Aspects of His London Practice
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Literary Coteries and the Making of Modern Print Culture
LITERARY COTERIES AND THE MAKING OF MODERN PRINT CULTURE Literary Coteries and the Making of Modern Print Culture, 1740–1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the esthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demon- strate how scribal modes shaped modern literary production. betty a. schellenberg is Professor of English at Simon Fraser University, Canada, where she is a founding member of the Print Culture group and winner of a Dean’s Medal for Excellence. She has edited, for The Cambridge Edition of the Correspondence of Samuel Richardson, the volume of Correspondence Primarily on Sir Charles Grandison (1750–1754), which appeared in 2015. Her other books are The Professionalization of Women Writers in Eighteenth-Century Britain (Cambridge, 2005), Reconsidering the Bluestockings (2003, co-edited with Nicole Pohl), Part Two: Reflections on the Sequel (1996, co-edited with Paul Budra), and The Conversational Circle: Rereading the English Novel, 1740–1775 (1998). -
"An Author in Form": Women Writers, Print Publication, and Elizabeth Montagu's Dialogues of the Dead
"An Author in Form": Women Writers, Print Publication, and Elizabeth Montagu's Dialogues of the Dead Markman Ellis ELH, Volume 79, Number 2, Summer 2012, pp. 417-445 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/elh.2012.0012 For additional information about this article http://muse.jhu.edu/journals/elh/summary/v079/79.2.ellis.html Access provided by Queen Mary, University of London (1 May 2013 10:06 GMT) “An AUTHor in form”: women wriTers, PrinT PUblication, And elizAbeTH montagU’s DiaLoguEs of tHE DEaD by mArkmAn ellis in may 1760, the whig statesman and author george lyttelton (1709–1773) anonymously published a collection of twenty-eight prose satires entitled Dialogues of the Dead, to considerable popular success. The last three dialogues, announced as being “by another hand,” were the first writing bye lizabeth montagu (1718–1800) to be published in print.1 montagu was a woman of considerable wealth and social con- nection, who, during the 1750s, had developed an ambitious interest in literary and philosophical debate: in the 1760s and 1770s she found literary and intellectual fame as the so-called Queen of the bluestockings, an informal sociable grouping of female and male writers and critics. Publication—becoming an author—was a significant event in her history, an important boundary crossing into the literary world. This examination of montagu’s first publication focuses on the debate she undertook with other writers in her circle, especially elizabeth carter and sarah scott, on the question of being publically acknowledged as a writer, a condition she termed being “an author in form,” especially with regard to contemporary notions of female propriety and status.2 recent studies in the eighteenth century have argued that the categories of literature were in transformation in this period. -
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The English Mercurie Hoax and the Early History of the Newspaper Markman Ellis, QMUL [Pre-publication accepted draft to be published in Book History in 2019.] In 1794 the Scottish antiquarian George Chalmers (1742-1825) undertook research into the origin of newspapers, “those pleasant vehicles of instruction, those entertaining companions of our mornings” for his biography of the Scottish publisher and scholar Thomas Ruddiman (1764-1757). After assessing the historical evidence, he declared that the first newspaper, which he defined as a regularly printed gazette of news, was English. It may gratify our national pride to be told, that mankind are indebted to the wisdom of Elizabeth and the prudence of Burleigh for the first news-paper. The epoch of the Spanish Armada is also the epoch of a genuine news-paper. In the British Museum, there are several news-papers, which had been printed while the Spanish fleet was in the English Channel, during the year 1588. It was a wise policy, to prevent, during a moment of general anxiety, the danger of false reports, by publishing real information. And the earliest news-paper is entitled, THE ENGLISH MERCURIE, which, by Authority, was “imprinted at London by Christopher Barker, her Highnesses printer, 1588”.1 Although Chalmers noted some oddities about this example (it was printed in “Roman, not in black, letter” and had certain anachronisms), his discovery was celebrated in literary journals and magazines.2 Over the following decades, it was accepted as authoritative in a series of reference works, beginning with the fifth edition of Isaac Disraeli’s Curiosities of Literature (1807),3 and thereafter the fourth volume of John Nichols’s Literary Anecdotes of the Eighteenth Century (1812),4 Johann Beckmann’s Concise History of Ancient Institutions (1823);5 and from there in various encyclopædias including Encyclopædia Londinensis (1820), 6 Encyclopaedia Americana (1832), 7 Brockhaus’s Conversations-Lexikon (1832),8 and Encyclopaedia Metropolitana (1845).9 There was only one problem with this patriotic discovery: it was a hoax. -
Family and Friends
Max Planck Research Library for the History and Development of Knowledge Studies 7 Christa Jungnickel and Russell McCormmach: Family and Friends In: Christa Jungnickel and Russell McCormmach: Cavendish : The Experimental Life (Sec- ond revised edition 2016) Online version at http://edition-open-access.de/studies/7/ ISBN 978-3-945561-06-5 First published 2016 by Edition Open Access, Max Planck Institute for the History of Science under Creative Commons by-nc-sa 3.0 Germany Licence. http://creativecommons.org/licenses/by-nc-sa/3.0/de/ Printed and distributed by: PRO BUSINESS digital printing Deutschland GmbH, Berlin http://www.book-on-demand.de/shop/14971 The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Chapter 4 Family and Friends Marriage and Money On 9 January 1729, Lord Charles Cavendish married Lady Anne de Grey, daughter of the duke of Kent. Charles was in his middle twenties instead of in his middle thirties, a more common age for younger sons of nobility to marry,1 and Anne, who was born in 1706, was two years younger. We know nothing of the affection between Charles and Anne, but cer- tainly wealth, rank, and respectability would have been considerations in this match. There were earlier connections between the two familes too: as we saw in Chapter 1, Charles’s and Anne’s fathers came together on a Continental tour, and at the beginning of the pre- vious century, Henry Grey, earl of Kent, married Elizabeth, granddaughter of Sir William Cavendish of Chatsworth.2 We begin this account of the new family with what we can speak of with confidence, money.