for Art Materials Retailers A Bibliography
Trustworthy and Reliable
For most people the most trusted endorsements of a product or service come from friends and associates.
Having someone you know, someone who shares your experiences and concerns tell you that a product or service works . . . that it’s good . . . well, you can take comfort in that.
That’s why you can trust the recommendations in NAMTA’s Art Materials Resource Bibliography – almost every item is recommended by a NAMTA member.
Every day customers, staff and associates ask NAMTA members for more information on a wide range of art material products, services and techniques. And, of course, you’re always looking for dependable resources upon which you can rely to train and educate your staff and customers.
This guide contains a collection of books, DVDs and websites where you can find trusted information about the art materials. Every recommendation has the data you need to locate and/or purchase it.
This is a living document and is certainly not the “be‐all, end‐all”. It needs to grow and you can help.
Certainly you have some favorite art material resources – SHARE THEM WITH NAMTA.
Send the pertinent information on your most dependable resources to: [email protected].
Help NAMTA expand this important resource while you rely on it.
Thank you.
BBOOKS –– AART
100 Things Every Artist Should Know by Artists of Walter Foster Publishing WALTER FOSTER PUBLISHING 2012 ISBN: 978‐1600582431
A comprehensive reference, this book features a wealth of information covering a variety of mediums and an array of topics.
American Master Drawings & Watercolors by Theodore E. Stebbins, Jr. HARPER & ROWE 1976 ISBN: 978‐0060140694
A history of works on paper from Colonial times to the present. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Art Hardware – the Definitive Guide to Artists’ Materials by Steven L. Saitzyk WATSON‐GUPTILL PUBLICATIONS 1987 ISBN: 978‐0823002665
The book covers the properties and characteristics of materials on the market – drawing and painting materials, emulsions, mediums, varnishes, solvents, supports, and grounds, as well as dealing with the subjects of hazardous materials, labeling, framing, mounting, and storage. Recommended by Shirley Spencer – Akamai Art & Glass Supply
An Artist's Handbook - Materials and Techniques By Margaret Krug LAURENCE KING PUBLISHERS, LONDON 2012 ISBN: 978‐1856695237
A practical reference book that introduces basic materials and processes for drawing and painting. Each technique is clearly explained and discussed from its historical roots to contemporary practice. Students are encouraged to explore the methods from scratch, encountering the work through preparation of the wood panel or canvas, the mixing of pigments and the application of paint. Richly illustrated throughout with over 400 images of historical and contemporary examples of works and photographs of studio practice.
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The Artist's Handbook by Ray Smith DK PUBLISHING 2009 ISBN: 978‐0756657222
Packed with information on the traditional art methods of drawing, painting, and printmaking together with significant modern art techniques such as digital photography, digital printing, and digital image manipulation. Encompasses all the tools, materials and skills of the artist's craft.
The Artist's Handbook of Materials and Techniques by Ralph Mayer VIKING 1991 ISBN: 978‐0670837014
An indispensable book for thousands of practicing artists and art students. A detailed index makes a wealth of information readily available. Charts and line drawings throughout. Recommended by Shirley Spencer – Akamai Art & Glass Supply Recommended by Beth Bergman & Darin Rinne – Wet Paint
Artist's Materials - The Complete Sourcebook of Methods and Media by Emma Pearce ARCTURUS PUBLISHING, LONDON 2005 ISBN: 978‐0572031466
This is a compact, indispensible and comprenensive guide for all experienced and aspiring artists. Provides artists with detailed, no‐nonsense advice on how best to use, and get the most out of the following materials and practices: oil painting, acrylic painting, encaustic painting, tempera painting, water colour and gouache painting, gesso grounds, paper, drawing materials, pigments, colour mixing, artist's brushes, health and safety, storing, framing, and care of art work.
Brushes - A Handbook for Artists and Artisans by Jacques Turner DESIGN PRESS 1992 ISBN: 978‐1558215016
A comprehensive guide to artists, brushes, the hairs and bristles in use, styles, selection, evaluation, and care. Includes eighteen color plates and many line drawings.
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Complete Guide to Materials and Techniques for Drawing and Painting by David Sanmiguel BARRON'S EDUCATIONAL SERIES 2008 ISBN: 978‐0764161117
Directory with virtually everything for every graphic artist, from charcoal pencils to easels and canvas‐stretching equipment. Students and artists will find information and advice on a wide selection of materials and equipment . Color photos
Drawing on the Right Side of the Brain by Betty Edwards JP TARCHER 1999 ISBN: 978‐0874774245
A course in enhancing creativity and artistic confidence. For my students who say they “. . .can’t even draw a straight line," I recommend they use a straight edge ‐ and this book. It can teach you to draw even though you feel you have little talent and doubt you could ever learn. If you are already drawing as a professional artist or as a student, this book will give you greater confidence in your ability and will deepen your artistic perceptions. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Everything You Ever Wanted to Know about Art Materials by Ian Sidaway/James Hobbs F+W MEDIA 2000 ISBN: 978‐1581800821
Featuring visual examples of oils, watercolor, termera, charcoal, ink, pastels, collage and acrylics. The pros, cons and general characteristics of hundreds of different art supplies are detailed in this invaluable resource. Artists will find quick, reliable answers to all their questions, including: which brushes and surfaces work best with various media? What's the best way to frame and conserve work? Can different media be mixed together effectively? Which varnishes are appropriate for different types of media?
How to Draw What You See by Rudy De Reyna WATSON‐GUPTILL 1996 ISBN: 978‐0823023752
Starting with the fundamentals, each project is arranged so that one is slightly more complex than the one before. A good book to recommend to students. Recommended by Beth Bergman & Darin Rinne – Wet Paint
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The Materials of the Artist and Their Use in Painting by Max Doerner MARINER BOOKS 1949 ISBN: 978‐0156577168
The leading authority on the materials and techniques of painting. Contains index and illustrations. Translated and revised by Eugen Neuhaus.
The Painter's Handbook by Mark Gottsegen WATSON‐GUPTILL 2006 ISBN: 978‐0823034963
Much more than just another guide to artists’ materials, this is an amazingly useful resource, with information on everything from the canvas up: the canvas itself, plus paper, sizes and grounds, pigments and binders, solvents and thinners, varnishes and preservatives. Dozens of step‐by‐step recipes for make‐it‐yourself paints, pastels, varnishes, gessoes, sizes, supports, and equipment take this indispensable guide way beyond the competition. indispensable reference for students and anyone engaged in finding out about drawing and painting materials and techniques. Recommended by Richard Frumess – R&F Handmade Paints
Painting Materials A Short Encyclopaedia by Rutherford Gettens & George Stout DOVER PUBLICATIONS 2011 ISBN: 978‐0486215976
An outstanding reference. An encyclopedic collection of specialized data rather than a handbook of art instruction, its five‐part treatment covers mediums, adhesives, and film substances; pigments and inert materials; solvents, diluents, and detergents; supports; and tools and equipment.
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BBOOKS -- BBUSINESS
Customers for Life by Carl Sewell CROWN BUSINESS 2002 ISBN: 978‐0385504454
The art of developing the long‐term customer relationships that are the lifeblood of every successful enterprise. Recommended by Howard Krinsky – Binders Art & Frame
Discovering the Soul of Service by Leonard L. Berry FREE PRESS 1999 ISBN: 978‐0684845111
Looks at 14 diverse businesses, including the St. Paul Saints minor‐league baseball team, Dial‐A‐Mattress, Midwest Express Airlines, and two of the world's fastest‐ growing service companies‐‐Charles Schwab and Enterprise Rent‐A‐Car. "The lessons they teach are clear indeed," writes Berry, a marketing professor and director of the Center for Retailing Studies at Texas A & M University. "Although the companies differ on the outside‐‐the nature, size and structure of their businesses‐‐to a remarkable degree they are the same on the inside, sharing the drivers of their ongoing success." The "nine drivers" that Berry uncovers are the following: Leading with Values, Strategic Focus, Executional Excellence, Control of Destiny, Trust‐Based Relationships, Investment in Employee Success, Acting Small, Brand Cultivation, and Generosity. Recommended by Howard Krinsky – Binders Art & Frame
Training for Non-Trainers A Do-It-Yourself Guide for Managers by Carolyn Nilson AMACOM 1991 ISBN: 978‐0814477755
What skills and knowledge do you need? How can you find time for training while juggling other management tasks?
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BBOOKS –– HHISTORY AND TTHEORY
Artists' Books: A Critical Anthology and Sourcebook by Joan Lyons GIBBS SMITH 1987 ISBN: 978‐0879052805
Joan Lyons is founder of the Visual Studies Workshop Press, for 30 years a publisher of artists' books. Her anthology focuses on artists' books as a time‐based medium that reached "critical mass" in the late 1960s and early '70s as an exhibition‐space alternative to the art gallery establishment. Lyons writes in her 1985 introduction, "Now, twenty years and thousands of artists' books later, it is clear that this...art form is here to stay." Since Lyons wrote that statement, nearly twenty more years have passed, and today it is true all over again. This collection includes essays by writer/critic Lucy Lippard and art librarian Clive Phillpot. The book's substantial directory of Artists' Book Collections begs to be updated, while its Bibliography of Secondary Sources can be supplemented with Stefan Klima's 1998 Artists Books: A Critical Survey of the Literature for a more complete collection of resources.
Artists Books: A Critical Survey of the Literature by Stefan Klima GRANARY BOOKS 1998 ISBN: 978‐1887123181
This concise reference volume was written by the head of Fine and Performing Arts at the Beverly Hills Public Library. Klima's five provocative essays offer important perspectives on key topics in the artists' book field. One essay evaluates current critical writing; another chronicles the tireless (and tiresome) "What is an artists' book?" argument. Most notably, however, he acknowledges the role of librarians as advocates, often "grounding" the genre when distracting debates threatened to derail it, and contributing to its recognition and longevity through focused collection development efforts. Klima's thorough bibliography lists theoretical and historical texts. Along with Drucker he represents a relatively current and optimistic view of artists' books.
Artists' Books: The Book as a Work of Art, 1963-1995 by Stephen Bury SCOLAR PRESS ENGLAND 1995 ISBN: 978‐1859281635
The spread of printing in the 16th century severed the relationship between artist and book, but modern developments in technology have enabled this relationship to be restored. This work explores the history of artists' involvement with the book format of the 20th century.
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Artist/Author: Contemporary Artists' Books by Cornelia Lauf and Clive Phillpot D.A.P./DISTRIBUTED ART PUBLISHERS INC. 1999 ISBN: 978‐1885444073
Lauf is an independent curator and art historian, and Phillpot an art librarian and critic known for acquiring the Franklin Furnace Archive of artists' books for the Museum of Modern Art in the mid‐1990s. They co‐edited this full‐color catalog to accompany Artist/Author, a traveling exhibit about books as an art form, organized by the American Federation of the Arts in New York City. Their book is the most comprehensive recent survey of contemporary artists' books and includes essays and an interview with Martha Wilson, founder of Franklin Furnace. For students of books‐as‐art, this is an inspiring, international look inside (and outside) many contemporary works. Supplementary materials include a checklist of the exhibition, a list of artists' book publishers and a selected bibliography.
A Book of the Book: Some Works & Projections about the Book & Writing by Jerome Rothenberg and Steven Clay (editors) GRANARY BOOKS 2000 ISBN: 978‐1887123280
The editorial collaboration of poet and anthologist Rothenberg and Clay, a publisher, curator and archivist, results in an imaginatively broad collection of perspectives on books, art and writing. The editors acknowledge that the narratives are disparate; the disparity, however, is evidence of the richness and diversity of the topic. Visual material in the book is spare but not sparse.Essays by Keith Smith ("The Book as Physical Object"), and Johanna Drucker ("The Artist's Book as Idea and Form") are of particular interest to artists' book scholars and makers.
The Century of Artists' Books by Johanna Drucker GRANARY BOOKS 2004 ISBN: 978‐1887123693
In its introduction Drucker describes her book as providing "an overview of the development of this artform by mapping a history of major areas of activity in artists' books over the last 100 years and offering a critical structure for looking at work in this field." It is an often‐cited survey, as significant to the genre as the Lyons Anthology was exactly a decade before it. Together the books provide a thorough treatment of the history and theory of the movement, its practitioners, and of the artworks themselves.
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Structure of the Visual Book, Third Edition by Keith A. Smith KEITH SMITH BOOKS 1994 ISBN: 978‐0963768216
Libraries that support book art/visual studies programs typically hold copies of this and the author's other books (see Technique section below) in both circulating and special collections. Smith, who describes his own first book as a failure "held together only by its binding," examines successful arrangements of text and/or images in the book format. He moves through considerations of concept, structure and production in chapters such as "Display," "Picture Relationships," "Movement" and "Syntactical Pages." Features include black and white illustrations and a glossary.
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BBOOKS -- TTECHNIQUE
The Art of Encaustic Painting by Joanne Materra WATSON GUPTILL 2001 ISBN: 978‐0823002832
Comprehensive guide available on mastering this beautiful yet demanding medium. Readers will learn surefire ways to achieve vibrant color and create surfaces that look as light as a wash or as densely textured as impasto. They will see how to produce effects from abstract to figurative to minimal. Finally, they will discover dozens of clear, step‐by‐step directions detailing how to use these various encaustic techniques in their own art. Recommended by Richard Frumess – R&F Handmade Paints
The Complete Printmaker by John Ross, Clare Romano, Tim Ross FREE PRESS 1991 ISBN: 978‐0029273722
Covers various aspects of fine printmaking and takes the reader step by step through the history and techniques of over forty‐five print‐making methods ‐ from the traditional etching, engraving, lithography, and relief print processes to today's computer prints, Mylar lithography, copier prints, water‐based screen printing, helio‐ reliefs, and monotypes. The book also includes a survey of issues and contemporary concerns in the printmakers world.
Cover to Cover: Creative Techniques for Making Beautiful Books, Journals & Albums by Shereen LaPlantz Lark Books 1998 ISBN: 978‐0937274873
Written by a practicing book artist, is a basic how‐to manual for handmaking books. Chapters are organized into broad categories according to structure: pamphlet, codex, stab binding and fold book, plus their many variations. Materials, tools and equipment, and basic techniques are discussed adequately, but the book's real strengths lie in the clarity of its step‐by‐step instructions and in the generous amount of inspirational color photographs of other artists' work. LaPlantz bypasses consideration of text and other book content, choosing instead to focus solely on the various book structures. For this reason students should supplement this book with a more theoretical treatment of artists' books, such as Smith's Structure of the Visual Book (see History and Theory section of this document).
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Non-Adhesive Binding Volume I: Books Without Paste or Glue, Third Edition by Keith A. Smith KEITH SMITH BOOKS 1995 ISBN: 978‐0963768209
Non-Adhesive Binding Volume II: 1- 2- & 3-Section Sewings by Keith A. Smith KEITH SMITH BOOKS 1995 ISBN: 978‐0963768223
These two books draw inspiration from established practitioners of contemporary artists' books; more importantly, however, they break new ground, and Smith's own contributions to the field cannot be overstated. For students of visual‐media concept and creation, his volumes are classic texts/instruction manuals that foster a cumulative understanding of artists'‐book making. The introduction to Volume I, titled Preparation for Binding, "suggests an attitude in approaching hand‐binding." Subsequent parts describe specific bindings (accompanied by meticulous sewing diagrams) and discuss materials, general techniques and terminology. Volume II features 122 innovative decorative spine sewings. In addition, while not the major focus of the series, Smith considers the relationship between format and content in artists' books. Each volume contains photographs of binding models and work by other artists.
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BBOOKS -- PPASTELS
The Art of Pastel Painting by Allan Flattmann, PSA PELICAN PUBLISHING 2007 ISBN: 978‐1589804074
A comprehensive coverage of all aspects of pastel painting, with examples of the layered technique ‐ using alternating layers of pastel and workable fixative. Recommended by Beth Bergman & Darin Rinne – Wet Paint
The Art of Pastel Portraiture Madlyn‐Ann C. Woolwich, PSA WATSON‐GUPTILL 1996 ISBN: 978‐0823039067
Pastel has long been considered an ideal medium for painting portraits. Here, noted pastelist Madlyn‐Ann Woolwich calls on a group of outstanding artists to demonstrate the important elements that go into creating successful portraits in pastel. Luminous portraits throughout the book demonstrate an amazing range of styles, techniques, and approaches. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Capturing Light & Color with Pastel by Doug Dawson, PSA NORTH LIGHT 1995 ISBN: 978‐0891346784
“Pastel is the single best medium for learning about color." This book includes: how to under paint with color, how to capture the movement and sparkle of water; how to paint snow, and how to create depth with pastels. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Capturing Personality in Pastel by Dennis Frost WATSON‐GUPTILL 1982 ISBN: 978‐0823005604
Pastel is a wonderful medium for the portrait artist. Englishman, Dennis Frost (1925‐1982) explains how to use this quick, spontaneous medium to paint credible facial expressions and enhance a subject’s essential characteristics through controlled overstatement of texture and color. Recommended by Beth Bergman & Darin Rinne – Wet Paint
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Creative Painting with Pastel by Carole Katchen NORTH LIGHT 1997 ISBN: 978‐0891347897
Pastels can be used for virtually any style of painting. Twenty outstanding pastel artists show how to master the colorful versatility of the medium.
Intuitive Composition by Albert Handell WATSON‐GUPTILL 1989 ISBN: 978‐08230254594
A right‐brain approach to achieving simplicity, harmony, and balance in your paintings. Includes superb examples of pastel paintings by a master pastelist. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Methods of the Masters: Degas by Trewin Copplestone BOOK SALES 1991 ISBN: 978‐1853610981
This book has an informative first chapter on the medium, is well illustrated, and examines the mastery of the pastel technique that was such an outstanding feature of Degas' art. Although Degas was not unique in using pastel, it eventually became a method that he explored as few have done. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Paint the Changing Seasons in Pastel by Eliz. Mowry, PSA NORTH LIGHT BOOKS 1995 ISBN: 978‐0891345749
If you are interested in pastel landscapes, master pastelist Elizabeth Mowry clearly explains how with sixteen step‐by‐step demonstrations. Pastel is perfect for painting the glory of the seasons. Whether you are new to the medium or you’re a working pastelist ready to expand your horizons, with this book you can have all outdoors at your fingertips. Recommended by Beth Bergman & Darin Rinne – Wet Paint
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Pastel - A Comprehensive Guide to Pastel Painting Daniel Greene, PSA, NA WATSON‐GUPTILL 1975 ISBN: 978‐0823038992
This timeless book by one of America’s leading portrait painters and teachers offers a complete survey of pastel materials and techniques and takes the reader through every step in the development of a pastel painting. Recommended by Beth Bergman & Darin Rinne – Wet Pain
The Pastel Book by Bill Creevy, PSA WATSON‐GUPTIL 1999 ISBN: 978‐0823039050
Defining the pastel medium broadly—color in stick form to be used for drawing and painting simultaneously—the author creates works of sensuous textures and colors, ranging from subtle to intense. He uses traditional soft and hard pastels, as well as oil pastels and oil sticks, showing the effects produced by each in step‐by‐ step demonstrations. Included are sophisticated ways to combine pastels with water, acrylic, alkyd gels, and oil paint for stunning mixed‐media results. Recommended by Beth Bergman & Darin Rinne – Wet Paint
Pastel Interpretations Madlyn‐Ann Woolwich, PSA NORTH LIGHT BOOKS 1993 ISBN: 978‐0891344759
Eighteen artists interpret the same photographic sources with different methods and techniques. Recommended by Beth Bergman & Darin Rinne – Wet Paint
The Pastel Painter’s Solution Book: 50 Pastel Painting Problems and How to Solve Them by David Cuthbert NORTH LIGHT BOOKS 1996 ISBN: 978‐0891347057
Inspirational and practical, this book answers some of the most common painting problems. Each problem is illustrated with a typical beginner's picture, while the suggested solution features the work of a professional painter dealing with a similar subject. Recommended by Beth Bergman & Darin Rinne – Wet Paint
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Pastel Painting Workshop by Albert Handell, PSA Master & Leslie Trainor WATSON‐GUPTILL 1988 ISBN: 978‐0823039043
A complete guide for handling pastel and mixed media. Recommended by Beth Bergman & Darin Rinne – Wet Paint
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IINSTRUCTIONAL VVIDEOS && DDVVDD
Art Materials Essential Reference Guide (ERG)
by Claudia K. Myers and Zora Sweet Pinney
The Art Materials Essential Reference Guide (ERG) written in 2004 and was originally released in DVD format. The ERG is currently available to NAMTA Members, in PDF format only, on www.namta.org. This guide contains twelve chapters of information about artist materials. Each chapter has a quiz at the end. This is a great tool to use when training employees. The ERG was made possible by NAMTA and the generous donations of NAMTA members, including Chartpak, Logan Graphic Products, Loew‐Cornell, Artograph, Jacquard and Prismacolor.
Encaustic + Paper Instructors: Wendy Aikin, Judy Stabile and Daniella Woolf STUDIO GALLI PRODUCTIONS
The Women of Wax Works West demonstrate techniques using wax on paper with skill proficiency and humor. This instructive DVD is inspirational for beginners as well as seasoned artists. We're talking about mixed media beyond your wildest dreams!
Encaustic with a Textile Sensibility Instructor: Daniella Woolf STUDIO GALLI PRODUCTIONS
Daniella Woolf opened the door to encaustic from her perspective as a textile sculptor, and was forever changed. Beginners as well as advanced students will learn from her engaging and informative style, and may be inspired to expend theri choice of materials and step into uncharted territory. This video covers numerous encaustic techniques in a way that is understandable, digestable and fun! Recommended by Richard Frumess – R&F Handmade Paints
Framing, Matting & Hanging: A Beginner’s Guide Instructor: Larry Withers ON AIR VIDEO
A Beginner’s Guide, a no‐nonsense DVD guide to protecting one’s artwork in framing and matting for its protection and enhancement. Using simple tools and materials available at any hardware store, one can follow the step‐by‐step directions to select an appropriate mat and frame, cut a single or double‐mat, mount artwork, make one’s own frame molding, cut and assemble the frame, paint and decorate the frame, display artwork, and use conservation framing techniques.
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Paint Like Van Gogh Instructor: Larry Withers ON AIR VIDEO
Review the tools and materials Van Gogh used — his paints pallets, brushes and canvas. Step‐by‐step demonstration of his painting methods. Video includes numerous reference materials including a printed reproduction of Van Gogh’s “Sunflowers,” downloadable PDF files, and a Special Features section with transfer grid and painting details images.
Perspective Made Simple Instructor: Larry Withers ON AIR VIDEO
Perspective can seem perplexing, but with proper instruction it's really quite simple. Through five separate demonstrations you will see how to use techniques of perspective to create more realistic drawings.
Stretching & Priming Your Canvas - 2nd Edition Instructor: Larry Withers ON AIR VIDEO
Step by step the methods for stretching and priming your canvas whether you're working in acrylics or oils.
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WWEBSITES
The following websites provide technical and/or instructional information.
www.badgerairbrush.com
Click on Ultimate Airbrush 101 for a great Guide to understanding airbrush terminology, types of airbrushes, and their recommended uses. Helps airbrush users select the best airbrush for their application and provides important usage/maintenance information.
www.goldenpaints.com
Hugely informative technical website with some great practical videos. Recommended by Shirley Spencer – Akamai Art & Glass Supply
www.macphersonart.com
On the top left of the home page, under art fundamentals, you’ll find a wide variety of information for the art supply user.
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www.rfpaints.com
The Encaustic Resource Center is a stomping ground to learn everything you can about encaustic painting technique. There is a Definition of Terms and Safety Information section. The Instruction Center offers How‐Tos on encaustic technique. Detailed information on specific techniques is available in the Technical Information section.
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PPUBLISHERS
The following is a list of contact information for Publishers referenced in this document.
AMACOM DK PUBLISHING 600 AMA Way 375 Hudson St. Saranac Lake, NY 12983 USA New York, NY 10014 USA T: 800‐250‐5308 T: 646‐674‐4047 E: [email protected] E: [email protected] W: www.amacombooks.org W: www.us.dk.com
ARCTURUS PUBLISHING LIMITED DOVER PUBLICATIONS 26/27 Bickels Yard Customer Care Dept. 151‐153 Bermondsey St. 31 East 2nd St. London, SE1 3HA UK Mineola, NY 11501 USA T: +44 (0)20 7407 9400 T: 516/294‐7000 E: [email protected] W: www.doverpublications.com W: www.arcturuspublishing.com
FREE PRESS ARTBOOK LLC SIMON & SCHUSTER, INC. D.A.P. ‐ DISTRIBUTED ART PUBLISHERS 1230 Ave. of the Americas 155 Sixth Ave., 2nd Floor New York, NY 10020 New York, NY 10013 USA T: 212‐698‐7000 T: 212‐627‐1999 E: [email protected] W: www.artbook.com W: www. imprints.simonandschuster.biz/freepress
BARRON'S EDUCATIONAL SERIES F+W MEDIA 250 Wireless Blvd. 10151 Carver Rd., Ste. 200 Hauppauge, NY 11788 USA Blue Ash, OH 45242 USA T: 800‐645‐3476 T: 513‐531‐2690 E: [email protected] E: [email protected] W: www.barronseduc.com W: www.fwmedia.com
CROWN BUSINESS PUBLISHING GIBBS SMITH, PUBLISHER RANDOM HOUSE, INC. PO Box 667 1745 Broadway Layton, UT 84041 USA New York, NY 10019 USA T: 800‐835‐4993 T: 212‐782‐9000 E: tradeorders@gibbs‐smith.com E: [email protected] W: www.gibbs‐smith.com W: www.watsonguptill.com
DESIGN STUDIO PRESS 8577 Higuera St. Culver City, CA 90232 USA E: [email protected] W: www.designstudiopress.com
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GRANARY BOOKS MARINER BOOKS 168 Mercer St., 2nd Floor HOUGHTON MIFFLIN HARCOURT New York, NY 10012 USA 222 Berkeley St. T: 212‐337‐9979 Boston, MA 02116 USA E: [email protected] T: 800‐ 225‐3362 W: www.granarybooks.com E: [email protected] W: www.hmhbooks.com/mariner HARPERCOLLINS PUBLISHERS 10 East 53rd St. NORTH LIGHT New York, NY 10022 USA F+W MEDIA PRODUCTS T: 800‐242‐7737 QUAYSIDE PUBLISHING GROUP E: orders@harpercollins.com 400 First Ave. North, Ste. 300 W: www.harpercollins.com Minneapolis, MN 55401 USA T: 855‐842‐5267 JP TARCHER T: 800‐458‐0454 PENGUIN GROUP (USA) INC. E: [email protected] Library Marketing Dept. 375 Hudson St. ON AIR VIDEO New York, NY 10014 USA 8203 Westminster Rd. T: 800‐847‐5515 Elkins Park, PA 19027 USA E: [email protected] T: 215‐885‐2828 W: www.us.penguingroup.com E: [email protected] W: www.onairvideo.com KEITH SMITH BOOKS 22 Cayuga St. Rochester, NY 14620 USA PELICAN PUBLISHING COMPANY T: 585‐473‐6776 1000 Burmaster St. E: www.keithsmithbooks.com Gretna, Louisiana 70053 USA W: www.keithsmithbooks.com T: 800‐843‐1724 E: [email protected] LARK BOOKS W: www.pelicanpub.com 67 Broadway Asheville, NC 28801 USA STUDIO GALLI PRODUCTIONS 828‐253‐0467 PO Box 11586 T: 828‐253‐0467 Beverly Hills, CA 90213 USA E: [email protected] T: 408‐828‐8350 W: www.larkcrafts.com E: [email protected] W: www.gallifilms.com LAURENCE KING PUBLISHING 361–373 City Rd. London, EC1V 1LR UK T: +44 (0)20 7841 6900 E: [email protected] W: www.laurenceking.com
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VIKING WATSON‐GUPTILL PUBLICATIONS PENGUIN GROUP (USA) INC. THE CROWN PUBLISHING GROUP Library Marketing Dept. DIVISION OF RANDOM HOUSE 375 Hudson St. 1745 Broadway New York, NY 10014 USA New York, NY 10019 USA T: 800‐847‐5515 T: 212‐782‐9000 E: [email protected] E: [email protected] W: www.us.penguingroup.com W: www.watsonguptill.com
WALTER FOSTER PUBLISHING c/o MBI Publishing Co. 400 First St. North, Ste. 300 Minneapolis, MN 55401 USA T: 800‐826‐6600 E: [email protected] W: www.walterfoster.com
For questions or comments about this Bibliography, please contact: [email protected]
NAMTA – The International Art Materials Association 20200 Zion Avenue, Cornelius, NC 28031 Phone: 704‐892‐6244
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