Who Built Norwich Cathedral?
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Norfolk Through a Lens
NORFOLK THROUGH A LENS A guide to the Photographic Collections held by Norfolk Library & Information Service 2 NORFOLK THROUGH A LENS A guide to the Photographic Collections held by Norfolk Library & Information Service History and Background The systematic collecting of photographs of Norfolk really began in 1913 when the Norfolk Photographic Survey was formed, although there are many images in the collection which date from shortly after the invention of photography (during the 1840s) and a great deal which are late Victorian. In less than one year over a thousand photographs were deposited in Norwich Library and by the mid- 1990s the collection had expanded to 30,000 prints and a similar number of negatives. The devastating Norwich library fire of 1994 destroyed around 15,000 Norwich prints, some of which were early images. Fortunately, many of the most important images were copied before the fire and those copies have since been purchased and returned to the library holdings. In 1999 a very successful public appeal was launched to replace parts of the lost archive and expand the collection. Today the collection (which was based upon the survey) contains a huge variety of material from amateur and informal work to commercial pictures. This includes newspaper reportage, portraiture, building and landscape surveys, tourism and advertising. There is work by the pioneers of photography in the region; there are collections by talented and dedicated amateurs as well as professional art photographers and early female practitioners such as Olive Edis, Viola Grimes and Edith Flowerdew. More recent images of Norfolk life are now beginning to filter in, such as a village survey of Ashwellthorpe by Richard Tilbrook from 1977, groups of Norwich punks and Norfolk fairs from the 1980s by Paul Harley and re-development images post 1990s. -
Accounts of the Constables of Bristol Castle
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A., Assistant General Editor: MISS ELIZABETH RALPH, M .A., F.S.A. VOL. XXXIV ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN 1HE THIRTEENTH AND EARLY FOURTEENTH CENTURIES ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN THE THIR1EENTH AND EARLY FOUR1EENTH CENTURIES EDITED BY MARGARET SHARP Printed for the BRISTOL RECORD SOCIETY 1982 ISSN 0305-8730 © Margaret Sharp Produced for the Society by A1an Sutton Publishing Limited, Gloucester Printed in Great Britain by Redwood Burn Limited Trowbridge CONTENTS Page Abbreviations VI Preface XI Introduction Xlll Pandulf- 1221-24 1 Ralph de Wiliton - 1224-25 5 Burgesses of Bristol - 1224-25 8 Peter de la Mare - 1282-84 10 Peter de la Mare - 1289-91 22 Nicholas Fermbaud - 1294-96 28 Nicholas Fermbaud- 1300-1303 47 Appendix 1 - Lists of Lords of Castle 69 Appendix 2 - Lists of Constables 77 Appendix 3 - Dating 94 Bibliography 97 Index 111 ABBREVIATIONS Abbrev. Plac. Placitorum in domo Capitulari Westmon asteriensi asservatorum abbrevatio ... Ed. W. Dlingworth. Rec. Comm. London, 1811. Ann. Mon. Annales monastici Ed. H.R. Luard. 5v. (R S xxxvi) London, 1864-69. BBC British Borough Charters, 1216-1307. Ed. A. Ballard and J. Tait. 3v. Cambridge 1913-43. BOAS Bristol and Gloucestershire Archaeological Society Transactions (Author's name and the volume number quoted. Full details in bibliography). BIHR Bulletin of the Institute of Historical Research. BM British Museum - Now British Library. Book of Fees Liber Feodorum: the Book of Fees com monly called Testa de Nevill 3v. HMSO 1920-31. Book of Seals Sir Christopher Hatton's Book of Seals Ed. -
NORWICH, ENGLAND Global Education NORWICH, ENGLAND
Global Education Education Global NORWICH, ENGLAND NORWICH, (CGE) for Center HOBART AND WILLIAM SMITH COLLEGES SMITH WILLIAM AND HOBART Excursions UEA is not a “study abroad program” in the traditional sense in that HWS students will be directly enrolled at the university. While there will not be excursions designed specifically for HWS students, UEA does have a full-service student travel agency on its campus in order to assist those planning their own travel. In addition, the university has an extremely active student union and international student office which plan a variety of educational, cultural and travel opportunities in which all students are invited to participate (fees will vary). Independent and self-starting students will have a multitude of opportunities to immerse themselves in the local culture and to explore southeastern England and beyond. Norfolk coastline Going Abroad With the CGE Students will be charged standard HWS tuition and fees and a $550 administrative fee. This will cover credit for a four-course semester, airport arrival services and orientation program. Note that no room or board charge is included. Students will pay room fees directly to the University of East Anglia (note that several housing options are available at different price levels; housing expenses will be higher during the spring semester due to the longer term) and they should bring their board fee to cover meals. While board expenses will vary according to individual tastes, we estimate that $2000—$2300 should be sufficient for students who prepare their own meals (during the spring semester, students should bring $2400—$2700 for meals due to the longer semester). -
New - Unit 4 - Chelmsford Station
NEW - UNIT 4 - CHELMSFORD STATION UNIT 4, Duke Street, Chelmsford, CM1 1HT, Description The premise is located within the main station building adjacent to the station's rear entrance and the taxi rank. An arcade leads from the rear entrance through to the main station concourse, booking hall and ticket gates. The unit measures approximately: Ground Floor Retail: 37.72 sq.m First Floor: 27.7 sq m The unit has an A3 user, and was previously a sandwich bar and coffee shop. It is arranged over two floors. Key Details Serving the Essex city of Chelmsford, the busy station with a host of major retailers sees over 7.3 million passengers per annum. Built upon a series of railway arches the two platforms serve passengers travelling to Norwich, Ipswich, Clacton-on-sea and London Liverpool Street with the latter having a journey time of circa 35 minutes. Other Information Chelmsford Station is currently under redevelopment with works due to complete September 2016. Unit 4 is currently being used as a temporary ticket office, and will revert back to a retail unit once the new ticket office is open. The redevelopment, incorporates a new ticket office, an improved staircase to the London-bound platform, improved retail outlets and a new station front. Queries and registrations of interests should be submitted to Ross McKechnie. Email: [email protected] Size: 65.4 sq m (~ 704 sq ft) Type: Retail Nearest Station: CHM Offer invited: Yes Available from: Immediate Local Authority: Chelmsford City Council Deposit: 3 months rent - Subject to a minimum of £1,000 Location Description Chelmsford is the only City in Essex. -
Name of Deceased (Surname First)
Name of Deceased Address, description and date of death of Names, addresses and descriptions of Persons to whom notices of claims are to be Date before which (Surname first) Deceased given and names, in parentheses, of Personal Representatives notices of claims to be given ROBERTS, Robert Goronwy 1 Afon Wen, Pontfadog, Llangollen, Clwyd. Midland Bank Trust Co. Ltd., 5 Beatrice Street, Oswestry, Salop SY11 1QF. 30th March 1980 Engineer (retired). 29th December 1979. (097) TIELENS, Auguste Albert Breadbares Cottage, Clay Lane,. .Oakwood, Arnold Cooper & Tompkins, 14 Queen Street, Emsworth, Hants PO10 7BN, Solicitors. 28th March 1980 Marie Bosham, Sussex. 25th September 1979. (Thomas Roger Lamble and Albert Edmund Humphry.) (098) STANTON, Louis Francois 50 Park Close, Hethersett, Norfolk. Port Superin- Clapham & Collinge, 7 Princes Street, Norwich, Norfolk, Solicitors. (Ref. MM.) (Gladys 30th March 1980 Hanory tendent. Captain. 25th December 1979. Jane Stanton.) (099) RmsDALE, Annie Flat 6, Ingledew Court, Sandringham Drive, Leeds Midland Bank Trust Co. Ltd., 1 Bond Court, Leeds LSI 1LZ. 25th March 1980 H 17. Widow. 24th December 1979. (100) NEWBIOIN, Agnes Jane 21 Ilfracombe Avenue, Newcastle upon Tyne. Barclays Bank Trust Co. Ltd., Bamburgh House, Market Street, Newcastle upon Tyne 22nd March 1980 1 Waugh University Lecturer (retired). 5th January 1980. NE1 6BH. (101) 5 AOAR, Charles 17 Madison Avenue, Hodge Hill, Birmingham 36. Midland Bank Trust Co. Ltd., 2 Stephenson Street, Birmingham B2 4AX. (Brian Agar.) 31st March 1980 Bartholomew Greengrocer. 14th December 1979. (102) BOWEY, Florence Ada ... 27 Milsom Street, Easton, Bristol. 22nd December Lloyds Bank Ltd., Bristol Trust Branch, PO Box 126, Bank House, Wine Street, Bristol 1st April 1980 1979. -
References to South Elmham Minster in the Medieval
REFERENCES TO SOUTH ELMHAM MINSTER IN THE MEDIEVAL ACCOUNT ROLLS OF SOUTH ELMHAM MANOR byJOHNRIDGARD,M.A.,PH.D.,F.R.HIST.S. INTHEHIGHand late Middle Ages, it was the practice every Michaelmas for very detailed enquiries to be made into the financial transactions of a manor conducted during the previous twelve months and for the data acquired to be collated, audited and converted into a permanent record, the annual compotusor account roll. Forty-fiveaccount rolls of the manor ofSouth Elmham from the period 1324to 1483have survived (all but four' nowform part of the Adair Collection2held by the SuffolkRecord Officein Ipswich). In them are to be found virtually all the medievalreferencesto South Elmham Minster. That the papers of the Adair family contained information about the minster was recognisedover a century ago. Writing in these Proceedingsin 1864,3Mr B.B. Woodward of Bungay4 recorded that the building and the precinct were called by the names of 'Old Minster' and 'Minster Yard' in 'all the court rolls &c.' (sic).He was unable to discover 'in any of the old records in the muniment room of Flixton Hall, which I was permitted by Sir Robert Adair to inspect very carefully,the least fragment of informationwhich could either solveor direct my inquiries'. Mr Woodward's disappointment with the scant reward for his labour still leaps fresh from the page. The evidence is indeed slender. Unfortunately, it was not the function of any manorial officer,the court steward or the scrivener for example, to busy himself with anything not directly connected with manorial administration, unless instructed otherwise by his employer.The place in history or the physical conditionof an unprofitable relic was no more necessarily the professional concern of the medieval accountant than of his modern counterpart. -
London to Norwich Direct Train
London To Norwich Direct Train Kristos gurgles her incautiousness frontally, dree and patchier. Nightmarish Adnan usually calibrate some lurkers or sleet jawbreakingly. Weighted Stillman bade ministerially or bales harmonically when Wyatan is rhotic. East anglia is direct, there are implemented and can travel entry to change or parks on this car, no direct train to london norwich. How to Travel From London to Norwich by Train Bus TripSavvy. National Express runs a regular bus service between London Victoria Coach now and the Norwich Bus Station which leaves London at. Bus from London to Norwich Find schedules Compare prices Book Megabus National Express and National Express tickets. The cheapest train connections from London to Norwich. When creating an average northern advanced fare. Norwich is also elm hill and table service is definitely worth trying when it from your train to yorkshire and make significant damage to alcohol, london to norwich direct train! Click on a gift card pin. What is Norwich like about visit? Get cheap train tickets to Norwich with our split up search. The direct from london st pancras international partners sites selected are as nationalrail and direct train tickets between london liverpool street every kind of. Our London Sidcup Hotel is Located between London and Kent and just 100m from the Train them Free Wi-Fi Throughout Your content Book Direct. How it is regarded as a colourful excursion to norwich here when we cannot wait to ironically for all! Connect to new azuma trains from time limit fuel facility supplies renewable compressed natural habitats, so just under a button down. -
A View from the Archives of Durham, St Paul's, and York Minster
Cathedral music and the First World War: A view from the Archives of Durham, St Paul’s, and York Minster Enya Helen Lauren Doyle Master of Arts (by research) University of York Music July 2016 Abstract This thesis explores the impact of the First World War on English Cathedral music, both during the long four years and in its aftermath. Throughout this study, reference will be made specifically to three English cathedrals: York Minster, Durham and St Paul’s. The examination will be carried out chronologically, in three parts: before the war (part one), during the war (part two) and after the war (part three). Each of these three parts consists of two chapters. Chapter 1 and Chapter 2 help to set the scene and offer context. In chapters 2- 5 there is a more focused and systematic investigation into the day-to-day administrative challenges that the Cathedrals faced, followed in each chapter by an assessment of the musical programme. Chapter 6 examines the long-term impact of the war on British cathedral music, especially in the centenary anniversary years. The Great War is often perceived as a complete break with the past, yet it also represented an imaginative continuity of sorts. As such, 1914-18 can be seen as a period of twilight in a lot of senses. The war managed to bring the flirtation with modernism, which was undoubtedly happening at the beginning of the century, to at least a temporary halt. Through the examination of the archives of the three cathedrals, this thesis investigates how the world war left its mark on the musical life of this portion of English religious and music life, during and after the war, drawing national comparisons as well as showing the particulars of each cathedral. -
Friends of St Edmundsbury Cathedral Choir Newsletter Summer 2018
Friends of St Edmundsbury Cathedral Choir Newsletter Summer 2018 Introduction This is the third edition of the FOCC newsletter, and I hope that you will enjoy the variety of news and articles featured in it. The FOCC has had a busy year fundraising to support the Cathedral Choir. The year’s events have included Starry Night in May 2017; the barbecue on the Garth at the end of the Summer term; sponsored walks in September 2017 and April 2018; and St Edmundsbury Singers, Evensong Norwich Cathedral – celebrating the Quiz in February 2018. 30 years in 2018. The monthly Sunday morning cake Funds raised this year have been used stall has continued, along with the to support the production of a new 500 Club, both of which make a Choir CD, the purchase of new hymn regular and significant contribution books for the Choir and to contribute to our revenue target. Throughout to the costs of the Choir’s tour to the year, the FOCC provides a Portugal in April 2018. cushion hire service at Cathedral events and concerts; a drinks service These events require the time, energy is also organised at major Cathedral and commitment of all those who concerts and events, and also for the form the FOCC committee, along Bury Concert Club series held at the with the support of other friends, Unitarian Meeting House. choristers’ families, vergers, the Music Department and the wider Cathedral community. On behalf of the FOCC, I would like to express my gratitude for your continued support of the FOCC. Kathryn Mitchell Chair, FOCC Issue 3 – Editor: R Franklin Registered Charity Number: 1146575 grant from the FOCC. -
The Norwich School John Old Crome John Sell Cotman George Vincent
T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 . -
Cathedral-Web-Page-Attachment---Welcome-Brochure.Pdf
Welcome to Welcome to Norwich Cathedral 1 Centre of the Nave The Cathedral has stood for over 900 years as a You may wish to sit and pause to take in the grandeur Christian presence in the heart of Norfolk. It is a place of the Romanesque structure with its Gothic vault. of public worship and private prayer, of hospitality and Here in the Nave worshippers gather every Sunday and education. You have entered the Cathedral through the at special celebrations to give thanks to God for his Hostry, our new Visitor and Education Centre (opened goodness. The prominent pulpit and altar point to the in 2009). It is built on the foundations of the mediaeval balance between the proclamation of the Word of God Hostry where guests would have been welcomed into in the Bible and his presence in the Eucharist. For its the Benedictine monastery which then served the builders, the Nave represented the earthly creation. The Cathedral. As you progress through the Hostry you will carved bosses of the vault tell the Biblical story of earth’s pass an exhibition hall and the ‘Locutory’ or Parlour, creation, our redemption and God’s plan for eternity. where monks were permitted to speak to visitors from outside. In this space you will discover information about Reflect and give thanks for the skill and the Cathedral today. imagination and faith of those who built and beautified this Cathedral over the last We encourage you to encounter the Cathedral 900 years. in the spirit in which it was built, to express the human pilgrimage from earth to heaven. -
A Self-Guided Trail of Crome's City
WALKING A self-guided trail of Crome’s city John Crome lived and worked in Norwich all his life. From humble beginnings he became a drawing master and was one of the principal founders of the Norwich Society of Artists. He remains one of the country’s great Romantic painters, rooting his work in the local landscape. During the first lockdown of 2020, local photographer Nick Stone followed in Crome’s footsteps, walking the deserted city streets exploring Crome’s Norwich and pinpointing the painter’s locations and capturing them with a fresh eye. This walk takes you to places Crome would have known and visits some of the locations he painted. John Crome was born in 1768 in The Griffin pub close to Norwich Cathedral. The son of a weaver, born at a time when the city was at the centre of an important international trade in textiles. In the 1780s over thirty different trades associated with textiles were located in the noisy and colourful area known as ‘Norwich Over the Water’, north of the River Wensum. The river formed the artery for the textile industry, and the warehouses, dyers’ premises and quays were well known to Crome and featured frequently in his works. Norwich at the time was known for radical inclination towards art. The only criteria to politics, and inns and taverns in the city were join were submitting an artwork, and securing home to societies and clubs where ideas were a place via a ballot of existing members. By shared, and debates were held. The Rifleman 1805, the Society had enough pieces of art pub hosted ‘The Dirty Shirt Club’ where men to present their first exhibition, hosted at Sir could go in working clothes, to drink, smoke Benjamin Wrench’s Court which was also to and socialise.