History of Astrophotography Timeline
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Galileo and the Telescope
Galileo and the Telescope A Discussion of Galileo Galilei and the Beginning of Modern Observational Astronomy ___________________________ Billy Teets, Ph.D. Acting Director and Outreach Astronomer, Vanderbilt University Dyer Observatory Tuesday, October 20, 2020 Image Credit: Giuseppe Bertini General Outline • Telescopes/Galileo’s Telescopes • Observations of the Moon • Observations of Jupiter • Observations of Other Planets • The Milky Way • Sunspots Brief History of the Telescope – Hans Lippershey • Dutch Spectacle Maker • Invention credited to Hans Lippershey (c. 1608 - refracting telescope) • Late 1608 – Dutch gov’t: “ a device by means of which all things at a very great distance can be seen as if they were nearby” • Is said he observed two children playing with lenses • Patent not awarded Image Source: Wikipedia Galileo and the Telescope • Created his own – 3x magnification. • Similar to what was peddled in Europe. • Learned magnification depended on the ratio of lens focal lengths. • Had to learn to grind his own lenses. Image Source: Britannica.com Image Source: Wikipedia Refracting Telescopes Bend Light Refracting Telescopes Chromatic Aberration Chromatic aberration limits ability to distinguish details Dealing with Chromatic Aberration - Stop Down Aperture Galileo used cardboard rings to limit aperture – Results were dimmer views but less chromatic aberration Galileo and the Telescope • Created his own (3x, 8-9x, 20x, etc.) • Noted by many for its military advantages August 1609 Galileo and the Telescope • First observed the -
Noise and ISO CS 178, Spring 2014
Noise and ISO CS 178, Spring 2014 Marc Levoy Computer Science Department Stanford University Outline ✦ examples of camera sensor noise • don’t confuse it with JPEG compression artifacts ✦ probability, mean, variance, signal-to-noise ratio (SNR) ✦ laundry list of noise sources • photon shot noise, dark current, hot pixels, fixed pattern noise, read noise ✦ SNR (again), dynamic range (DR), bits per pixel ✦ ISO ✦ denoising • by aligning and averaging multiple shots • by image processing will be covered in a later lecture 2 © Marc Levoy Nokia N95 cell phone at dusk • 8×8 blocks are JPEG compression • unwanted sinusoidal patterns within each block are JPEG’s attempt to compress noisy pixels 3 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec • RAW w/o denoising 4 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec • RAW w/o denoising 5 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec 6 © Marc Levoy Photon shot noise ✦ the number of photons arriving during an exposure varies from exposure to exposure and from pixel to pixel, even if the scene is completely uniform ✦ this number is governed by the Poisson distribution 7 © Marc Levoy Poisson distribution ✦ expresses the probability that a certain number of events will occur during an interval of time ✦ applicable to events that occur • with a known average rate, and • independently of the time since the last event ✦ if on average λ events occur in an interval of time, the probability p that k events occur instead is λ ke−λ p(k;λ) = probability k! density function 8 © Marc Levoy Mean and variance ✦ the mean of a probability density function p(x) is µ = ∫ x p(x)dx ✦ the variance of a probability density function p(x) is σ 2 = ∫ (x − µ)2 p(x)dx ✦ the mean and variance of the Poisson distribution are µ = λ σ 2 = λ ✦ the standard deviation is σ = λ Deviation grows slower than the average. -
Ocabulary of Definitions : P
Service bibliothèque Catalogue historique de la bibliothèque de l’Observatoire de Nice Source : Monographie de l’Observatoire de Nice / Charles Garnier, 1892. Marc Heller © Observatoire de la Côte d’Azur Février 2012 Présentation << On trouve… à l’Ouest … la bibliothèque avec ses six mille deux cents volumes et ses trentes journaux ou recueils périodiques…. >> (Façade principale de la Bibliothèque / Phot. attribuée à Michaud A. – 188? - Marc Heller © Observatoire de la Côte d’Azur) C’est en ces termes qu’Henri Joseph Anastase Perrotin décrivait la bibliothèque de l’Observatoire de Nice en 1899 dans l’introduction du tome 1 des Annales de l’Observatoire de Nice 1. Un catalogue des revues et ouvrages 2 classé par ordre alphabétique d’auteurs et de lieux décrivait le fonds historique de la bibliothèque. 1 Introduction, Annales de l’Observatoire de Nice publiés sous les auspices du Bureau des longitudes par M. Perrotin. Paris,Gauthier-Villars,1899, Tome 1,p. XIV 2 Catalogue de la bibliothèque, Annales de l’Observatoire de Nice publiés sous les auspices du Bureau des longitudes par M. Perrotin. Paris,Gauthier-Villars,1899, Tome 1,p. 1 Le présent document est une version remaniée, complétée et enrichie de ce catalogue. (Bibliothèque, vue de l’intérieur par le photogr. Jean Giletta, 191?. - Marc Heller © Observatoire de la Côte d’Azur) Chaque référence est reproduite à l’identique. Elle est complétée par une notice bibliographique et éventuellement par un lien électronique sur la version numérisée. Les titres et documents non encore identifiés sont signalés en italique. Un index des auteurs et des titres de revues termine le document. -
Making Your Own Astronomical Camera by Susan Kern and Don Mccarthy
www.astrosociety.org/uitc No. 50 - Spring 2000 © 2000, Astronomical Society of the Pacific, 390 Ashton Avenue, San Francisco, CA 94112. Making Your Own Astronomical Camera by Susan Kern and Don McCarthy An Education in Optics Dissect & Modify the Camera Loading the Film Turning the Camera Skyward Tracking the Sky Astronomy Camp for All Ages For More Information People are fascinated by the night sky. By patiently watching, one can observe many astronomical and atmospheric phenomena, yet the permanent recording of such phenomena usually belongs to serious amateur astronomers using moderately expensive, 35-mm cameras and to scientists using modern telescopic equipment. At the University of Arizona's Astronomy Camps, we dissect, modify, and reload disposed "One- Time Use" cameras to allow students to study engineering principles and to photograph the night sky. Elementary school students from Silverwood School in Washington state work with their modified One-Time Use cameras during Astronomy Camp. Photo courtesy of the authors. Today's disposable cameras are a marvel of technology, wonderfully suited to a variety of educational activities. Discarded plastic cameras are free from camera stores. Students from junior high through graduate school can benefit from analyzing the cameras' optics, mechanisms, electronics, light sources, manufacturing techniques, and economics. Some of these educational features were recently described by Gene Byrd and Mark Graham in their article in the Physics Teacher, "Camera and Telescope Free-for-All!" (1999, vol. 37, p. 547). Here we elaborate on the cameras' optical properties and show how to modify and reload one for astrophotography. An Education in Optics The "One-Time Use" cameras contain at least six interesting optical components. -
The Kew Photoheliograph
THE KEW PHOTOHELIOGRAPH PEDRO RÉ http://pedroreastrophotography.com/ The Kew Photoheliograph (Figure 1) was the first telescope specifically designed for solar photography. It was commissioned in 1854 and named after the Kew Observatory where it has housed. The Photoheliograph was designed by Warren De la Rue (1815-1889) (Figure 2) for the London Royal Society in 1857 and made by Andrew Ross (1798-1859). It was mainly used for daily photography of the Sun at the Kew Observatory and the Royal Observatory of Greenwich. It was also transported to Rivabellosa in Northern Spain where it was used to photograph the Total eclipse of the Sun on July 18th, 1860. Figure 1- The Kew Photoheliograph. The first solar photographs were obtained by Hippolyte Fizeau and Leon Focault in 1844. The first photographs of the partial phase of a total solar eclipse and of the solar spectrum were also obtained in the 1840s. In 1849 Hervé Faye made an important communication to the Frech Academy of Sciences proposing the continuous photographic survey of the Sun: If a solar image is formed in the daguerrotype plate ... the same measurements can be repeated later on and compared with contemporaneous ones ... The same procedure may be applied to the determination of the heliocentric sunspot co-ordinates ... On April 24, 1854 John Herschel wrote to Edward Sabine: I consider it an object of very considerable importance to secure at some observatory, and indeed at more than one, in different localities, daily photographic representations of the sun, with a view to keep up a consecutive and perfectly faithful record of the history of the spots. -
Transactions 1905
THE Royal Astronomical Society of Canada TRANSACTIONS FOR 1905 (INCLUDING SELECTED PAPERS AND PROCEEDINGS) EDITED BY C. A CHANT. TORONTO: ROYAL ASTRONOMICAL PRINT, 1906. The Royal Astronomical Society of Canada. THE Royal Astronomical Society of Canada TRANSACTIONS FOR 1905 (INCLUDING SELECTED PAPERS AND PROCEEDINGS) EDITED BY C. A CHANT. TORONTO: ROYAL ASTRONOMICAL PRINT, 1906. TABLE OF CONTENTS. The Dominion Observatory, Ottawa (Frontispiece) List of Officers, Fellows and A ssociates..................... - - 3 Treasurer’s R eport.....................--------- 12 President’s Address and Summary of Work ------ 13 List of Papers and Lectures, 1905 - - - - ..................... 26 The Dominion Observatory at Ottawa - - W. F. King 27 Solar Spots and Magnetic Storms for 1904 Arthur Harvey 35 Stellar Legends of American Indians - - J. C. Hamilton 47 Personal Profit from Astronomical Study - R. Atkinson 51 The Eclipse Expedition to Labrador, August, 1905 A. T. DeLury 57 Gravity Determinations in Labrador - - Louis B. Stewart 70 Magnetic and Meteorological Observations at North-West River, Labrador - - - - R. F. Stupart 97 Plates and Filters for Monochromatic and Three-Color Photography of the Corona J. S. Plaskett 89 Photographing the Sun and Moon with a 5-inch Refracting Telescope . .......................... D. B. Marsh 108 The Astronomy of Tennyson - - - - John A. Paterson 112 Achievements of Nineteenth Century Astronomy , L. H. Graham 125 A Lunar Tide on Lake Huron - - - - W. J. Loudon 131 Contributions...............................................J. Miller Barr I. New Variable Stars - - - - - - - - - - - 141 II. The Variable Star ξ Bootis -------- 143 III. The Colors of Helium Stars - - - ..................... 144 IV. A New Problem in Solar Physics ------ 146 Stellar Classification ------ W. Balfour Musson 151 On the Possibility of Fife in Other Worlds A. -
Women Who Read the Stars Sue Nelson Delights in Dava Sobel’S Account of a Rare Band of Human Computers
Some of the Harvard Observatory ‘computers’ in 1925. Annie Jump Cannon is seated fifth from left; Cecilia Payne is at the drafting table. HISTORY Women who read the stars Sue Nelson delights in Dava Sobel’s account of a rare band of human computers. here are half a million photographic magnitude, on the as computers at Harvard, a practice unique plates in the Harvard College Observa- photographic plates to the university. Within five years, the num- tory collection, all unique. They date to and computing its ber of paid female computers, from a range Tthe mid-1880s, and each can display the light location in the sky. of backgrounds, had risen to 14. Their efforts from 50,000 stars. These fragments of the Pickering was espe- would be boosted by philanthropist Cath- cosmos furthered our understanding of the cially interested in erine Wolfe Bruce, who in 1889 donated Universe. They also reflect the dedication and variable stars, whose US$50,000 to the observatory, convinced intelligence of extraordinary women whose light would brighten that the introduction of photography and stories are more than astronomical history: and fade over a spe- spectroscopy would advance the field. ARCHIVES UNIV. HARVARD COURTESY they reveal lives of ambition, aspiration and cific period. These The Glass The Glass Universe concentrates on a few of brilliance. It takes a talented writer to inter- fluctuations, captured Universe: How the Harvard computers. Williamina Fleming, weave professional achievement with per- on the plates, required the Ladies of a Scottish school teacher, arrived at the obser- sonal insight. By the time I finished The Glass constant observation, the Harvard vatory in 1879, pregnant and abandoned by Universe, Dava Sobel’s wonderful, meticulous but he couldn’t afford Observatory Took her husband. -
Orion Newtonian Astrograph Instruction Manual
INSTRUCTION MANUAL Orion 8" and 10" f/3.9 Newtonian Astrographs #8297 8" f/3.9, #8296 10" f/3.9 #8296 Providing Exceptional Consumer Optical Products Since 1975 OrionTelescopes.com Customer Support (800) 676-1343 • E-mail: [email protected] Corporate Offices (831) 763-7000 • 89 Hangar Way, Watsonville, CA 95076 © 2011 Orion Telescopes & Binoculars IN 406 Rev. A 07/11 2" Finder scope Accessory bracket collar 9x50 Finder Scope Optical tube Tube rings Focus wheel Drawtube Fine focus wheel tensioning thumbscrew Focus wheel Figure 1. The Orion 8" f/3.9 Newtonian Astrograph Congratulations on your purchase of an Orion f/3.9 Newtonian Astrograph! These powerful imaging telescopes feature “fast,” high-quality parabolic optics, a 2" dual-speed Crayford focuser, and excellent mechanical construction with some special features. Optimized for astrophotography with DSLR and astronomical CCD imaging cameras, our f/3.9 Newtonian Astrographs are capable of delivering breathtak- ing imaging performance – for beginning to advanced astrophotographers. This instruction manual covers both the 8" and 10" mod- Parts List els of f/3.9 Newtonian astrograph. Although they differ • Optical tube assembly in aperture and focal length, physical size, and weight, they are otherwise very similar in mechanical construc- • Optical tube dust cap tion and features. So we will use the 8" model to illus- • 1.25" eyepiece holder trate the features of both astrographs. Any exceptions • 9x50 finder scope with bracket related to the 10" model will be noted. • Pair of hinged tube rings This instruction manual will help you to set up and • 2" thread-on extension adapter, 30mm properly use your telescope. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
212 Publications of the Some Pioneer
212 PUBLICATIONS OF THE SOME PIONEER OBSERVERS1 By Frank Schlesinger In choosing a subject upon which to speak to you this eve- ning, I have had to bear in mind that, although this is a meeting of the Astronomical Society of the Pacific, not many of my audience are astronomers, and I am therefore debarred from speaking on too technical a matter. Under these circumstances I have thought that a historical subject, and one that has been somewhat neglected by the, formal historians of our science, may be of interest. I propose to outline, very briefly of course, the history of the advances that have been made in the accuracy of astronomical measurements. To do this within an hour, I must confine myself to the measurement of the relative places of objects not very close together, neglecting not only measure- ments other than of angles, but also such as can be carried out, for example, by the filar micrometer and the interferometer; these form a somewhat distinct chapter and would be well worth your consideration in an evening by themselves. It is clear to you, I hope, in how restricted a sense I am using the word observer ; Galileo, Herschel, and Barnard were great observers in another sense and they were great pioneers. But of their kind of observing I am not to speak to you tonight. My pioneers are five in number ; they are Hipparchus in the second century b.c., Tycho in the sixteenth century, Bradley in the eighteenth, Bessel in the first half of the nineteenth century and Rüther fur d in the second half. -
1 AA Issue 4 Final Print Version 10 Dec 07.Pub
g{x TÇà|ÖâtÜ|tÇ TáàÜÉÇÉÅxÜ Journal of the Society for the History of Astronomy Issue 4 January 2008 ISSN 1740-3677 The cover illustration The Oxford heliometer ontinuing the anniversary theme of previous covers of The Antiquarian Astronomer, this issue shows an engraving of the Oxford heliometer1. Ordered from the instrument maker A & G Repsold, C Hamburg, Germany, in 1841, the heliometer began work 160 years ago, in 1848. It was the only large example of this type of instrument installed at an observatory in Britain. The heliometer (more correctly a divided-objective-lens micrometer) was conceived by Ole Römer (1644-1710), and improved by the optician, John Dollond (1706-1761). His design used an objective lens bisected across the diameter, each part having the same focal length, and served by one eyepiece. Mounted in a frame, each semi-lens could be moved along its diameter using a fine screw-thread. The displacement between the two images gives a very precise measure of the angular separation of the stars under observa- tion, or the apparent diameter of the Sun or planet. Significant work using a heliometer was not achieved until a 6-inch instrument was delivered to the Königsberg Observatory in 1829. Designed by Joseph Fraun- hofer (1787-1826), this heliometer was used by Friedrich Bessel (1784-1846) to measure the parallax of the star 61 Cygni - the first accurate measure of the distance to the stars. Against this background of German success in using the heliometer, the trustees of the Radcliffe Observatory, Oxford, England, opted to acquire an example with a 7½-inch diameter objective lens. -
Caroliniana Columns - Spring 2004 University Libraries--University of South Carolina
University of South Carolina Scholar Commons University South Caroliniana Society Newsletter - South Caroliniana Library Columns Spring 2004 Caroliniana Columns - Spring 2004 University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/columns Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Caroliniana Columns, Issue 15, Spring 2004". http://scholarcommons.sc.edu/columns/28/ This Newsletter is brought to you by the South Caroliniana Library at Scholar Commons. It has been accepted for inclusion in University South Caroliniana Society Newsletter - Columns by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. SoCar 378.75771 C22c Spr 2004 Caroliitialtll Cofutmts University South Caroliniana Society Spring2004 NEW DEAL MEETS OLD SOUTH: . THE 1938 DEMOCRATIC SENATORIAL PRIMARY The 1938 Democratic Senatqrial Primary in South Carolina epitomized the best and the worst of South Carolina politics in the first half of the twentieth century. In this heated contest between the fiv..e-term incumbent, an incumbent governor, and the. ·leading state senator, personalities, and not issues, became the focal points of the campaign. For instance, race was not really an issue because blacks could not vote in the Democratic primary at that time. Althougli all three candidates subscribed to the doctrine of "White Supremacy," Senator Smith invoked the doctrine on numerous occasions as an effective oratorical tool to liven up his audiences. During two.and a half months of continuous stump speeches during the hot summer of 1938, the three . candidates attacked each other so much that even jaded South Carolina newspaper · editors lamented the "mud slinging" campaign.