Best Mysteries 2015
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Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Reading Across the United States
1 January 2014 Burlington Public Library 22 Sears Street, Burlington, MA 01803 Reading Across the United States Selected fiction with a ‘Strong Sense of Place’ for all 50 states Books with a time and location so ‘real’ you might feel you are actually there! Take a readers’ tour of the fifty states without leaving home. All of these books can be borrowed from the Burlington Public Library Compiled by the staff of the Burlington Public Library, with thanks to the Noel Wien Library in Fairbanks, Alaska, for the inspiration! Alabama 1. To Kill a Mockingbird, by Harper Lee 2. Fried Green Tomatoes at the Whistlestop Café by Fannie Flagg 3. Southern Sisters mysteries by Anne George Alaska 1. The Boy in the Snow, by M.J. McGrath 2. Northern Lights, by Nora Roberts 3. Kate Shugak mysteries by Dana Stabenow Arizona 1. The Bean Trees, by Barbara Kingsolver 2. Joanna Brady series by J.A. Jance 3. Joe Leaphorn/Jim Chee series by Tony Hillerman Arkansas 1. A Painted House, by John Grisham 2. Arly Hanks series by Joan Hess 3. Fallen Angels, by Patricia Hickman California 1. Virgin River series by Robyn Carr 2. Harry Bosch series by Michael Connolly 3. Easy Rawlins series by Walter Mosley Colorado 2 January 2014 1. Plainsong, by Kent Haruf 2. Alan Gregory series by Stephen White 3. Diary of Mattie Spenser, by Sandra Dallas Connecticut 1. Berger & Autry series by David Handler 2. Dirty Business mysteries by Rosemary Harris 3. Summer’s Child, by Luanne Rice Delaware 1. Saint of Lost Things, by Christopher Castellani 2. -
Double Agent
Double Agent InstItute of contemporAry Arts Double Agent pAWeŁ ALTHAMER / NOWolIpIe GROUP pHIl COLLIns DorA gArcÍA cHrISTOPH scHlINGENSIEF bARBArA VISSER DONELLE WOOLFORD ARTUR zmIJeWsKI curAteD by claire BisHop AnD MarK slADen InstItute of contemporAry Arts contents 09 IntroDuctIon claire bishop and mark sladen 13 pAWeŁ AltHAmer / pAWeŁ AltHAmer / NOWolIpIe group noWolIpIe group claire bishop 23 pHIl collIns stAgIng A terrAIn of sHAreD DesIre claire bishop and phil collins 35 DorA gArcÍA trA nscrIpt of INSTANT NARRATIVE (IN), 2006 – 08 49 cHrIstopH PERFORMING lIKe An ASYLUM SEEKER: scHlIngensIef pArADoXes of Hyper-AutHentIcIty In scHlIngensIef’s PLEASE LOVE AUSTRIA silvija Jestrovi c 63 bArbArA VIsser trAnscrIpt of LAST LECTURE, 2007 75 Donelle WoolforD DIscussIon WItH Donelle WoolforD At tHe IcA 95 Artur zmIJeWsKI Artur zmIJeWsKI AnD THEM, 2007 111 conteXtuAl mAterIAl 112 outsourcIng AutHentIcIty? DelegAteD performAnce In contemporAry Art claire bishop 128 performAnce In tHe serVIce economy: outsourcIng AnD DelegAtIon nicholas ridout 134 ArtIsts‘ bIogrApHIes 136 contrIbutors 138 colopHon 8 Double Agent prefAce 9 paweł althamer / nowolipie group In the early ’90s Paweł Althamer was among the first of a new generation of artists to produce events with non-professional performers; his early works in volv ed collaborations with homeless men and women, gallery invigilators, and children. IntroDuctIon Much of Althamer’s practice stems from his identi- fication with marginal subjects, and comes to claire bishop and mark sladen constitute an oblique form of self-portraiture. For over a decade, Althamer has led a ceramics class for the Nowolipie Group, an organisation in This book has been produced to accompany Warsaw for adults with multiple sclerosis and other the ICA exhibition Double Agent, an exhibition of disabilities. -
BOOKNEWS from ISSN 1056–5655, © the Poisoned Pen, Ltd
BOOKNEWS from ISSN 1056–5655, © The Poisoned Pen, Ltd. 4014 N. Goldwater Blvd. Volume 28, Number 11 Scottsdale, AZ 85251 October Booknews 2016 480-947-2974 [email protected] tel (888)560-9919 http://poisonedpen.com Horrors! It’s already October…. AUTHORS ARE SIGNING… Some Events will be webcast at http://new.livestream.com/poisonedpen. SATURDAY OCTOBER 1 2:00 PM Holmes x 2 WEDNESDAY OCTOBER 19 7:00 PM Laurie R King signs Mary Russell’s War (Poisoned Pen $15.99) Randy Wayne White signs Seduced (Putnam $27) Hannah Stories Smith #4 Laurie R King and Leslie S Klinger sign Echoes of Sherlock THURSDAY OCTOBER 20 7:00 PM Holmes (Pegasus $24.95) More stories, and by various authors David Rosenfelt signs The Twelve Dogs of Christmas (St SUNDAY OCTOBER 3 2:00 PM Martins $24.99) Andy Carpenter #14 Jodie Archer signs The Bestseller Code (St Martins $25.99) FRIDAY OCTOBER 21 7:00 PM MONDAY OCTOBER 3 7:00 PM SciFi-Fantasy Club discusses Django Wexler’s The Thousand Kevin Hearne signs The Purloined Poodle (Subterranean $20) Names ($7.99) TUESDAY OCTOBER 4 Ghosts! SATURDAY OCTOBER 22 10:30 AM Carolyn Hart signs Ghost Times Two (Berkley $26) Croak & Dagger Club discusses John Hart’s Iron House Donis Casey signs All Men Fear Me ($15.95) ($15.99) Hannah Dennison signs Deadly Desires at Honeychurch Hall SUNDAY OCTOBER 23 MiniHistoricon ($15.95) Tasha Alexander signs A Terrible Beauty (St Martins $25.99) SATURDAY OCTOBER 8 10:30 AM Lady Emily #11 Coffee and Club members share favorite Mary Stewart novels Sherry Thomas signs A Study in Scarlet Women (Berkley -
The Burning Soul Free
FREE THE BURNING SOUL PDF John Connolly | 432 pages | 21 Jun 2012 | Hodder & Stoughton General Division | 9780340993552 | English | London, United Kingdom The Burning Soul | John Connolly Books Designed by GameSiteTemplates. Hornswoggler, Gent. Winners of the Night Shade Books Giveaway!!! Interview with Barry Eisler Interviewed by Mihir View My Stats. Wednesday, September 28, Official John Connolly Website. Randall did his time and built a new life in the small Maine town of Pastor's Bay, but somebody has discovered the truth about Randall. He is being tormented by anonymous messages, haunting reminders of his past crime, and he wants private detective Charlie Parker to make it stop. But another year-old girl has gone missing, this time from Pastor's Bay, and the missing girl's family has its own secrets to protect. Because Randall Haight The Burning Soul telling lies. However, there is no prologue or epilogue which is a first for the Charlie Parker series. Like the previous books, the The Burning Soul alternates each chapter between Parker and the rest of the cast. The Burning Soul is completely self-contained and can be read as a standalone novel, although there are a few references to the previous books, but nothing major or spoiler-ish. So I was curious to see how the new Charlie Parker novel would measure up to the rest of the series. The Burning Soul is a bit different in plot structure from the previous Charlie Parker novels as there is no Prologue. Charlie soon becomes involved himself when Aimee Pricehis attorney and some time employer, asks him to help her with a client: Randall Haightwho killed a year-old The Burning Soul with his friend when they were teenagers. -
The Azef Affair and Late Imperial Russian Modernity
Chto Takoe Azefshchina?: The Azef Affair and Late Imperial Russian Modernity By Jason Morton Summer 2011 Jason Morton is a Ph.D. student in the Department of History at the University of California, Berkeley. “Petersburg streets possess one indubitable quality: they transform passersby into shadows.” -Andrei Bely “Now when even was come, he sat down with the twelve. And as they did eat, he said, Verily I say unto you, that one of you shall betray me. And they were exceedingly sorrowful, and began every one of them to say unto him, Lord, is it I? And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.” -Matthew 26: 20-23 Introduction: Azefshchina- What’s in a name? On January 18, 1909 (O.S.) the former Russian chief of police, A.A. Lopukhin, was arrested and his house was searched. Eleven packages containing letters and documents were sealed up and taken away. 1 Lopukhin stood accused of confirming to representatives of the Socialist Revolutionary Party that one of their oldest and most respected leaders, Evno Azef, had been a government agent working for the secret police (Okhrana) since 1893. The Socialist Revolutionaries (or SRs) were a notorious radical party that advocated the overthrow of the Russian autocracy by any means necessary.2 The Combat Organization (Boevaia Organizatsiia or B.O.) of the SR Party was specifically tasked with conducting acts of revolutionary terror against the government and, since January of 1904, Evno Azef had been the head of this Combat Organization.3 This made him the government’s most highly placed secret agent in a revolutionary organization. -
Terror and Trickster
ABSTRACT TERROR AND TRICKSTER One of the ways in which rhetors stabilize the meaning of terrorism is through the vilification process. Two sets of artifacts were analyzed to explore the rhetorical mechanisms of and alternatives to radical vilification. The first set of artifacts demonstrates how Orthodox Terrorism Studies (OTS) scholars vilify and exclude Critical Terrorism Studies (CTS) scholars and their ideas. I argue OTS scholars perform rhetorical exclusion (Sanchez, Stuckey, & Morris, 1999) through naming, shifting the burden of proof, and strategic silence (Endres, 2009) to vilify CTS scholars. The second set of artifacts focuses on President Barack Obama and Secretary of State John Kerry’s rhetoric about ISIL from the first time they mentioned ISIL up to the execution of James Foley, a journalist. I analyze the speeches for vilification through rhetorical exclusion (naming and strategic silence), metaphors, and the Manichean dichotomy of Good vs. Evil. Finally, an alternative framework is offered to replace radical vilification. The alternative is the Trickster, an archetypal figure common to Native American and other indigenous discourse. Farrokh Eizadiboroujeni August 2016 i ii TERROR AND TRICKSTER by Farrokh Eizadiboroujeni A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Communication in the College of Arts and Humanities California State University, Fresno August 2016 APPROVED For the Department of Communication: We, the undersigned, certify that the thesis of the following -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
A Pre-Trial Appeal
RECORD NO. 08-4358 IN THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT UNITED STATES OF AMERICA. Appellant, STEVEN J. ROSEN and KEITH WEISSMAN, Defendants-Appellees. Appeal f?om the United States District Court for the Eastern District of Virginia at Alexandria fie Honorable T.S. Ellis III, District Judge BRIEF OF THE UNITED STATES Chuck Rosenberg United States Attorney James L. Trump Thomas Reilly W. Neil Hammerstrom, Jr. Michael C. Martin David B. Goodhand Trial Attorneys Assistant United States Attorneys U.S. Department of Justice 2 100 Jarnieson Avenue 1400 New York Avenue, N.W. Alexandria, Virginia 223 14 Washington, D.C. 20530 (703) 299-3700 (202) 5 14-1 187 Attorneys for the United States ofAmerica TABLE OF CONTENTS JURISDICTIONAL STATEMENT .................................... 1 STATEMENT OF THE ISSUES ...................................... 2 STATEMENT OF THE CASE ....................................... 3 STATEMENT OF FACTS ..........................................5 A . The Defendants' Criminal Conduct ..........................5 B . The District Court's Creation of New Elements ................ 13 C . The Two Classified Documents at Issue in this Appeal .......... 14 1 . The Israeli Briefing Document ........................ 14 (a) Factual Background ...........................14 (b) CIPA Procedural History ....................... 18 2 . The FBI Report ................................... 20 (a) Factual Background ........................... 20 (b) CIPA Procedural History ....................... 22 SUMMARY OF ARGUMENT -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright PROFESSIONAL EYES: FEMINIST CRIME FICTION BY FORMER CRIMINAL JUSTICE PROFESSIONALS by Lili Pâquet A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2015 DECLARATION OF ORIGINALITY I hereby certify that this thesis is entirely my own work and that any material written by others has been acknowledged in the text. The thesis has not been presented for a degree or for any other purposes at The University of Sydney or at any other university of institution. -
The Sisters in Crime Newsletter
InSinC The Sisters in Crime Newsletter Volume XX • Number 3 September 2007 SinC Slate for 2007–2008 By Libby Hellmann My last official act for SinC happens to be the mysteries have been nominated for both Agatha Kathryn Wall — Treasurer. Kathy will most satisfying one — introducing next year’s and Anthony awards. Having partially recovered continue her stellar performance in the appoint- slate of national officers. We have an especially from her golf obsession, Roberta saw the debut ed position of SinC strong slate this year with both seasoned veter- of a new series in March 2007, beginning with Treasurer. Kathy is ans and “young Turks,” and I’m confident the Deadly Advice, featuring psychologist/advice well qualified, having organization will be in good hands. I hope you’ll columnist Dr. Rebecca Butterman. Roberta lives been an accountant agree by electing them as your leaders. in Madison, CT. for many years before Roberta Isleib, current Vice President, is the Judy Clemens — Vice President. Formerly taking early retirement nominee for President. Judy Clemens is running a professional stage manager, Judy is the author to write full-time. She for Vice President. Marcia Talley will continue as of a series featuring self-published her first Secretary, and Kathy Wall will continue as Trea- dairy farmer and Har- Bay Tanner mystery, In surer, an appointed and non-voting position. In ley-enthusiast Stella for a Penny, in 2001. addition Jim Huang, our Bookstore Liaison, and Crown. Her Anthony The series was subse- Donna Andrews, Chapter Liaison will be with and Agatha award quently picked up by us once again. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION ..............................................................................................