Historic Petroglyphs on Nuka Hiva, the Marquesas Islands
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The Hakaea Beach Site, Marquesan Colonisation, and Models of East Polynesian Settlement
Archaeol. Oceania 45 (2010) 54 –65 The Hakaea Beach site, Marquesan colonisation, and models of East Polynesian settlement MELINDA S. ALLEN and ANDREW J. M cALISTER Keywords: Polynesia, settlement models, coastal geodynamics, climate change, colonisation process, sea level fall Abstract Field explorations at the newly recorded Hakaea Beach site, Nuku also the processes and mechanisms which might account for Hiva, Marquesas Islands were spread across a 12,500 m 2 area on regional patterns of mobility and settlement, is emphasized. the western coastal flat. The site’s geomorphic and cultural history is reconstructed based on nine strata and ten radiocarbon determinations. The Hakaea record illustrates the range of Hakaea Valley powerful environmental processes, including sea level fall, climate change, tsunamis, and tropical storm surges, which have operated Hakaea is a long narrow valley on the windward coast of on Marquesan shorelines for the last 800 years, and the ease with Nuku Hiva (Figure 1). It opens onto a ca. 300 m wide which past human activity can be obscured or erased. The results coralline sand beach (Figure 2) and a deep narrow bay. This highlight the need to systematically search for protected coastal coastline has a dynamic and complex geomorphic history, contexts and geomorphic settings where older surfaces might be with the narrow topography of both the valley and the bay preserved. Radiocarbon assemblages from the 13th century potentially aggravating the impact of terrestrial and marine Hakaea Beach site and seven other early Marquesan sites are forces, both of which have left dramatic signatures on the considered in light of three models of East Polynesian dispersal: 1) contemporary landscape. -
2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- Pean Comic Art, 13 (1
Screech, Matthew (2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- pean Comic Art, 13 (1). pp. 21-44. ISSN 1754-3797 Downloaded from: https://e-space.mmu.ac.uk/625715/ Version: Accepted Version Publisher: Berghahn Books DOI: https://doi.org/10.3167/eca.2020.130103 Please cite the published version https://e-space.mmu.ac.uk Gauguin and Van Gogh Meet the Ninth Art Postmodernism and Myths about Great Artists Matthew Screech Abstract This article analyses how a late twentieth-century/early twenty-first- century development in bandes dessinées, which combines historical novels with bi- ographies, expresses paradoxical attitudes towards mythologies surround- ing Paul Gauguin and Vincent Van Gogh. Firstly, I demonstrate that the paradox stems from a simultaneous desire for and suspicion of master narratives, identified as intrinsic to postmodernism by Linda Hutcheon. Then I establish how eight graphic novels perpetuate pre-existing mytho- logical master narratives about Gauguin and Van Gogh. Nevertheless, those mythologies simultaneously arouse scepticism: myths do not express ex- emplary uni versal truths; myths are artificial and fictionalised constructs whose status in reality is dubious. The albums convey tension between desire and suspicion regarding myths by a variety of devices. These include sequenced panels, circular plots, unreliable witnesses, fictional insertions, parodies and mock realism. Keywords: Gauguin, graphic novels, great artists, Linda Hutcheon, mythology, postmodernism, Van Gogh Over the period spanning 1990 to 2016 -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document To Rio Rancho To Rio Rancho B ou North e l dis ev 0 1 2 Kilometers ara a P rd Piedras Marcadas 0 1 2 Miles Canyon Paseo del Norte R To Rio a Universe Boulevard rd Rancho i va n e Information ul b o Jill o B w Patricia Restrooms r St e d s a del Norte n o o e B as Picnic area U P l R v d Parking Northern To 25 Geologic Hiking trails Window e Pets on leash T s a r y u d l r o o a r C v e l u Bo Butte R d a v Volcano n l c B Boca Negra h Southern olf s G r Canyon Geologic oo Bond C Window Volcano a t D s i r i V v h e Double t r Eagle II Montaño o Ro ad N Airport U o c n s i s er r t A B o u l Vulcan e v Volcano a r d d r a d v r To 25 e Volcanoes Visitor Center l a u v PETROGLYPH e Volcanoes o l B u Access Road o B Wes tern Trai e NATIONAL Rinconada l Black A d D tr Canyon Volcano ri i n sc e v a d e o MONUMENT n r a s r r G G Shooting JA Volcano seph Avenu o Jo e Range Road St. -
Annexe 1 2 SOMMAIRE
Plan DE Développement économique durable 2012-2027 AANNNNEEXXEE 11 SSTTRRUUCCTTUURRAATTIIOONN EETT DDEEVVEELLOOPPPPEEMMEENNTT DDUU TTOOUURRIISSMMEE Étude MaHoc- CREOCEAN - Archipelagoes PDEM 2013 – Annexe 1 2 SOMMAIRE Pages Rapport phase 1 : Diagnostic 5 Introduction 8 Les données de cadrage 13 L'offre touristique actuelle et les projets 25 Le diagnostic de la demande 57 L'organisation touristique et les outils marketing 75 Benchmarking de produits et de destinations 89 Conclusions du diagnostic 93 Annexes 95 Rapport phase 2 : Définition du positionnement de la destination et du produit 179 "Tourisme aux Marquises" Introduction 181 Rappel méthodologique 182 Rappel sur le potentiel de développement touristique des îles Marquises 185 Stratégie marketing du tourisme aux Marquises 188 Axes stratégiques du développement touristique 205 Rapport phase 3 : Plan d’actions opérationnel pour le développement 209 du tourisme aux Marquises Rappel méthodologique 212 Le plan d'actions opérationnel 213 ANNEXES 261 Complément au rapport phase 3 : réponses aux notes du Conseil Communautaire 262 des 31 août et 1er septembre 2012 Calendrier de mise en œuvre 266 Proposition de charte graphique identité Tourisme aux Marquises 268 Exemple de cahier des charges pour l’implantation d’une aire technique pour la 278 plaisance PDEM 2013 – Annexe 1 3 PDEM 2013 – Annexe 1 4 COMMUNAUTÉ DE COMMUNES DES ÎLES MARQUISES Structuration et développement du tourisme aux Marquises Rapport de phase 1 Diagnostic Mars 2012 PDEM 2013 – Annexe 1 5 SOMMAIRE Introduction .......................................................................................................................................... -
Mr. Hironui Johnston Thahiti French Polynesia
Ministry of Tourism And Labor, In charge of International Transportation and Institutional relations Innovation and Digital transformation New opportunities in the the sustainable tourism era 31st March 2021 French Polynesia • Oversea collectivity of the French republic • 5.5 million km2 (as vast as western Europe or 49% of continental US ) • 118 islands, 5 archipelagoes, 67 islands inhabited • 278 400 people as of December 2019, 70% on 3 652 businesses (7.5%) Tahiti 11 897 employees (17.7%) • 43 airports About 2 000 self-employed • 25 main touristic islands 12% GDP (18% indirect and induced impacts) 2 Purposes: connect Tahiti to the world/connect the islands Honotua domestic: 5 islands/245 000 inhabitants/70% tourism traffic Natitua north: 20 islands/ 25 000 inhabitants/ 29% tourism traffic 3 Connecting the islands MANATUA, 2020, USD21 600 HONOTUA, 2010, USD 90 000 000: Tahiti-Rarotonga-Aitutaki- 000: Los Angeles-Hawaii-Tahiti Niue-Samoa HONOTUA domestic, 2010: NATITUA South, 2022, USD15 Tahiti-Moorea-Huahine-Raiatea- 000 000: Tahiti-Tubuai-Rurutu Bora Bora NATITUA North, 2018, USD 64 800 000: Tahiti-Kaukura- Asia-Tahiti-Rapa Nui-Chile Rangiroa-Fakarava-Manihi- Makemo-Hao-Takaroa-Hiva Oa- Nuku Hiva + 10 4 Tourism Forum USD200 000 Digital area: Youth, unemployed and entrepreneurs -Tourism contest winners - Workshops - Digital contest - Conferences winners - International - Polynesian tech speakers projects - 4 areas: Digital, - PRISM projects Creation, Training, jobs 5 Arioi Expérience: Tourism Sharing cultural business project expériences -
Marquesan Adzes in Hawai'i: Collections, Provenance
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 outside the Marquesas have never been found in the Marquesan Adzes in Hawai‘i: island group (Allen 2014:11), but this groundbreaking Collections, Provenance, and discovery was spoiled by the revelation that a yachtsman who had visited both places had donated the artifacts, Sourcing and apparently mixed them up before doing so (202). Hattie Le‘a Wheeler Gerrish Researchers with access to other sources of information Anthropology 484 can avoid possible pitfalls. Garanger (1967) laments, Fall 2014 “What amount of dispersed artifacts were illegally exported by the numerous voyagers drawn by the Abstract mirage of the “South Seas” and now irrevocably lost to In 1953, Jack and Leah Wheeler returned to science?” (390). It is my intent to honor the wishes of Hawai'i with 13 adze heads and one stone pounder my maternal grandparents, Jack and Leah Wheeler, that they had obtained during their travels in the Marquesas, the artifacts they (legally) brought home to Hawai'i from Tuamotus, and Society Islands. The rather general the East Pacific not be “irrevocably lost to science.” I provenance of these artifacts presents a challenge will attempt to source their stone artifacts, and discover that illustrates the benefits of combining XRF with what geochemistry can tell us of these tools of uncertain other sources of information, and the limits of current provenance. My experience strengthens my belief that knowledge of Pacific geochemistry. EDXRF reveals that combining non-destructive EDXRF with other sources five of the artifacts are likely made of stone from the of information such as oral history, written accounts, Eiao quarry, and the rest may represent five additional and morphological comparison, enhances the value of sources. -
The Marquesas
© Lonely Planet Publications 199 The Marquesas Grand, brooding, powerful and charismatic. That pretty much sums up the Marquesas. Here, nature’s fingers have dug deep grooves and fluted sharp edges, sculpting intricate jewels that jut up dramatically from the cobalt blue ocean. Waterfalls taller than skyscrapers trickle down vertical canyons; the ocean thrashes towering sea cliffs; sharp basalt pinnacles project from emerald forests; amphitheatre-like valleys cloaked in greenery are reminiscent of the Raiders of the Lost Ark; and scalloped bays are blanketed with desert arcs of white or black sand. This art gallery is all outdoors. Some of the most inspirational hikes and rides in French Polynesia are found here, allowing walkers and horseback riders the opportunity to explore Nuku Hiva’s convoluted hinterland. Those who want to get wet can snorkel with melon- headed whales or dive along the craggy shores of Hiva Oa and Tahuata. Bird-watchers can be kept occupied for days, too. Don’t expect sweeping bone-white beaches, tranquil turquoise lagoons, swanky resorts and THE MARQUESAS Cancun-style nightlife – the Marquesas are not a beach holiday destination. With only a smat- tering of pensions (guesthouses) and just two hotels, they’re rather an ecotourism dream. In everything from cuisine and dances to language and crafts, the Marquesas do feel different from the rest of French Polynesia, and that’s part of their appeal. Despite the trap- pings of Western influence (read: mobile phones), their cultural uniqueness is overwhelming. They also make for a mind-boggling open-air museum, with plenty of sites dating from pre-European times, all shrouded with a palpable historical aura. -
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa)
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa) Mask of a Savage Patinated plaster 9 7/8 x 7 3/4 inches (250 x 195 mm) Executed between 1893-1897 PROVENANCE: Vollard Collection, Paris, France John Rewald 1957-58 The Phillips Family Collection Dr. Joachim Theye, Zurich Private Collection, Switzerland EXHIBITED: Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, 1 May – 31 July 1988; Chicago, Art Institute of Chicago, 17 September – 11 December 1988; Paris, Grand Palais, 10 January – 10 April 1989, illustrated catalogue no. 210 Dallas, Dallas Museum of Art, on extended loan, 1991 – 1994 Baltimore, The Walters Art Gallery, Gauguin and the School of Pont-Aven, 20 November 1994 – 15 January 1995, illustrated in addendum Boston, Museum of Fine Arts, 1995 Williamston, Massachusetts, Sterling and Francine Clark Art Institute, on extended loan 1997 – 1998 Martigny, Switzerland, Fondation Pierre Gianadda, Gauguin, 10 June – 22 November 1998, illustrated, catalogue no. 117 London, England, Ordovas, Tales of Paradise Gauguin, 4 February – 18 April 2014, illustrated p. 60 Riehen/Basel, Switzerland, Fondation Beyeler, Paul Gauguin, 8 February – 28 June 2015 As were many symbolist artists, Gauguin was fascinated by the idea of a disembodied face or mask.1 In 1893, at the very end of his first trip to Tahiti, Gauguin developed the essential characteristics of our mask in Hina Te Fatou (Fig. 1), now in the Museum of Modern Art, New York. It is interesting to note that Degas purchased this painting from the Paris exhibition of Gauguin’s work held at the Galerie Durand-Ruel in the autumn of 1893. -
Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat
Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat Shaik Saleem1 1. Department of Archaeology, Krantiguru Shyamji Krishna Verma Kachchh University, Bhuj – 370 001, Gujarat, India (Email: [email protected]) Received: 16 August 2014; Accepted: 12 September 2014; Revised: 14 October 2014 Heritage: Journal of Multidisciplinary Studies in Archaeology 2 (2014): 449‐456 Abstract: The present paper gives details of recent prehistoric investigations carried out by the author, which have revealed a Prehistoric site which has revealed cupules was found in the rock shelters of Senetary in Kachchh District of Gujarat. The artifacts of Prehistoric period were found at 3 localities of Senetary. Apart from the cupules a few engravings and large number of microliths and a few potsherds of Chalcolithic as well as early historic periods were also found in the rock shelters. Keywords: Cupule, Senetary, Kachchh, Prehistoric Period, Microliths, Chalcolithic, Early Historic Introduction The prehistoric investigations carried out around in Bhuj taluka in Kachchh District have revealed large number of rock shelters at Senetary (23° 10’ 01.9” N 069° 37’ 32.8” E). The main aim of these prehistoric investigations is intended to explore for the archaeological sites of different cultural phases as well as for the rock art sites as large number of rock shelters are found near Senetary in Bhuj taluka as well as in different parts of Kachchh region. Previous Work Very few people have worked on the prehistory of Kachchh region. Among them the work was carried out by H.D. Sankalia (1964; 1968), Z. D. Ansari and R. -
Petroglyph National Monument: Geologic Resources Inventory Report
National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 ON THE COVER Photograph of Albuquerque volcanoes. Three spatter cones, known as the Sisters, form a distinctive skyline west of Albuquerque, New Mexico. These small volcanoes are part of the Albuquerque volcanic field and occur in the Volcanoes area of Petroglyph National Monument. The volcanic field was active about 156,000 years ago. NPS photograph by Chanteil Walter (Petroglyph National Monument). THIS PAGE Photograph of the West Mesa escarpment along the Rinconada Canyon Trail. Erosion of the Santa Fe Group sediments that underlie a basaltic cap rock has caused large blocks of rock to tumble down the eastern escarpment of the mesa. Most of the petroglyphs were chiseled into the dark patina of desert varnish on these large boulders, exposing the lighter colored basaltic rock beneath. NPS photograph by Dale Pate (Geologic Resources Division). Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 Katie KellerLynn Colorado State University Research Associate National Park Service Geologic Resources Division Geologic Resources Inventory PO Box 25287 Denver, CO 80225 November 2017 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado, publishes a range of reports that address natural resource topics. These reports are of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. -
Traditional Marquesan Agriculture and Subsistence: the Historical Evidence
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 20 | Issue 2 Article 5 2006 Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence David J. Addison ASPA Archaeological Specialists Department Supervisor Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Addison, David J. (2006) "Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 20 : Iss. 2 , Article 5. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol20/iss2/5 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Addison: Traditional Marquesan Agriculture and Subsistence Traditional Marquesan Agriculture and Subsistence: The Historical Evidence Part I of IV - General Descriptions, Garden Locations, the Agricultural Calendar, Hydrology and Soils, Cultigens, and Agricultural Techniques David1. Addison* HE MARQUESAS ISLANDS (Figure 1) have long captivated nario for the prehistoric involution of Marquesan power T the attention of social scientists. Members of the Bishop structures. Museum's Bayard-Dominick Expedition did the first fonnal While social and political structures and relationships anthropological and archaeological research in the archipel have been dominant research topics, little attention has been ago (Figure 2) in the early 20'h century (e.g.