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BLOCKHEAD Funeral Balloons
BLOCKHEAD Funeral Balloons KEY SELLING POINTS • Blockhead has released albums with Ninja Tune and produced for artists such as Aesop Rock, Open Mike Eagle and Billy Woods over the course of his nearly two decade long career • Blockhead’s evolution as a producer is on full display, exploring different avenues and sounds with every new release and continuing to forge his own lane between the worlds of hip-hop and electronic music DESCRIPTION ARTIST: Blockhead Funeral Balloons is the new album from acclaimed producer & NYC TITLE: Funeral Balloons fixture Blockhead [real name; Tony Simon]. Funeral Balloons is as bold CATALOG: l-BWZ747 / cd-BWZ747 and irreverent as the title suggests; from the uplifting and energetic mood LABEL: Backwoodz Studioz of “Bad Case of the Sundays” to the spaced out airy grooves found on GENRE: Hip-Hop/Instrumental BARCODE: 616822028315 / 616892517146 “UFMOG” all the way to the 1970s car chase anthem like “Escape from FORMAT: 2XLP / CD NY”, the songs never stop in one place. HOME MARKET: New York RELEASE: 9/8/2017 While, at its core, Funeral Balloons doesn’t stray far from the kind of LIST PRICE: $25.98 / FA / $13.98 / AM music Blockhead has been making since his debut Music by Cavelight, his evolution as a producer is on full display, exploring different avenues TRACKLISTING (Click Tracks In Blue To Preview Audio) and sounds with every new release and continuing to forge his own lane 1. The Chuckles between the worlds of hip-hop and electronic music. 2. Bad case of the Sundays 3. UFOMG 4. Zip It 5. -
Canibus, Not 4 Play
Canibus, Not 4 Play [Chorus: Kurupt & Canibus] Dont play them games, not for play, not today say what you say, not for play, not to day we horseman man, you fools insane, locked the game we spit flames, not for play, not today [Kurupt:] Each day I dip sometimes I trip this gangsta shit (west gangsta shit) I just don't give a fuck I gallop role I'm in control I like gettin high in G mode with the homeys just lettin all the weed blow fired up, nigga what you thought it was buz cause nigga I don't give a fuck [Canibus:] Niggaz like us don't give a fuck Canibus and Kurupt, choke a nigga up comin through in the four by four truck chromed from the flour up, with ????? white air force ones with the low cut I'm in the back of the jeep gettin ????? me and my dawg Kurupt spark that skunk I know I'm a G cos' my name start with one [Chorus] [Canibus:] We Horseman man the next Wu-Tang you know the name, Killah Priest and Kurupt Ras Kass to you heard of us we go to the club, curse and cus start that buzz, thats wots up spike the punch, fight and fuzz rush that stage for the mic and bus straight up cause I love them guts dont call me unless you invite some sluts 36C cup with big butts I pay big books to get my dick sucked she can spit it up, then lick it back up thank you very much, there you go slut a Benjamin Franklin was more than enough write your number down ill be in touch [Chorus] [Kurupt] A Benjamin Franklin was more than enough bitch give me that cash before I fuck you up genuine banging in the deck same old G, D.P.G show you somethin gangstafied -
Automatic Recognition of Samples in Musical Audio
Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition. -
Road to CRS: Key Notes Parmalee Stunt: Speed of Sound
January 28, 2013, Issue 330 Road To CRS: Key Notes CRS 2013 is four short weeks away and if you weren’t already goose-bumped with anticipation, today’s Country Aircheck begins a weekly sneak preview leading up to this year’s seminar. In a change from past years, CRS will present a keynote each of the event’s three days, rather than a single speaker to kick off the week. “Through our follow-up research, we found attendees enjoyed long-form presentations and speakers as much as panels in some cases,” explains CRS Exec. Dir., Bill Mayne. Bill Mayne Up first Wednesday (2/27) will be Emmis CEO Jeff Smulyan. “We’re thrilled, especially in light of the recent news about Sprint giving customers access to FM stations on select smartphones, an initiative he vigorously spearheaded,” says Mayne. “Jeff will also be a great thought-starter; we like to have people who License To Chili: Mercury’s Kacey Musgraves gets ready to invoke discussion and thought during the run of CRS.” play WKIS/Miami’s 28th annual Chili Cookoff on Sunday Thursday, David Dixon will discuss radio’s influence on political (1/27) by grabbing a photo with station staffers. Pictured campaigns. “David is highly regarded as a media strategist in the (l-r) are the labels’ Bruce Shindler, Musgraves, and WKIS’ political world,” says Mayne. “He uses radio very successfully and has Ken Boesen and Tim Conlin. been a big proponent of the medium. He was on Obama’s 2008 and 2012 campaign teams and can help us understand why radio works from the perspective of someone outside our industry.” Parmalee Stunt: Speed Of Sound Dragging a band across the country for three shows in one CNN’s Dr. -
AV 011 KXNG CROOKED X BRONZE NAZARETH Gravitas CD
KXNG CROOKED x BRONZE NAZARETH GRAVITAS 01. Emperor’s Arrival (Intro) 02. Outer Limits (feat. Hus Kingpin & Killah Priest) 03. Slave Chains 2 Handcuffs (feat. Ras Kass, Bishop Lamont & Compton Menace) 04. Still (Reprise) 05. I Can Still Remember… 06. Westside Willie (feat. Planet Asia & P.U.R.E.) 07. Change Ur Beliefs (feat. Bronze Nazareth & Kevlaar 7) 08. Precious Moments (Interlude) (feat. Snoop Dogg) 09. French Connection (feat. Tristate, Bronze Nazareth & L.A.D. aka La The Darkman) 10. Soul Drenched 11. Get Rich (Outro) 12. Buck Shots (Remix) (feat. Ghostface Killah, Benny The Butcher & 38 Spesh) 13. Kxng Shxt (Remix) (feat. DMX, Royce Da 5’9 & Statik Selektah) 14. Fresh From The Morgue (Remix) (feat. RZA & Bronze Nazareth) Long Beach legend Kxng Crooked takes a break from his consistently dope “Weeklys” series to serve up listeners a slab of hardcore hip-hop fashioned with lauded Wu-Tang clan affiliate Bronze Nazareth. It's East meets West in a collision of sound. And plenty of Crooked and Bronze's homies come along for the ride, including Snoop Dogg, RZA, Ghostface Killah, Planet Asia, Ras Kass, and many more. Kxng Crooked aka Crooked I is best known as a former member of the hip hop supergroup Slaughterhouse with other members Joe Budden, Joell Ortiz and Royce da 5'9". Bronze Nazareth is from Grand Rapids, Michigan, and is a hip hop music producer and emcee associated with the Wu-Tang Clan. He has a solo career as an emcee and is also a part of the hip-hop group Wisemen along with his brother Kevlaar 7. -
Issue 372 Inside This Year’S CMA Awards Our Annual Check-In with CMA Awards Exec
November 18, 2013, Issue 372 Inside This Year’s CMA Awards Our annual check-in with CMA Awards Exec. Producer Robert Deaton offers insight into the show’s most interesting segments, including a personal moment that was a late-breaking surprise. CA: The awards got good reviews from radio and good ratings from viewers. Are you equally positive? RD: I feel really good about the show. It was an important year for us with a new set, graphic package and whole new look. We did a lot of new things this year the viewer may not even perceive, but affect the overall quality of the show. Like what? We have such great hosts in Brad and Carrie, I wanted them to be more involved. Instead of just popping out and introducing a performance, I wanted it to feel like they Robert Deaton were guiding us through the night. So we only Golden Corral: Country radio pros and RCA staffers take in used our host position two times throughout Jake Owen’s “Days Of Gold Weekend” from a hotel rooftop the show. We put them in the arena, in the aisle, on the set, overlooking the Atlantic Ocean in San Juan, Puerto Rico. backstage, where you could see audience in the background ... Owen previewed his new album Days Of Gold and shared the where you can see the scale of the event. We also had them go stories behind the songs. He even performed a few favorites onstage after a performance and throw to the bumper. They did from his club years, covering everyone from Conway Twitty live bumpers, and normally we’ve done pre-packaged. -
News Release for IMMEDIATE RELEASE ROCK and ROLL HALL of FAMERS, the BEACH BOYS, to PERFORM at the SANDLER CENTER
Media Contact Megan Boyle | [email protected] | (757) 385-2528 News Release FOR IMMEDIATE RELEASE ROCK AND ROLL HALL OF FAMERS, THE BEACH BOYS, TO PERFORM AT THE SANDLER CENTER TICKETS ON SALE FRIDAY, MARCH 20 AT 10 AM EXCLUSIVELY THROUGH YNOTTIX.COM. March 10, 2020 (VIRGINIA BEACH, Va.) – In an era that celebrates positive vibes, The Beach Boys are bringing their “Good Vibrations” back to Virginia Beach. As The Beach Boys mark more than a half-century of making music, the group continues to ride the crest of a wave unequaled in America’s musical history. Their name has become synonymous with the California lifestyle and has become an American icon to fans around the world. The Beach Boys will pull into town to perform on Tuesday, September 22 at 8 PM. Tickets go on sale Friday, March 20 at 10 AM and can be purchased at YnotTix.com, by calling 757-385-2787, the Sandler Center Box Office located at 201 Market Street, Virginia, 23462. Tickets are priced at $110.00, $100.00, $89.50, and $79.50. Tickets include an album bundle. To receive the exclusive pre-sale code to purchase tickets before the general public, join the Sandler Center Cyber Club at SandlerCenter.org/connect/email-sign-up. The pre- sale for this show will be Thursday, March 19, 10 AM-10 PM. Since lead-singer Mike Love penned the lyrics to The Beach Boys’ first hit, “Surfin’” (1961), dozens of the bands chart-toppers have become eternal anthems of American youth including “Surfin’ USA,” “Surfer Girl,” “Fun, Fun, Fun,” “I Get Around,” “California Girls,” “Help Me Rhonda,” “Barbara Ann,” “Good Vibrations,” “Wouldn’t It Be Nice,” “Rock and Roll Music”, and “Kokomo.” The Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards. -
Gavin-1999-03-05-OCR
GAVIN MOST ADDED LW 1W RAP Spins Dill 1 NAS - Nas Is Like (Columbia/CRG) 1465+1465 2 PETE ROCK - Tha Game/One Life To Live (Loud) 1443+1443 3 RAS KASS - Rasassination (PatchWerk Recordings) 1393+1393 REVIEWSBF./a Coveney 4 RZA - NYC Everything feat. Method Man (Gee Street) 1382+1382 EVAGREEN TEAM 5 KRS ONE - 5 Boroughs (Jive) 1286+1286 "Gambalah"/"Hazy Mondays" JANE BLAZE (65) 6 INSPECTAH DECK - Rec Room (Loud) 1186+1186 7 NAUGHTY BY NATURE - Dirt All By My Lonely (Arista) (Evagra Records) MASTERMINDS (64) 1120+1120 8 CHOCLAIR - Flagrant (Figure IV) 981 +981 Coming out of North Carolina,this RUFF RYDERS (40) #8 Highest jump this week. Also, my favorite record on the chart. thoughtful, conversational crew spins some basic rhymes against a steady ALL NATURAL (34) 9 BUCKSHOT, 5FT, EVIL DEE - Showdown/Onslaught (Duck Down/Priority) 951 +951 beat backed with eerie, space-age DEADLY SNAKES (30) 10 DEFARI - Likwit Connection (Black Label/Tommy Boy) 947 +947 sounding synthesizers on - 11 THE ROOTS - You Got Me (MCA) 945 +945 "Gambalah," the first single. "Don't 12 EMINEM - My Name Is... (Interscope) 938 +938 sweat the other styles" advises the - 13 TIMBALAND - Lobster & Scrimp (Blackground Ent./Atlantic) 922 +922 MOST REQUESTED threesome, and it's obviously advice - 14 PSYCHO & IRISCIENCE - On Deadly Ground (Blackberry) 903 +903 they've taken-their low-key style is - 15 SAUCE MONEY - Middle Finger U/Pre-Game (MCA) 876 +876 hard to compare to anyone else. 16 HI! TASH - Bermuda Triangle (Loud) 194 +794 Backed with the equally ethereal and MY NAME IS 17 - KARDINAL OFFISHALL - And What (Figure IV) 737 +137 string -section -laced "Hazy Monday," #17 2nd highest jump this week.. -
Issue 375 Programmers on Music Tools Ask Five Programmers About the Best Tools for Making Music Decisions and You Might Get Five Different Answers
December 9, 2013, Issue 375 Programmers On Music Tools Ask five programmers about the best tools for making music decisions and you might get five different answers. But that may be a good thing if the belief is that diversity in metrics and processes makes for a richer musical ecosystem. Country Aircheck surveyed a handful of OMs, PDs, APDs and MDs in markets of different sizes to better understand what’s behind their calls on adds and category changes: KEGA/Salt Lake City PD Jon Watkins (Market 29): Sometimes there is just too much information! We have Mscore, callout, charts, online research, online sales, concerts being sold out − every song seems to be a hit with the right data. But first and foremost, you better like the song. Then the With A Broken Ying: WNOE/New Orleans’ Don Gosselin (center small group in your music meetings better left) and friends split up a hip-hop duo at last night’s (12/8) like the song. After [the add], we watch Saints-Panthers game in New Orleans. Pictured (l-r) are the Mscores to make sure that after a few weeks Ying Yang Twins’ D-Roc, Columbia’s Tyler Farr and rep Brooke we haven’t made a bad decision. It’s also Meris, former San Francisco Giants first baseman and Big Easy native Will Clark, and YYT’s Kaine. Jon Watkins important to be aware of where your songs are on the competitor’s station so you don’t become too unfamiliar. I like monitoring a few similar stations to Radio Pro Gets Creative see what moves they’ve made, too. -
The Beach Boys at the Mccallum
FOR IMMEDIATE RELEASE November 12, 2019 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media THE BEACH BOYS McCALLUM THEATRE Sunday – December 1 – 3:00pm and 7:00pm Palm Desert, CA – The McCallum Theatre welcomes the return of The Beach Boys for two performances on Sunday, December 1, at 3:00pm and 7:00pm. You can capsulize most pop music acts by how many hits they’ve had and how many millions of albums they’ve sold. These conventional measurements fall short when you’re assessing the impact of The Beach Boys. This band birthed a torrent of hit singles and sold albums by the tens of millions. Its greater significance lies in the fact that The Beach Boys’ songs forever changed the musical landscape, profoundly influencing countless performing artists. The Beach Boys are led by Mike Love and Bruce Johnston, who, along with Tim Bonhomme, John Cowsill, Keith Hubacher, Christian Love, Brian Eichenberger, Randy Leago and Scott Totten continue the iconic American band’s legacy. Grammy-winning songwriter Bruce Johnston joined The Beach Boys in 1965, replacing Glen Campbell, who filled in for Brian Wilson, on vocals/bass, when he retired from touring. Johnston’s vocal work with such legendary artists as Elton John and Pink Floyd firmly established him among rock’s elite artists. Captained by Mike Love, The Beach Boys play a busy schedule of concerts, averaging 150 shows a year, ranging from summer festivals to New Year’s celebrations and special events across the globe. The Beach Boys continue to create and perform with the same bold imagination and style that marked their debut over 50 years ago. -
Sport & Celebr T & Celebr T & Celebr T
SporSportt && CelebrCelebrityity MemorMemorabiliaabilia inventory listing ** WE MAINLY JUST COLLECT & BUY ** BUT WILL ENTERTAIN OFFERS FOR ITEMS YOU’RE INTERESTED IN Please call or write: PO Box 494314 Port Charlotte, FL 33949 (941) 624-2254 As of: Aug 11, 2014 Cord Coslor :: private collection Index and directory of catalog contents PHOTOS 3 actors 72 signed Archive News magazines 3 authors 72 baseball players 3 cartoonists/artists 74 minor-league baseball 10 astronaughts 74 football players 11 boxers 74 basketball players 13 hockey players 74 sports officials & referrees 15 musicians 37 fighters: boxers, MMA, etc. 15 professional wrestlers 37 golf 15 track stars 37 auto racing 15 golfers 37 track & field 15 politicians 37 tennis 15 others 37 volleyball 15 “cut” signatures: from envelopes... 37 hockey 15 CARDS 76 soccer 16 gymnastics & other Olympics 16 minor league baseball cards 76 music 16 major league baseball cards 82 actors & models 19 basketball cards 97 other notable personalities 20 football cards 97 astronaughts 21 women’s pro baseball 98 politician’s photos 21 track, volleyball, etc., cards 99 signed artwork 24 racing cards 99 signed business cards 25 pro ‘rasslers’ 99 signed books, comics, etc. 25 golfers 99 other signed items 26 boxers 99 cancelled checks 27 hockey cards 99 baseball lineup cards 28 politicians 100 newspaper articles 28 musicians/singers 100 cachet envelopes 29 actors/actresses 100 computer-related items 29 others 100 other items- unsigned 29 LETTERS 102 uniforms & jerseys, etc. 30 major league baseball 102 PLATTERS MUSIC GROUP (ALL ITEMS) 31 minor league baseball 104 MULTIPLE SIGNATURES, 36 umpires 105 BALLS, PROGRAMS, ETC. -
Performing Live 2 0
PERFORMING LIVE TICKETS ON SALE SEASON BROCHURE MAY 22 2017-2018 LUDOVICO EINAUDI ESSENTIAL EINAUDI HOST OF PUBLIC GLOBALFEST LOVE ON THE FLOOR GEORGE BENSON RADIO’S RADIOLAB ON THE ROAD CREATED BY CHERYL BURKE & KENNY G JAD ABUMRAD THE NEW GOLDEN AGE OF LATIN MUSIC THE POWER OF THAT MUSIC STILL, TO THIS DAY, BYPASSES THE BRAIN AND GOES STRAIGHT TO THE HEART. DENNIS DEYOUNG YOU DON'T HAVE THE MUSIC OF STYX TO THINK ABOUT IT; IT'S SOMETHING AUG 11, 2017 • 8:00PM IKEDA THEATER | $35-$55 THAT YOU FEEL. Dennis DeYoung is a founding member of Styx, not only is he the lead singer, but he is the writer of seven of the band’s eight Top Ten Hits. His live concert showcases Styx greatest hits JOHN STAMOS including “Lady,” “Babe,” “Come Sail Away,” “Mr. Roboto,” “Rockin the Paradise” and more. ON THE BEACH BOYS Dennis is a legendary singer, songwriter, keyboardist, composer and record producer. His career spans over 40 years and his voice is one of the most recognizable in the music world today. Presented in partnership with Live Nation. THE BEACH BOYS SEPT 17, 2017 • 7:00PM IKEDA THEATER | $45-$99.50 The Beach Boys are one of America’s greatest rock bands. Songs like “Good Vibrations,” “Fun Fun Fun,” “Help Me Rhonda,” and “Surfin USA” became anthems for a generation and continue to engage new fans today. The Beach Boys are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Brian Eichenburger, Tim Bonhomme, John Cowsill and Scott Totten continue the legacy of this iconic American band.