Property of the Restaurant Ware Collectors Network
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ackland Ceramics Guide
! ! CERAMICS!GUIDE! Ceramics:"objects"formed"from"moistened"clay"and"hardened"by"firing;"distinguished"by" permeability"and"firing"temperatures" • Earthenware:"Porous,"low<firing" • Stoneware:"Non<porous,"high<firing" • Hard<Paste"Porcelain:"Non<porous,"high<firing" Single!firing:"clay"mixture"and"glaze"reach"maximum"density"and"hardness"in"a"single"firing,"with" the"glaze"being"applied"directly"to"the"unfired"clay"beforehand" Biscuit!firing:"glazed"objects"can"also"undergo"multiple"firings,"the"first"being"the"firing"of"the" unglazed"(biscuit)"object;"helps"stabilize"a"work"before"a"glaze"or"painted"decoration"is"applied" Glost!firing:"fuses"glaze"to"an"object"that"has"already"been"biscuit<fired" Glaze:!natural"materials"applied"to"a"clay"object"(either"as"a"powder"or"mixed"with"water)," fusing"with"the"clay"when"fired;"makes"porous"ceramics"impervious"to"liquid;"also"used"on"non< porous"ceramics"for"purely"decorative"effects,"either"as"transparent"coating"or"colored"by"the" addition"of"various"metal"oxides;"comprised"of"ground"silica,"which"melts"to"create"a"glassy" surface,"as"well"as"(1)"an"alumina"stabilizer"to"increase"viscosity"and"(2)"a"mineral"flux"to"lower" the"silica’s"melting"point." Common!glaze!types:"distinguished"by"flux"material" th • Lead:"low<firing,"used"on"earthenware;"largely"discontinued"by"the"late"19 "century"due" to"dangers"of"prolonged"lead"exposure" • Tin:"lead"glaze"with"the"addition"of"tin"oxide,"resulting"in"an"opaque"white"surface;" originates"in"Middle"East,"9th"century;"European"tin<glazed"earthenware"classified"by" -
Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire Room 201
Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire [email protected] Room 201/202 RAB Phone: 932 9006 Course Outline: This course will teach the rudiments of identification and analysis of colonial artifacts dating from about 1600-1900 AD. Our teaching collection includes a variety of ceramics, pipes, glass and small finds. The course if taught largely by supervision and not lectures. Students will sort collections, draw objects, measure objects and identify them according to numerous criteria. Course Requirements: A prerequisite for this course is 070: 208, Survey of Historical Archaeology, normally taught in the Fall term. Students for whom this requirement was waived are expected to study a suitable textbook on the subject, such as Orser, C. 1995 Historical Archaeology and Deetz, J In small things forgotten. Students will attend one three hour class, once a week. During this time they will handle material, analyze it, and draw objects. Each student will need a clean writing pad or notebook, a pad of graph paper, pencils, colored pencils, eraser, a ruler, and a divider. There will be two exams, a midterm and final. Useful Texts: 1. Noel-Hume, I. 2001. The Artifacts of Colonial America 2. Fournier, Robert. Illustrated Dictionary of Practical Pottery. Paperback, 4th ed. 2000 Radnor Pa. Available at Amazon.com ($31.96) 3. Numerous additional sources will be present at class for used during the practicals. Colonial Archaeology: 070 330 Significant technical terms: (see Fournier 2000) Absorption: The taking up of liquid into the pores of a pot. The water absorption of a ceramic is an indicator of its degree of vitrification. -
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION Bid.Mbaauction.Com Items Begin to Close at 10AM on Thursday 6/24
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION bid.mbaauction.com Items begin to close at 10AM on Thursday 6/24 25% Buyers Premium Added to All Bids Serigraph Framed- 46x34" 3018 Modern Artist Proof Signed Embossed ALL ITEMS MUST BE PICKED UP Serigraph Framed- 46x34" WITHIN 7 DAYS OF AUCTION CLOSE! 3019 Designer Gold Leaf Buddha Gallery Framed Lithograph- 53x42" Bid.mbaauction.com 3020 John Richard Collection Persian Horse Painting on Cloth Framed- 47x67" Lot Description 3021 Large Egyptian Hieroglyph Painting on Papyrus Framed- 38x75" 3000 Italian Leather Bound Stacking Book End 3022 K. Berata Large Balinese Painting of Nude Table with Drawers- 21x21x15" Women Framed- 42x82" 3001 Scroll Arm Upholstered Chair- 33x25x28" 3023 Ambrogin Modern Collage 4 Panel Screen- 3002 Bianchi Barbara Inlaid Italian Chess Set 37x73" with Board- 20x20" 3024 Pascal Cucaro Enameled Still Life Plaque in 3003 Pair Vintage French Marble Table Lamps- Gilt Frame- 15x13" 29" 3025 Pascal Cucaro Enameled Modern Figures 3004 Designer Wrought Iron 'Fasces' Glass Top Plaque in Gilt Frame- 15x13" Coffee Table- 20x47x23" 3026 Hand Colored 'Piper Indicum Medium' 3005 Victorian Iron Marble Top Floral Side Pepper Plant Botanical Framed Etching- Stand- 33x20x12" 30x26" 3006 Old Italian Inlaid Mahogany 2 Drawer 3027 Antique Gilt Archtop Framed Mirror- Stand- 29x22x12" 45x29" 3007 Pair Designer Monkey Table Lamps- 26" 3028 Italian Gilt Decorated Hanging Barometer- 3008 Pair Chapman Brass Designer Table Lamps- 35x19" 36" 3029 Bombay -
DEMO 20 Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Spring 2014 DEMO 20 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 20 (Spring-Summer 2014), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/90 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. ISSUE 20 SPRING/SUMMER 2014 A “Colossal” Success How a personal The Alumni Magazine of blog became a DEMO professional career Columbia College Chicago Aidy Bryant SNL Superstar Lena Waithe and other millennials make their marks Friday, May 16, 2014 Alumni at MANIFEST Urban Arts Festival Columbia College Chicago will celebrate the work of our more than 2,000 graduating students with our annual urban arts festival. From art exhibitions to readings, original fashion designs to interactive designs, the talent will spill out from Columbia’s South Loop campus and onto the streets. The Main Stage and side stage performances from student bands create the musical backdrop to the Manifest showcase. THIS YEAR, THERE IS AN ALUMNI LOUNGE AND AN ALUMNI-ONLY RECEPTION. WE HOPE TO SEE YOU THERE! FOR MORE INFORMATION, VISIT: colum.edu/AlumniManifest CONTENTS DEMO ISSUE 20 SPRING/SUMMER 2014 20 34 12 FEATURES PORTFOLIO SPOT ON DEPARTMENTS 8 MILLENNIAL HUSTLE 25 DREAM WEAVER 32 Lee Bey’s (BA ’88) journalism 3 Vision Look out, world! 20-somethings Photojournalist Lenny Gilmore background prepared him for a wild Questions for President Kwang-Wu Kim Lena Waithe (BA ’06), Tony Merevick (BFA ’10) brings fantasies to life career ride as an influential architecture (BA ’12) and Roma Shah (BA ’08) are through digital collage. -
Chicago No 16
CLASSICIST chicago No 16 CLASSICIST NO 16 chicago Institute of Classical Architecture & Art 20 West 44th Street, Suite 310, New York, NY 10036 4 Telephone: (212) 730-9646 Facsimile: (212) 730-9649 Foreword www.classicist.org THOMAS H. BEEBY 6 Russell Windham, Chairman Letter from the Editors Peter Lyden, President STUART COHEN AND JULIE HACKER Classicist Committee of the ICAA Board of Directors: Anne Kriken Mann and Gary Brewer, Co-Chairs; ESSAYS Michael Mesko, David Rau, David Rinehart, William Rutledge, Suzanne Santry 8 Charles Atwood, Daniel Burnham, and the Chicago World’s Fair Guest Editors: Stuart Cohen and Julie Hacker ANN LORENZ VAN ZANTEN Managing Editor: Stephanie Salomon 16 Design: Suzanne Ketchoyian The “Beaux-Arts Boys” of Chicago: An Architectural Genealogy, 1890–1930 J E A N N E SY LV EST ER ©2019 Institute of Classical Architecture & Art 26 All rights reserved. Teaching Classicism in Chicago, 1890–1930 ISBN: 978-1-7330309-0-8 ROLF ACHILLES ISSN: 1077-2922 34 ACKNOWLEDGMENTS Frank Lloyd Wright and Beaux-Arts Design The ICAA, the Classicist Committee, and the Guest Editors would like to thank James Caulfield for his extraordinary and exceedingly DAVID VAN ZANTEN generous contribution to Classicist No. 16, including photography for the front and back covers and numerous photographs located throughout 43 this issue. We are grateful to all the essay writers, and thank in particular David Van Zanten. Mr. Van Zanten both contributed his own essay Frank Lloyd Wright and the Classical Plan and made available a manuscript on Charles Atwood on which his late wife was working at the time of her death, allowing it to be excerpted STUART COHEN and edited for this issue of the Classicist. -
Mccormick Place July 12-15, 2020 Mccormick Place
annon Dr W Dickens Ave e Av N d S W Armitage Ave n N t a o C c la k evel t l r k S o n N N C t D L t t r t S a S W Wisconsin St S k e rd July 12-15, 2020 ed bee a t S h ra c ho r als r a H July 12-15, 2020 r N O N IFT20N L e McCormick Place D r IFT20W Willow St McCormick Place W Eugenie St McCormick Place W North Ave 2301 S. King Dr. North/Clybourn Sedgwick OLD 1 AC Hotel Chicago Downtown CLYBOURN TOWN 630 N. Rush St. CORRIDOR 2 Chicago Marriott Downtown Mag Mile 540 N. Michigan Ave. 3 Congress Plaza 520 S. Michigan Ave. W Division St Clark/ Division 4 Courtyard Downtown/River North GOLD E Elm St 30 E. Hubbard St. t S COAST 5 Courtyard Magnificent Mile ed t E Oak St 165 E. Ontario St. als H E Walton St N E Delaware Pl DoubleTree Magnificent Mile t 6 r S D t t S ns E Chestnut St 300 E. Ohio St. S k s alle l N r ea l S e rl la E Pearson St a L C L W a Embassy Suites Chicago Downtown k 7 N N O N W Chicago Ave N Chicago e Chicago y S 600 N. State St. t ho S W Superior St wk O’Hare r W Huron St 34 e Fairmont rn P 8 International D Airport o 23 r W Erie St rb 200 N. -
Shuttle Flyer-AHA SS18
Shuttle Service to McCormick Place Shuttle Hours of Operation Shuttle service is approximately every 20 minutes Saturday, November 10 6:30 am – 6:00 pm Shuttle provided to/from hotels and McCormick Place 6:00 pm – 7:30 pm * Return shuttle from McCormick Place returning Back to hotels * Time last shuttle departs McCormick Place returning to hotels. No shuttle service from hotels to McCormick Place after 6:00 pm. Sunday, November 11 6:30 am – 6:00 pm Shuttle provided to/from hotels and McCormick Place 6:00 pm – 7:30 pm * Return shuttle from McCormick Place returning Back to hotels * Time last shuttle departs McCormick Place returning to hotels. No shuttle service from hotels to McCormick Place after 6:00 pm. Monday, November 12 6:30 am – 6:00 pm Shuttle provided to/from hotels and McCormick Place 6:00 pm – 7:30 pm * Return shuttle from McCormick Place returning Back to hotels * Time last shuttle departs McCormick Place returning to hotels. No shuttle service from hotels to McCormick Place after 6:00 pm. Shuttle Routes Gates 1-3 at South Building Gates 1-3 at South Building Route #1 – (Boards at Gate 3) Route #5 – (Boards at Gate 1) Please allow 15-17 minutes travel time one-way. Please allow 12-15 minutes travel time one-way. Hyatt Regency Chicago Sheraton Grand Chicago Fairmont Chicago Millennium Park EmBassy Suites Chicago Magnificent Mile Radisson Blu Aqua Hotel, Chicago Loews Chicago Hotel Swissotel Chicago Route #6 – (Boards at Gate 1) Route #2 – (Boards at Gate 3) Please allow 20-25 minutes travel time one-way. -
MW-Catalogue-2017.Pdf
Maxwell & Williams Spot Colours Red PMS 186 Black c86 m85 y79 k100 CONTENTS DARK OPULENCE COLLECTION CASHMERE NOCTURNE 05 SWANK 11 SYMPHONY 15 TALISMAN 19 MUGS & COASTERS 22 FOCUS COLLECTION ELEMENTAL 29 MEZZE 33 ICHACHA 35 MUGS 37 RECONNECT COLLECTION ARTISAN 41 MUGS 47 NEW CLASSICS COLLECTION CASHMERE BLOEMS 51 EUPHEMIA HENDERSON 55 LILLE 59 COTTAGE KITCHEN 63 VITROMAX 67 WHITE BASICS 69 GALLEY 71 MUGS & COASTERS 73 “DARK OPULENCE EXPLORES THE ALLURE OF RICH DARK JEWEL COLOURS AND CONTRASTS THEM WITH CALMING WHITES. PRECIOUS METALLIC DARK EMBELLISHMENTS GIVE THE PIECES A MAGICAL GLAMOUR; THE NIGHT AND DAY CONTRAST MAKES FOR A STRIKING OPULENCE LAYERED TABLE SETTING.” CLAIRE CHILCOTT, CREATIVE DIRECTOR 2 DARK OPULENCE 3 YOUR STYLE. YOUR WAY. CASHMERE NOCTURNE Cashmere Nocturne is inspired by the harmony of opposites with a range of beautiful dinnerware in exquisite fine bone china. Each piece features a delicate gold pattern on black or white, giving the collection an elegantly opulent feel. EF0055 Nocturne Demi Cup & Saucer Black, 90ML EF0056 Nocturne Demi Cup & Saucer White, 90ML EF0044 Nocturne Cup & Saucer Black, 220ML EF0045 Nocturne Cup & Saucer White, 220ML EF0028 Nocturne Mug Black, 350ML EF0038 Nocturne Mug White, 350ML EF0048 Nocturne Bowl Black, 17cm EF0049 Nocturne Bowl White, 17cm EF0026 Nocturne Side Plate Black, 20cm EF0036 Nocturne Side Plate White, 20cm EF0025 Nocturne Dinner Plate Black, 27.5cm EF0035 Nocturne Dinner Plate White, 27.5cm EF0027 Nocturne Rim Bowl Black, 23.5cm EF0037 Nocturne Rim Bowl White, 23.5cm EF0046 Nocturne Dinner Set 12pc Black GB EF0047 Nocturne Dinner Set 12pc White GB ED0010 Nocturne Coaster Black Set of 6 GB ED0009 Nocturne Placemat Black Set of 6 GB 5 YOUR STYLE. -
Classification Owner of Property
NPS Form 10-900 OMB No. 1024-0018 (3-82) Exp. 10-31-84 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received i 2 Inventory Nomination Form date entered JAN ( I9u. See instructions in How to Complete National Register Forms Type all entries complete applicable sections___________________________________ 1. Name historic Blackstone Hotel (D009:15-32) and/or common Blackstone Centre 2. Location street & number 302 S. 36th Street N/A not for publication city, town Omaha vicinity of state Nebraska code 032 county Douglas code 055 3. Classification Catiegory Ownership Staitus Present Use district public X occu pied agriculture museum X building(s) _X _ private unoc cupied x commercial park structure both .work in progress educational private residence site Public Acquisition Ac<;essil3le entertainment religious object N/A in process _K_. yes: restricted government .scientific being considered yes: unrestricted industrial transportation no military other; 4. Owner of Property name Blackstone Centre Association street & number 11308 Davenport Street city, town Omaha N/A vicinity of state Nebraska 5. Location of Legal Description courthouse, registry of deeds, etc. Douglas County Courthouse street & number 1819 Farnam city, town_____Omaha ____ state Nebraska 6. Representation in Existing Surveys______ title Nebraska Historic Buildings Survey has this property been determined eligible? __ yes X no date On-going federal X_ state . county local depository for survey records Nebraska State Historical Society city, town Lincoln state Nebraska 7. Description Condition Check one Check one X excellent deteriorated unaltered X original site N/A good ruins X altered moved date fair unexposed Describe the present and original (if known) physical appearance A large eight story over raised basement structure, the Blackstone Hotel is E-shaped in plan, exhibiting a five part composition to the front facade as a result of projecting central and end pavilions. -
Marguerite Wildenhain: Bauhaus to Pond Farm January 20 – April 15, 2007
MUSEUM & SCHOOLS PROGRAM EDUCATOR GUIDE Kindergarten-Grade 12 Marguerite Wildenhain: Bauhaus to Pond Farm January 20 – April 15, 2007 Museum & Schools program sponsored in part by: Daphne Smith Community Foundation of Sonoma County and FOR MORE INFORMATION ABOUT THE EXHIBITION OR EDUCATION PROGRAMS PLEASE CONTACT: Maureen Cecil, Education & Visitor Services Coordinator: 707-579-1500 x 8 or [email protected] Hours: Open Wednesday through Sunday 11:00 a.m. to 5:00 p.m. Admission: $5 General Admission $2 Students, Seniors, Disabled Free for children 12 & under Free for Museum members The Museum offers free tours to school groups. Please call for more information. SONOMA COUNTY MUSEUM 425 Seventh Street, Santa Rosa CA 95401 T. 707-579-1500 F. 707-579-4849 www.sonomacountymuseum.org INTRODUCTION Marguerite Wildenhain (1896-1985) was a Bauhaus trained Master Potter. Born in Lyon, France her family moved first to Germany then to England and later at the “onset of WWI” back to Germany. There Wildenhain first encountered the Bauhaus – a school of art and design that strove to bring the elevated title of artist back to its origin in craft – holding to the idea that a good artist was also a good craftsperson and vice versa. Most modern and contemporary design can be traced back to the Bauhaus, which exalted sleekness and functionality along with the ability to mass produce objects. Edith Heath was a potter and gifted form giver who started Heath Ceramics in 1946 where it continues today in its original factory in Sausalito, California. She is considered an influential mid-century American potter whose pottery is one of the few remaining. -
Bisque Or Biscuit: the First Firing a Pot Undergoes to Prepare It for Glazing
Glossary of Ceramic Terms: Introduction to Ceramic Terms and Definitions Bisque or Biscuit: The first firing a pot undergoes to prepare it for glazing. In industry this is done at a higher temperature than the subsequent glaze firing, the reverse is usually true of the studio potter. Burnishing: A technique where the Leather hard clay is polished with a hard instrument to force the smallest clay particles to the surface creating a soft sheen. This surface remains after the pot is fired so long as the firing temperature is kept below 1100oC. Clay: AL2O3 2SiO2 2H2O. The decomposition of Granite through the process of Kaolinization creates clay (see Kaolinization). Clay is a mineral with a plate (platelet) like structure; it is these plates, (about 0.5 microns across) when lubricated with water, slide against each other to form the plastic mass we know as clay (see Water). 'Primary ' clays are those found close to the area of Kaolinization and hence the purest (Kaolin or China Clays). Secondary clays are those moved by water away form the site of Kaolinization and get progressively more plastic and less pure (Ball Clays, Fire clays, Earthenwares). Clay Body: A clay designed for a special purpose. It is created by blending different clays of by adding to clays other materials, such as feldspar and flint in order to produce a desired workability, maturing temperature, or finished result. A clay body is the result of mans technology. Cobalt: One of the strongest coloring oxides used by the potter. Cobalt creates a dark dense royal blue in most cases. -
Ceramics: the History, Materials, and Manipulative Techniques of the Craft
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1965 Ceramics: The History, Materials, and Manipulative Techniques of the Craft James W. Mizener Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Mizener, James W., "Ceramics: The History, Materials, and Manipulative Techniques of the Craft" (1965). Plan B Papers. 447. https://thekeep.eiu.edu/plan_b/447 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. CERAMICS: THE HISTORY, MATERIALS, AND MANIPULATIVE TECHNIQUES OF THE CRAFT (TITLE) BY James W. Mizener PLAN B PAPER SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE Industrial Arts 452, Recreational Crafts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1965 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION . 1 I. HISTORY AND DEVELOPMENT • 3 Ancient People 3 Chinese Contributions . 8 Contemporary Application 10 Industry •••••• 10 Therapy •• 10 School 11 Recreation 11 II. CERAMIC CONSTRUCTION 13 Clay . 13 Classification of Clay 16 Earthenware • 16 Stoneware • 16 Porcelain •• 17 Tools and Equipment . 17 Methods and Techniques of Ceramic Construction 20 Wedging Clay • • • • • ••• 20 Hand-Built Modeling ••••••••••• 21 Free Form Modeling • • • • 21 Slab Building ••••••••• 23 Coil Building •••••••• 24 Casting Pottery From Molds •••• 25 Single and Multi-Piece Molds •• 26 Preparing the Slip • • • • • • • • • • 28 Casting .