I Am Legend Free
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Journal of Writing and Writing Courses
TEXT creative TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT creative Contents page Poetry Richard James Allen, Click here to allow this poem to access your location Gayelene Carbis, Oranges Edward Caruso, Potsherds Becky Cherriman, Christina Tissues a Script (or what my Otter app misheard) Abigail Fisher, A un poema acerca del agua Carolyn Gerrish, Aperture Lauren Rae, Hemispheric March Script Cailean McBride, Be Near Me (after In Memoriam) Prose Julia Prendergast, Mothwebs, spinners, orange Patrick West, Pauline Laura Grace Simpkins, Vanilla Phillip Edmonds, Giving it away Rosanna Licari, Fiona and the fish Georgia Rose Phillips, On the Obfuscations of Language Diane Stubbings, From Variation for three voices on a letter to nature Ariel Riveros, Planetary Nephology Calendar App Dean Kerrison, 2 stories Lachie Rhodes, The Silver Locket Tara East, Story Monster Ned Brooks, This is Not a Film TEXT Vol 24 No 2 October 2020 www.textjournal.com.au General editor: Nigel Krauth. Creative works editor: Anthony Lawrence TEXT poetry Richard James Allen Click here to allow this poem to access your location TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT poetry Richard James Allen Click here to allow this poem to access your location I couldn’t lasso it but I drew a line from there to here and swung between [Michigan] and the moon. Richard James Allen is an Australian born poet. His latest book is The short story of you and I (UWAP, 2019). His writing has appeared widely in journals, anthologies, and online over many years. -
Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. -
Magic to Manic: the Evolution of the Zombie Figure in Fiction and Its Basis in Moral Panic Dissemination
Magic To Manic: The Evolution Of The Zombie Figure In Fiction And Its Basis In Moral Panic Dissemination By Laetitia Cassells Submitted in fulfilment of the requirements of the degree MIS (Publishing) In the Department of Information Science Faculty of Engineering, Built Environment and Information Technology At the University of Pretoria Supervisor: Dr Elizabeth le Roux Date of submission: December 2015 © University of Pretoria © University of Pretoria I declare that the Master’s dissertation, which I hereby submit for the degree MIS (Publishing) at the University of Pretoria, is my own work and has not been previously submitted by me for a degree at another university. Laetitia Cassells © University of Pretoria © University of Pretoria Table of Contents List of Diagrams .......................................................................................................................... ii List of Figures ............................................................................................................................ iv Abstract ..................................................................................................................................... vi Acknowledgements ................................................................................................................. viii Chapter 1: Introduction ............................................................................................................. 1 1.1 Background ................................................................................................................. -
3 Hollywood Scientists
Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Rüdiger Vaas Ulrich Walter Stephen Webb Science and Fiction—A Springer Series This collection of entertaining and thought-provoking books will appeal equally to sci- ence buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books ex- plore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in sci- ence, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supple- ment summarizing the science underlying the plot. -
Bauer, Katja Vom Vampir Zum Zombie
Bauer, Katja Vom Vampir zum Zombie - Entwicklung und Unterschiede verschiedener filmischer Adaptionen anhand des Beispiels des Romans„I am legend“ von Robert Matheson -Bachelorarbeit- Fakultät Medien Hamburg 2010 Bauer, Katja Vom Vampir zum Zombie - Entwicklung und Unterschiede verschiedener filmischer Adaptionen anhand des Beispiels des Romans„I am legend“ von Robert Matheson Katja Bauer -eingereicht als Bachelorarbeit- Fakultät Medien Hochschule Mittweida (FH) – University of Applied Sciences Erstprüfer Zweitprüfer Prof. Dr. Detlef Gwosc OStR Lars Lankow-Mischur Vorgelegte Arbeit wurde eingereicht am 31.08.2010 Hamburg 2010 Vom Vampir zum Zombie - Entwicklung und Unterschiede verschiedener filmischer 3 Adaptionen anhand des Beispiels des Romans „I am legend“ von Robert Matheson Bibliographische Beschreibung Katja Bauer Vom Vampir zum Zombie - Entwicklung und Unterschiede verschiedener filmischer Adaptionen anhand des Beispiels des Romans „I am legend“ von Robert Matheson Stand: 31. August 2010 Kurzreferat Diese Bachelorarbeit setzt sich mit den Gründen von Neuverfilmungen auseinander. Dabei werden Anhand des Beispiels des Romans „I am legend“ von Robert Matheson die Verfilmungen untersucht. Insbesondere werden dabei die Unterschiede der verschiedenen Filme herausgehoben und analysiert um dadurch die Gründe einer erneuten Verfilmung aufzuzeigen. Das Ergebnis dieser Arbeit ist, die Beschreibung einer möglichen Zukunft der Filmgeschichte in Bezug auf die Entwicklung der Neuverfilmungen. Vom Vampir zum Zombie - Entwicklung und Unterschiede -
Richard Matheson's I Am Legend
Adaptation Vol. 8, No. 1, pp. 130–144 doi:10.1093/adaptation/apv001 Richard Matheson’s I Am Legend: Colonization and Adaptation Downloaded from https://academic.oup.com/adaptation/article/8/1/130/2447454 by Universidad Central user on 14 August 2020 NIcOLa BowrInG* Abstract This article examines questions of colonization and alterity alongside those of adapta- tion in Richard Matheson’s novel and three film adaptations of this. Matheson’s text, as a narrative about colonization, and as a hybrid text itself in terms of literary history, being both part adaptation and adaptatee, provides idea material for considering questions of adaptation and appropriation. This is explored through: narrative form and mis-en-scène; seeing and interpreting the other; hybridity; legend and fiction; and narrative history. Here adaptation is read in terms of adapting to a new environment and the process of alienation, and the adaption of texts or mythologies, which are read alongside one another to provide a reading of community, selfhood, adaptation, and history in the text. Keywords Matheson, vampires, alterity, adaptation, legend, myth, monstrosity. In a fictional Los Angeles in 1979, Robert Neville, the last human, looks out of his cell at the ‘new people of the earth’—a community of vampires—and feels keenly his own non-belonging, his new position as threatening outsider, monster: ‘anathema and black terror to be destroyed’ (160). Matheson’s 1954 novel, I Am Legend, has traced thus far Neville’s solitary existence in a post-plague world to the point of encounter with these vampire hybrids who have built up their new society, and his subsequent surrender to them. -
I Am Legend As American Myth: Race and Masculinity in the Novel and Its Film Adaptations
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org BOOK REVIEW: I Am Legend as American Myth: Race and Masculinity in the Novel and Its Film Adaptations Marjut Puhakka Ransom, Amy. I Am Legend as American Myth: Race and Masculinity in the Novel and Its Film Adaptations. McFarland, 2018. ISBN 978- 1476668338. Although Ransom’s previous work in Canadian SF has won the Pioneer Award offered by the Science Fiction Research Association, I Am Legend as American Myth unfortunately lacks the same ambition or cohesiveness. Still, it offers a wonderful opportunity to follow through on the changes in the many adaptations of Richard Matheson’s novel I Am Legend (1954), which Ransom examines using gender, race, and adaptation theory. Ransom’s study is a timely one due to Richard Matheson’s great influence on North American SF – in fact, George Romero wrote the screenplay for Night of the Living Dead (1968) after encountering the novel; Matheson’s story may thus be considered the starting point for the modern zombie genre. Yet, even if Matheson’s con- tributions to the genre are clear, fewer studies on Matheson have appeared than one might expect (despite a slight uptick of interest since the Will Smith film version in 2007). Ransom’s book is therefore a welcome, detailed comparison of Matheson’s novel and its four full-length film versions. I Am Legend as American Myth situates Matheson’s original narrative in the historical context of time it was created: World War II and the Cold War period immediately following. Ransom analyses the novel and the four films in chronological order. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood. -
Watch It!: 20 Films, Shows, and Novels to Keep You Paranoid While Quarantined
Sorry, We’re Closed: Local photographer documents closed signs in Rhode Island Student Perspective: One high school student’s view of the coronavirus Right now the only thing on anyone’s mind is the newest strain of coronavirus. How it’s affecting our community, economy and other nations around the world has taken over every news station and permeated every home. While schools have been canceled, some businesses close, films and television have been put on hiatus and quarantines are being instated; it’s a lot to take in. Maybe the way the media and internet has framed the pandemic is also part of the problem, undermining the mostly high survival rate, favoring to talk about how contagious the virus is. Being a senior in high school puts my peers and me in between two groups: the adults, and the young kids. While we aren’t fully fledged members of the community, still finishing up our secondary education, we are being affected on a different level than younger students. They are also out on a vacation of sorts and will eventually have to take online courses like us, but taking into context all the things the Class of 2020 could be missing that most senior classes have brings it into a different perspective. Not only are our regular studies being affected, but things from senior projects (or senior experience depending on what you do and where you go to school), proms, athletics, clubs and maybe even walking the stage at graduation are being straight up canceled or put into question. -
I Am Legend 2Nd Edition Pdf, Epub, Ebook
I AM LEGEND 2ND EDITION PDF, EPUB, EBOOK Richard Matheson | 9780765357151 | | | | | I Am Legend 2nd edition PDF Book Matheson wrote the original screenplay for this adaptation, but due to later rewrites did not wish his name to appear in the credits; as a result, Matheson is credited under the pseudonym "Logan Swanson". He believes vampires are affected by mirrors and crosses because of " hysterical blindness ", the result of previous psychological conditioning of the infected. From Wikipedia, the free encyclopedia. Richard Matheson. The science-fiction horror genre reemerged in the late s. Read the story on the blog. Join Us. Add another edition? Item in acceptable condition including possible liquid damage. Loading Related Books. Published by Orb Books Views Read Edit View history. Published by Warner Home Video. Retrieved July 23, Now nationally and internationally known, for over 28 years Allen has applied his talents to everything from illustration for gaming companies and book covers, to concept work for major motion pictures and television. Driven insane by the disease, the infected now react as they believe they should when confronted with these items. Retrieved December 3, Some vampiric elements are retained, such as sensitivity to UV light and attraction to blood. Chicago Tribune. Anna asks him what he's doing, and Neville says that he's listening. Last edited by Clean Up Bot. The Times. Spine creases, wear to binding and pages from reading. Anna still brings up the point that Neville could be wrong and the Dark Seekers made the trap for him. Paperback in English - First Edition. Watch Now! Neville sees it, and then sees the butterfly tattoo again on the Alpha Female's shoulder. -
20 Films, Shows, and Novels to Keep You Paranoid While Quarantined
Watch It!: 20 films, shows, and novels to keep you paranoid while quarantined Either by choice or not, we all will be spending a lot of time indoors. Even after lying in bed contemplating our mortality, raiding the fridge and fighting over toilet paper, our schedules will still be open enough for us to take a look at our infinitely expanding watchlist. Art imitates life and a lot of people will want to distract themselves from one viral outbreak with another. Here is a list of films, TV shows and novels that will make you feel uneasy the next time you sneeze. Just remember, the sun will come out tomorrow, the quarantine will end and wash your hands. The Planet of The Apes Trilogy (2011, 2014, 2017) Directed by: Rupert Wyatt, Matt Reeves Staring: Andy Serkis, James Franco, Jason Clarke, Gary Oldman, Woody Harrelson Rating: PG-13 Genre: Action, Sci-fi, Drama, Dystopian Runtime: 1 hour & 45 minutes, 2 hours & 10 minutes, 2 hours & 20 minutes Rotten Tomatoes: 82%, 91%, 94% IMDB: 7.6/10, 7.6/10, 7.4/10 The modern reboot of the classic science fiction franchise has a reputation as one of the best film trilogies in recent memory. This is thanks to its brilliant effects, fantastic story with complex themes regarding the morality of animal experimentation, the dehumanization of war and its well-developed and memorable cast of characters (which is very impressive considering most of them are apes). Without delving too deep into spoilers, the virus that is foreshadowed by the pilot character in the first film seamlessly sets the stage for the post-apocalyptic setting of its two sequels. -
I Am Legend (2007) and the Political Economy of Cultural Production
A TALE OF TWO VERSIONS— I AM LEGEND (2007) AND THE POLITICAL ECONOMY OF CULTURAL PRODUCTION Holger Pötzsch (UiT The Arctic University of Norway) Abstract: Based on a comparative reading of the officially released version and the director’s cut of Francis Lawrence’s movie I Am Legend (2007a; 2007b), the present contribution interrogates possible connections between the political economy of film production and aesthetic form. Drawing upon theoretical frameworks such as Herman and Chomsky’s propaganda model and Artz’ critical study of global entertainment industries, and combining these with an analysis of Lawrence’s two versions, I argue that profit-oriented adaptations to implied market pressures are not neutral endeavours, but inherently political acts that shape aesthetic form to, often-tacitly, reiterate a received hegemonic status quo. Keywords: I Am Legend (2007); propaganda model; Hollywood; cultural production; othering; test-screenings; liminal space. Introduction The present tale of two versions is essentially a story of emphasis. Contrasting the officially released version of Francis Lawrence’s Hollywood action-flic I Am Legend (2007a) with a director’s cut that has only subsequently been made available on a DVD edition, I investigate, how the profit-orientation of a global film industry translates into aesthetic form that then invites hegemonic potentials of meaning and practice. Last- minute alterations to the cinema version of Lawrence’s film were aimed at making the product digestible to mainstream audiences thus securing financial revenues. In addition, however, these changes also align the narrative to hegemonic discursive frames of othering and violent exclusion proving that market-oriented adaptations of cultural products are not politically neutral endeavours.