IJA Enewsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cossin2017-Cricussafer.Pdf
Cossin, Ross and Gosselin 1 Prepared using sagej.cls Journal Title Making single point aerial XX(X):3–27 ©The Author(s) 2016 circus disciplines safer Reprints and permission: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/ToBeAssigned www.sagepub.com/ Marion Cossin1, Annie Ross1 and Fred´ erick´ P. Gosselin1 Abstract The purpose of this study was to measure the dynamic tension force between the apparatus and the hanging equipment of five aerial circus apparatus and to recommend minimal loading requirements in rigging and design. Forces generated by different acrobatic movements were measured and synchronized with video recordings. Sixteen students of the National Circus School of Montreal´ (Canada) participated in the study. Maximal forces were analysed and characterized with respect to the discipline, the type of movement and the schooling level of the student. The maximal force measured was 5.3 kN performed in the discipline of aerial straps, equivalent to 7.9 times the bodyweight of the performer. A minimal breaking strength of 22 kN for the hanging point and all the equipment holding the rig is recommended. A minimal breaking strength of 22 kN for straps, 17 kN for rope, and 12 kN for silk, aerial hoop and dance trapeze is recommended. Keywords Aerial circus discipline, maximal forces, safety, circus rigging, acrobat mass Prepared using sagej.cls [Version: 2015/06/09 v1.01] Cossin, Ross and Gosselin 3 Introduction Aerial acrobats use their own force to lift their body and execute various movements requiring extreme strength and precision similar to gymnastics. Aerial acrobatics encompass all disciplines requiring the rigging of an apparatus at a height. -
The Beginner's Guide to Circus and Street Theatre
The Beginner’s Guide to Circus and Street Theatre www.premierecircus.com Circus Terms Aerial: acts which take place on apparatus which hang from above, such as silks, trapeze, Spanish web, corde lisse, and aerial hoop. Trapeze- An aerial apparatus with a bar, Silks or Tissu- The artist suspended by ropes. Our climbs, wraps, rotates and double static trapeze acts drops within a piece of involve two performers on fabric that is draped from the one trapeze, in which the ceiling, exhibiting pure they perform a wide strength and grace with a range of movements good measure of dramatic including balances, drops, twists and falls. hangs and strength and flexibility manoeuvres on the trapeze bar and in the ropes supporting the trapeze. Spanish web/ Web- An aerialist is suspended high above on Corde Lisse- Literally a single rope, meaning “Smooth Rope”, while spinning Corde Lisse is a single at high speed length of rope hanging from ankle or from above, which the wrist. This aerialist wraps around extreme act is their body to hang, drop dynamic and and slide. mesmerising. The rope is spun by another person, who remains on the ground holding the bottom of the rope. Rigging- A system for hanging aerial equipment. REMEMBER Aerial Hoop- An elegant you will need a strong fixed aerial display where the point (minimum ½ ton safe performer twists weight bearing load per rigging themselves in, on, under point) for aerial artists to rig from and around a steel hoop if they are performing indoors: or ring suspended from the height varies according to the ceiling, usually about apparatus. -
Circus Oz Study Guide 1213.Indd
2012-1013 SEASON SchoolTime Study Guide Circus Oz Friday, February 15, 2013 at 11 a.m. Zellerbach Hall, University of California, Berkeley Welcome to SchoolTime On Friday, February 15 at 11:00 a.m., your class will a end a performance by Circus Oz of Austrailia. Get set for the beau ful and the absurd, the breathtakingly brilliant, and thehe downright kooky as Australia’s Circus Oz fi lls the Zellerbach stage with theirr renowned brand of collec ve mayhem. Stunt-jumping acrobats challenge physics, fearless aerial ar sts laugh at gravity, slaps ck knockabouts descendnd into hilarious chaos, and live onstage musicians rock the house! Using This Study Guide This study guide is designed to engage your students with the performancee and enrich their fi eld trip to Zellerbach Hall. Before coming to the performance, we encourage you to: • Copy the student resource sheet on pages 2-3 and hand it out to your students several days before the show. • Discuss the informa on on pages 4-7 about the performance and the ar sts with your students. • Read to your students from About the Art Form on page 8-10 and About Australia on page 12-14. • Assign two or more of the ac vi es on pages 15-17 to your students. • Refl ect with your students by asking them guiding ques ons, which you can fi nd on pages 4,6,8, and 12. • Immerse students further into the art form by using the resource and glossary sec ons on pages 17-18. At the performance: Students can ac vely par cipate during the performance by: • OBSERVING how the performers use their bodies, and how they work together • NOTICING how the music, lights and sound are used to enhance the acts • MARVELING at the skill, technique and prepara on required by the performers • THINKING ABOUT all the ways circus is a theatrical art • REFLECTING on the sounds and sights experienced at the theater. -
Winston-Salem News SATURDAY
Winston-Salem News SATURDAY ENDURANCE RESULTS FUN GAMES TODAY The kudos, bragging rights, and Day two is all about fun. Beginning cash prizes go to: at 1pm today in the main hall, the fun games will be held in the • Fewest throws with three following order. Each new game objects: Andrew Ruiz will begin immediately after the • Club-passing endurance (eight end of the previous game. clubs or more): Florian & Michael Canaval 1. 3-ball Simon Says • 7-ball endurance: Doug Sayers 2. Club-balance endurance • One-devil stick propeller 3. 3-club Simon Says endurance: Dylan Waickman 4. Quarters juggling • 5-ring endurance: Doug Sayers 5. 2-diabolo combat • Cigar box takeout speed race: 6. Huggling endurance (by popular Adam Kuchler request!) • Five-club endurance: Daniel 7. 3-ball blind Ledel 8. Club collect* • 1-diabolo infinite suicide 9. Club combat* endurance: Ted Joblin 10. Volley club semi-finals and • 5-ball endurance: Jack Denger finals DJ TONIGHT! *Run at the same time (they’re Tonight from 8pm till midnight, going to need a lot of clubs). come to the “Renegade room” for a par-tay! We’ll have a DJ, and a BIG TOSS UP cash bar until 12. Bring glow props After the games, bring your props if you want to rave it up, or leave to the main gym, where the IJA your toys and come dance the night will take an awesome photo of tons away. of stuff in the air. We suggest ducking before it all comes down. PEOPLE’S CHOICE Voting stays open till 2pm, and the The average two-year-old child is winner will be announced half of his or her adult height. -
Challenging Artists to Create Tomorrow's Circus Circadium Is the Only Higher-Education Program for Circus Artists in the United States
Challenging Artists to Create Tomorrow's Circus Circadium is the only higher-education program for circus artists in the United States. We offer a full-time, three-year course that grants a Diploma of Circus Arts, recognized by the Pennsylvania Board of Education. We are committed to radically changing the future of circus, and performing arts as a whole, by bringing a multidisci- plinary and experiment-driven approach to creation and performance. As a 501(c)3 organization, the school relies on individual contributions and foundation support to cover costs that cannot be offset by student tuition. We keep our tuition rates low to encourage students from different backgrounds to attend, and to ensure that they will not launch their artistic careers bur- dened by student debt. Circus Arts are Thriving Worldwide, contemporary representations of circus are thriving and expanding – from Cirque du Soleil, to Pink’s performance at the Grammys, to the wide array of theatre and dance groups that incorporate elements of acrobatics, aerials, and clowning into their performances. Circus is no longer confined to the Big Top, as artists in every discipline discover its rich potential for physical expression. And yet, until now the United States lacked a dedicated facility for training contemporary circus artists. Students who wanted to train intensively in circus traveled to Canada, Europe, or Australia. They often stayed in those countries and established companies, meaning that now virtually all of the edgy, exciting, vibrant new circus companies are based overseas. There are a growing number of arts presenters in the U.S. who are clamoring for these kinds of shows – and the only way to get them has been to import them. -
Katie Scarlett CV 2017
Katie Scarlett [email protected] http://katie-scarlett.com Height: 166 cm - 5’4” ● Weight: 53 kg - 115 lbs. ● Hair: Red ● Eyes: Brown PERFORMANCE HISTORY SKILLS ReCirquel Company Budapest 2017 Aerial Straps, Dancer Aerial Hoop Solo+Duet Circus Automatic 2012-2017 Aerial Straps Aerial Straps, Aerial Hoop , Contortion, Dancer Trapeze Industrial Light & Magic 2016 Contortion Motion Capture Dance Stage Entertainment Touring Productions 2015 Aerial Harness Aerial Hoop, Dance Aerial Bartender Celebrity Cruises 2014-2015 Fire Dancing + Eating Aerial Straps, Contortion , Standing Hoop/Pole, Mermaid , Living Statue, Cast Captain Mermaid Trapeze World 2007-2017 Living Statue Aerial Hoop/Straps/Harness, Contortion, Dancer, FireDancer/Eater, Aerial Bartend Pole The Crucible 2008-2017 Acting Aerial Hoop, Contortion, Dancer, Fire Dancer/Eater ,Fire Trapeze Singing Supperclub SF/LA /Amsterdam 2006-2016 Rhythmic Hoop + Ribbon Aerial Hoop/Straps, Fire Dancer/Eater, Contortion.Dancer Sensoree Design Lab 2011-2016 Choreography Dancer, Model, Actress, Spokesperson Rehearsal Direction Obscura Digital 2014 Costume Design + Creation Aerial Hoop, Contortion Instruction: Oakland Fox Theater 2013 Ballet,Pilates,Aerial,Movement Aerial Hoop, Dancer, Contortion Krystallpalast Variete Leipzig 2011 Aerial Hoop, Contortion, Dancer Nikki Beach 2010 Aerial Hoop, Dancer, FireDancer/Eater, Aerial Bartender Circus For Arts 2010 TRAINING Aerial Hoop, Dancer Cirque Dreams Productions 2008 Ballet Aerial Hoop, Dancer New Pickles Circus 2008 Valerie Roche A.R.A.D. Aerial Hoop, Dancer Robin Welch Teatro Zinzanni, Cabaret Lunatique 2008 Summer Lee Rhatigan Aerial Hoop Contemporary Dance Kelly Holcombe Alma Esperanza Cunningham MUSIC VIDEO Aerial Magic Man: PARIS 2014 Chloe Marvel Light Axelrod Contortion Dominik Wyss Gavin Hardkiss: MUNDO VIA AFRIKA 2010 Dancer, Choreographer Rhythmic Apparatus Alkaline Trio: BURN 2005 Shannon Gaines Dancer, Fire Dancer Contortion Serchmaa Byamba Mongolian Contortion Center . -
CNO Awarded at IHS Tribal Urban Awards Ceremony
State-of-the-art Chahta Oklahoma press at Texoma Foundation teams play Print Services works to secure in Stickball Choctaw legacy World Series Page 3 Page 9 Page 18 BISKINIK CHANGE SERVICE REQUESTED PRESORT STD P.O. Box 1210 AUTO Durant OK 74702 U.S. POSTAGE PAID CHOCTAW NATION BISKINIKThe Official Publication of the Choctaw Nation of Oklahoma August 2012 Issue CNO awarded at IHS Tribal Urban Awards Ceremony By LISA REED services staff, the Choctaw Nation Choctaw Nation of Oklahoma has several new programs aimed at educating us on improving our life- The ninth annual Oklahoma styles.” City Area Director’s Indian Health Receiving awards were: Service Tribal Urban Awards Cer- • Area Director’s National Impact emony was held July 19 at the Na- – Mickey Peercy, Choctaw Nation’s tional Cowboy & Western Heritage Executive Director of Health. Museum in Oklahoma City. Chief • Area Director’s Area Impact – Gregory E. Pyle assisted in present- Jill Anderson, Clinic Director of the ing awards to the recipients from the Choctaw Health Clinic in McAles- Choctaw Nation of Oklahoma. Thir- ter. teen individuals and one group from • Area Director’s Lifetime the Choctaw Nation’s service area Achievement Award – Kelly Mings, were recognized for their dedica- Chief Financial Officer for Choctaw tion and contributions to improving Nation Health Services. the health and well-being of Native • Exceptional Group Performance Americans. Award Clinical – Chi Hullo Li, The “I would like to commend all who Choctaw Nation’s long-term com- are here today,” said Chief Pyle. prehensive residential treatment pro- “Their hard work and dedication gram for Native American women Choctaw Nation: LISA REED are exemplary. -
HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine
INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description. -
Tomb Raider & Aerial Angel
Slackwire LED-Quick Change Aerial Straps Fish Fetish Desire for Light Tomb Raider & Aerial Angel 1 Inhalt About us 3 Desire for Light 4 Fish Fetish 8 Tomb Raider 12 Aerial Angel 14 Rotor 18 Awards 22 Testimonials 23 Portfolio 26 Download Link 27 Contact 29 2 About us Mara Zimmerli & Chris Pettersen Quality entertainment is our thing! Chris combines fun acting abilities with balance skills on the slackwire. He earned his bachelor degree in Circus Arts at Ecole Supérieure des Arts du Cirque in Belgium. His signature act Fish Fetish won prices at Festival Mondial du Cirque Demain in Paris and in Young Stage International Circus Festival in Switzerland. Mara unites grace and power in a female body. With specialised coaching and workshops, she has developed her sensual and empowering vibes. Seen on TV, performed in Cirque du Soleil in New York, and the London Olympics Closing Ceremony. Mara & Chris are seriously funny, versatile and they entertain by the values of a true artist with heart and dedication! This is your chance to offer your visitors something they have never seen before. 3 Desire for Light LED - Quick-change 4 A story where a duel turns into a duet, and a fight becomes the desire for light! A highly choreographed LED performance with object manipulation, costume quick-change, and an epic cinematic ending. Video 5 Desire for Light Technical requirements It takes about 20 minutes to get into the quick change costumes before we go on stage, so if we perform more than one act during your show, please take this into consideration. -
WORKSHOP SCHEDULE IJA Festival, Sparks, Nevada, July 26 - August 1, 2010
WORKSHOP SCHEDULE IJA Festival, Sparks, Nevada, July 26 - August 1, 2010. For updates, see http://www.juggle.org/festival Tuesday, July 27 8:00am Joggling Competition 9:00am IJA College Credit Meeting -- Don Lewis 10:00am 3 Club Tricks -- Don Lewis (BEG) 10:00am Siteswap 101 -- Chase Martin (and Jordan Campbell) 10:00am Stretching and Increasing Your Flexibility -- Corey White 11:00am Blind Thows & Catches -- Thom Wall 11:00am Five Balls the Easy Way -- Dave Finnigan 11:00am Jammed Knot Knotting Jam -- John Spinoza 12:00pm 3/4 Ball Freezes -- Matt Hall 12:00pm Basic Hoop Juggling Technique -- Carter Brown 12:00pm Poi -- Sam Malcolm (BEG) 1:00pm Special Workshop -- Kris Kremo 1:00pm 180's/360's/720's -- Josh Horton & Doug Sayers 1:00pm Club Passing Routine -- Cindy Hamilton 1:00pm Tennis Ball/Can Breakout -- Dan Holzman 2:00pm Intro to Ball Spinning -- Bri Crabtree 2:00pm Multiplex Madness for Passing -- Poetic Motion Machine 3:00pm Fun/Simple Club Passing Patterns for 3/4/5 -- Louis Kruk 3:00pm 2 Diabolo Fundamentals and Combos -- Ted Joblin 3:00pm Kendama -- Sean Haddow (BEG/INT) 4:00pm Beginning Contact Juggling -- Kyle Johnson 4:00pm Diabolo Fundamentals -- Chris Garcia (BEG-ADV) Wednesday, July 28 9:00am IJA College Credit Meeting -- Don Lewis 9:00am YEP 1: Basic Techniques of Teaching Juggling -- Kim Laird 10:00am 3 Ball Esoterica -- Jackie Erickson (BEG/INT) 10:00am 5 Ball Tricks -- Doug Sayers & Josh Horton (INT/ADV) 10:00am YEP 2: How To Develop a Youth Program -- Kim Laird 11:00am Claymotion -- Jackie Erickson 11:00am Scaffolding: -
HENRYS’ Own Production Only
Professional Juggling Equipment GB 2016 Juggling Foreword Dear readers, Books Our last catalogue was showing articles from HENRYS’ own production only. We are now presenting our latest catalogue showing articles by other manufacturers. We are glad to be in a position to offer a great variety of products for juggling, acrobatics, unicycling and leisure. We are focussing on articles which meet the current requirements of our customers, and which are practical supplements of our own product range. Henrys GmbH Production and Trading of We offer products by Play (Italy), Beard (England), Bravo Juggling (Hungary), Spotlight (Holland), Filzis Jonglerie (Austria), Juggling Props and Toys La Ribouldingue (France), Goudrix (Canada), Mystec (Germany), Flairco (USA), Anderson & Berner (Denmark), Active People (Switzerland), Kendama Europe (Germany), Qualatex (USA), Pappnase (Germany), Tunturi (Holland), Superflight (USA), In den Kuhwiesen 10 Discraft (USA), WhamO (USA), New Games (Germany), Discrockers (Germany), TicToys (Germany), BumerangFan (France), D-76149 Karlsruhe QU-AX (Germany), Slackstar (Germany), and Kryolan (Germany). Product pictures and table arrangements help to keep the track and also to decide one way or the other. Most of the technical Fon ++49 (0) 721-78367-61|62|63 specifications are based on manufacture's data, differences caused by conversion of production possible! Fax ++49 (0) 721-7836777 E-mail [email protected] Enjoy reading and have fun browsing through the pages! Internet www.henrys-online.de Your HENRYS-Team Opening Hours 9.00 - 16.00 Mo-Tu 9.00 - 14.00 Fr Make-Up Activity Unicycles ᕍᕗ JugglingFlow Balls Juggling Beanbags Kids ᕃ ᕃ Beanbags made of synthetic leather with millet ice white silver red pink yellow green purple blue black orange Weight 00 01 02 03 04 05 06 07 08 12 13 g Code Rec. -
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR and PEACE, SEX and VIOLENCE
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR AND PEACE, SEX AND VIOLENCE JAN M. ZIOLKOWSKI To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/822 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. THE JUGGLER OF NOTRE DAME VOLUME 6 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 6: War and Peace, Sex and Violence Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 6: War and Peace, Sex and Violence. Cambridge, UK: Open Book Publishers, 2018, https://doi.org/10.11647/OBP.0149 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.