKSON HUMAN MICHAEL 1978 BETTIS, JOHN/ PORCARO, STEVE NATURE JACKSON MICHAEL I JUST CAN'T JACKSON 1979 STOP LOVING MICHAEL JACKSON & SIEDAH YOU GARRETT I SAW MOMMY THE 1980 KISSING JACKSON TOMMIE CONNOR SANTA CLAUS 5 THE I WANT YOU 1981 JACKSON GORDY/MIZELL/PERREN/RICHARDS BACK 5 MICHAEL GORDY, BERRY (JR)/ HUTCH, WILLIE/ 1982 I'LL BE THERE JACKSON DAVIS, HAL/ WEST, BOB MICHAEL MICHAEL JACKSON, JAMES HARRIS 1983 IS IT SCARY JACKSON III, AND TEDDY RILEY MICHAEL 1984 LIBERIAN GIRL MICHAEL JACKSON JACKSON MICHAEL 1985 LOVELY ONE JACKSON MAN IN THE MICHAEL 1986 G. -
Leave Me Alone Michael Jackson’S Angry Voice
MORteN MIchelSeN leave Me Alone Michael Jackson’s Angry Voice “IhavealwayswantedtobelievethatMichaelwasactuallyoneofthemostsecretlyan- gry Black race-men on the planet,” wrote African-American cultural critic Greg Tate in anobituarypublishedacoupleofdaysafterthedeathofMichaelJacksonintheearly summerof2009.1Thisremarkwasonestraythoughtamongmanyinthearticleandan opinionaboutJacksonseldomexpressed.Tate’swishconcernedJacksonasarepresenta- tiveofAfrican-Americans’deepangercausedbytheirculturalandpoliticalhistoryand presentstatus,thusincludinghiminalonglineofillustriouspersonsbeginningmaybe withFrederickDouglass.Theexpression“secretlyangry”pointstowardsaninterpretation ofMichaelJacksonthemusician,thedancer,theshowman,andthemediapersonaasa practitionerofW.E.B.DuBois’doubleconsciousness,2anditwouldindeedbefascinat- ingtoilluminatecodedreferencestoandexpressionsoftheangerof“blackrace-men”in thepolishandvirtuosityofJackson’spopandshowtunes,clothes,anddancesteps.This wouldbetoohugeataskforashortarticle,soinsteadIwouldliketoinvestigatewhere thetwosidesofthedoubleconsciousnessseemstoamalgamate—whereJacksontran- scendedthetabooandexpressedwhatwasforbiddento(African-American)malepop singers,namely,anger.Morespecifically,IwouldliketodiscusstheaspectsofJackson’s voicethatmaybecharacterizedasangry.Aftersomedefinitionsandhistoricalremarks,I willraiseaseriesofquestionsofamoredescriptivekind:Whatarethetechnicalmeans (e.g., screams, shouts, rasp, volume, articulation) and the linguistic means (e.g., curse words,irony,objectsofanger)?Doestheaccompanimentremainneutral,ordoesitsup- -
The New Age, New Face of Graphic Novels Graphic of Face New Age, New the FOCUS: SPECIAL
Childrenthe journal of the Association for Library Service to Children &LibrariesVolume 9 Number 1 Spring 2011 ISSN 1542-9806 SPECIAL FOCUS: The New Age, New Face of Graphic Novels Great Collaborations • Bechtel Fellow Studies ABCs PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT Table Contents● ofVolume 9, Number 1 Spring 2011 Notes 28 “A” is for Alligator Or How a Bechtel Fellow Learns the 2 Editor’s Note Alphabet Sharon Verbeten Joyce Laiosa 2 The Dog-Eared Page 35 My Year with Geisel James K. Irwin features 3 Special Focus: Graphic Novels 37 When it Rains Stuffed Animals Good Comics for Kids A Lesson in Handling the Unexpected Deanna Romriell Collecting Graphic Novels for Young Readers Eva Volin 41 A Viable Venue 10 When a “Graphic” Won the Geisel The Public Library as a Haven for Youth Development A Critical Look at Benny and Penny in the Kenneth R. Jones and Terence J. Delahanty Big No-No! Susan Veltfort 45 From Research to a Thrill An Interview with Margaret Peterson Haddix 12 Visual Literacy Timothy Capehart Exploring This Magic Portal Françoise Mouly 48 Summer Reading on Steroids ALSC/BWI Grant Winner Hosts 15 Special Collections Column Superhero SRP A Comic Book Surprise Faith Brautigam The Library of Congress and Graphic Novels Janet Weber Departments 17 Making Learning the Library Fun One Library’s Kidz Connect Program 11 Call for Referees Monica Sands 27 Author Guidelines 53 ALSC News 20 Beyond Storytime 63 Index to Advertisers Children’s Librarians Collaborating 64 The Last Word in Communities Sue Rokos Tess Prendergast Cover: Alaina Gerbers of Green Bay, Wis. -
Lawrence Today, Volume 65, Number 2, Spring 1985 Lawrence University
Lawrence University Lux Alumni Magazines Communications Spring 1985 Lawrence Today, Volume 65, Number 2, Spring 1985 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/alumni_magazines Part of the Liberal Studies Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Lawrence Today, Volume 65, Number 2, Spring 1985" (1985). Alumni Magazines. Book 100. http://lux.lawrence.edu/alumni_magazines/100 This Book is brought to you for free and open access by the Communications at Lux. It has been accepted for inclusion in Alumni Magazines by an authorized administrator of Lux. For more information, please contact [email protected]. CONTENTS Editorial LAWRENCE Richard E. Morrison Director of Public Relations Today Anne Atwood Mead Edilor/Assistant Direcwr of Public Vol. 65, No. 2 Relations Spring 1985 Win Thrall Graphic Designer Paula Slater 2 Poet in Steel Composition Rolf Westphal, Lawrence's first Frederick Layton Rick Peterson Spans Information Director Distinguished Visiting Professor in Studio Art, is a big sculptor with big plans. Staff 4 Sudanese: The Next to Starve? J. Gilbert Swift, '59 Oireuor of Alumni Relations Has Western exploitation created imminent Kristine Hipp Sauter famine? jay O'Brien, assistant professor of Assistant Director of Alumni Relations anthropology, thinks so. Katy Schwartz, '84 " Alumni Today" Editor 8 A Way with Words Alumn1 Association Board A talk with Susan Herr Engberg, '62, writer par excellence of short stories. jane Paulson Gregerson, '69 President 11 Small Voices Robert]. Felker, 'SO Short fiction by Susan Herr Engberg. Chairman, Alumni Clubs Marijean Meisner Flom, '50 Chairwoman, Alumni·Smdent 14 A Life in the Theater Relations David Chambers, '68, and Kingsley Day, '73, have judy Jahnke Gildemeister, M-D '64 careers in the theater that are worth watching. -
'Cracks' Ground 24 More DC-10S
mily quarrel; father held Darnel Suotun » beuf o*U u B* •dqiur •K and the e eiperted to have Mtt, a police additional liornution on the uKidwl by own today Mirad several etflk fn m Oir none! had . made a determiiiauon of t complei before respoMkim BetidM Sft Beih irly tlui morni |, e»cept to say •ctt, Patraimw Uat Use** aad Chart* Davit reapooaad ilensmCare totfcecaSi Dataetiwc Sergeant Thomas Itmufcim it investigating The Daily Register VOL. 101 NO. 293 SHREWSBURY, N.J. TUESDAY, JUNE 5, 1979 15 CENTS r 'Cracks' ground 24 more DC-10s WASHINGTON (AP) - Federal officials, concerned that The intensive inspections of the jets were triggered by last removed the engine and pylon in one section, instead of two than 20 of the nation's 137 DC-lOs would be affected improper maintenance procedures may have produced a crack month's crash of an American Airlines DC-lOas it was taking steps. Flight 191 had undergone the same "engine removal and Under the order, airlines are urged to immedititelv and led to the natiqa's worst air crash, have grounded nearly off from Chicago's O'Hare International Airport. The crash, reinstallation procedure ' on March 30, the FAA order said all planes which had their engines and pylons removed In 0 > two dozen DC-lOs. which occurred after one of the plane's three engines fell off, McDonnell Douglas, maker of the IK' ui specifies in a section. The grounding was ordered after similar cracks were claimed 274 lives. service bulletin that the engine and pylon should be removed American's method of removing and reinstalling the p] discovered in two jets that had gone through the same pro- The Federal Aviation Administration ordered the latest separately involved using a forklift. -
TPWKY-Episode-16-Diphtheria.Pdf
TPWKY This is Exactly Right. Erin Welsh The disease began in various ways but commonly with chills and heats, pressure and pain in the head, soreness of throat and hoarseness, some cough, sickness of the stomach, frequent vomiting and purging. These symptoms occurred more frequently in children and were then very severe. In adults they were less emphatically expressed. Commonly on the uvula, tonsils, velum palatinum, and back part of the pharynx, several whitish or ash-colored spots appeared scattered up and down which oftentimes increased very fast, soon covering one or both of the tonsils. These eventually proved to be the sloughs of superficial ulcers. The tongue at this time, though only white and moist at the top, was very foul at the root and covered with a thick yellowish or brown coat. The breath also now began to be very nauseous, the offensive smell increased hourly and in some instances became quite intolerable even to the patients themselves. By the second or third day, the sloughs were much enlarged and of a darker color and the surrounding parts tended much more to a livid hue. The breathing became more difficult with a kind of rattling stertor as if the patient was actually strangling, the voice being exceedingly hoarse and hollow. TPWKY (This Podcast Will Kill You intro theme) Erin Allmann Updyke Whoa. Erin Welsh Yeah that's pretty intense. So what does that sound like to you? Erin Allmann Updyke Sounds like diphtheria? Erin Welsh That's right. The topic of today's episode. Erin Allmann Updyke All right.