DOCSLIB.ORG

The Upstart Crow 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Upstart Crow 3 • T.HE • START-CRO -----.- -..-·- · -- • ( FAl.l , 1910=- VOLU~tE DJ) A SHAKESPEARE JOURNAL Upstart Crow Vol. 3 Digital Facsimile THE • VP.START • CR.OW Fall, 1980 Volume Ill Dr. Edward J. Boling, Presidenl, The University of Tennessee Dr. Qiules E. Smith, Chancellor, The University of Tennessee at Mmin Dr. Milton Simmoos, Vice-Chancellor for Academic Affairs, The University of Tennessee at Martin Dr. Daryl Kreiling, Dean of she School of Aris and Sciences, The University of Tcnncsscc at Mutin Dr. John McCluskey, Chairm,m, Depar1men1 of English, The University of Tennessee at Martin Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile ~O.Bm•7fO•MARTIN'•TENNESSEE• 38237 • THE • VPSTART • CR.OW-~• Published at The University of Tennessee at Martin William E. Bennett The University of Tennessee at Martin Editor and Pttblisher Associate Editors Martha Y. Battle The University of Tennessee at Martin Michael M. Cohen MUiray State University, Murray, Ky. Walter Haden The University of Tennessee at Martin Richard Levin The University of California, Davis Peter Pauls The University of Winnipeg, Winnipeg, Manitoba, Canada Paul Ramsey The University of Tennessee at Chattanooga Frank L. Windham The University of Tennessee at Martin Ron Gifford Artist Copyright 1980, William E. Benn-et/ All Rights Reserved Subscription Information (See reply ca,,ds inside back cover) Two issues - $12 Retired persons and students - $4 per year Institutions and Libraries, same rate as individuals - $12 two issues Essays chosen for publication do not necessarily represent opinions of the editor, asso­ ciate editors, or schools with which any contributor is assoaated. The published essays represent a diversity of approaches and opinions which we hope will stimulate interest and further scholarship. iii Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile .About anyone so great as Shakespeare, it is probable that we can never be right ; and if we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. - Walter Pater Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile BARDOLPH' S FAREWELL TO THE LATE SIR JOHN Almost, the fuel is gone that fed the fue, the pyre still smoking. But, to think he could burn down to this, this rasher of bacon striped, Shrivel'd, charred to the crisp he was, yet was not: Sir John - nay sure, this is thy hell - lirst, bobbling of "greeo liclds" Thou now manurcth, then smoking white quick tum"d to greasy tll.llow Billowing hugoly, black"ning th• ..,th and me, dubb'd "Knight of the Burning Lamp." Thou like Falstaff, falling staves, Lad of the Oldcastle quite undone From bald pat• melting down to rooking dst•ro burning. thy pitcher broke, Thy happy girdle snapp'd, a jolly world of gut$ fall'n fa r below thy knees: Above my sniveling here, methinks I yet can hear thy rib-splint'ring laugh Crackling yet, whistling, popping, spitting a volley of bright oaths 'Gainst our entwbile friend, trait'rous turncoat to use us so- ··sweet Hal," prince who'd promis'd thee the hanging of the thieves­ A hanging sure for me high I close espy upon yon gibbet tree. Great heart exploding, Mad Jack roiling, roist'ring carthwacd, Thy vap'rous ashes rise high enough almost to shroud these steps for me. - WALTER HADEN ,,, Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile vii Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile CONTENTS Bardolph's Farewell to the Late Sir John -----···---··-··----·········--·····--··-- vi by Walter Haden The University of Teooessee at Martin The Fool, Folly and the World Upside-Down in Measure for Measure_·-··- 1 by Jean Klene St. Mary·s - Notre Dame Farce as Function in Medieval and Shakespearean Drama ..........·-·······--··-······-· 11 by Josie P. Campbell University of Rhode Island From Festivity to Spectacle: The Canlerb11ry Tales, Fragment I and A Midsummer Night's Dream···········-·······-................ _... _...... .- ............... ·-···-·- 19 by James Andreas The University of Tennessee at Martin King f ohn's Bastard ······-··--····-····-····---···········-····················-·-·······-···-·-······································ 29 by Richard A. Levin The University of California - Davis The Theme of Destruction and Rebuilding in King Lear -····--···-·-·-···-·-- 42 by Nancy D. Hargrove Mississippi State University Shakespeare's Timon of Athens and Renaissance Diogeoiana -·----·--....... 54 by Peter Pauls The University of Winnipeg "Children of divers kind": A Reading of Romeo and J11lieJ ·-··-·-·-·- 67 by John B. Harcourt Ithaca College Tate's Cordelia: Bonds Broken and Rejoined .......................·-··-··-·····-···----·····-·-····- 81 by Robert F. Willson, Jr. The University of Missouri at Kansas City William Dunbar's Sultry Pre-Shakespearean Dark Lady · ····-··························-- 88 by Robert F. Fleissner Central State University Hamlet and Paternity ...................................................·-····················· ··········-········-························ 97 by Rupin W. Desai University of Delhi The 1980 Alabama Shakespeare Festival ............................................................................10 8 by Craig Wallace Barrow The University of Tennessee at Chattanooga Submission of MSS When submitting MSS, send two copies - one original and one Xerox - as we want more than one reader working at once on each MS. We can give you information on your MS sooner. Send to The Upstart Crow, P. 0. Box 740, Martin, Tennessee 38237. Ask Serials Librarians to subscribe to the Journal at $12. See cards inside back cover. ,111 Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile THE FOOL, FOLLY AND THE WORLD UPSIDE-DOWN IN MEASURE FOR MEASURE by Jean Klene Although the good books of Enid Welsford, William Willeford, and Robert H. Goldsmith1 tell us much about the history of the fool and his con­ tributions to Shakespeare's plays, we still feel that much remains to be dis­ covered about this fascinating character. I would like to explore ways that the fool seems to be, not only an embodiment of the folly he both represents and points to, but also a kind of dynamic metaphor of the world turned upside­ down, a very popular idea in the Middle Ages. We can think, for example, of the witty fool Feste in Twelfth Night, who proves Olivia a fool for continually r:iou rning her brother who is ''in heaven" (l.v.52-68) ,2 of the poignantly enig­ matic Fool in King Lear who leads the protagonist to an awareness of his own inverted actions, of the gravediggers in Hamlet who equivocate on the play's themes of death and decay (V.i.1-170) , and of Autolycus, the clever rogue who gulls shepherds and shepherdesses with his ballads in a way analogous :o Shakespeare's gulling (?) of his audience in the tall Winter's Tale. The n2tural fools in Shakespeare's plays, those less endowed with intelligence, oiten parody by their actions the folly of the aristocrats in the same play. Consider, for example, the way Dogberry "discovers" villains Conrade and Borachio, while the "honorable gentlemen" Claudius and Don Pedro merely .:ontinue in their mistaken ideas, the way Touchstone probes the pretensions of his more romantic superiors by his union with Audrey, and the way the "devil-porter" in Macbeth suggests the hell that the protagonist has created in his own castle. Regardless of intelligence or the lack of it, any down points to folly and the inversions it produces. Regardless of genre, the action in many plars tells us that the world has gone topsy-turvy; and sometimes statements of inversions echo one another from comedy to tragedy and vice versa. Con­ sider, for example, two statements: "nothing is but what is not" and "nothing uu.t is so is so," the former by Macbeth (I.iii.141-42) and the latter by Feste 10 Twelfth Night (IV.i.9) . Before looking at more ways in which the idea of ID inverted world appears in many plays and especially in Measure For .\le.:iure, we should digress briefly to examine this topos, a popular medieval one which is suggested by the costume, the words, and the very being of the fool in Shakespeare's works. The idea of the world gone topsy-turvy meant many things to the Middle Ages and the Renaissance: Saturnalia and seasonal celebrations (about which C. L. Barber has written in bis well-known Shakespeare's Festive Comedy and ~likhlil Bakhtin in Rabelais and His World3 ), the "fight over the breeches" Clemson University Digital Press Upstart Crow Vol. 3 Digital Facsimile between husband •nd wife, the huntcc hunted by an ani.rrol, 6sh ffying in the iir llnd birds swimming in the sea, and the triumph, it J~st in fantuy, of the weaker over the stronger.• Curtius tells us that the world upside-down is • lament for the times and a description of the effect of disorders on the globe, a lament which iJ as old as Archilochus who, in 648 B.C., thought nothing was impossible, now that Zeus had cover«! the sun. More re<:ent scholanhip by CiuS<eppe Cocchiaro and Hedwig Kenner tells us that the motif goes back at least to two or three thousand years B.C.; and they support their assertions by illustrations from Swnerian and Egyptian ort.• Role reversals, especially between animals and men and between men and women, predomina.te in those i.Uustr.1tions. The quc:stioo of inversion .i.s cosmic audacity, serio ludtrt, nccc.ssa.ry stop-valve to revolution, and a variety of aspects essential to society occupies anthropologists and social historians, a number of whose provocative essays arc included in the book, The Rtver. sible World: Symbolic l11vtrsio11s in Ari aJld Societ7, ,-dircd by Barbara Babcock.• What we make of the devils dis· cussed by Dante and Augustine, according to the .. up" and "down" described by Aristotle, is a different, though a related question.
Load more

Recommended publications
  • The Constitutional Requirements for the Royal Morganatic Marriage
    The Constitutional Requirements for the Royal Morganatic Marriage Benoît Pelletier* This article examines the constitutional Cet article analyse les implications implications, for Canada and the other members of the constitutionnelles, pour le Canada et les autres pays Commonwealth, of a morganatic marriage in the membres du Commonwealth, d’un mariage British royal family. The Germanic concept of morganatique au sein de la famille royale britannique. “morganatic marriage” refers to a legal union between Le concept de «mariage morganatique», d’origine a man of royal birth and a woman of lower status, with germanique, renvoie à une union légale entre un the condition that the wife does not assume a royal title homme de descendance royale et une femme de statut and any children are excluded from their father’s rank inférieur, à condition que cette dernière n’acquière pas or hereditary property. un titre royal, ou encore qu’aucun enfant issu de cette For such a union to be celebrated in the royal union n’accède au rang du père ni n’hérite de ses biens. family, the parliament of the United Kingdom would Afin qu’un tel mariage puisse être célébré dans la have to enact legislation. If such a law had the effect of famille royale, une loi doit être adoptée par le denying any children access to the throne, the laws of parlement du Royaume-Uni. Or si une telle loi devait succession would be altered, and according to the effectivement interdire l’accès au trône aux enfants du second paragraph of the preamble to the Statute of couple, les règles de succession seraient modifiées et il Westminster, the assent of the Canadian parliament and serait nécessaire, en vertu du deuxième paragraphe du the parliaments of the Commonwealth that recognize préambule du Statut de Westminster, d’obtenir le Queen Elizabeth II as their head of state would be consentement du Canada et des autres pays qui required.
    [Show full text]
  • A Critical Analysis of William Shakespeare's: Romeo and Juliet
    International Journal of Scientific and Research Publications, Volume 8, Issue 10, October 2018 270 ISSN 2250-3153 A Critical Analysis of William Shakespeare’s: Romeo and Juliet * Rahmatullah Katawazai * Department of English Language and Literature, Kandahar University, Afghanistan DOI: 10.29322/IJSRP.8.10.2018.p8235 http://dx.doi.org/10.29322/IJSRP.8.10.2018.p8235 Abstract- This study is conducted to explore the artistic values The love and hate both go similarly in the play of Romeo and of William Shakespeare’s most well-known play: Romeo and Juliet. It means that in the same time, it gives the feelings of Juliet and for indicating all the possible sides of the play sadness and happiness to the audience and readers of it. including characters, setting, plot summary, historical background, themes and other literary figures’ perspectives Index Terms- Romeo and Juliet, historical background, about the play critically. Romeo and Juliet has been praised as characters, plot summary, theme one of the interesting plays of William Shakespeare not only in I. INTRODUCTION English Literature, but worldwide. All the elements of a play has been used scholarly by William Shakespeare. As Connolly iteratue is the art of expressing emotions and feelings as (2000) mentioned that “Shakespeare wrote Romeo and Juliet L the way they are. Literary figures usually express these early in his career, between 1594-1595, around the same time through some of the genres in the field (literature) as mainly; as the comedies Love’s Labour’s Lost and A Midsummer fiction, non-fiction and play. These genres include various Night’s Dream.
    [Show full text]
  • William Shakespeare Was a Renowned English Poet, Playwright, and Actor Born in 1564 in Stratford Upon Avon
    William Shakespeare was a renowned English poet, playwright, and actor born in 1564 in Stratford upon Avon. His birthday is most commonly celebrated on 23 April, which is also believed to be the date he died in 1616. Shakespeare's Work His works include 38 plays, 2 narrative poems, 154 sonnets, and a variety of other poems. No original manuscripts of Shakespeare's plays are known to exist today. It is actually thanks to a group of actors from Shakespeare's company that we have about half of the plays at all. They collected them for publication after Shakespeare died, preserving the plays Shakespeare occupies a position unique in world literature. Other poets, such as Homer and Dante, and novelists, such as Leo Tolstoy and Charles Dickens. Stratford enjoyed a grammar school of good quality, and the education there was free, the schoolmaster’s salary being paid by the borough. The boy’s education would consist mostly of Latin studies—learning to read, write, and speak the language fairly well and studying some of the Classical historians, moralists, and poets. Shakespeare did not go on to the university. The first reference to Shakespeare in the literary world of London comes in 1592, when a fellow dramatist, Robert Greene, declared in a pamphlet written on his deathbed: “There is an upstart crow, beautified with our feathers, that with his Tygers heart wrapt in a Players hide supposes he is as well able to bombast out a blank verse as the best of you; and, being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country.” Private life Shakespeare had little contact with officialdom, apart from walking— dressed in the royal livery as a member of the King’s Men at the coronation of King James I in 1604.
    [Show full text]
  • Ottawa (Ontario, Canada) PARTNER MANAGED Reseller Online Auction - Armstrong Street
    09/25/21 03:53:35 Ottawa (Ontario, Canada) PARTNER MANAGED Reseller Online Auction - Armstrong Street Auction Opens: Wed, Apr 15 5:00pm ET Auction Closes: Fri, Apr 24 8:00pm ET Lot Title Lot Title 0001 Antique Sessions brand Gingerbread Clock, 0029 lot of 6 Amazing Spiderman comics, high working grades 0002 NHL Charity Golf jersey, hand signed by 0030 lot of 8 Batman comics, high grades players, Hawerchuk and Simpson 0031 lot of 7 Captain America comics, high grades 0003 G.I. Joe 12" figure with Safari outfit kit 0032 lot of 8 Daredevil comics, high grades 0004 G.I. Joe Desert Soldier 12 inch figure 0033 lot of 8 Batman in Detective comics, high 0005 G.I. Joe Virus Pandemic Fighter, 12 inch figure grades 0006 Patrick Roy, Habs, hand signed card 0034 lot of 6 Mickey Mouse comics, 1970s 0007 Thomas Chabot, Senators, hand signed card 0035 lot of 8 Superman comics, high grades 0008 wooden topper sign for Erie Digger claw 0036 lot of 8 Avengers comics, high grades gaming machine 0037 diecast Corgi Batmobile in box 0009 1970s Viewmaster with reels, box and 0038 lot of 3 early Story of Our Nations books, 1891 paperwork 0039 2nd lot of 3 early Story of Our Nations books, 0010 collection of 28 old metal soldier figurines 1891 0011 complete set of 12 Nascar Matchbooks 0040 huge lot of over 400 Magic cards 0012 Whiz brand Commando rare can, 1940s 0041 2nd huge lot of over 400 Magic cards 0013 original World War I canteen, British issue 0042 lot of over 300 Pokemon cards 0014 lot of 6 Stereoview cards, early 1900s 0043 sealed metal box of Star Wars
    [Show full text]
  • A Thematic Reading of Sherlock Holmes and His Adaptations
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr.
    [Show full text]
  • Romeo and Juliet
    Upstart Crow Vol. XII Digital Facsimile THE • VPSTART • CROW Editor James Andreas Clemson Unioersity Founding Editor William Bennett The Unioersity of Tennessee at Martin Associate Editors Michael Cohen Murray State Unioersity Herbert Coursen Bowdoin College Marjorie Garber Haroard Unioersity Charles Frey The Unioersity of Washington Walter Haden The Unioersity of Tennessee at Martin Chris Hassel Vanderbilt Unioersity Maurice Hunt Baylor Unioersity Richard Levin The Unioersity of California, Daois Richard Mears Drury College John McDaniel Middle Tennessee State Unioersity Peter Pauls The Unioersity of Winnipeg Paul Ramsey The Unioersity of Tennessee at Chattanooga Production Editor Tharon Howard Editorial Assistants John Bailey, Laura Blume, Mary Eberhart, David Fisher, Charlotte Holt Kaushiki Maitra, Pearl Parker, Judy Payne, John Sherrer Copyright 1992 Clemson University All Rights Reserved Clemson University Digital Press Upstart Crow Vol. XII Digital Facsimile About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin­ ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diversity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $12 Institutions and Libraries, same rate as individuals - $12 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double­ spaced typed pages, including notes.
    [Show full text]
  • Y4Q1 --Rise of England -- Reader Daniel 1.0.0.Indd
    Rise of England Old Western Culture Reader Volume 13 Rise of England Old Western Culture Reader Volume 13 Companion to Early Moderns: Rise of England, a great books curriculum by Roman Roads Press MOSCOW, IDAHO Rise of England: Old Western Culture Reader, Volume 13 Copyright © 2019 Roman Roads Press Published by Roman Roads Press Moscow, Idaho romanroadsmedia.com Series Editor Daniel Foucachon Paradise Lost Editor: Claire Escalante Cover Design: Valerie Anne Bost, Daniel Foucachon, and Rachel Rosales Interior Layout: Valerie Anne Bost Printed in the United States of America All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or otherwise, without prior permission of the publisher, except as provided by the USA copyright law. Rise of England: Old Western Culture Reader, Volume 13 Roman Roads Press is an imprint of Roman Roads Media, LLC ISBN: 978-1-944482-47-3 (paperback) Version 1.0.0 2019 This is a companion reader for the Old Western Culture curriculum by Roman Roads Press. To find out more about this course, visit www.romanroadspress.com. Old Western Culture Great Books Reader Series THE GREEKS VOLUME 1 The Epics VOLUME 2 Drama & Lyric VOLUME 3 The Histories VOLUME 4 The Philosophers THE ROMANS VOLUME 5 The Aeneid VOLUME 6 The Historians VOLUME 7 Early Christianity VOLUME 8 Nicene Christianity CHRISTENDOM VOLUME 9 Early Medievals VOLUME 10 Defense of the Faith VOLUME 11 The Medieval Mind VOLUME 12 The Reformation EARLY MODERNS VOLUME 13 Rise of England VOLUME 14 Poetry and Politics VOLUME 15 The Enlightenment VOLUME 16 The Novels CONTENTS William Shakespeare Selected Sonnets.
    [Show full text]
  • Making Doing Looking
    WINTER/SPRING 2019 MAKING DOING LOOKING 2145 W. Brown Deer Rd. | Milwaukee, WI 53217 lyndensculpturegarden.org YOUNG PEOPLE For complete details and to register, visit lyndensculpturegarden.org/education The Lynden Sculpture Garden offers a unique experience of art in nature through its collection of more than 50 monumental sculptures and temporary installations sited across 40 acres of park, pond, and woodland. GARDEN & GALLERY HOURS The Lynden Sculpture Garden offers programs for young people Daily 10 am–5 pm (closed Thursdays) that integrate our collection of monumental outdoor sculpture and The sculpture garden will be closed January 1 and April 21. temporary installations with the natural ecology of park, pond, and woodland. Led by artists, naturalists, and art educators, these programs ADMISSION explore the intersection of art and nature through collaborative Adults: $9 discovery and hands-on artmaking, using all of Lynden’s 40 acres Children, students (with ID) & seniors (62+): $7 as well as its art studio to create a joyful experience. DOCENT-LED TOURS TUESDAYS IN THE GARDEN FOR For group and school tours, contact Jeremy Stepien at: [email protected] PARENTS & SMALL CHILDREN Join naturalist Naomi Cobb for outdoor play and exploration. MEMBERSHIP Tuesdays, 10:30-11:30 am January 8: Winter Patterns Members enjoy free unlimited admission to the Lynden Sculpture $10 / $8 members for one February 12: Exploring Shapes Garden as well as discounts on camps, workshops, and classes; adult and one child 4 or under. March 12: Signs of Spring $5 guest passes; and invitations to special events. Members Additional children are $4, April 30: Gardening provide critical support for our educational and public programs, extra adults pay daily admission.
    [Show full text]
  • 2009 Land Management Plan
    2009 LAND MANAGEMENT PLAN (Updated Annual Harvest Plan -2014) Itasca County Land Department 1177 LaPrairie Avenue Grand Rapids, MN 55744-3322 218-327-2855 ● Fax: 218-327-4160 LAND MANAGEMENT PLAN Itasca County Land Department Acknowledgements This Land Management Plan was produced by Itasca County Land Department employees Garrett Ous, Dave Marshall, Michael Gibbons, Adam Olson, Bob Scheierl, Roger Clark, Kory Cease, Steve Aysta, Tim Stocker, Perry Leone, Wayne Perreault, Blair Carlson, Loren Eide, Bob Rother, Andrew Brown, Del Inkman, Darlene Brown and Meg Muller. Thank you to all the citizens for their sincere input and review during the public involvement process. And thank you to Itasca County Commissioners Lori Dowling, Karen Burthwick, Rusty Eichorn, Catherine McLynn and Mark Mandich for their vision and final approval of this document. Foreword This land management plan is designed for providing vision and direction to guide strategic and operational programs of the Land Department. That vision and direction reflects a long standing connection with local economic, educational and social programs. The Land Department is committed to ensuring that economic benefits and environmental integrity are available to both present and future generations. That will be accomplished through actively managing county land and forests for a balance of benefits to the citizens and for providing them with a sustained supply of quality products and services. The Department will apply quality forestland stewardship practices, employ modern technology and information, and partner with other forest organizations to provide citizens with those quality products and services. ________________________________ Garrett Ous September, 2009 Itasca County Land Commissioner 1177 LaPrairie Avenue Grand Rapids, MN 55744-3322 218-327-2855 ● Fax: 218-327-4160 ICLD - LMP Section i., page 1 of 3 Itasca County Land Department Land Management Plan Table of Contents i.
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • Global Digital Cultures: Perspectives from South Asia
    Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences.
    [Show full text]
  • PUFFIN BOOKS by ROALD DAHL the BFG Boy: Tales of Childhood
    PUFFIN BOOKS BY ROALD DAHL The BFG Boy: Tales of Childhood Charlie and the Chocolate Factory Charlie and the Great Glass Elevator Danny the Champion of the World Dirty Beasts The Enormous Crocodile Esio Trot Fantastic Mr. Fox George's Marvelous Medicine The Giraffe and the Pelly and Me Going Solo James and the Giant Peach The Magic Finger Matilda The Minpins Roald Dahl's Revolting Rhymes The Twits The Vicar of Nibbleswicke The Witches The Wonderful Story of Henry Sugar and Six More ROALD DAHL The BFG ILLUSTRATED BY QUENTIN BLAKE PUFFIN BOOKS For Olivia 20 April 1955—17 November 1962 PUFFIN BOOKS Published by the Penguin Group Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books (N.Z.) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England First published in Great Britain by Jonathan Cape Ltd., 1982 First published in the United States of America by Farrar, Straus and Giroux, 1982 Published in Puffin Books, 1984 Reissued in this Puffin edition, 1998 7 9 10 8 6 Text copyright © Roald Dahl, 1982 Illustrations copyright © Quentin Blake, 1982 All rights reserved THE LIBRARY OF CONGRESS HAS CATALOGED THE PREVIOUS PUFFIN BOOKS EDITION UNDER CATALOG CARD NUMBER: 85-566 This edition ISBN 0-14-130105-8 Printed in the United States of America Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
    [Show full text]