Julius Shulman's Los Angeles
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Jational Register of Historic Places Inventory -- Nomination Form
•m No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE JATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS >_____ NAME HISTORIC BROADWAY THEATER AND COMMERCIAL DISTRICT________________________ AND/OR COMMON LOCATION STREET & NUMBER <f' 300-8^9 ^tttff Broadway —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Los Angeles VICINITY OF 25 STATE CODE COUNTY CODE California 06 Los Angeles 037 | CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X.DISTRICT —PUBLIC ^.OCCUPIED _ AGRICULTURE —MUSEUM _BUILDING(S) —PRIVATE —UNOCCUPIED .^COMMERCIAL —PARK —STRUCTURE .XBOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE ^ENTERTAINMENT _ REUGIOUS —OBJECT _IN PROCESS 2L.YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: NAME Multiple Ownership (see list) STREET & NUMBER CITY. TOWN STATE VICINITY OF | LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDSETC. Los Angeie s County Hall of Records STREET & NUMBER 320 West Temple Street CITY. TOWN STATE Los Angeles California ! REPRESENTATION IN EXISTING SURVEYS TiTLE California Historic Resources Inventory DATE July 1977 —FEDERAL ^JSTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS office of Historic Preservation CITY, TOWN STATE . ,. Los Angeles California DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED ^ORIGINAL SITE X.GOOD 0 —RUINS X_ALTERED _MOVED DATE- —FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Broadway Theater and Commercial District is a six-block complex of predominately commercial and entertainment structures done in a variety of architectural styles. The district extends along both sides of Broadway from Third to Ninth Streets and exhibits a number of structures in varying condition and degree of alteration. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
PRELIMINARY WORKING DRAFT – Work-In-Progress IV.C Visual Resources
IV. ENVIRONMENTAL IMPACT ANALYSIS C. VISUAL RESOURCES 1. INTRODUCTION New development can affect the aesthetic quality of a community. This section will address the potential impacts that could result from the proposed Project with regard to aesthetics, views, light and glare, and shade/shadow. Aesthetics refers to the overall visual qualities of an area or within a given field of view. Aesthetics includes aspects such as size, shape, color, texture, and general composition, as well as the relationships between these elements. Aesthetic features often consist of unique or prominent natural or man-made attributes or several small features that, when viewed together, create a whole that is visually interesting or appealing. The degree of visual access to an aesthetic resource contributes to the value of aesthetic features. The analysis of aesthetics as presented below addresses the Project's visual relationship with existing and future known land uses in the surrounding area, as well as consistency of the proposed Project with the applicable regulatory environment (e.g., West Los Angeles Community Plan). The analysis of views focuses on the extent to which the Project may interfere with visual access to aesthetic features. Viewsheds are those areas that can be seen from a particular location. Existing views may be partially obstructed or entirely blocked by modifications to the environment. Conversely, modifications to the natural or man-made landscape of an area may create or enhance view opportunities. In general, visual access is closely tied to topography and distance from a visual resource (i.e., something that someone wants to look at). Light impacts are typically associated with the use of artificial light during the evening and nighttime hours. -
Gwendolyn Wright
USA modern architectures in history Gwendolyn Wright REAKTION BOOKS Contents 7 Introduction one '7 Modern Consolidation, 1865-1893 two 47 Progressive Architectures, ,894-'9,8 t h r e e 79 Electric Modernities, '9'9-'932 fau r "3 Architecture, the Public and the State, '933-'945 fi ve '5' The Triumph of Modernism, '946-'964 six '95 Challenging Orthodoxies, '965-'984 seven 235 Disjunctures and Alternatives, 1985 to the Present 276 Epilogue 279 References 298 Select Bibliography 305 Acknowledgements 3°7 Photo Acknowledgements 3'0 Index chapter one Modern Consolidation. 1865-1893 The aftermath of the Civil War has rightly been called a Second American Revolution.' The United States was suddenly a modern nation, intercon- nected by layers of infrastructure, driven by corporate business systems, flooded by the enticements of consumer culture. The industrial advances in the North that had allowed the Union to survive a long and violent COll- flict now transformed the country, although resistance to Reconstruction and racial equality would curtail growth in the South for almost a cen- tury. A cotton merchant and amateur statistician expressed astonishment when he compared 1886 with 1856. 'The great railway constructor, the manufacturer, and the merchant of to-day engage in affairs as an ordinary matter of business' that, he observed, 'would have been deemed impos- sible ... before the war'? Architecture helped represent and propel this radical transformation, especially in cities, where populations surged fourfold during the 30 years after the war. Business districts boasted the first skyscrapers. Public build- ings promoted a vast array of cultural pleasures) often frankly hedonistic, many of them oriented to the unprecedented numbers of foreign immi- grants. -
Printmgr File
bridgebuildermutualfunds.com BRIDGE BUILDER SCHEDULE OF INVESTMENTS DISCLOSURES Schedule of Investments are shown as of the date indicated and are unaudited. Since market conditions fluctuate suddenly and frequently, the Schedule of Investments may change and this list is not indicative of the current or future portfolio composition. These Schedule of Investments are not intended to be and do not constitute recommendations that others buy, sell, or hold any of the securities listed. You should consider the investment objectives, risks, and charges and expenses carefully before investing. The prospectus and summary prospectus contain this and other information. Edward Jones owns directly or indirectly 100% of the investment adviser to the Bridge Builder Funds. Please refer to the Funds’ prospectus for further information. Your Edward Jones financial advisor can provide a prospectus or summary prospectus, which should be read carefully before investing. You may also obtain a prospectus by going to http://www.bridgebuildermutualfunds.com/literature/. You could lose money by investing in a Fund. Past performance does not guarantee future results. BRIDGE BUILDER MUTUAL FUNDS The Bridge Builder Funds are distributed by ALPS Distributors, Inc. There is no affiliation between ALPS Distributors, Inc. and Bridge Builder Trust and any of its affiliates and subsidiaries. Copyright © 2021 Bridge Builder Trust. All rights reserved. BBT000154 7/31/2023 ˆ200FP6pK@1!=xVtGSŠ 200FP6pK@1!=xVtGS VDI-W7-PF3-0355 BRIDGE BUILDER MUTUA Donnelley Financial14.4.13.0 -
Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
Ideology As Dystopia: an Interpretation of "Blade Runner" Author(S): Douglas E
Ideology as Dystopia: An Interpretation of "Blade Runner" Author(s): Douglas E. Williams Source: International Political Science Review / Revue internationale de science politique, Vol. 9, No. 4, (Oct., 1988), pp. 381-394 Published by: Sage Publications, Ltd. Stable URL: http://www.jstor.org/stable/1600763 Accessed: 25/04/2008 20:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sageltd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org InternationalPolitical ScienceReview (1988), Vol. 9, No. 4, 381-394 Ideology as Dystopia: An Interpretation of Blade Runner DOUGLASE. -
CF 2019-CF3 Mortgage Trust
Presale: CF 2019-CF3 Mortgage Trust December 3, 2019 PRIMARY CREDIT ANALYST Preliminary Ratings Andy A White, CFA Centennial Class(i) Preliminary rating Preliminary amount ($)(ii) Credit enhancement (%) (1) 303-721-4890 A-1 AAA (sf) 15,390,000 30.000 andy.white @spglobal.com A-2 AAA (sf) 58,585,000 30.000 SECONDARY CONTACT A-SB AAA (sf) 21,534,000 30.000 Della Cheung A-3 AAA (sf) TBD(iii) 30.000 New York A-4 AAA (sf) TBD(iii) 30.000 (1) 212-438-3691 della.cheung X-A(iv) AAA (sf) 537,303,000 N/A @spglobal.com X-B(iv) A- (sf) 146,800,000 N/A A-S AAA (sf) 84,434,000 19.000 B AA (sf) 31,663,000 14.875 C A- (sf) 30,703,000 10.875 X-D(iv)(v) NR 34,541,000 N/A D(v) BBB- (sf) 19,189,000 8.375 E(v) NR 15,352,000 6.375 F-RR(v) NR 7,675,000 5.375 G-RR(v) NR 7,676,000 4.375 H-RR(v) NR 8,635,000 3.250 J-RR(v) NR 24,947,113 0.000 VRR Interest(vi) NR 21,551,091 N/A Note: This presale report is based on information as of Dec. 3, 2019. The ratings shown are preliminary. Subsequent information may result in the assignment of final ratings that differ from the preliminary ratings. Accordingly, the preliminary ratings should not be construed as evidence of final ratings. This report does not constitute a recommendation to buy, hold, or sell securities. -
Historic Resources Survey Update City of Ventura, California
Historic Resources Survey Update City of Ventura, California Downtown Specific Plan Area Prepared by HISTORIC RESOURCES GROUP April 2007 Historic Resources Survey Update City of Ventura, California Downtown Specific Plan Area Prepared for City of Ventura 501 Poli Street Ventura, CA 93002 Prepared by HISTORIC RESOURCES GROUP 1728 Whitley Avenue Hollywood, CA 90028 April 2007 Table of Contents EXECUTIVE SUMMARY ......................................................................... 1 I. INTRODUCTION .............................................................................. 3 PROJECT DESCRIPTION .......................................................................... 3 PREVIOUS PRESERVATION EFFORTS .............................................................. 3 OBJECTIVES AND SCOPE ......................................................................... 3 SURVEY AREA ................................................................................... 4 PREVIOUS DESIGNATIONS AND SURVEYS .......................................................... 6 II. METHODOLOGY ............................................................................17 SURVEY PROCESS ............................................................................... 17 AGE THRESHOLD ............................................................................... 18 SURVEY PHASES ................................................................................ 18 PROPERTY DATA ............................................................................... 19 PROPERTY -
Selected Criticism, Jeffery Jullich
Selected Criticism Jeffrey Jullich Publishing the Unpublishable 017 ©2007 /ubu editions Series Editor: Kenneth Goldsmith /ubu editions www.ubu.com 2 TABLE OF CONTENTS Aaron Shurin: The Paradise of Forms 5 Standard Schaefer: Nova 9 Leslie Scalapino: New Time 12 Cole Swensen: Try 15 Susan Howe / Susan Bee: Bed Hangings I 17 Graham Foust: As in Every Deafness 24 Rae Armantrout: Up to Speed 25 Michael Scharf: Verité 26 Drew Gardner: Sugar Pill 29 SELECTED BUFFALO POETICS LISTSERV POSTS Class and poetry 39 Lyn Hejinian's 'deen' 41 D=E=E=N 42 A Barnard report: Hannah Weiner 45 Spaced-out 47 Questions on a HOW TO value 49 Submission crucible 52 $3.50 Summer vacation in Scandinavia 54 Alternative 56 Farm implements and rutabagas in a landscape 58 Polyverse by Lee Ann Brown 60 Cut-ups and homosexualization of the New York School (I) 63 Cut-ups and homosexualization of the New York School (II) 65 Simon Perchik 67 Marilyn Monroe - the Emma Lazarus of her day 69 classical meter in contemporary "free verse" poetry Meter Anthology Cola 70 New Formalist Language Poetry 72 Language Prosody - ex. 2: Dochmiacs 74 Language Prosody - ex. 3: hypodochmiacs in Susan Howe's Pierce Arrow 76 Language Prosody - ex. 4: adonics 78 Language Prosody - ex. 5: H.D., Helen in Egypt 85 Timothy McVeigh's face 89 Hannah Weiner's hallucinations and schizophrenia in poetry Hannah's visions 93 Hannah's visions - Barrett Watten's 'Autobiography Simplex' 95 Hannah's visions 99 eulogy for Tove Janesson (Finnish author of the Mummintroll books) 103 3 creative writing pedagogy 104 -
Photographs Written Historical and Descriptive
1350 ALA MOANA BUILDING HABS HI-584 1350 Ala Moana Boulevard HABS HI-584 Honolulu Honolulu County Hawaii PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA FIELD RECORDS HISTORIC AMERICAN BUILDINGS SURVEY PACIFIC WEST REGIONAL OFFICE National Park Service U.S. Department of the Interior 333 Bush Street San Francisco, CA 94104 HISTORIC AMERICAN BUILDINGS SURVEY 1350 ALA MOANA BUILDING HABS No. HI-584 Location: 1350 Ala Manoa is situated at the corner of Ala Moana Boulevard and Pi`ikoi Street in downtown Honolulu, Honolulu County, on the island of Oah`u, Hawai`i. The ocean front property is located approximately 500’ from the southern coastline of Oah`u between Kaka`ako and Waikiki, adjacent to Ala Moana Regional Park and Ala Moana Shopping Center. The area surrounding the building is dominated by residential high rise and commercial structures. The building is part of the commercial, retail, and residential district of Ala Moana, which is south of Makiki, east of Kaka`ako, and west of Waikīkī. 21.291794, -157.848113 (4N) Significance: 1350 Ala Moana, together with its site features, is historically significant under National Register of Historic Places (NRHP) Criterion A for its association with the expansion of Hawai`i’s post-Statehood population and the emergence of the high rise apartment as a pervasive building type in the Modern period in Honolulu architecture (1955-1979). At the time of construction in 1968, 1350 Ala Moana became the state’s tallest building at 33 stories, surpassing the previous record holder, the Ala Moana Building. It remained the tallest building in the state until 1970, and is also significant under Criterion C as an excellent example of Hawai`i Modernism and the work of a master, architect Minoru Yamasaki. -
8 1 2 3 4 5 6 1 2 3 4 5 6 a B C D a B
Public Plaza Art Spot Farmers Museum/ Bike Path Cultural Eco-LEED Solar Recycling Best Walks Light Rail Green Vegetarian Historical Special Market Institution Site Building Energy Public Transit Business Natural Cafe Feature Garden A B C D 7 3 Main St. Griffith Park/ Elysian Park/ Observatory Dodger Stadium 1 Metro Gold Line to Pasadena • Cornfield • Arroyo Seco Park • Debs Park-Audubon Broadway Society 8 Cesar Chavez Ave. 1 • Lummis House & 1 Drought Resistant Demo. Garden • Sycamore Grove Park 3 • S. Pasadena Library MTA • Art Center Campus Sunset Blvd. • Castle Green Central Park 3 Los Angeles River Union 6 Station 101 F R E E W AY 13 LADWP 1 Temple St. 12 12 10 9 8 Temple St. 2 2 San Pedro St. Broadway Main St. Spring St. 11 Los Angeles St. Grand Ave. Grand Hope St. 10 Figueroa St. Figueroa 1 11 9 3 3 Hill St. 1st St. 4 10 Alameda St. 1st St. Central Ave. Sci-Arc Olive St. Olive 7 1 2nd St. 2nd St. 6 5 8 6 2 3rd St. 4 3rd St. Flower St. Flower 4 3 2 W. 3rd St. 6 5 11 4 1 8 4th St. 4th St. 3 3 3 2 7 3 1 5 5th St. 1 5 12 5th St. 8 2 1 7 6 5 2 W. 6th St. 3 6th St. 3 7 6th St. 10 6 3 5 6 4 Wilshire Blvd. 9 14 Public Transportation 7th St. MTA Red Line 6 4 3 7 MTA Gold Line 7th St. 2 2 Metro Red Line to Mid-Wilshire & 5 MTA Blue Line North Hollywood 4 8th St.