Blue Man Group • November 16-21, 2010 • TPAC’S Jackson Hall

Total Page:16

File Type:pdf, Size:1020Kb

Blue Man Group • November 16-21, 2010 • TPAC’S Jackson Hall OnStage The official playbill and performing arts magazine of the TENNESSEE PERFORMING ARTS CENTER HCA/TriStar Broadway at TPAC • TPAC Family Field Trip • TPAC Presents • TPAC’s Signature Series Blue Man Group • November 16-21, 2010 • TPAC’s Jackson Hall www.tpac.org Who’s Who in the Cast KALEN ALLMANDINGER (Blue Man) has performed the Blue Man Group family. He has been a Chapman stick with Blue Man Group all over the world. He studied acting sub in the NYC production of Blue Man Group since Fall at Chicago College of Performing Arts, where he worked 2006 and has also had the good fortune of performing as with Lookingglass, About Face, and Chicago Shakespeare a rhythm guitarist in the Broadway musical Rock of Ages. theater companies. Thank you to my beautiful wife Katie, mom, dad and our little four-legged boy Ziggy. I wouldn’t be anywhere without JOSH ELROD (Blue Man). A performer/musician/artist, all your love and support! he has performed with Blue Man Group in Boston, Toronto, Amsterdam and New York. His interests include JASON MACKENROTH (Percussion/ Kit Swing). Former photography, perfume and sandwiches. He lives in the drummer for Rollins Band, Mother Superior and Daniel East Village with his fiance Ivy, and their cat, Mr. Pickles. Lanois, released his solo debut, Mack, in 2005. He joined BMG in 2007 as a band musician in Las Vegas and played MARK FRANKEL (Blue Man) studied drums with Gary drum kit on the 2009 “Megastar” World Tour. Chester, received Bachelor of Music Technology from NYU. Taught audio engineering at NYU. Blue Man Group CLEMENT J. WALDMANN, III (Percussion/Kit) has been credits include the NYC, Chicago, Amsterdam, Megastar performing with Blue Man Group since October of 1995. Tour productions and the DVD Blue Man Group: How To He is very fortunate to have performed with many artists in Be A Megastar Live! numerous venues all over the world. Many thanks go out to family and friends for all their love and support. GENERAL FERMON JUDD (Blue Man) thanks his Mother and Father for the name. Sidney Poitier for inspiring and JEFF WRIGHT (Percussion/Kit) began drumming at spending the day with him. James Cameron for working with him. the age of 12, studying music in school as well as with Robert Duvall for amazing him…and his family for loving him. Danny Gottlieb (Pat Metheny, Sting, Bobby McFerrin) and Jamey Tate (Al Jarreau, David Benoit, Mindi Abair). After KIRK MASSEY (Blue Man) is stoked to be a part of the graduating high school, Jeff toured with The Concord North American Tour with Blue Man Group. Has been with Blue Devils Drum and Bugle Corps, Southwind Drum and Blue Man Group since 2005 and has performed in New Bugle Corps, and his band Social Ghost. Jeff has been York, Boston, Orlando and all over the world as a part of performing with Blue Man Group since 2007. Blue Man Group’s “How to be a Megastar” World Tour. Currently performs full time in Blue Man Group’s Orlando SETH F. BARKER (Production Stage Manager) is production when not on tour. Kirk would like to thank God pleased to be joining the touring company of Blue Man for His many blessings, his friends and family for all of their Group. Previous credits include: Hairspray, Rent, The love and support and everyone at Blue Man Group and Rocky Horror Show and Big Top show, Corteo by Cirque NETworks who made this dream possible. du Soleil. Seth would like to thank Michael and Barbara Barker for their continued love and support. PETER MUSANTE (Blue Man) is a San Francisco-raised theatre artist / educator currently based in NY where he LIZZ GIORGOS (Assistant Stage Manager) is very excited collaborates on original works including Angel Reapers by to be a part of this tour! Lizz has worked with Blue Man Martha Clarke/Alfred Uhry, and his award-winning “kinetic Group’s New York production since 2007 as a Stage poem” Legs and All with SF clown Summer Shapiro. Manager and lead deck crew member. Special thanks to her family and her amazing fiancée, Mike, for all their support. MICHAEL RAHHAL (Blue Man). An avid chocolatier and fledgling camouflageist, Michael appreciates the subtle MATT GOLDMAN (Creator) created Blue Man Group differences between you and him. Deadly with his dog and with longtime friends Chris Wink and Phil Stanton. The in love with his wife, he hopes you will stay just far enough show opened Off-Broadway at the Astor Place Theatre away for you and him to remain friends, yet close enough in 1991, where it continues to play today. Blue Man to still smell one another. He will perform for you if asked. Group now has productions running in Boston, Chicago, Las Vegas, Orlando, Berlin, Basel and Tokyo, and has DAVID TRAVER (Music Director/ Zither/Guitar) is a grown beyond a theatrical show into a multi-dimensional musician and composer from upstate New York. When not creative organization - developing and producing rock rocking the world with Blue Man Group he rocks with the tours, TV shows, albums, DVDs, film scores, musical Orlando based performance art troupe DRIP and his own instruments, museum exhibits and more. Throughout their bands Star Classic and HIL. long association, Matt, Chris and Phil have been fascinated by the interconnections between learning, creativity and JULIAN CASSANETTI (Strings) started working for Blue community. Inspired by these passions, Blue Man Group Man Group at the Charles Theatre in Boston in early 2000. has recently expanded its Mission, putting education at the Starting as a zither sub, he went on to play guitar and forefront and launching the Blue Man Creativity Center and zither for the “Megastar” tour in late 2006. After touring for Early Childhood Program in Manhattan. nearly two years he returned to the Boston show. While in Boston, Julian has played with many other bands such as PHIL STANTON (Creator) created Blue Man Group The Lot Six, Viva Viva, and Drug Rug. He’d like to thank his with longtime friends Matt Goldman and Chris Wink. The friends and family for all the support over the years, and show opened Off-Broadway at the Astor Place Theatre everyone at Blue Man Group for the opportunity to be a in 1991, where it continues to play today. Blue Man part of such a creative and special family. Love love love. Group now has productions running in Boston, Chicago, Las Vegas, Orlando, Berlin, Basel and Tokyo, and has JERRY KOPS (Chapman Stick/ Strings) is a New York- grown beyond a theatrical show into a multi-dimensional based musician who is extremely grateful to be a part of creative organization - developing and producing rock Who’s Who in the Cast tours, TV shows, albums, DVDs, film scores, musical JOEL MORITZ (Production and Lighting Designer). This instruments, museum exhibits and more. Throughout their is Joel’s third Production Design for Blue Man Group long association, Matt, Chris and Phil have been fascinated which have also included Zurich and one aboard the NCL by the interconnections between learning, creativity and ship Epic. He has designed lights for Blue Man Group’s community. Inspired by these passions, Blue Man Group international productions in Tokyo, Berlin, Oberhausen, has recently expanded its Mission, putting education at the Stuttgart, Amster-dam and Basel as well as at Universal forefront and launching the Blue Man CreativityCenter and Studios Orlando. Recent New York/Off Broadway work Early Childhood Program in Manhattan. includes productions at: NYTW, Rattlestick, The Public, Ma-Yi, The Culture Project, Rising Phoenix and Juilliard. CHRIS WINK (Creator) created Blue Man Group with Joel’s regional theater and opera lighting design has been longtime friends Matt Goldman and Phil Stanton. The seen across the nation in theatres such as Arena Stage, show opened Off-Broadway at the Astor Place Theatre Long Wharf, The Shakespeare Theatre, Chicago Opera in 1991, where it continues to play today. Blue Man Theatre, Chicago Shakespeare, Lookingglass Theatre, The Group now has productions running in Boston, Chicago, Goodman, Steppenwolf and Kansas City Rep. International Las Vegas, Orlando, Berlin, Basel and Tokyo, and has theatrical productions at: The Traverse Theatre, Assembly grown beyond a theatrical show into a multi-dimensional Theater in Edinburgh and productions in Buenos Aires, creative organization - developing and producing rock Lima, Hong Kong, Paris, Prague, Taipei and Cairo. Joel is tours, TV shows, albums, DVDs, film scores, musical an avid snowboarder and photographer. instruments, museum exhibits and more. Throughout their long association, Matt, Chris and Phil have been fascinated CHASE TYLER (Costume Designer). Select Credits: by the interconnections between learning, creativity and Broadway: Title of Show, Off Broadway: Bash’d, Blue community. Inspired by these passions, Blue Man Group Man Group, Television: The Coaches Show, Thrillavision, has recently expanded its Mission, putting education at the countless commercials. Film: Satan Hates You. Opening forefront and launching the Blue Man Creativity Center and this year: The Ride, Moisty the Snowman Saves Christmas, Early Childhood Program in Manhattan. and Murray Hill is Mr. Showbiz. CHRIS DYAS (Artistic and Musical Collaborator) has been MATT KOENIG (Sound Design)has been working with performing and writing music with Blue Man Group since Blue Man Group since 2000, and is known as Monitor 1997. Before that he played in too many bands to mention. Matt and Chef. His current NYC based project is the Lingering Doubts. CARYL GLAAB (Video Design) began working with the LARRY HEINEMANN (Artistic and Musical Collaborator) founders of Blue Man Group in 1989 and continues to has worked with Blue Man Group since its inception in enjoy the collaboration.
Recommended publications
  • Cirque Du Soleil Michael Jackson ONE
    Cirque du Soleil Michael Jackson ONE Case Study Lightware Visual Engineering 1 Peterdy 15, Budapest H-1071, Hungary +36 1 255 3800 [email protected] www.lightware.com Cirque du Soleil – Michael Jackson ONE Market Country Rental & Staging USA Lightware Equipment Used in Project 1 - Lightware MX-FR65R frame 41 - Lightware fiber receivers 3 - Lightware fiber transmitters “I’m a perfectionist; it’s part of who I am,” Michael Jackson is purported to have said. Given the quality of his work and his reputation for high standards, the expectations for a show revolving around Michael Jackson will always be exceedingly high. Cirque du Soleil’s Michael Jackson ONE, produced in conjunction with Jackson’s estate, aspires to meet the level of perfection the star would demand. The show, which combines Jackson’s music with Cirque’s distinctive acrobatic feats, is at the Mandalay Bay Resort and Casino in Las Vegas in a space that was formerly occupied by a production of The Lion King; it was completely renovated specifically for MJ ONE. CDS anchored a team that included Auerbach Pollock Friedlander, Moser Architecture Studio, and Jaffe Holden Acoustics for the design and specification of the rigging and automation, lighting control, and audio-video systems. The show’s story line was written by choreographer Jamie King, who danced in Michael Jackson’s 1992 Dangerous World Tour. The musical director, Kevin Antunes (New Kids on the Block, Marky Mark and the Funky Bunch, Britney Spears, ‘N Sync, Justin Timberlake), made his selections from “Michael’s entire treasure vault” and remixed it specifically for the show.
    [Show full text]
  • Delegate Discount Pass 2018 Welcome to New York City
    Delegate Discount Pass 2018 Welcome to New York City. This Delegate Discount Pass is your ultimate guide to exclusive savings throughout the City. Redeem offers by showing a printed or mobile version of the NYC & Company Delegate Discount Pass in its entirety at participating member restaurants and attractions, unless provided with a promo code for advance reservations, purchase or registration. This pass is valid January 1–June 30, 2018. Dining Angus Club Steakhouse Steakhouse Farmer & The Fish American New 135 E. 55th St. | 212.588.1585 | angusclubsteakhouse.com 245 Park Ave. South | 646.998.5991 | farmerandthefish.com Free glass of wine with purchase of entrée 20% off entire bill To make a reservation using OpenTable, click here Does not include tax or tip. To make a reservation using OpenTable, click here Bann Korean 350 W. 50th St. | 212.582.4446 | bannrestaurant.com Flinders Lane Australian 20% off entire bill 162 Ave. A | 212.228.6900 | flinderslane-nyc.com To make a reservation using OpenTable, click here 20% off entire bill Dinner only. Barbetta Italian To make a reservation using OpenTable, click here 321 W. 46th St. | 212.246.9171 | barbettarestaurant.com 20% off entire bill Gargiulo’s Restaurant in Coney Island Italian 2911 W. 15th St. | 718.266.4891 | gargiulos.com To make a reservation using OpenTable, click here 20% off entire bill Big Daddy’s–Gramercy American New To make a reservation using OpenTable, click here 239 Park Ave. South | 212.477.1500 | bigdaddysnyc.com Gotham West Market 20% off entire bill Food Hall Does not include tax or tip; must tip on pre-discounted items.
    [Show full text]
  • Luke Cresswell and Steve Mcnicholas
    STOMP Sunday, November 24, 2019; 3 & 7 pm Monday, November 25, 2019; 7 pm Tuesday, November 26, 2019; 2 pm Wednesday, November 27, 2019; 2 & 7 pm Friday, November 29, 2019; 2 & 7 pm Harris Center for the Arts Columbia Artists Management Inc. Harriet Newman Leve James D. Stern Morton Wolkowitz Schuster/Maxwell Gallin/Sandler Markley/Manocherian present Created and Directed by Luke Cresswell and Steve McNicholas Jordan Brooks, Joshua Cruz, Jonathon Elkins, Jasmine Joyner, Alexis Juliano, Riley Korrell, Cary Lamb Jr., Serena Morgan, Artis Olds, Sean Perham, Ivan Salazar, Cade Slattery Lighting by Steve McNicholas and Neil Tiplady US Rehearsal Director Production Manager Fiona Wilkes Brian Claggett Casting Director Associate Producer Vince Liebhart Fred Bracken General Manager Joe R. Watson Executive Producers Richard Frankel Productions / Marc Routh / Alan Schuster / Aldo Scrofani STOMP IS PERFORMED WITHOUT INTERMISSION. THE USE OF ANY CAMERA, RECORDING DEVICES OR LASER POINTERS IS STRICTLY PROHIBITED. STOMP WEBSITE: http://www.stomponline.com www.harriscenter.net 2019-2020 PROGRAM GUIDE 27 STOMP continued STOMP, a unique combination of percussion, movement and to Germany, Holland and France. Another STOMP production visual comedy, was created in Brighton, UK, in the summer of opened in San Francisco in May 2000, running for two and a 1991. It was the result of a ten-year collaboration between its half years. creators, Luke Cresswell and Steve McNicholas. The original cast of STOMP has recorded music for the Tank They first worked together in 1981, as members of the street Girl movie soundtrack and appeared on the Quincy Jones band Pookiesnackenburger and the theatre group Cliff Hanger.
    [Show full text]
  • Teacher and Student Resource Pack Lord of the Flies Teacher and Student Resource Pack 1 1
    A NEW ADVENTURES AND RE:BOURNE PRODUCTION TEACHER AND STUDENT RESOURCE PACK LORD OF THE FLIES TEACHER AND STUDENT RESOURCE PACK 1 1. USING THIS RESOURCE PACK p3 2. WILLIAM GOLDING’S NOVEL p4 William Golding and Lord of the Flies Novel’s Plot Characters Themes and Symbols 3. NEW ADVENTURES AND RE:BOURNE’S LORD OF THE FLIES p11 An Introduction By Matthew Bourne Production Research Some Initial Ideas Plot Sections Similarities and Differences 4. PRODUCTION ELEMENTS p21 Set and Costume Costume Supervisor Music Lighting 5. PRACTICAL WORKSHEETS p26 General Notes Character Devising and Developing Movement 6. REFLECTING AND REVIEWING p32 Reviewing live performance Reviews and Editorials for New Adventures and Re:Bourne’s Production of Lord of the Flies 7. FURTHER WORK p32 Did You Know? It’s An Adventure Further Reading Essay Questions References Contributors LORD OF THE FLIES TEACHER AND STUDENT RESOURCE PACK 2 1. USING THIS RESOURCE PACK This pack aims to give teachers and students further understanding of New Adventures and Re:Bourne’s production of Lord of the Flies. It contains information and materials about the production that can be used as a stimulus for written work, discussion and practical activities. There are worksheets containing information and resources that can be used to help build your own lesson plans and schemes of work based on Lord of the Flies. This pack contains subject material for Dance, Drama, English, Design and Music. Discussion and/or Evaluation Ideas Research and/or Further Reading Activities Practical Tasks Written Work The symbols above are to guide you throughout this pack easily and will enable you to use this guide as a quick reference when required.
    [Show full text]
  • Daihatsu to Be Special Sponsor for “KURIOS,” the Next Cirque Du Soleil Show to Play in Japan a Sponsor for the Seventh Show in Succession
    May 22, 2017 (1/2) Daihatsu to be special sponsor for “KURIOS,” the next Cirque du Soleil show to play in Japan A sponsor for the seventh show in succession Cirque du Soleil’s “KURIOS” logo Daihatsu Motor Co., Ltd. (hereinafter “Daihatsu”) will be a special sponsor for the Cirque du Soleil show “KURIOS,” which will premier in Japan in February 2018. Daihatsu is an advocate of Cirque du Soleil’s creativity and artistry, which captivates people of all generations and nationalities, and has been a supporter of the entertainment group’s Japanese shows since Dralion in 2007. KURIOS will be the seventh show in succession that Daihatsu has sponsored. *Previous shows sponsored by Daihatsu are listed below: Dralion (February 2007–June 2008) Corteo (February 2009–June 2010) Koozå (February 2011–April 2012) Michael Jackson: The Immortal World Tour (May–June 2013) Ovo (February 2014–June 2015) Totem (February 2016–May 2017) (2/2) At every show, Daihatsu exhibits vehicles inside the performance hall that reflect the show’s worldview. For Totem, the company delighted visitors by displaying the Cast Sport mini passenger vehicle and the Boon Cilq compact passenger vehicle. Daihatsu is planning an elaborate exhibition of vehicles during KURIOS as well. Daihatsu exhibits the Boon Cilq (left) and Cast Sports (right) at Totem About Cirque du Soleil Cirque du Soleil was established in Quebec, Canada, in 1984. The entertainment group has toured 300 cities in five continents, enchanting more than 100 million people worldwide. Its shows explore the limits of human capabilities and, with careful attention to live music, lighting, stage effects, costumes and choreography, Cirque du Soleil is a synthesis of masterful artistry and continues to be loved by people of all generations and nationalities.
    [Show full text]
  • Disney's Beauty and the Beast
    2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR ext stage i life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show. For all the other financial ways we help power your dreams, stop by or visit ftb.com. Banking products and services provided by First Tennessee Bank National Association. Member FDIC.
    [Show full text]
  • Cirque Du Soleil Shows and Destinations in 2008-2009
    Case study: Tour Planning at Cirque du Soleil Cirque du Soleil is a Canadian entertainment company. It is the largest theatrical producer in the world. Its theatrical, character-driven approach and the absence of performing animals helped define Cirque du Soleil as the contemporary circus ("nouveau cirque") that it remains today. The case is about the opportunity for Cirque du Soleil management, to include in the tour a new destination, Istambul, in the summer 2010. The decision must be done before the end of 2008. 61 Case study: data and information Louise Murray, Vice-President, Tour Planning and Partnerships at Cirque du Soleil received on 23th December 2008 a proposal to include Istanbul, as destination, in the 2010 tour. “A wide range of administrative formalities and tasks must be accomplished to ensure the transfer of material and people to a new show site. The tearing down, repacking, shipping and setting up must all be done in a very precise order. And because each move is to a new site, often in a new country, the experience is unique every time. A technical problem, customs difficulties, a breakdown or bad weather conditions can all lead to costly delays, sometimes even forcing the cancellation of shows.” 62 Case study: data and information “Our shows are not produced independently of each other. A synergy must emerge between these different cultural works. We can see them as a strategic portfolio of cultural products. Ideally, we would be able to present several touring shows in succession in a large city in order to establish our reputation, build an audience and open the way for the establishment of a permanent show.
    [Show full text]
  • This Is an Exclusive Offer Only Available by Contacting [email protected] and Mentioning HOLLYWOOD DODGERS
    Cirque du Soleil Entertainment Group welcomes you to Las Vegas for Hollywood Dodgers LV Invitational! Treat your team to infectious folly and unquenchable smiles witnessing our world renowned team of athletes, acrobats, and dancers; or three bald dudes in blue paint. Cirque du Soleil and Blue Man Group shows are the perfect way to create unique and unforgettable team experiences. As a part of the 19th Annual Hollywood Dodgers Las Vegas Invitational, we invite you to arrange your team’s show tickets at these exclusive group rates. Mystère Team Rates Category 1 $100 (Retail $153.20) Category 2 $72 (Retail $135.76) Category 3 $62 (Retail $113.96) Blue Man Group Team Rates Category A $83.95 (Retail $143.85) Category C $63.95 (Retail $101.85) All-in pricing, quotes include all tax and fees. Subject to change and availability. GROUP POLICIES • A group consists of 12 or more tickets, to a single performance, with one method of payment • Group will all be seated together, based on availability at the time of payment processing • The buyer shall distribute all tickets to guests in advance of the performance • Cannot be combined with any other offers or previous sales This is an exclusive offer only available by contacting [email protected] and mentioning HOLLYWOOD DODGERS Less Than 12 Tickets visit www.cirk.me/sports WATCH A SNEAK PEEK! SATURDAY – WEDNESDAY 7:00PM & 9:30PM ABOUT THE SHOW: Mystère is the original must-see Cirque du Soleil production that combines high-energy acrobatics and dramatic dance, set to the thunderous rhythms of the Taïko drums.
    [Show full text]
  • 20 18 Impa Ct Report
    2018 IMPACT REPORT IN 2018, WE TURNED WATER INTO ACTION It’s with great pleasure that I witness how, once again this year, One Drop It’s been another inspiring year of extraordinary achievements bringing “and our partners have made an enormous difference, with sustainable “sustainable access to safe water to some of the world’s most vulnerable water projects that truly make the world a better place. Year after year, communities and I couldn’t be prouder to share with you our Impact project by project, we contribute to the achievement of Sustainable Report for 2018. Development Goal 6 defined by the United Nations: ensuring availability Thank you to everyone involved in One Drop’s projects. Thank you for and sustainable management of water and sanitation for all by 2030. joining forces with us and supporting our ambitious vision of a better Nevertheless, a lot remains to be done. world—a world where everyone has access to living conditions that allow The impressive results summarized in this 2018 Impact Report are a true for empowerment and development. By working in collaboration with testimony of our work, and they reflect and honour you, the true leaders local governments, visionary organizations, audacious philanthropists, – who join forces and share your efforts, knowledge, and finances, to international development agencies and communities, we create global make a positive difference. Thank you for helping us accomplish what we and positive impact. One Drop projects will soon have sustainably do each year. Let’s keep working together, taking action, and making an transformed the lives of over 1.6 million people around the world—and impact.
    [Show full text]
  • Blue Man Group to Perform Their New Speechless Show Eight Times in October
    Contact: Dave Webb Phone: 530-400-1253 E-mail: [email protected] Web: harriscenter.net/about/press-room BLUE MAN GROUP TO PERFORM THEIR NEW SPEECHLESS SHOW EIGHT TIMES IN OCTOBER Hard to describe, easy to love: the bald and blue trio explore the world in a manner unlike anyone else (September 23, 2019, Folsom, CA) Blue Man Group has been described as hard to describe. Maybe so; they are certainly easy to love. Three bald and blue men have been exploring the world onstage since their debut at New York’s Astor Place Theatre in 1991; they bring music, comedy and surprises at every turn. The Harris Center is proud to present Blue Man Group in their new tour, Speechless, for eight shows. It’s “a guaranteed good time.” (Los Angeles Times). Blue Man Group brings the Speechless tour to Folsom Tuesday, October 8, 7:30 pm; Wednesday, October 9, 7:30 pm; Thursday, October 10, 7:30 pm; Friday, October 11, 2 & 7:30 pm; Saturday, October 12, 2 & 7:30 pm and Sunday, October 13, 2 pm. Tickets are $48-$83; Premium $92; 10% Discount for Friday Matinee Single Tickets. Tickets are available online at www.harriscenter.net or from the Harris Center Ticket Office at 916-608-6888 from 12 noon to 6 pm, Monday through Saturday, and two hours before show time. Parking is included in the price of the ticket. The Harris Center is located on the west side of Folsom Lake College campus in Folsom, CA, facing East Bidwell Street. Blue Man Group is a global entertainment phenomenon, known for its award- winning theatrical productions, iconic characters and multiple creative explorations.
    [Show full text]
  • 3. New York City's Theater
    Diplomarbeit Titel der Diplomarbeit Stage New York City Verfasserin Katja Moritz Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil) Wien, im Oktober 2008 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin/Betreuer: Ao. Univ.- Prof. Dr. Brigitte Marschall INDEX__________________________________________ 1. PREFACE AND INTRODUCTION …………………………………. Seite 4 2. INTRO: BIG CITY LIFE ……………………………………………... Seite 6 2.1. Introduction New York …………………………………………. Seite 8 3. NEW YORK CITY‘S THEATER ……………………………………. Seite 12 3.1.1. Broadway, Off And Off-Off Broadway: Differences ...………….. Seite 13 4. BROADWAY …………………………………………………………... Seite 16 4.1. New York City’s Broadway – What Is It About? ……………….. Seite 18 4.2. Broadway History: Changes …………………………………….. Seite 21 4.2.1. Early Attraction ……………………………………………………... Seite 21 4.2.2. Broadway 1900 – 1950 ……………………………………………… Seite 24 4.2.3. Broadway 1950 – 2008 ……………………………………………… Seite 26 4.3. Commercial Production: Broadway ……………………………... Seite 27 4.3.1. Broadway Producer: Money Makes The (Broadway) World Go Round ………………….. Seite 29 4.3.2. Critics: Thumbs Up? ………………………………………………… Seite 32 4.3.3. Musical ……………………………………………………………… Seite 33 4.4. Competition Calls For Promotion ……………………………….. Seite 35 4.4.1. Federal Theatre Project 1935 – 1939 ………………………………... Seite 36 4.4.2. Theatre Development Fund TDF ……………………………………. Seite 37 4.4.3. I Love NY …………………………………………………………… Seite 38 4.5. Reflection ………………………………………………………... Seite 39 5. OFF AND OFF-OFF BROADWAY DEVELOPMENT ……………. Seite 41 5.1. Showplace Greenwich Village And East Village ……………….. Seite 41 5.2. Showplace Williamsburg, Brooklyn …………………………….. Seite 45 1 6. OFF BROADWAY AND OFF-OFF BROADWAY – WHAT IS IT ABOUT? ………………………………………………... Seite 47 6.1. First Steps Into Off Broadway …………………………………… Seite 48 6.2. The Real Off Broadway – The 1950s …………………………….
    [Show full text]
  • College Voice Vol. 29 No. 21
    Connecticut College Digital Commons @ Connecticut College 2004-2005 Student Newspapers 5-6-2005 College Voice Vol. 29 No. 21 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2004_2005 Recommended Citation Connecticut College, "College Voice Vol. 29 No. 21" (2005). 2004-2005. 12. https://digitalcommons.conncoll.edu/ccnews_2004_2005/12 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2004-2005 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class U.S. Postage PAID Permit #35 New London, CT PUBLISHED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUMEXXIX. NUMBER 21 FRIDAY, M4Y 6, 2005 CONNECTICur COLlEGE, NEW LONDON, CT arors Discuss Diversity By JOANNA GILLJA Frances Hoffmann, the Dean of the and faculty to exercise restraint dur- AssocIATE NEWS EDITOR College Maria Cruz-Saco, the Dean ing discourse. of Admission and Financial Aid Fainstein also took the opportu- On Wednesday, May 4th, at 7 Martha Merrill, and the Affirmative nity to announce the approval of a p.m., President Norman Fainstein Action Officer Judith Kinnmse. new interdisciplinary center at hosted a Dessert and Dialogue enti- Fainstein opened the dialogue by Connecticut College. The new cen- tled "Diversity, Affirmative Action noting that the College is dedicated ter, The Center for Comparative .and the Educational Program." The and "committed to creating a diver- Study on Race and Ethnicity, was dialogue, which was sparked by the sified and equitable community." voted into existence less than an r-eaction to the opinions of Voice However, Fainstein did urge the col- hour befnre the dialogue began.
    [Show full text]