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Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Full Cast Announced for Follies
7 December 2018 FULL CAST ANNOUNCED FOR FOLLIES ★★★★★ The Arts Desk, Broadway World, City A.M., Culture Whisper, Daily Express, Daily Telegraph, Financial Times, The Guardian, Independent, Metro, Musical Theatre Review, The Observer, Radio Times, The Stage, The Sunday Times, Time Out, The Upcoming WINNER: 2018 Olivier Award for Best Musical Revival and Best Costume Design FOLLIES Book by James Goldman Music and Lyrics by Stephen Sondheim Directed by Dominic Cooke Olivier Theatre Previews from 12 February, booking until 6 April 2019 After a sold-out run, Follies returns to the NT in 2019. Stephen Sondheim’s legendary musical includes such classic songs as ‘Broadway Baby’, ‘I’m Still Here’ and ‘Losing My Mind’. Featuring a cast of 40 and an orchestra of 21, Follies is directed by Dominic Cooke. Tracie Bennett, Janie Dee and Peter Forbes return to reprise their roles, with Alexander Hanson and Joanna Riding joining the cast as Ben and Sally. The Follies 2019 cast includes Julie Armstrong (Christine Donovan), Lindsay Atherton (Young Carlotta), Josephine Barstow (Heidi Schiller from mid-April until the end of the run), Rosanna Bates (Young Emily), Jeremy Batt (Young Theodore), Tracie Bennett (Carlotta Campion), Billy Boyle (Theodore Whitman), Kaye Brown (Ensemble), Janie Dee (Phyllis Rogers Stone), Anouska Eaton (Young Deedee), Liz Ewing (Ensemble), Vanessa Fisher (Young Stella), Caroline Fitzgerald (Sandra Crane), Geraldine Fitzgerald (Solange LaFitte), Peter Forbes (Buddy Plummer), Bruce Graham (Roscoe), Adrian Grove (Sam Deems), Alexander -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Football Game Program.Pdf
Sam Sirianni Night Fort Myers High School FORT MYERS HIGH SCHOOL Letter From the Pricipal Welcome to Fort Myers High School and the 2019-2020 school year. Thank you for attending one of our many athletic events. Since 1949, the current campus of Fort Myers High School has seen many talented students bless its hallways. The fall sports program highlights our football, volleyball, cross country, bowling, golf, swimming, cheerleading, and band programs. The students, coaches, and directors for each of these groups spent their summers preparing for the upcoming seasons. They are to be commended for the hard work, time, sweat, and dedication they put their programs so that our students may perform at their highest capabilities. The Fort Myers community is rich in tradition and we look forward to growing together the “Green Wave Tradition” that has continued for over a hundred years. FMHS is not just a school it is a special place where relationships are built, traditions are kept, and we treat each other like a F.A.M.I.L.Y. It is quite an honor to be part of such a prestigious program that has proven to be one of the winningest football programs in the State of Florida. Thank you to those who have been a part of the great tradition of excellence at Fort Myers High School. I would also like to thank all of the parents, students, teachers, coaches, staff, booster club, and community members that have made an investment in the education of young people; you are a critical piece to our continued success and tradition. -
The BBC's Pardoner's Tale
A Popular Change from an Old Man to a Young Girl: The BBC’s Pardoner’s Tale (2003) Angus Cheng-yu Yen National Sun Yat-sen University, Taiwan Adaptation, as Julie Sanders defines it, is an attempt to invite new audiences and readers by re-presenting the source text in a simpler, more easily comprehensible manner. Among film adaptations of Chaucer’s Canterbury Tales, BBC’s 2003 reimagining provides unsurpassed sensitivity to modern issues, and a new relevance. Tony Ground narrates a modern tale intertwined with gothic elements and sex abuse scandals. Compared to the original text, BBC’s The Pardoner’s Tale leaves its reader not with the simple conclusion that avarice can be ultimately conquered, but with the complexities motivating a heinous crime. With the emphasis on the transformation of a character from a pallid old man to a florid young girl, this essay aims to discuss how the reframing of a medieval tale through popular culture sheds light on Chaucer’s reception and adaptation in the twenty-first century. Pasolini argued that it was impossible to make films about the past, idealized or otherwise, because the past had been irreparably corrupted by the present.1 ~Kevin J. Harty Everyone thinks they know the Canterbury Tales. Yet my experience of working on the Tales told me that no one can really remember much about them.2 ~Jonathan Myerson Geoffrey Chaucer’s Canterbury Tales have been adapted into numerous films, musicals, operas, and telefilms, including the BBC’s latest reproduction in 2003. Re- interpretation or re-production can either afford an alternative point of view from the 1 Kevin J. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Richard Burton
Richard Burton For other people named Richard Burton, see Richard Burton (disambiguation). Richard Burton, CBE (/ˈbɜrtən/; 10 November 1925 – 5 August 1984) was a Welsh stage and cinema actor[1] noted for his mellifluous baritone voice and his great act- ing talent.[2][3] Establishing himself as a formidable Shakespearean ac- tor in the 1950s, with a memorable performance of Hamlet in 1964, Burton was called “the natural suc- cessor to Olivier" by critic and dramaturg Kenneth Ty- nan. An alcoholic,[3] Burton’s failure to live up to those expectations[4] disappointed critics and colleagues and fu- [3][5] eled his legend as a great thespian wastrel. Burton was born in Pontrhydyfen, where his father and some of Burton was nominated seven times for an Academy his brothers were coal miners Award without ever winning. He was a recipient of BAFTA, Golden Globe and Tony Awards for Best Ac- ing with Cecilia, Burton attended nearby Eastern Primary tor. In the mid-1960s Burton ascended into the ranks of School on Incline Row.[13] Burton said later that his sister the top box office stars,[6] and by the late 1960s was one became “more mother to me than any mother could have of the highest-paid actors in the world, receiving fees of ever been ... I was immensely proud of her ... she felt all $1 million or more plus a share of the gross receipts.[7] tragedies except her own”. Burton’s father would occa- Burton remains closely associated in the public con- sionally visit the homes of his grown daughters but was sciousness with his second wife, actress Elizabeth Taylor. -
What to Watch
WEDNESDAY, MARCH 17, 2021 had. Kevin (Casey Cott) and Fangs (Drew Ray ‘True Tanner) make a big decision about their future Conviction’ What together. MOVIES The Masked Singer YOU’LL LOVE to watch FOX, 7 p.m. Group B performers take to the stage for the first time, and one will be unmasked at the WEDNESDAY end of the new episode “Group B Premiere — March 17, 2021 Shamrock and Roll.” All times Mountain. Start times can vary based Chicago Med on cable/satellite provider. Confirm times on NBC, 7 p.m. your on-screen guide. In “For the Want of a Nail,” as Maggie ‘Alice in Wonderland’ (Marlyne Barrett) deals with her own trauma, DISNEY ENTERPRISES INC. My Feet Are Killing Me: she steps in to help a mother in need. The Peanuts Movie (2015, DISCOVERY COMMUNICATIONS Meanwhile, Dean (Steven Weber) continues Children) Noah Schnapp, Hadley Footnotes to stir the pot with more than one doctor, and Belle Miller FXM, 3:40 p.m. discovery+ (Season 5), “Chain of Command” (Season 6), a patient comes to Med needing immediate This program features never-before-seen “Tapestry” (Season 6) and the series finale, treatment but doesn’t want it from them. Scary Movie 2 (2001, Comedy) cases with your favorite foot doctors as well “All Good Things...” (Season 7). Shawn Wayans, Marlon Wayans as follow-ups with memorable patients to see Chicago Fire VH1, 6 p.m. how they are doing today. NHL Hockey NBC, 8 p.m. Alice in Wonderland (2010, NBCSN, beginning at 5:30 p.m. Live In “Double Red,” Mouch (Christian Stolte), Children) Johnny Depp, Mia True Conviction A pair of Wednesday Night Hockey matchups Gallo (Alberto Rosende), Ritter (Daniel Kyri) Wasikowska Freeform, 6:30 p.m. -
Annual Report 10/11
Circle by numbers 12 partners 81.5% overall general needs customer satisfaction 94% customer satisfaction with repairs 1,461 completed new homes; 211 for other housing associations 2,200 dedicated staff 5,400 people cared for and supported If you would like to receive this 63,500 homes owned and managed information in any other format customers provided with services or in a different language please 300,000 contact 020 7447 3035 90+ local authority areas in which we provide homes and services Circle Circle House 1-3 Highbury Station Road London N1 1SE Our mission is to enhance the Life Chances of residents and service users through providing Tel: 020 7288 4000 great homes, first class services and working in Minicom: 020 7288 4007 Annual Review www.circle.org.uk partnership to build sustainable communities. Follow us on twitter.com/circlehousing 2010-11 01 Stock profile C A D A. Mercian Housing Association Owns and manages 3,400 properties in the greater Birmingham area B. Rockingham Forest B Working together with Rockingham Forest Housing Association to provide new homes in Northamptonshire C. Roddons Housing Association Managing nearly 3,800 properties including 14 sheltered schemes in E Cambridgeshire D. Wherry Housing Association Owns and manages over 7,000 homes in Norfolk, Suffolk, Lincolnshire and Cambridgeshire F E. South Anglia Housing Owns and manages over 7,000 homes across 26 local authorities in Hertfordshire, Bedfordshire and Essex G H F. Circle 33, Merton Priory Homes 954 new and Old Ford Circle 33 owns over 15,000 homes homes built across London and in 48 local authority in 2010/11 areas Contents 1.